Rental Quote [empty]
RED offers the upgraded Mysterium™ X Super 35mm cine sized (24.4×13.7mm) sensor, which provides 4K (up to 30 fps), 3K (up to 60 fps) and 2K (up to 120 fps) capture, and all this with wide dynamic range and color space in 12 bit native RAW. At 4K, that's more than 5 times the amount of information available every second and a vastly superior recording quality. In addition, you get the same breathtaking Depth of Field and selective focus as found in film cameras using equivalent 35mm P/L mount lenses.
(1) RED ONE Camera Body with Compact Flash Module and Tape Hook
(1) Red Universal Mount
(1) Red Handle (Right)
(1) Red Bottom Plate
(1) Red Shoulder Dovetail
(1) Red Top Mount
(1) Red Top Handle
(1) Red Cradle
(4) Red or Beillen Batteries
(1) Battery Charger
(1) AC Power Adaptor
(1) Red 5.6" LCD
(1) Video Breakout Box
(4) Red 8 GB Compact Flash Cards
(2) 18" 15mm or 19mm Steel Rods
(1) ARRI 15mm or 19mm Bridge Plate
(1) Red 15mm or 19mm Top Mount
(1) Red Grip Handle (left)
(1) Top Handle + Extension
(1) Universal Mount
(1) Cheese Plate
(1) Arri Dovetail 2060/2575 12"
(1) Transport Case
(1) Interface Cable, 1 ft
PLEASE NOTE: This is a complicated and high-tech camera and we highly recommend that an experienced and qualified DIT (digital imaging technician) be on location for the shoot. Not only that, an early availability the day before rental is available for a "prep" at our facility at which the DIT should be in attendance.
RED RENDERS OBSOLESCENCE OBSOLETE
The RED ONE™ body - designed for flexibility and functionality. Weighing in at around 9 lbs, a streamlined packaged designed specifically to maximize your shooting options, along with a 35mm PL lens mount allows you to take advantage of the world's best optics. Modular and upgradeable, the RED ONE™ camera is a future-proof acquisition system you can build upon. RED ONE™'s modular design means you can upgrade with us as we add new features, accessories and improve system specifications.
PIXEL SHIFTING AND UP-REZZING NOT SPOKEN HERE
Typical high-end HD camcorders have 2.1 megapixel sensors and record with 3:1:1 color sub-sampled video at up to 30fps. We deliver 12 megapixels at up to 60fps and record 12 bit native RAW, or 10 bit over-sampled HD your choice. That’s more than 5 times the amount of information available every second and a vastly superior recording quality. Don’t need all that data for your workflow? Dial it back, and keep all the other advantages of the Mysterium™ Super 35mm cine sized (24.4 x 13.7mm) sensor. You get the same breathtaking Depth of Field and selective focus as found in film cameras. Mysterium™ boasts a greater than 66db Signal to Noise Ratio thanks to its large 29 sq. micron pixels. And 12,065,000 pixels deliver resolution that can only be called Ultra High Definition.
RED ONE IS A MODULAR DESIGN
Shoot lightweight ENG style (body around 9 lbs., in rugged aluminum alloy) or load it up to shoot a feature film. Initial options will include RED-CAGE™ for mounting accessories and "growing" the camera body. Configure for tripod, crane or long lens applications. Onboard or external high-resolution RED monitors come equipped with advanced tools for framing, exposure and focus. The RED ONE™ camera has numerous stainless steel mounting points on the body to allow hundreds of optional RED and third party accessories... some that haven’t even been dreamed of yet.
Here are some of the tech specs from the RED site:
Sensor: 12 Megapixel Mysterium™
Physical Size: 24.4mm x 13.7mm (Super35mm)
Active Pixel Array: 4520 (h) x 2540 (v)
Full Pixel Array: 4900 (h) x 2580 (v)
Dynamic Range: > 66dB
Depth of Field:
Equivalent to 35mm Cine Lenses (S16mm with windowed sensor)
Acquisition Formats: 2540p(4k+), 4K, 2K, 1080p, 1080i, 720p
1 – 60 fps 2540p, 4K, 2K,1080p, 720p
1 – 120 fps 2K, 720p (windowed sensor)
50 / 59.94fps 1080i, 720p
High speed serial interface
1 - 60 fps 2540p, 4K
1 - 120 fps 2K (windowed sensor)
Single and dual link HD-SDI
2K 4:4:4 RGB
1080p 4:4:4 RGB
Digital Media Magazine:
FireWire 800/400, USB-2 and e-SATA interfaces
RED-DRIVE™ hard disk drive (40 – 160GB)
REDFLASH™ flash memory (32 – 128GB)
REDCODE codec: Variable Bit Rate, Wavelet
RAW 10 bit 4:2:2 1080p / 1080i / 720p
10 bit log 4:4:4 2K
Audio: 4 channel uncompressed, 16 / 24 bit, 48KHz
Monitor: Flex mounted High Resolution LCD, High Resolution color EVF (optional)
Weight: Around 9 lbs (without lens, battery and external viewfinder)
Construction: Aluminum alloy
(T1.3) 18mm, 25mm, 35mm, 50mm, 85mm
Discounted price with camera rental
Call for a Quote
The BT-LH1700W 17" widescreen production-quality monitor features two auto-switching SDI / HD-SDI inputs, waveform monitoring, and freeze frame/split screen functions. Desk stand is included.
The Chrosziel 203-01 is a follow focus designed for film and video cameras. The unique system allows easy operation from both sides, making it highly accessible in a variety of situations. The follow focus makes critical focus pulling a breeze.
Made of two 160GB Drives that are Striped as a RAID 0 for speed. Capable of recording between two and three hours of 4K REDCODE™ RAW footage. Use with the RED ONE.
Includes LCD, 5" RED arm, 1ft RED Lemo Cable
- Connects from top 19mm RODS to bottom 19mm RODS
9-inch adjustable mounting arm for EVF and LCD
- Content: 720P color image plus GUI
The EVF Mounting System provides a secure mounting interface on either style of top bracket as well as 4" of vertical adjustment and 6" of telescoping adjustment along the viewfinder axis. In addition to the linear adjustment, it also provides a rugged clutch that allows the viewfinder to be tilted to almost any angle. It will stay where you put it regardless of shooting environment. All adjustments including clutch drag are easily adjusted on-the-fly without tools. The integral handle/battery bracket is adjustable in length and angle to allow proper balance. It is also tapped to allow easy rigging of accessories and Steadicam low mode mounts.
The Arri Shift & Tilt lens system is an articulating bellows lens mount that allows the lens to be positioned separately from the camera in five different directions. This allows angles to be shifted, parallel lines to be aligned and selective focus within the image plane. It is a unique optical system that achieves images impossible any other way.
The Angenieux Optimo 24-290 is the industry standard for high performance optical quality, offering brilliant clarity in an extreme focal range at a fast aperture.
Photos are for illustration only. Prices do not include
optional accessories or extra equipment that may be shown.