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Panasonic Remote Set-Up Controller for DVCPRO, DVCPRO50 and DVCPRO HD Camcorders. Access camera settings, iris control, menus and VTR transport controls via a small, control panel that can used up to 100 feet away.
The Scriptlinc by Katamount is a high-tech clipboard with an integrated wireless receiver and time code reader, created with both script and production notes in mind.
The Scriptboy is the ideal production assistant's assistant. It provides a large, clear readout of timecode from the camera at distances of up to 100 metres, without cables - and without having to ask the cameraman "what's the code?" A small battery-powered transmitter is attached to the camera and fed with LTC timecode in EBU or SMPTE, dropframe or non-dropframe format. This is transmitted to the Scriptboy clipboard which automatically detects the format and decodes the signal for display. The display reading can be frozen so that accurate timecode can be recorded on continuity notes or script.
Presentation onscreen writer
This versatile shock-absorbing support for DV cameras adjusts to accommodate various body types, camera weights, and shooting styles. Fluid tilt and adjustable suspension enable smooth, mobile acquisition. Great for hand-held shooting. (Camera not included)
The Deneke TS-3 Time Code Slate reads and displays SMPTE/EBU Time Code; it utilizes an internally mounted SB-2 Syncbox Time Code Generator. This unit Jams to all standard frame rates, including 30 df; user bits jam automatically when the time is set. The high stability crystal ensures low drift and now comes standard with the TCXO option for extreme temperature ranges.
The Clockit, called "Lockit" by many, is a small, highly accurate portable timecode and colour videosync and wordclock generator. Audio and video machines such as DAT recorders, and Betacams can be genlocked to the Clockit Box, thus giving a very low drift between equipment working together. Typically, the drift will be less than 1 frame per day, without connecting cables or radio links. The Clockit can be jamsynced with external timecode, or set with Aaton ASCII code. The Clockit is especially useful in multicamera Betacam shoots, where a Clockit on each camera and one on the audio recorder will reduce drift between machines to under one frame a day.
The Ambient ACL 203 Tri-Level Sync Lockit Set is a time code device designed for use with HDV cameras. It supports a variety of HD video formats, as well as sample-rate-based synching for audio recorders in world clock and black audio up to 192KHz. The unit features (3) rotary encoders that control function blocks, sync format, sync frequency, and time-code frame rate. These controls allow for simple dialing even with exotic variants of pull-up/pull-down or cross jam modes.
The Ambient Controller is an extremely accurate portable master clock and timecode generator/reader. It can can be used to jam, read, identify, and compare all timecodes. All framerates are supported and the frame rate can be changed without losing time of day, enabling a camera running at 24 frames, and a recorder running at 25 or 30 frames to be jamsynced.
4:3/16:9 Digital Aspect Ratio Flat screen NTSC/PAL With pro connector box on back. Includes Sony power system with two batteries
Easy markings on the Focus scale offers you control for your focus points. Focus marks on video lens have a rotating angle of approximately 110° - 144° on the lens. The Studio Rig/Follow Focus system spreads this angle to approximately 2 - 2.5 times on the handwheel. Includes whip and right side.
The Chrosziel 203-01 is a follow focus designed for film and video cameras. The unique system allows easy operation from both sides, making it highly accessible in a variety of situations. The follow focus makes critical focus pulling a breeze.
creates clear scan capability in cameras with companion circuit
The DXA-5D provides an easy way to connect professional microphones and other audio gear to the Canon 5D Mark II camera. It is now possible to capture professional sound with control and monitoring ability.
The BeachTek DXA-6 Has all the features of our popular DXA-4 adapters with the addition of 48 volt phantom power on both channels. Works with any stereo camcorder. This adapter is designed to easily attach balanced or unbalanced type microphones to any camcorder with a MIC jack. The DXA-6 gives you all the benefits of using balanced audio devices for clean audio as well as control over the signal levels to ensure the best possible sound.
The BeachTek DXA-4 is a two channel transformer balanced XLR adapter for today's small, compact camcorders. This adapter is designed to easily attach balanced or unbalanced type microphones to any camcorder with a MIC jack. The DXA-4 gives you all the benefits of using balanced audio devices for clean audio as well as control over the signal levels to ensure the best possible sound.
The BeachTek DXA-2s is a two channel transformer balanced XLR adapter for today's small, compact camcorders. This adapter is designed to easily attach balanced or unbalanced type microphones to any camcorder with a MIC jack. The DXA-2s gives you all the benefits of using balanced audio devices for clean audio as well as control over the signal levels to ensure the best possible sound.
Universal Quick Lock Plate for Sony and Panasonic HD Cameras and Camcorders.
By mounting the FHS-LCD Monitor Arm to either the left or right handle rosette of your fluid head, you can now position an LCD monitor or a 6" HD/SD waveform & vector scope monitor right where you want it for easy viewing. Great for studio and field work. Go from viewing a large LCD at working level to hand held work without having to dismount monitor from the fluid head.
CRC-14 is the perfect compact rain cover for HDV camcorders such as the Canon XH A1, G1, Sony V1, VX2100, PD170, Panasonic DVX100 and similar.
The revolutionary lens accessory for
Manufactured by Alan Gordon Enterprises, the Mark Vb is the latest version of the Academy Award Winning Mark V and continues to be the choice of Film and Video makers world wide. The Mark Vb has all the features of the Mark V plus new markings on the Aspect Ratio ring, making it easer to read for both film and video use. We also eliminated the 1/2 " video window and replaced it with the current video chip standard of 2/3." Film sizes and video formats are color-coded for quick reading.