Cameras
Sony FX3 Full-Frame Cinema Camera
| $149.00 |  With a compact design for solo shooters, for travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a "cage-free" design offering the ability to secure various accessories directly to the camera body.
The FX3's 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) is paired with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409,600 range and greater-than 15-stop dynamic range for working in mixed lighting conditions. Benefitting color and tonal control, the S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources, and there is also S-Log3/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter, and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.
A 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3 true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading. |
Sony FX6 Full-Frame Cinema Camera
| $175.00 |  Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I.
As part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.
Compared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:
- It matches the FX9's video capture up to DCI 4K60
- Has the same S-Cinetone, S-Log3, and HLG gamma choices
- Outputs 16-bit raw like the FX9
- Sony E lens mount
- Offers the same 1/4 to 1/128 ND options
- Also provides 2-channel XLR audio inputs
FX6 differences from the FX9:
- 4K capture vs 6K
- Has a single 12G/6G/3G-SDI BNC port, trimming the FX9's additional 3G-SDI port
- Incorporates a timecode port but lacks the FX9's genlock connector
Improved FX6 specs include:
- An ISO range of 320 to 409,600 vs the FX9's 320 to 102,400 range
- Top frame rates of 120p in 4K and up to 240p in HD vs the FX9's top 1080p in HD
- Dual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9's reliance on proprietary XQD cards and a single SD card option |
Canon EOS C300 Mark III - EF Mount
| $395.00 |  Create cinema-quality productions with the Canon EOS C300 Mark III Digital Cinema Camera, which features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for superior HDR recording and low noise. The EF lens mount offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses.
The sensor is paired with the Canon DiGIC DV7 image processor, which uses the sensor's raw information and processes it for various applications such as high frame rate recording, raw recording, HDR-PQ output, electronic image stabilization (EIS), and proxy recording. The camera records up to DCI 4K resolution video to dual CFexpress cards, and an SD card slot is available to record additional images. High frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode. Canon's Cinema RAW Light and XF-AVC recording formats are supported, providing DCI 4K images with a 10-bit, 4:2:2 Long GOP codec. Proxy recording is also supported, which allows a significant boost to your post-production speed.
For more flexibility during post-production, the camera also offers Canon's Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon's Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.
Features:
- Super 35mm Dual Gain Output (DGO) Sensor
- 4K 120p, 2K Crop 180p HDR
- Cinema RAW Light and XF-AVC H.264 Codec
- EF Lens Mount, DIG!C DV7 Image Processor
- Dual Pixel CMOS AF and Face Detection
- LM-V2 4.3" LCD Touchscreen Monitor
- 12G-SDI and 4-Channel Audio Recording
- 2 x CFexpress Slots, Canon Log2 and 3
- Electronic Image Stabilization
- Proxy Recording, Anamorphic Lens Support
Includes:
- ONE 512GB CFexpress Type B Card
- ONE Card Reader
- THREE BP-975 Batteries
- ONE Battery Charger |
Canon EOS C300 Mark III - PL Mount
| $395.00 | Create cinema-quality productions with the Canon EOS C300 Mark III Digital Cinema Camera, which features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for superior HDR recording and low noise. The EF lens mount offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses.
The sensor is paired with the Canon DiGIC DV7 image processor, which uses the sensor's raw information and processes it for various applications such as high frame rate recording, raw recording, HDR-PQ output, electronic image stabilization (EIS), and proxy recording. The camera records up to DCI 4K resolution video to dual CFexpress cards, and an SD card slot is available to record additional images. High frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode. Canon's Cinema RAW Light and XF-AVC recording formats are supported, providing DCI 4K images with a 10-bit, 4:2:2 Long GOP codec. Proxy recording is also supported, which allows a significant boost to your post-production speed.
For more flexibility during post-production, the camera also offers Canon's Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon's Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.
Features:
- PL Mount
- Super 35mm Dual Gain Output (DGO) Sensor
- 4K 120p, 2K Crop 180p HDR
- Cinema RAW Light and XF-AVC H.264 Codec
- EF Lens Mount, DIG!C DV7 Image Processor
- Dual Pixel CMOS AF and Face Detection
- LM-V2 4.3" LCD Touchscreen Monitor
- 12G-SDI and 4-Channel Audio Recording
- 2 x CFexpress Slots, Canon Log2 and 3
- Electronic Image Stabilization
- Proxy Recording, Anamorphic Lens Support
Includes:
- ONE 512GB CFexpress Type B Card
- ONE Card Reader
- THREE BP-975 Batteries
- ONE Battery Charger |
Blackmagic Design Pocket Cinema Camera 6K
| $199.00 |  The Blackmagic Pocket Cinema Camera 6K Pro is an advanced technology, handheld 6K digital film camera with 6144 x 3456 Super 35 high resolution HDR sensor, dual native ISO, EF lens mount and direct recording to USB‑C disks! This powerful model adds an adjustable HDR touchscreen, built in ND filters, and a larger battery for longer run time. You can even add an optional OLED viewfinder!
Effective Sensor Size
23.10mm x 12.99mm (Super 35)
Lens Mount
Active EF mount. PL mount also available
Lens Control
Iris, focus and zoom on supported lenses.
Dynamic Range
13 Stops.
Dual Native ISO
400 and 3200
Shooting Resolutions
6144 x 3456 (6K) up to 50 fps
6144 x 2560 (6K 2.4:1) up to 60 fps
5744 x 3024 (5.7K 17:9) up to 60 fps
4096 x 2160 (4K DCI) up to 60 fps
3840 x 2160 (Ultra HD) up to 60 fps
3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps
2880 x 1512 (2.8K 17:9) up to 120 fps
1920 x 1080 (HD) up to 120 fps
Frame Rates
Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Off-speed frame rates up to 60 fps in 6K 2.4:1, 120 fps in 2.8K 17:9 and 1080HD.
Built in ND Filters
Four position ND filter with clear, 2‑stop, 4‑stop and 6‑stop IR ND filters. |
Blackmagic Design Pocket Cinema Camera 6K PL Mount
| $199.00 | The Blackmagic Pocket Cinema Camera 6K Pro is an advanced technology, handheld 6K digital film camera with 6144 x 3456 Super 35 high resolution HDR sensor, dual native ISO, EF lens mount and direct recording to USB‑C disks! This powerful model adds an adjustable HDR touchscreen, built in ND filters, and a larger battery for longer run time. You can even add an optional OLED viewfinder!
Effective Sensor Size
23.10mm x 12.99mm (Super 35)
Lens Mount
PL mount. EF mount also available
Lens Control
Iris, focus and zoom on supported lenses.
Dynamic Range
13 Stops.
Dual Native ISO
400 and 3200
Shooting Resolutions
6144 x 3456 (6K) up to 50 fps
6144 x 2560 (6K 2.4:1) up to 60 fps
5744 x 3024 (5.7K 17:9) up to 60 fps
4096 x 2160 (4K DCI) up to 60 fps
3840 x 2160 (Ultra HD) up to 60 fps
3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps
2880 x 1512 (2.8K 17:9) up to 120 fps
1920 x 1080 (HD) up to 120 fps
Frame Rates
Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Off-speed frame rates up to 60 fps in 6K 2.4:1, 120 fps in 2.8K 17:9 and 1080HD.
Built in ND Filters
Four position ND filter with clear, 2‑stop, 4‑stop and 6‑stop IR ND filters. |
Canon EOS C70 Cinema Camera (RF Mount)
| $295.00 |  Incorporating key Cinema EOS video tools in a mirrorless- style body, the Canon EOS C70 Cinema Camera features a Super35 DGO (Dual Gain Output) sensor for capturing nuanced images with up to 16+ stops of high dynamic range. The innovative DGO system combines two separate gain readings for each photodiode on the sensor, emphasizing saturation in bright areas of your image and lowering noise in darker areas. Video resolutions include DCI 4K capture at rates ranging from 23.98 to 60 fps, plus high-speed options up to 120 fps in UHD 4K and 180 fps in cropped 2K.
Pro video functions include unlimited video recording, Dual Pixel CMOS AF autofocus control, a motorized ND filter wheel tucked into the shallower RF-mount flange depth, a BNC timecode input/output connector, and built-in dual mini-XLR audio inputs. The EOS C70 is also the first Cinema EOS camera with an RF mount that enables you to use Canon's line of fast, reliable RF lenses with advanced coatings and image stabilization.
This lightweight cine camera also incorporates a 3.5" Direct Touch Control LCD panel for quick, easy setting changes, and both auto-ISO and auto-gain functions for on-the-go adjustments to changing light levels.
The EOS C70 Cinema Camera fits into your C300 Mk III workflow as a B camera, as an upgrade for C200 or C100 users, or as an alternative for EOS R owners who are shooting an increasing amount of video. Its touchscreen LCD panel speeds your workflow by enabling you to turn functions on and off directly from the touchscreen; no need to spend time going into multiple menus via a combination of control buttons and jog wheels. Power the EOS C70 using a BPA-60 or BPA-30 battery or the included AC power adapter. |
Sony PXW-FX9 Full-Frame Camera
| $495.00 |  Whether you're shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9K XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9K features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses.
Includes:
One XQD 128Gb card
One XQD card reader
Three BP-60 Sony batteries
One BP Battery charger
The PXW-FX9 input and output features include 12G/6G-SDI and HDMI outputs for 4K video, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection.
The camera features a 15-stop dynamic range, supports dynamic HDR, hybrid log gamma mode (HLG), and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. Its 7-stop electronic variable ND filter can perform in auto or manual mode, smoothly adjusting from 1/4 to 1/128 density. The camera's default S-Cinetone color look offers the same soft, vivid tone as with Sony's VENICE camera.
Recording ModesXAVC-I 4:2:2 10-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (240 to 600 Mb/s)
1920 x 1080p at 23.98/25/29.97/50/59.94/100/120 fps (89 to 222 Mb/s)
1920 x 1080i at 50/59.94 fps (112 Mb/s)
XAVC-L 4:2:2 10-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (100 to 150 Mb/s)
1920 x 1080p at 23.98/25/29.97/50/59.94/100/120 fps (25 to 50 Mb/s)
1920 x 1080i at 50/59.94 fps (50 Mb/s)
MPEG HD422 4:2:2 10-Bit:
1920 x 1080p at 23.98/25/29.97 fps (50 Mb/s)
1920 x 1080i at 50/59.94 fps (50 Mb/s)
XAVC Proxy 4:2:0 10-Bit:
1920 x 1080p (9 Mb/s)
1280 x 720p (6 to 9 Mb/s)
640 x 360p (3 Mb/s)
Comes with:
Three (3) BP-U60 Batteries
Battery charger
One (1) XQD card
One (1) XQD reader
Frequently rented with:
Sachtler 18 or 20 Tripod system
Sony FE 28-135 f4 Cine Style lens
Sony 16-35mm f2.8 G Master lens |
Sony Alpha a7S II Mirrorless 4K Digital Camera
| $149.00 |  Making strides in the video arena, the a7S II Mirrorless Digital Camera from Sony offers an impressive blend of sensitivity, dynamic range, resolution, and speed to benefit a versatile multimedia workflow. Revolving around a full-frame 12.2MP Exmor CMOS sensor, the a7S II is capable of internal UHD 4K recording at 30 fps with full pixel readout as well as 1080p recording at up to 120 fps, all in the XAVC S format. For both stills and video recording, the BIONZ X image processor also pairs with the sensor to enable expanded sensitivity to ISO 409600, continuous shooting to 5 fps, and fast intelligent autofocus with low-light sensitivity to -4 EV. Further enabling working in difficult lighting conditions, 5-axis SteadyShot INSIDE image stabilization compensates for vertical, horizontal, pitch, yaw, and roll camera movements for sharper, smoother handheld recording.
Complementing the 4K recording capabilities is a redeveloped recording setup, including the ability to utilize S-Log3 Gamma and S-Gamut3 in addition to S-Log2, for increasing dynamic range values by up to 1300% to better match high-end post-production workflows. For clearer monitoring potential, an enhanced Zebra function better supports working with S-Log gamma settings and a Gamma Display Assist helps to preview imagery with natural contrast by converting S-Log2 and S-Log3 settings to the ITU709 gamma for easier on-camera viewing.
Product Highlights:
- 12.2MP Full-Frame Exmor CMOS Sensor
- BIONZ X Image Processor
- Internal UHD 4K30 & 1080p120 Recording
- S-Log3 Gamma and Display Assist Function
- 5-Axis SteadyShot INSIDE Stabilization
- 0.5" 2.36m-Dot XGA OLED Tru-Finder EVF
- 3.0" 1,228,800-Dot Tilting LCD Monitor
- Up to 5 fps Shooting and ISO 409600
- Fast Intelligent AF, 169 AF Points
- Built-In Wi-Fi with NFC
Includes:
- ONE 64GB SD Card
- ONE SD Card Reader
- THREE NP-FW50 Batteries
- ONE Battery Charger |
Sony Alpha a7R II Mirrorless 4K Digital Camera
| $225.00 |  With a world's first full-frame 42.4-megapixel Exmor R back-illuminated structure CMOS sensor, the Alpha a7R II Mirrorless Digital Camera from Sony is prepared to take mirrorless imaging to another level. This sensor design both improves low-light operation and speeds up data throughout, enabling fast high-resolution stills and UHD 4K video recording. Working with the BIONZ X image processor, these images can be produced at sensitivities up to ISO 102,400 and at a continuous 5 fps shooting rate. Five-axis SteadyShot INSIDE image stabilization has also been implemented, compensating for vertical, horizontal, pitch, yaw, and roll movements.
Onto video, the major addition is internal UHD 4K 3840 x 2160p recording at 30 or 24 fps with the XAVC S format at 100 Mbps. This is possible using either the Super 35 crop mode, with no pixel binning, or the full-frame readout. Full HD 1920 x 1080p is still readily available at up to 60 fps and HD 1280 x 720p is possible at up to 120 fps. Additionally, the a7R II benefits from the inclusion of the S-Log2 Gamma and S-Gamut settings as well as fully customizable picture profiles.
Features:
- 42MP Full-Frame Exmor R BSI CMOS Sensor
- Internal UHD 4K Video & S-Log2 Gamma
- 5-Axis SteadyShot INSIDE Stabilization
- 399 Phase-Detect AF Points & 5 fps Burst
- 0.5" 2.36M-Dot XGA OLED Tru-Finder EVF
- 3.0" 1,228.8k-Dot Tilting LCD Monitor
- ISO 102,400 and Silent Shutter Mode
- Durable Reduced-Vibration Shutter Design
- Built-In Wi-Fi Connectivity with NFC
Includes:
- ONE 64GB SD Card
- ONE SD Card Reader
- THREE NP-FW50 Batteries
- ONE Battery Charger |
Sony Alpha a7 III Mirrorless Digital Camera
| $179.00 |  An entirely renewed image sensor and image processing system further enhance image quality. Improved overall AF performance, high-speed continuous shooting of up to 10fps2, 4K3 movie recording capability, and operability that has been dramatically upgraded from the 7 II allow you to capture more decisive moments.
Features
24MP Full-Frame Exmor R BSI CMOS Sensor
BIONZ X Image Processor & Front-End LSI
693-Point Hybrid AF System
UHD 4K30p Video with HLG & S-Log3 Gammas
2.36m-Dot Tru-Finder OLED EVF
3.0" 922k-Dot Tilting Touchscreen LCD
5-Axis SteadyShot INSIDE Stabilization
ISO 204800 and 10 fps Shooting
Built-In Wi-Fi and NFC, Dual SD Slots
USB Type-C Port, Weather-Sealed Design
Includes:
- ONE 64GB SD Card
- ONE SD Card Reader
- THREE Batteries
- ONE Battery Charger |
Kodak PIXPRO SP360 4K Action Camera Premier Pack
| $99.00 |  Featuring multiple recording options and a fixed-focus 235 lens, the PIXPRO SP360 4K Action Camera Premier Pack from Kodak gives you the versatility to capture 16:9 rectangular video at resolutions up to UHD 4K, or a fully circular fish-eye view. Because the FOV of the lens is so wide, you can easily mount a second SP360 4K camera using a separately-available Dual Camera Base Mount to capture full 360 VR videos. Editing and stitching together your 360 video is made easy thanks to desktop software downloaded from the Kodak PIXPRO website.
Features:
- 12MP 1/2.33" BSI CMOS Sensor
- UHD 4K Video at 30 fps
- Circular 2880x2880 Video at 30 fps
- Ultra Wide 235 Lens
- Capture 8MP Photos in 10-Frame Bursts
- 6.5' Shockproof / 14F Freezeproof
- IP6X Dustproof / Splash Resistant
- Wi-Fi and NFC Connectivity for Control
- Downloaded Stitching & Editing Software
- Mounting Accessory Pack
Rental this camera 3 days for the price of 1 |
Sony FS7 XDCAM Super 35 Camera System
| $349.00 |  Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial and corporate applications Sony's PXW-FS7 XDCAM Super 35 Camera System is a flexible 4K camera system. It features a Super 35mm size sensor that allows you to capture images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses or with the use of optional adapters to accept most 35mm lenses including PL, EF, Leica, and Nikon. The camera can capture footage to optional on board XQD media cards in either UHD at up to 60 FPS or HD at up to 180 FPS. the camera can capture 4K (4096 x 2160) images and send the signal out over its SDI or HDMI connectors.
The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm.
The 4K Super35 EXMOR sensor with features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 ios limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GoP compression with 10-bit 422 for HD and the choice of 10-bit 422 or 8-bit 420 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise.
Includes:
- One 128gb XQD Card
- ONE XQD Card Reader
- THREE BP-U60 Batteries
- ONE Battery Charger |
Sony NEX-FS700UK Super 35 4K Camcorder w/18-200mm Lens
| $195.00 |  The Sony NEX-FS700UK Super 35 Camcorder with 18-200mm Lens is a fully professional large-sensor video camera. Hot on the heels of the FS100, this compact, highly modular camera uses a very similar-sized Super 35 CMOS sensor as the FS100. But as a marked improvement over that earlier model's sensor, the FS700 features a native 4K resolution sensor.
Unlike smaller, broadcast-style sensors or the larger "full-frame" sensors of some DSLRs, the NEX-FS700's imaging area matches that of standard Hollywood film cameras, providing complete compatibility with cine-style film lenses (sold separately), as well as the Sony 18 - 200mm lens included with the camera (that's 27 - 300mm in terms of 35mm equivalence). The sensor's large size offers a variety of other advantages, including increased control over depth of field, higher sensitivity in low light, lower image noise, and an exceptional dynamic range.
Product Highlights:
- 4K Exmor Super 35mm CMOS Sensor
- Capture 1920 x 1080/60p Video
- NXCAM Recording Format (AVCHD)
- LCD 3.5" Screen with VF Attachment
- Up to 960 fps Super Slow Motion
- ISO 500 (0 dB) to ISO 16,000 (30 dB)
- Dual XLR, HDMI & 3G/HD-SDI Connectivity
Package Includes:
Camera Body,
Lens Body Cap,
Sony 18-200mm f/3.5-6.3 Lens,
Sony 18-200mm Lens Front cover,
Sony 18-200mm Lens Rear cover,
64gb SD Card,
Handle Grip,
Onboard Mic with windscreen,
Mic Holder,
Viewfinder,
Lens Hood,
Handle Grip,
Noga Arm,
Remote Control,
Audio/Video Cable,
USB 2.0 Cable,
Component Cable,
USB to Mini USB Cable,
Power Supply,
NP-F970 Batteries (3)
Sony Battery Charger,
Travel Case.
HAS BUILT IN EMOUNT
CANON EF MOUNT AND PL MOUNT ADAPTERS AVAILABLE UPON REQUEST @ $49 PER DAY |
Sony NEX-FS700UK 4K Camcorder, 18-200mm Lens, Odyssey 7Q
| $299.00 |  Sony NEX-FS700 4K Package includes the Convergent Design Odyssey7Q RAW Monitor and Recorder.
The Sony NEX-FS700UK Super 35 Camcorder with 18-200mm Lens is a fully professional large-sensor video camera. Hot on the heels of the FS100, this compact, highly modular camera uses a very similar-sized Super 35 CMOS sensor as the FS100. But as a marked improvement over that earlier model's sensor, the FS700 features a native 4K resolution sensor.
Unlike smaller, broadcast-style sensors or the larger "full-frame" sensors of some DSLRs, the NEX-FS700's imaging area matches that of standard Hollywood film cameras, providing complete compatibility with cine-style film lenses (sold separately), as well as the Sony 18 - 200mm lens included with the camera (that's 27 - 300mm in terms of 35mm equivalence). The sensor's large size offers a variety of other advantages, including increased control over depth of field, higher sensitivity in low light, lower image noise, and an exceptional dynamic range.
Product Highlights:
- 4K Exmor Super 35mm CMOS Sensor
- Capture 1920 x 1080/60p Video
- NXCAM Recording Format (AVCHD)
- LCD 3.5" Screen with VF Attachment
- Up to 960 fps Super Slow Motion
- ISO 500 (0 dB) to ISO 16,000 (30 dB)
- Dual XLR, HDMI & 3G/HD-SDI Connectivity
Package Includes:
- Odyssey7Q Recorder
- Camera Body,
- Lens Body Cap,
- Sony 18-200mm f/3.5-6.3 Lens,
- Sony 18-200mm Lens Front cover,
- Sony 18-200mm Lens Rear cover,
- 64gb SD Card,
- Handle Grip,
- Onboard Mic with windscreen,
- Mic Holder,
- Viewfinder,
- Lens Hood,
- Handle Grip,
- Noga Arm,
- Remote Control,
- Audio/Video Cable,
- USB 2.0 Cable,
- Component Cable,
- USB to Mini USB Cable,
- Power Supply,
- NP-F970 Batteries (3)
- Sony Battery Charger,
- Travel Case.
HAS BUILT IN EMOUNT
CANON EF MOUNT AND PL MOUNT ADAPTERS AVAILABLE UPON REQUEST @ $49 PER DAY |
Canon EOS C500 4K Cinema Camera - EF Lens Mount NTSC
| |  The Canon EOS C500 4K Cinema Camera represents Canon's first foray into the world of 4K digital cinema production. Sharing a sensor with the earlier EOS C300 camera, the EOS C500 fulfills the potential of the large (Super 35mm-size), high-resolution (8.8 Mp effective) CMOS imager by offering full 4K RAW output via 3G-SDI.
The C500 also has a body type in common with the C300. Featuring large, accessible buttons with ridges dividing them, the EOS C500 has been designed expressly for the craft of digital cinema. Its signal output is similarly appropriate: At rates up to 60 frames per second, the 10-bit 4K RAW data stream output can be recorded to an approved external device (sold separately) at full resolution. Using a format called 4K half RAW, which halves the horizontal resolution, you can capture up to 120 fps to the external recorder by using both of the C500's 3G-SDI outputs.
The Canon EOS C500 integrates with time-tested feature film production workflows. As 4K RAW data is being recorded externally, you can record proxy files at 50 Mb/s to the camera's internal CF card so rough-cut or dailies editing can begin immediately after a scene is complete. For the widest latitude for color correction in post-production, the camera offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and a greatly expanded dynamic range.
The EOS C500 features an EF mount for compatibility not only with Canon's existing broad range of DSLR lenses, but also with the burgeoning line of EF Cinema Zoom and Prime lenses. These lenses are designed to match up perfectly with the 3-perf Super 35mm-size CMOS sensor of this camera. Like the camcorder, these lenses (sold separately) were developed specifically for digital cinema, with engraved markings on angled surfaces in meters and feet and uniform front diameters for easy lens switching without having to reconfigure a matte box or follow focus gearing.
Product Highlights
- 4K RAW (4096 x 2160) Output
- EF Lens Mount for Broad Compatibility
- 8.8 Mp Super 35mm-Size CMOS Sensor
- Also Puts Out 2K, Quad HD & Full HD
- 2x 3G-SDI Outputs
- 50 Mb/s Proxy HD Recording to CF Card
- 10-Bit 4K RAW at Up to 60p
- 10-Bit 4K Half RAW at Up to 120p
- 12-Bit 2K 4:4:4 Signal at Up to 60p
- Canon Log Gamma
Includes:
- ONE 64GB SD Card
- ONE SD Card Reader
- THREE BP-U60 Batteries
- ONE Battery Charger |
Canon EOS C300 Mark II Cinema Camcorder - EF or PL Mount
| $295.00 |  The EF-mount C300 Mark II Cinema EOS Camcorder Body with Dual Pixel CMOS AF features a Super 35mm CMOS. This provides faster and more accurate autofocusing to assist users when operating with small crews.
The EF lens mount on the EOS C300 offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super 35mm sensor is paired with the Canon DIGIC DV 5 image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. The camera records up to 4K DCI resolution video to CFast 2.0 cards. For more flexibility to adjust your image during postproduction, the camera also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and an expanded dynamic range.
In terms of connections, the camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4" rotating LCD unit with full controls, grip, and thumb rest.
Dual Pixel CMOS AF Technology
It provides continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus.
Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.
Product Highlights
- Super 35mm CMOS Sensor
- 4K, 1920x1080 60/50i, 23.98/25p True 24p
- Canon XF AVC H.264 Codec
- EF Lens Mount
- with Dual Pixel CMOS AF
- Rotating 4" LCD Monitor
- 2x 3G-SDI Output, 2x SLR Inputs
- 2x CFast Card Slots
- Timecode I/O, Genlock In & Sync Out
- Canon Log 2 Gamma
COMPATIBLE WITH CFAST CARDS
Includes:
- TWO 128GB Cfast Cards
- ONE Cfast Card Reader
- THREE BP-975 Batteries
- ONE Battery Charger |
Canon Cinema EOS C300 Mark II Camcorder Body (PL Lens Mount)
| $495.00 |  The PL-mount Cinema EOS C300 Mark II Camcorder Body features a Super 35mm CMOS. This provides faster and more accurate autofocusing to assist users when operating with small crews. Canon's Log 3 Gamma supports 14 stops of dynamic range.
The PL lens mount features compatibility not only with a broad range of compatible cine lenses from manufacturers like Angenieux and Zeiss, but also with Canon's burgeoning line of EF Cinema lenses for PL mount. The Super 35mm sensor is paired with the Canon DIGIC DV 5 image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. The camera records up to 4K DCI resolution video to CFast 2.0 cards. For more flexibility to adjust your image during postproduction, the camera also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and an expanded dynamic range.
In terms of connections, the camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4" rotating LCD unit with full controls, grip, and thumb rest.
Product Highlights
Super 35mm CMOS Sensor
4K,1920x1080 60/50i, 23.98/25p True 24p
Canon XF AVC H.264 Codec
PL Lens Mount
Rotating 4" LCD Monitor
2 x 3G-SDI Output, 2x XLR Inputs
2 x CFast Card Slots
Timecode I/O, Genlock In & Sync Out
Canon Log 3 Gamma
Includes:
- TWO 128GB Cfast Cards
- ONE Cfast Card Reader
- THREE BP-975 Batteries
- ONE Battery Charger |
Panasonic Lumix DMC-GH4 4K Mirrorless Camera
| |  The Panasonic Lumix DMC-GH4 4K Mirrorless Micro Four Thirds Digital Camera is a true hybrid camera designed for both professional photo and video use. It features a 16.05-megapixel Digital Live MOS sensor and a 4-CPU Venus Engine, capable of capturing high-resolution JPEG and RAW stills, as well as UHD 4K 3840x2160 30p/24p and cinematic DCI 4K 4096x2160 video at 24p. Like its predecessor, the GH4 features a weather-sealed magnesium alloy body, while offering increased resolution on both the OLED monitor and electronic viewfinder. It also features built-in Wi-Fi with NFC technology, in-camera creative controls, and a high-speed 49-point autofocus in both photo and video mode.
Product Highlights:
- 16.05 MP Digital Live MOS Sensor
- DCI 4K 4096x2160 at 24p
- UHD 4K 3840x2160 at 30p/24p
- Full HD up to 60p
- 3.0" 1,036k-Dot OLED Touchscreen Monitor
- 2,359K-Dot OLED Live View Finder
- Support for 59.94p, 23.98p, 50p, & 24p
- 4:2:2 8-Bit or 10-Bit HDMI Output
- High-Speed 49-Point Autofocus
Includes:
- ONE 64GB SD Cardd
- ONE SD Card Reader
- THREE DMW-BLF19PP Batteries
- ONE Battery Charger |
Panasonic Lumix DMC-GH4 4K Mirrorless Camera w/Interface
| $199.00 |  The Panasonic Lumix DMC-GH4 4K Mirrorless Micro Four Thirds Digital Camera is a true hybrid camera designed for both professional photo and video use. It features a 16.05-megapixel Digital Live MOS sensor and a 4-CPU Venus Engine, capable of capturing high-resolution JPEG and RAW stills, as well as UHD 4K 3840x2160 30p/24p and cinematic DCI 4K 4096x2160 video at 24p. Like its predecessor, the GH4 features a weather-sealed magnesium alloy body, while offering increased resolution on both the OLED monitor and electronic viewfinder. It also features built-in Wi-Fi with NFC technology, in-camera creative controls, and a high-speed 49-point autofocus in both photo and video mode.
The Interface Unit turns the GH4 into a video camera ready for professional workflows. When attached to the GH4, the Interface Unit provides 2 XLR inputs for line or condenser microphones, and gives you independent volume control of the left and right channels. There is also an audio level display monitor and +48V of phantom power available for each channel.
Product Highlights:
- 16.05 MP Digital Live MOS Sensor
- DCI 4K 4096x2160 at 24p
- UHD 4K 3840x2160 at 30p/24p
- Full HD up to 60p
- 3.0" 1,036k-Dot OLED Touchscreen Monitor
- 2,359K-Dot OLED Live View Finder
- Support for 59.94p, 23.98p, 50p, & 24p
- 4:2:2 8-Bit or 10-Bit HDMI Output
- High-Speed 49-Point Autofocus
- Interface Unit with 2-Channel XLR Inputs
- Audio Level Controls and Display Monitor
- HDMI & 3G-SDI Output / Timecode
Includes:
- ONE 64GB SD Cardd
- ONE SD Card Reader
- THREE DMW-BLF19PP Batteries
- ONE Battery Charger |
Sony PMW-F55 CineAlta 4K PMW Series HD Camcorder
| $795.00 |  Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. Multiple recording formats includes HD/2K/4K on SxS memory and 16-bit RAW 2K/4K on AXSM media Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD, XAVC QFHD*/4K and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to 240 fps RAW 2K and 60 fps in RAW 4K recording onto the AXS-R5.
Optional components of the F55 system include bolt-on recording units, a series of digital viewfinders, and camera support rigs. Notably, the AXS-R5 recorder can be mounted onto the rear of the F55, enabling 4K and 2K 16-bit RAW recording and high speed frame rates of up to 240 fps in 2K. In keeping with Sony's mandate on versatility, the F55 will have a native FZ-mount, which will provide an interface for Sony's SCL-Z18x140 auto focus servo zoom lens as well as a wide range of lens adapters, such as the included PL-mount adapter.
Includes:
- ONE SXS Card
- ONE SXS Card Reader
- THREE BP-U60 Batteries
- ONE Battery Charger |
Sony PMW-F5 CineAlta 4K PMW Series HD Camcorder
| $695.00 |  Sony 4K sensor for gorgeous, super-sampled HD and 2K The PMW-F5 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superior, super-sampled pictures with noticeably higher contrast, rich color reproduction and greater clarity. The camera offers robust built-in recording modes, all with vibrant 4:2:2 color. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping. Multiple recording formats includes HD/2K on SxS memory and 16-bit RAW 2K/4K on AXSM media Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD and 16-bit RAW 2K/4K.
Product Highlights:
- Super35mm 4K CMOS Image Sensor, 4,096 x 2,160, 11.6M total pixel, 8.9M effective pixel, Bayer pattern
- High sensitivity (ISO 2000) and low noise (S/N 57dB w/NR off)
- Accepts PL and FZ mount lens as well as other Cine, DSLR & SLR lenses (third party mount adapter is needed)
- Multi CODEC: XAVC HD, MPEG2 HD, SR SStP HD (SxS Memory Card) 2K RAW (AXS Memory Card)
- Modular Design Removable View Finder, Handle, Audio Input Box, RAW Recorder Easy to configure depends on the shooting style
Includes:
- ONE SXS Card
- ONE SXS Card Reader
- THREE BP-U60 Batteries
- ONE Battery Charger |
Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera
| $149.00 |  Upgraded, redesigned, and filled with features, the Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera from Panasonic provides an outstanding imaging platform for shooters who demand some of the best video and still photography quality they can get in a single compact camera. At the heart of the camera is a 20.3MP Digital Live MOS sensor and a newly developed Venus Engine processor, which both offer dramatically improved processing times over its predecessor. This enables the ability to record 4K video at up to 60 fps, 10-bit 4:2:2 internal recording with select settings, Full HD video at up to 180 fps, 12 fps continuous shooting, and sensitivities up to ISO 25600. Also, the camera features built-in 5-axis sensor stabilization, which can work with certain lenses to activate Dual I.S. 2 for highly effective shake correction that can compensate for up to 5 stops of shutter speed. Other improvements include a speedier and more accurate Advanced DFD autofocus system that can lock on in just 0.05 seconds, as well as 6K PHOTO at 30 fps and 4K PHOTO at up to 60 fps.
Product Highlights:
- 20.3MP Digital Live MOS Sensor
- Venus Engine Image Processor
- 4K Video with No Crop
- Internal 4:2:2 10-Bit 4K Video at 24/30p
- 5-Axis Sensor Stabilization; Dual I.S. 2
- 0.76x 3.68m-Dot OLED Viewfinder
- 3.2" 1.62m-Dot Free-Angle Touchscreen
- Advanced DFD AF System; 6K & 4K PHOTO
- ISO 25600 and 12 fps Continuous Shooting
- Dual UHS-II SD Slots; Wi-Fi & Bluetooth
Includes:
- ONE 64GB SD Cardd
- ONE SD Card Reader
- THREE Batteries
- ONE Battery Charger |
Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital Camera
| $179.00 |  Capture high-quality video alongside still photography with the Panasonic Lumix DC-GH5S mirrorless camera. Dual native ISO keeps noise levels low, even when the camera's sensitivity is increased, while the large OLED live view finder helps you frame each shot for beautiful results. Cinema 4K quality with unlimited recording time lets you capture uninterrupted video. Featuring Bluetooth technology and Wi-Fi connectivity, the Panasonic Lumix DC-GH5S mirrorless camera allows for mobile operation and fast data transfer.
Product Highlights:
- 10.28MP Multi Aspect Ratio MOS Sensor
- DCI 4K60p and Full HD 1080/240p Video
- Internal 4:2:2 10-Bit Long GOP
- V-Log L Gamma and HDR Hybrid Log Gamma
- 0.76x 3.68m-Dot OLED Viewfinder
- 3.2" 1.62m-Dot Free-Angle Touchscreen
- Dual Native ISO 400 and ISO 2500
- Dual UHS-II SD Slots; Wi-Fi & Bluetooth
- Advanced DFD AF System
- 12 fps Cont. Shooting and 4K PHOTO Modes
Includes:
- ONE 64GB SD Cardd
- ONE SD Card Reader
- THREE Batteries
- ONE Battery Charger |
Panasonic Lumix GH5S
| $99.00 |  Lens included! |
Camera Packages
Canon C300 Shooter Package - Canon Lenses
| |  SUBJECT TO AVAILABILITY
This package has everything you need to shoot high definition footage using the Canon C300 MK I camera. It includes Canon lenses, batteries, matte box, filters, tripod, monitor, and more. SAVE OVER $500 per day!
Package Includes:
- Canon C300 MK I Cinema Camcorder with EF lens mount
- Canon zoom lenses: 16-35mm f/2.8, 24-70mm f/2.8, 70-200mm f/2.8
- (4) Large Canon Batteries (BP-975)
- (2) Canon battery chargers
- (2) 32GB CF cards
- (1) CF card reader
- Baseplate
- Chrosziel 4x5.65 Matte box
- 4x5.65 Polarizer filter
- 4x5.65 ND Grads/Solids (.3, .6, .9)
- Arri FF4 Follow focus
- Marshall 7" LCD Monitor
- Sachtler 20 Tripod and head |
Canon C300 Music Video Package 1
| | SUBJECT TO AVAILABILITY
This package is tailored for shooting a
music video in high definition using the Canon C300 camera. It includes everything you need to shoot- lenses, filters, tripod, monitor, and 3 lights. SAVE OVER $500 per day!
Package Includes:
- Canon C300 Cinema Camcorder with EF lens mount
- Zeiss EF Mount lenses: 18mm, 25mm, 35mm, 50mm, 85mm
- (4) Large Canon Batteries (BP-975)
- (2) Canon battery chargers
- (2) 32GB CF cards
- (1) CF card reader
- Baseplate
- Chrosziel 4x5.65 Matte box
- 4x5.65 Polarizer filter
- 45.65 ND Grads/Solids (.3, .6, .9)
- Arri FF4 Follow focus
- Marshall 7" LCD Monitor
- Sachtler 20 Tripod and head
- (2) LitePanels 1x1 Flood
- (1) Arri 650 Fresnel
- (3) light stands
- (3) 50 ft stingers |
HD Cameras
Sony Alpha a7S iii Mirrorless Digital Camera
| $125.00 |  With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p, fast and dependable autofocusing, and extra-strong image stabilization, the α7S III again raises the bar for movie makers.
Newly developed 12.1-megapixel
back-illuminated Exmor RTM CMOS image sensor
Newly developed BIONZ XR image processing engine with up to 8x the processing performance
Movie-making with 4K 120p
, 10-bit 4:2:2 recording capability
Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF
Body-integrated 5-axis optical image stabilization, Active Mode for movies
Sensor Type
35 mm full frame (35.6 × 23.8 mm), Exmor R® CMOS sensor
Number Of Pixels (Effective)
Approx. 12.1 megapixels
ISO Sensitivity (Recommended Exposure Index)
Still images: ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), Movies: ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.)
Battery Life (Still Images)
Approx. 510 shots (Viewfinder) / Approx. 600 shots (LCD monitor) (CIPA standard)
Viewfinder Type
1.6 cm (0.64 type) electronic viewfinder (color)
Monitor Type
2.95 inch (3.0-type) wide type TFT
Supplied with:
Three batteries
One CFexpress Type A card
Battery charger
Frequently rented together:
Manfrotto 503 tripod kit
Sony 16-35mm f2.8 G Master lens
Sony 24-70mm f2.8 G Master lens
Sony 70-200mm f2.8 G Master lens |
Sony NEX-FS700UK PAL Super 35 Camcorder w/18-200mm Lens
| $195.00 | The Sony NEX-FS700UK Super 35 Camcorder with 18-200mm Lens is a fully professional large-sensor video camera. Hot on the heels of the FS100, this compact, highly modular camera uses a very similar-sized Super 35 CMOS sensor as the FS100. But as a marked improvement over that earlier model's sensor, the FS700 features a native 4K resolution sensor.
Unlike smaller, broadcast-style sensors or the larger "full-frame" sensors of some DSLRs, the NEX-FS700's imaging area matches that of standard Hollywood film cameras, providing complete compatibility with cine-style film lenses (sold separately), as well as the Sony 18 - 200mm lens included with the camera (that's 27 - 300mm in terms of 35mm equivalence). The sensor's large size offers a variety of other advantages, including increased control over depth of field, higher sensitivity in low light, lower image noise, and an exceptional dynamic range.
Product Highlights:
- 4K Exmor Super 35mm CMOS Sensor
- Capture 1920 x 1080/60p Video
- NXCAM Recording Format (AVCHD)
- LCD 3.5" Screen with VF Attachment
- Up to 960 fps Super Slow Motion
- ISO 500 (0 dB) to ISO 16,000 (30 dB)
- Dual XLR, HDMI & 3G/HD-SDI Connectivity
Includes:
- ONE 64GB SD Card
- ONE SD Card Reader
- THREE BP-U60 Batteries
- ONE Battery Charger
Package Includes:
Camera Body,
Lens Body Cap,
Sony 18-200mm f/3.5-6.3 Lens,
Sony 18-200mm Lens Front cover,
Sony 18-200mm Lens Rear cover,
64gb SD Card,
Handle Grip,
Onboard Mic with windscreen,
Mic Holder,
Viewfinder,
Lens Hood,
Handle Grip,
Noga Arm,
Remote Control,
Audio/Video Cable,
USB 2.0 Cable,
Component Cable,
USB to Mini USB Cable,
Power Supply,
NP-F970 Batteries (3)
Sony Battery Charger,
Travel Case.
HAS BUILT IN EMOUNT
CANON EF MOUNT AND PL MOUNT ADAPTERS AVAILABLE UPON REQUEST @ $49 PER DAY |
Canon EOS C300 Cinema Camcorder Body - EF or PL Mount, NTSC/PAL
| $295.00 | WITH ENHANCED AUTOFOCUSING CAPABILITY
Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 422 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon's existing line-up of EF and new EF Cinema lenses as well as accessories from third parties, the stunningly simple to operate EOS C300 is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets. The EOS C300 has a Canon EF lens mount and is compatible with all of Canon's new EF Cinema lenses and current EF lenses, including compact primes, super telephotos, specialty tilt-shift, macro and fisheye - over 60 in all. And with an entire support infrastructure designed to help you get the most from your equipment before, during and after production, the EOS C300 is ready to go to work.
Includes:
- TWO 64GB CF Cards
- ONE CF Card Reader
- THREE BP-975 Batteries
- ONE Battery Charger |
Arri ALEXA EV Digital Cinema Camera
| $1799.00 |  The ARRI ALEXA EV Digital Cinema camera is designed for broadcast, motion picture and commercial applications. Using the new ALEV III Super-35 sized CMOS Bayer-pattern sensor, the ALEXA is capable of 1920x1080 HD outputs as well as 3.5K Uncompressed RAW. ALEXA shoots 1-60fps with a base sensitivity of 800 ISO and can record in ProRes via internal hot-swap SxS cards (with optional upgrade), or output Uncompressed HD-SDI or ARRIRAW.
Features:
- Super-35 ALEV III CMOS sensor
- 800 ISO base sensitivity
- 13.5 stops Dynamic Range of exposure
- Shoot to Edit workflow (with optional upgrade, see item AR-ALEXAEV-DTE)
- .75-60fps (adjustable to .001 second intervals)
- 1920x1080 HD output utilizes 1.5x over-sample from 2880x1620 sensor area
- Low noise and accurate color for a clean, organic image
- Compatible with existing popular workflows
NOTE: Phantom power for audio is not available on ALEXA Cameras
- TWO 128GB Cfast Cards
- ONE Cfast Card Reader
- THREE Gold Mount Batteries
- ONE Battery Charger |
Arri ALEXA PLUS Digital Cinema camera
| |  The ARRI ALEXA EV Digital Cinema camera is designed for broadcast, motion picture and commercial applications. Using the new ALEV III Super-35 sized CMOS Bayer-pattern sensor, the ALEXA is capable of 1920x1080 HD outputs as well as 3.5K Uncompressed RAW. ALEXA shoots 1-60fps with a base sensitivity of 800 ISO and can record in ProRes via internal hot-swap SxS cards (with optional upgrade), or output Uncompressed HD-SDI or ARRIRAW.
The ALEXA Plus is an upgrade to the ALEXA camera, adding built-in wireless remote control, the ARRI Lens Data System (LDS), an additional MON OUT video output, an additional RS power output and built-in position and motion sensors. Both ALEXA and ALEXA Plus share the same exceptional image performance, are simple to operate, reliable in even the most extreme environments and versatile enough to cover a diverse range of workflow and budget requirements.
Features:
The ALEXA Plus has all the features of ALEXA, as well as:
- Built-in remote control features
- Built-in ARRI Lens Data System (LDS)
- Lens synchronization for 3D
- A second MON OUT output (1.5G HD-SDI)
- A third RS accessory power output
- Built-in position and motion sensors
- Quick switch BNC connectors
NOTE: Phantom power for audio is not available on ALEXA Cameras
- TWO 128GB Cfast Cards
- ONE Cfast Card Reader
- THREE Gold Mount Batteries
- ONE Battery Charger |
ARRI Alexa Studio
| $2295.00 |  At the pinnacle of the range is the ALEXA Studio, featuring a quiet, adjustable mirror shutter and an optical viewfinder that provides a real-time, high contrast image with true colors. The Studio is a direct response to cinematographers’ requests for a camera that perfectly combines cutting edge digital image-making with traditional elements of the film cameras they have known and trusted for generations.
Another key feature of the ALEXA Studio is its 4:3 sensor, which makes it the only digital camera (aside from the ARRIFLEX D-21) to boast true anamorphic capability. Anamorphic lenses create a unique, cinematic look that has been appreciated by directors and cinematographers for over half a century, and cannot be created in post.
NOTE: Phantom power for audio is not available on ALEXA Cameras
- TWO 128GB Cfast Cards
- ONE Cfast Card Reader
- THREE Gold Mount Batteries
- ONE Battery Charger |
ARRI Phantom HD Gold Package
| $2500.00 |  Includes:
*Phantom HD Gold Camera Body
*Sony 2.7" Color LCD Viewfinder
*Laptop computer camera control unit
Phantom HD GOLD is capable of resolutions beyond 2K, with frame rates in excess of 1000 fps at 1080p and 1500 fps in 720p. The camera boasts an excellent dynamic range and a high sensitivity (ISO 640) making it useful even under normal lighting conditions. Unlike with film, and some other digital high-speed cameras that require rendering, you can immediately see the results of your shot. The camera records to an internal RAM memory that can then be downloaded to a laptop computer. Phantom CineMags provide hot-swappable, solid-state recording in 256 and 512 GB models. The Phantom HD GOLD also allows you to "play" the contents of the memory module over single (4:2:2) HD-SDI outputs on the docking station to a recorder, disk array, or other HD-SDI capture device.
- TWO 128GB Cfast Cards
- ONE Cfast Card Reader
- THREE Gold Mount Batteries
- ONE Battery Charger |
ARRI Phantom HD Gold with Cinestation Package
| $3500.00 |  Includes:
*Phantom HD Gold Camera Body
*Sony 2.7" Color LCD Viewfinder
*Laptop computer camera control unit
*Phantom Cinestation
*Phantom 256 GB Cinemag
Phantom HD GOLD is capable of resolutions beyond 2K, with frame rates in excess of 1000 fps at 1080p and 1500 fps in 720p. The camera boasts an excellent dynamic range and a high sensitivity (ISO 640) making it useful even under normal lighting conditions. Unlike with film, and some other digital high-speed cameras that require rendering, you can immediately see the results of your shot. The camera records to an internal RAM memory that can then be downloaded to a laptop computer. Phantom CineMags provide hot-swappable, solid-state recording in 256 and 512 GB models. The Phantom HD GOLD also allows you to "play" the contents of the memory module over single (4:2:2) HD-SDI outputs on the docking station to a recorder, disk array, or other HD-SDI capture device.
- TWO 128GB Cfast Cards
- ONE Cfast Card Reader
- THREE Gold Mount Batteries
- ONE Battery Charger |
Canon EOS 5D Mark III DSLR Camera
| $199.00 |  The Canon EOS 5D Mark III DSLR Camera is a full-frame 22.3MP DSLR featuring exceptional still image and movie recording capabilities. Integrating Canon's new DIGIC 5+ Image Processor and 14-bit A/D conversion, this camera is able to produce superbly detailed imagery with immense low-light sensitivity that is further aided by an extended ISO range up to 102400. Image quality is further enhanced by the new 61-point high density reticular autofocus, including up to 41 cross-type AF points and 5 dual diagonal AF points for ensured sharpness. iFCL metering works in conjunction with the AF system and uses color information from scenes to produce accurate exposure readings using a 63 zone dual-layer metering sensor. HDR and Multiple Exposure modes provide greater creative opportunities and help you to reduce the amount of post-production time needed to produce high quality imagery. The 5D Mark III is also capable of recording full HD video with manual exposure control and in multiple frame rates, including 1080/30p and 720/60p. Still images can also be recorded up to 6fps.
Image review is possible using the 1,040,000-dot 3.2" Clear View II LCD monitor, which features a high-transparency, reflection resistant multi-coating for adequate viewing under bright conditions. The Intelligent Viewfinder also integrates a superimposed LCD providing you with exposure information and features a 100% field of view.
A highly durable magnesium-alloy body surrounds the components and offers increased dust and weather resistance. An updated EOS Integrated Cleaning system also helps to reduce and remove dust within the camera body. Several of the physical controls on the camera body are fully customizable for a more efficient workflow and more convenient handling scheme. Dual CF and SD memory card support also increases the compatibility of the camera. Support is also provided for the optional Canon Wireless File Transmitter and GPS receiver for remote logging, tracking, and sending of your imagery.
Includes:
- ONE 32GB CF Memory Card
- ONE CF Card Reader
- THREE LPE6 Batteries
- ONE Battery Charger |
Canon XL-H1 3CCD HDV Camcorder
| $295.00 |  The XL H1 is capable of recording and playing back High Definition (HD) images using DV cassette tapes. The camcorder records in HDV1080i, and uses a Mode Select and a Frame Rate dial to select HD signals or SD signals and the frame rate. Under the HDV Spec, this camera records to tape 60 fields in 60i mode, 24 frames in 24F Mode and 30 frames in 30F mode. |
Canon XL-H1 PAL
| $295.00 | *** Special Conversion to PAL ***
The XL H1 is capable of recording and playing back High Definition (HD) images using DV cassette tapes. The camcorder records in HDV1080i, and uses a Mode Select and a Frame Rate dial to select HD signals or SD signals and the frame rate. Under the HDV Spec, this camera records to tape 60 fields in 60i mode, 24 frames in 24F Mode and 30 frames in 30F mode. |
JVC HD100 HDV Camcorder
| $295.00 |  Essentially the same as the JCV HD110. |
JVC HD110 HDV Camcorder
| $295.00 | | This HDV camera is a very popular one, used extensively by MTV and some of the networks . Of all the Mini HD cameras this is the only one that can easily accept (with an adapter) any standard "B" (Sony) mount lens, therefore working well on Jimmy Jibs and other remote situations not to mention the wide range of additional optic options. 24P and 720P it matches well with the Panasonic Varicam. |
Panasonic AG-AF100 Pro Memory Card Camcorder - PL Mount
| $249.00 |  Panasonic's AG-AF100 Micro Four Thirds Professional HD Camcorder represents an enormous leap forward in affordable, cinema-quality video imaging. Providing all the professional features that videographers expect in an interchangeable-lens camcorder--manual video and audio control, variable frame rates, HD-SDI and HDMI output, XLR inputs, timecode--the AG-AF100 plays its trump card with a large, 4/3-type image sensor. At 13 times the size of comparably priced 1/3" sensors (and almost 4 times larger than the 2/3" chips found in cameras costing more than twice as much), the AG-AF100's sensor brings the richness of DSLR video into a professional form factor.
Features:
- PL Mount Lens Adapter
- Large 4/3-type MOS Sensor
- Micro Four Thirds Lens Mount
- Uses Still & Cinema Lenses
- AVCCAM Recording
- 1080i/p, 720p
- Variable Frame Rates
- HD-SDI, HDMI Output, Dual XLR Input
- Internal ND Filter Wheel
- Timecode, Waveform
- Dynamic Range Stretch, Gamma Select |
Panasonic AG-AF100 Pro Memory Card Camcorder - Nikon Mount
| $249.00 | Panasonic's AG-AF100 Micro Four Thirds Professional HD Camcorder represents an enormous leap forward in affordable, cinema-quality video imaging. Providing all the professional features that videographers expect in an interchangeable-lens camcorder--manual video and audio control, variable frame rates, HD-SDI and HDMI output, XLR inputs, timecode--the AG-AF100 plays its trump card with a large, 4/3-type image sensor. At 13 times the size of comparably priced 1/3" sensors (and almost 4 times larger than the 2/3" chips found in cameras costing more than twice as much), the AG-AF100's sensor brings the richness of DSLR video into a professional form factor.
Features:
- Nikon Mount Lens Adapter
- Large 4/3-type MOS Sensor
- Micro Four Thirds Lens Mount
- Uses Still & Cinema Lenses
- AVCCAM Recording
- 1080i/p, 720p
- Variable Frame Rates
- HD-SDI, HDMI Output, Dual XLR Input
- Internal ND Filter Wheel
- Timecode, Waveform
- Dynamic Range Stretch, Gamma Select
NIKON ADAPTER IS NON ELECTRIC IRIS OR FOCUS |
Panasonic AJ-HDX900 Body Only
| $499.00 |  Camera body without lens includes batteries, power supply and charger.
This full 2/3" DVCPRO HD camcorder records pristine 100Mbps HD images in any of 11 video formats, encompassing 60Hz and 50Hz production. The versatile, cost-effective camera provides higher-quality 4:2:2 intra-frame recording that holds up through layers of special effects, graphic overlays and constant editing and processing. The Panasonic AJ-HDX900 DVCPRO HD Camcorder is rapidly becoming one of the most popular cameras in our inventory.
See our DVCPRO Tape Chart for tape options and recording times.
Includes:
OnBoard Microphone
Camera-Tripod Plate |
Panasonic AJ-HDX900 with Standard HD Lens
| $595.00 | Camera body with standard HD lens also includes batteries, power supply and charger.
This full 2/3" DVCPRO HD camcorder records pristine 100Mbps HD images in any of 11 video formats, encompassing 60Hz and 50Hz production. The versatile, cost-effective camera provides higher-quality 4:2:2 intra-frame recording that holds up through layers of special effects, graphic overlays and constant editing and processing. The Panasonic AJ-HDX900 DVCPRO HD Camcorder is rapidly becoming one of the most popular cameras in our inventory.
Includes:
OnBoard Microphone
Camera-Tripod Plate |
Panasonic AG-HMC150 AVCCAM 24p HD Camcorder
| |  The AG-HMC150 offers outstanding versatility and an impressive feature set that makes it ideal for a wide range of applications. The camera uses a 1/3" three-chip CCD imager and comes standard with a 28mm, 13x wide-angle Leica lens. The new PH Record mode (21 Mbps) offers higher resolution with a host of recording formats including 24p. It also boasts, amazing low light performance, long record & battery time and professional Audio capabilities. The AG-HMC150 camera body is lightweight, rugged, and well balanced for superior reliability.
The HMC150 offers the all the advantages of tapeless HD shooting, such as reliable media, no-moving parts, non-linear access to media. It uses the latest compression technology (AVC High Profile) and widely available SD memory cards as its recoding media. The content recorded on the SD card can be played directly on a growing number of affordable consumer players, including select models of Playstation 3, Blu-ray players, plasma screens and PCs. With most NLE systems now supporting AVCHD, content can be edited and rendered to play in any type of SD or HD playback system.
FEATURES
- Full range of HD formats: 1080/60i, 1080/30p, 1080/24p (Native); 720/60p, 720/30p, 720/24p (Native)
- Higher bit-rate recording than consumer models (21 Mbps PH Mode)
- Three 1/3" CCD progressive imagers
- 3x Wide angle 28mm lens standard (35mm equiv.), MOD .6 M, 72mm
- Time/Date Stamp for legal depositions or surveillance
- 14-bit A to D converter and 19 bit Image processing
- Cine-like Gamma and DRS Dynamic Range Stretch
- Three Neutral Density Filters: 1/4, 1/16, 1/64
- Pre-Record (3 Seconds), Digital Zoom 2X / 5X / 10X (in 1080/60i and 720/60p only)
- Three User Set Buttons with 11 choices for customizing camera to shooter. |
Panasonic AG-HPX170 P2 HD Camcorder
| |  The Panasonic AG-HPX170 is a handheld P2HD camera which builds on the tradition and success of the AG-HVX200. The camera's enhanced sensor provides lower noise levels while increasing sensitivity in low-light situations. Unlike the AG-HVX200, the AG-HPX170 does not include a tape drive, opting for lighter and more durable frame. In this case "less" certainly means more; removal of the deck translates into a variety of extra features, including a 75mm lens with improved wide-angle capability, vector scope, waveform monitor, HD-SDI output, a 6-Pin locking FireWire port, and 3 focus-assist modes.
Features:
- lightweight, 4.2 lbs.
- HD-SDI output
- 6-pin locking FireWire port
- 13x zoom lens system
- 14-bit digital signal processor
- DVCPRO HD recording codec
- optical image stabilization
- 8GB to 32GB P2 cards available. P2 cards not included |
Panasonic AG-HPX171E PAL P2 HD Camcorder
| | | Essentially the same as the HPX170 but this camera is specially configured to be switchable between both PAL and NTSC. |
Panasonic AG-HVX200 NTSC
| |  NTSC version of the Panasonic DVCPRO HD P2 camera. A breakthrough design, the HVX200 uniquely combines multiple high- and standard-definition formats, multiple recording modes, variable frame rates, and the vast benefits of solid-state memory with P2.
More than HDV this camera will also shoot DVCPRO50 and SD video, only SK is possible with DV tape, HD and DVCPRO require the 8GB memory cards and other media options. 8GB to 32GB available. P2 Cards not included.
Video output: high definition RGB component via special cable which is supplied with the camera. |
Panasonic AG-HVX200E PAL
| | The AG-HVX200E is one of the best hand-held, high-definition PAL cameras ever. A breakthrough design, the HVX200 uniquely combines multiple high- and standard-definition formats, multiple recording modes, variable frame rates, and the vast benefits of solid-state memory with P2.
More than HDV this camera will also shoot DVCPRO50 and SD video, only SK is possible with DV tape, HD and DVCPRO require the 8GB to 32GB memory cards and other media options. P2 cards not included.
Video output: high definition RGB component via special cable which is supplied with the camera. |
Panasonic AG-HPX500 with HD Zoom lens
| $349.00 |  The AG-HPX500 P2 HD shoulder-mount camcorder delivers a unique combination of high-end features never offered in a camcorder in this genre, including production-quality 2/3" progressive 3-CCDs, DVCPRO HD quality, multi HD and SD formats, variable frame rates, and four independent audio channels. In addition, the HPX500 offers the outstanding benefits of P2 solid state recording including ultra-fast IT workflow and no-moving-parts reliability, which makes the camera ideal for use in harsh environments.
8GB to 32GB P2 cards available. P2 Cards not included.
Includes:
OnBoard Microphone
Camera-Tripod Plate |
Panasonic AG-HPX610 Camcorder
| |  The Panasonic AG-HPX610PJF Camcorder features a single 2/3" MOS Sensor and records Full HD 1080p video to P2 media card slots in AVC-Intra 10-bit with 4:2:2 chroma sampling. The camera will also record using other codecs including DVCPRO HD, DVCPRO50, DVCPRO, and DV. The camera supports recording rates up to 1080 59.94i, 720 60p, and will also record 24p native at 23.98.
The HPX610 accepts lenses designed for three chip cameras, even though it features a single MOS sensor, and does not use a prism. As 2/3" ENG-style lenses are designed taking into account the prism, and normally require an adapter to work with single sensor cameras, Panasonic has set the sensor depth of on this camera to compensate for the lack of a prism.
Features:
- ENG-Style Shoulder Mount with 2/3 Sensor
- AVC-Intra 10-bit 4:2:2 Recording
- Chromatic Aberration Compensation
- Flash Band Compensation
- Focus Assist, Expand and Focus Bar
- Waveform and Vectorscope |
Panasonic Varicam AJ-HDC27F
| $395.00 |  Possibly the most versatile HD camcorder in production, the Varicam is the first variable frame-rate DVCPRO HD camcorder available for the professional cinematographer. It offers a wide variety of frame rate capabilities: still-frame, step-frame, 24-fps, 30-fps and 60-fps. Such versatility combined with a cinema-quality 720p HD image lends the camcorder to high-end documentary projects and feature-filmmaking.
With a weight of only 15lbs (WITH battery & cassette) and approx 25% smaller than other broadcast camcorders, the Varicam is a superb in-the-field camera which makes light work of day-long handheld shoots yet still provides the quality and features of top-of-the-line broadcast equipment.
(body only, accessories shown are not included) |
Panasonic Varicam AJ-HDC27H
| $395.00 | Superseding the previous Panasonic HDC27F, the new "H" model Varicam, although fully backward compatible offers a number of new important features including: a newly developed 3CCD system, 12-bit A/D converter, new high-resolution emulation mode, lens files can be written to the removable SD Memory Card, two individual HD-SDI outputs and Frame rate switching assignable to a user preset buttons.
See our DVCPRO Tape Chart for tape options and recording times. |
Panasonic Varicam AJ-HPX2700
| $795.00 |  2/3 3-CCD 16:9 P2 HD VariCam Camcorder. The VariCam 2700 offers intuitive operation with single-step variable frame rates ranging from 1 fps to 60 fps (in 720p mode), advanced gamma settings, and essential interfaces including three HD-SDI outputs. Utilizing three 1-megapixel 2/3-inch native HD resolution CCDs, the VariCam 2700 records independent-frame 1080 and 720 images in AVC-Intra 100 and AVC-Intra 50 as well as in industry-standard DVCPRO HD.
With five 64 GB P2 cards installed, the VariCam 2700 can record up to 400 minutes in AVC-Intra 100 at 1080/24p, 800 minutes in AVC-Intra 100 at 720/24p and 320 minutes in other other AVC-Intra 100 or DVCPRO HD formats. |
Panasonic AJ-HPX3000
| $795.00 |  Panasonic's top of the line camera is a 1920x1080, 10-bit 4:2:2 color sampling beauty. It uses a 2.2 million pixel 3-CCD block and records using the new AVC-intra codec to capture true native 1080p images at 24p, 25p & 30p frame rates. It can also record in DVCPRO HD.
The AJ-HPX3000 records onto the P2 card system of solid state flash memory. With five card slots and using the highest quality AVC-intra 100 codec, five 32G P2 cards will capture 200 minutes of 1080/24p material. Using the AVC-intra 50 codec (similar in quality to DVCPRO HD) yields twice as much recording time. There is a Firewire port as well as USB 2.0 ports and a convenient flip-out LCD screen. |
Panasonic Varicam AJ-HPX3700
| $895.00 |  2/3" 3-CCD 1080 P2 HD VariCam Camcorder with 4:4:4 Capability. Designed to capture feature films, television episodics and commercials, the AJ-HPX3700 is Panasonic's new workhorse camera producing uncompromising cinematic image quality with the exceptional reliability and faster workflow of solid-state P2 HD.
The VariCam 3700 raises the bar for cinematic image quality, offering a native 1920x1080 imager, including 10-bit, 4:2:2 full-raster recording (AVC-Intra 100), as well as Dual link RGB 4:4:4 output with log response capability. The 2/3" 2.2 mega-pixel, 3-CCD camera records high resolution, independent frame HD images in AVC-Intra 100, for the highest level of quality; in AVC-Intra 50 for extended recording; and industry-standard DVCPRO HD for added flexibility. |
Sony HDR-FX1 HDV Handycam Camcorder
| $249.00 |  The world's first consumer 1080i high definition camcorder, the Sony Handycam HDR-FX1. A revolution in form and function, the HDR-FX1 allows you to play and record interlaced high definition video at resolutions up to 1440 x 1080 for professional quality video with vivid colors and striking detail. It even offers the ability to switch to standard DV recording and playback as the situation warrants.
The HDR-FX1 features the Real-time HD Codec Engine, which offers professional-level MPEG2 video compression, and 14bit HD DXP (Digital Extended Processor) for increased processing speed. Images are captured on three chip Advanced HAD CCD system that provides increased detail and improved video performance without the color bleeding found in other system. Optical capabilities include a Carl Zeiss Vario-Sonnar T* lens with 12x optical zoom and Super SteadyShot image stabilization.
The HDR-FX1 offers an unprecedented amount of control to the user, including manual zoom, focus, and iris control. Picture Profile allows the user to create a number of preset video modes for a variety of shooting settings. Composing shots is easier than even with the 3.5-in precision hybrid SwivelScreen LCD display1 and the extra-large electronic viewfinder. |
Sony HDR-HC3 1080i HDV camera
| $149.00 |  The smallest High Def camera 1080i Handycam there is! Complete with wide angle attachment. HD and SD Recording Modes. Dual Record Mode lets you capture 2.3 Megapixel stills while shooting HD video. Smooth Slow Recording captures fast movement with precise detail for slow motion playback. If you need to be low key, or if you want to mount an HD camera on a helmet, and don't want the bulk and weight of the typical HDV camera, this is your camera. An amazing piece of engineering. |
Sony HDW-F900 Cine Alta HDCAM 24p
| $495.00 |  The HDW F900 is capable of record/playback of 1080 progressive at 23.98 or 24 or 25 or 29.97 or 30 frames per second or 50 or 59.94 or 60 fields per second at 1080 interlaced. Shooting at 24p allows for frame-for-frame video to film transfer. NTSC or PAL.
*Price is for body and b+w viewfinder only. Other accessories shown are not included.
Includes:
OnBoard Microphone
Camera-Tripod Plate |
Sony HDW-F900R Cine Alta 24P HDCAM Camcorder
| $795.00 |  The highly respected HDW-F900 camcorder has now been refined into the next-generation HDW-F900R, offering a variety of further enhanced functionalities. The HDW-F900R camcorder records images in accordance with the CIF (Common Image Format) standard, which specifies a sampling structure of 1920 x 1080 active pixels (horizontal x vertical). Plus, as well as recording at 24P, the HDW-F900R camcorder is switchable to record at 25P, 29.97P progressive scan, and also at 50 or 59.94 Hz interlaced scan.
The HDWF900R also provides a comprehensive range of features for creative shooting such as enhanced gamma features and colorimetry controls. Plus, the design of the HDW-F900R is highly compact and lightweight, giving users higher levels of mobility and comfort when shooting.
To further enhance the creative and operational versatility of the camcorder, a wide range of optional accessories are available. These include a picture cache board, a 2-3 Pull-down and down converter board, and a slow-shutter board. In combination with its renowned 24P capability and attractive cost efficiency, all of these great functionalities make the HDW-F900R the perfect solution for shooting television series , documentaries, commercials, as well as motion pictures. |
Sony HDW-F900 Cine Alta HDCAM w/Sony COLOR Viewfinder
| $595.00 |  The HDW F900 is capable of record/playback of 1080 progressive at 23.98 or 24 or 25 or 29.97 or 30 frames per second or 50 or 59.94 or 60 fields per second at 1080 interlaced. Shooting at 24p allows for frame-for-frame video to film transfer. NTSC or PAL.
Sony HDVF C30W COLOR Viewfinder
*Price is for the F900 body, Sony HDVF C30W color viewfinder, and the standard b+w viewfinder. Other accessories shown are not included. |
Sony HVR-A1E PAL HDV Camcorder
| $299.00 |  Sony HVR-A1E 1/3" Professional HDV Camcorder with 3-Million Pixel CMOS Imager, High Definition HDV, DVCAM and Mini DV Recording Options, Professional Audio Inputs and Time Code. The HVR-A1E is a tiny camera capable of recording in several frame rates including PAL. When it is set up to record standard definition video this camera is a PAL device that stripes the tape at 30 interlace frames per second. When it is selected to record in HDV it can record 50 or 25 frames per second. Its widescreen chip captures over 1000 horizontal lines and 1440 vertical lines no matter what you dial in for record format.
This camera is especially suited for low light and night vision work using one of our infrared camera Lightpanels |
Sony HVR-A1U HDV Camcorder
| $299.00 | Sony HVR-A1U 1/3" Professional HDV Camcorder with 3-Million Pixel CMOS Imager, High Definition HDV, DVCAM and Mini DV Recording Options, Professional Audio Inputs and Time Code. The HVR-A1U is a tiny camera capable of recording in several frame rates including NTSC. When it is set up to record standard definition video this camera is an NTSC device that stripes the tape at 30 interlace frames per second. When it is selected to record in HDV it can record 60i, 30p or 24 frames per second. Its widescreen chip captures over 1000 horizontal lines and 1440 vertical lines no matter what you dial in for record format.
This camera is especially suited for low light and night vision work using one of our infrared camera Lightpanels |
Sony HVR-HD1000U 1080i HDV camera
| $149.00 |  The HVR-HD1000U Digital High Definition HDV camcorder features a shoulder mount design and matte black color, designed to meet the growing demand of HDV users for greater mobility and professional appearance. With premium design characteristics and high-definition 1080i recording capability, the HDV-HD1000U is ideal for weddings, corporate communications, colleges, universities, sporting events, and working videographers on a budget. A built-in down-converter creates DV material, perfect for standard DVD productions. A special still photo mode is ideal for producing DVD cases and making wedding photo albums. The HVR-HD1000U camcorder features a Carl Zeiss Vario-Sonnar T* lens with 10x optical zoom, similar to that found on higher end professional HDV camcorders. The "Smooth Slow Rec" function of the HVR-HD1000U camcorder allows users to perform slow-motion playback by capturing images at four times faster than the normal field rate. The Super SteadyShot� (optical) feature of the HVR-HD1000U camcorder utilizes an image stabilization system using an active optical lens method that functions without any deterioration in image quality. The Super NightShot function of the HVR-HD1000U camcorder allows the videographer to record objects in zero lux light levels for night-time monitoring and surveillance. |
Sony HVR-V1U HDV 1080i Camcorder
| $195.00 |  The compact professional camcorders manufactured by Sony have introduced a new level of mobility for ENG and documentary-making worldwide with their superior quality and compact dimensions. These camcorders have dramatically revolutionized the traditional methods of capturing video footage. With the new Sony HVR-V1U camcorder, now you can enjoy the same mobility with the breathtaking beauty of HD picture quality.
- HDV1080i Format
- New CMOS sensor
- 3-chip system, the "3 ClearVid CMOS Sensor" offers high-resolution images with rich and natural colors.
- Carl Zeiss� Vario-Sonnar� T* lens.
- True 24p and 30p Progressive scan mode.
- HD/SD/
- HDV/DVCAM/MINIDV
- XLR Inputs |
Sony HVR-Z1U HDV Camcorder
| $195.00 |  1080i HDV camera is PAL and NTSC switchable, HD and SD switchable, and popular with networks, the BBC, and other production groups as a standalone or together with the Sony Cine Alta. |
Sony HVR-Z7U HDV Camcorder
| $249.00 |  Sony's new HVR-Z7U is the world's first professional handheld HDV camcorder with an interchangeable lens system.
The compact design makes it easy to use and flexible when shooting applications requiring mobility and in space-constrained locations.
- The HVR-Z7U accepts miniDV cassette tapes,which provide over 60 minutes recording time for HDV and DV formats, over 40 minutes for DVCAM format.
- A 3.2-inch type XtraFine LCD is located on the HVR-Z7U in the same position as on the HVR-Z1U. The high pixel number of approximately 921,000 dots is around four times greater than the LCD of the HVR-Z1U, and this higher resolution allows for easier focus adjustments.
- HDV/DVCAM/DV file recording on easily obtained Compact Flash cards.
Recording Times for HDV, DVCAM, DV formats*:
32GB = 144 minutes
16GB = 72 minutes
8GB = 36 minutes
4GB = 18 minutes
*At least 133x speed CF cards are required |
Sony HVR-Z7P HDV PAL Camcorder
| $249.00 | PAL version of the Z7U. Sony's new HVR-Z7U is the world's first professional handheld HDV camcorder with an interchangeable lens system.
The compact design makes it easy to use and flexible when shooting applications requiring mobility and in space-constrained locations.
- The HVR-Z7U accepts miniDV cassette tapes,which provide over 60 minutes recording time for HDV and DV formats, over 40 minutes for DVCAM format.
- A 3.2-inch type XtraFine LCD is located on the HVR-Z7U in the same position as on the HVR-Z1U. The high pixel number of approximately 921,000 dots is around four times greater than the LCD of the HVR-Z1U, and this higher resolution allows for easier focus adjustments.
- HDV/DVCAM/DV file recording on easily obtained Compact Flash cards.
Recording Times for HDV, DVCAM, DV formats*:
32GB = 144 minutes
16GB = 72 minutes
8GB = 36 minutes
4GB = 18 minutes
*At least 133x speed CF cards are required
Includes: Three Batteries + One Charger |
Sony HXR-NX70U NXCAM Compact Camcorder
| $295.00 |  Sony continues to raise the bar with the introduction of its rain- and dust-proof HXR-NX70U NXCAM Compact Camcorder. This rugged little trouper is the perfect companion for those tough location shoots where weather and climate cause lesser cameras to buckle and fold. Meeting stringent dustproof and rainproof requirements, the NX70U's sealed body keeps out all but the toughest of elements, making it ideal for documentary and news videographers traveling to far-flung, unpredictable locations.
But beneath the NX70U's weatherproofing is a first-class performer that hits all the professional sweet spots. Its back-illuminated Exmor R CMOS sensor combines with an ultra wide 26.3-263mm Sony G lens and Optical SteadyShot to provide outstanding full HD 1080p images even in low light. The Dual Rec function, meanwhile, lets you shoot 12.3MP stills while recording video, all of which can be captured to the unit's spacious 96GB embedded flash memory or your choice of Memory Stick or SD/SDHC media.
A waterproof performance rating of IPx4 means that the main camera body is protected against rain showers and water splashes. However, it should not be submerged underwater or sprayed with pressurized water from a tap or hose. When used with accessories such as an external microphone, a rain cover should be used to protect the accessory and connection. IP5x rating does not guarantee 100% protection against exposure to extremely fine particles.
Features:
- Rain & Dust Proof
- 1920 x 1080 60/24p Full HD
- 28Mbps AVCHD Recording
- Ultra Wide 26.3mm Sony G Lens
- 96GB Built-in Flash Memory
- Uses Memory Stick or SD Cards
- 3.5" XtraFine Touchscreen LCD
- Assignable Lens Ring
- Detachable Handle w/Dual XLR Input
- Infrared NightShot
Comes with (3) NP-FV100 InfoLITHIUM batteries |
Sony NEX-FS100U Super 35mm Sensor Camcorder
| $249.00 |  The NEX-FS100U Super 35mm Sensor Camcorder is Sony's first affordable and fully professional large-sensor video camera. Hot on the heels of the PMW-F3, this compact, highly modular camera uses the same S35-size CMOS sensor as the F3. Unlike smaller, broadcast-style sensors or the larger "full-frame" sensors of some DSLRs, the NEX-FS100's imaging area matches that of standard Hollywood film cameras, providing complete compatibility with cine-style film lenses (via optional adapters) as well as any of Sony's E-Mount lenses. The sensor's large size offers a variety of other advantages, including increased control over depth of field, higher sensitivity in low light, lower image noise, and an exceptional dynamic range.
Able to shoot full 1080p video in a range of frame rates up to 60p, the FS100 provides the option of recording 28Mbps AVCHD footage onto SD or Memory Stick media, or it can output uncompressed 4:2:2 video (with embedded timecode) and RGB via HDMI 1.4 to an external recording unit. Simultaneous recording to both is also possible when instant backup is called for. There's no stinting on audio, either, as the camera includes not only a shotgun microphone with mount/carrying handle, but dual XLR inputs for recording uncompressed, professional-level sound from an external source.
Other features--such as a rotating 3.5" XtraFine LCD panel with detachable viewfinder, SD recording, GPS geotagging, and slow shutter--make the FS100 an impressive companion to other cameras in the S35 line. Not only will it intercut perfectly with the F3, F35, or SRW-9000PL as a 2nd unit or B camera, it can stand on its own in applications as diverse as indie film, commercials, music promos, and documentaries.
Choice of Canon or PL mount. |
Sony PDW700 Professional XDCAM HD Camcorder
| $795.00 |  The PDW-700 camcorder comes equipped with three 2/3-inch type CCDs � a newly developed "Power HAD FX" progressive CCD with 1920 x 1080 effective pixels. Stunning-quality HD images can be captured by this high-resolution CCD in conjunction with the 14-bit A/D converter and advanced digital signal. On top of the exceptional technology, the PDW-700 offers very high quality HD recording at a data rate of up to 50Mbps using the MPEG-2 4:2:2P@HL compression. It also provides multi-format recording flexibility including 1080i, 720P and SD, which comes with HD/SD conversion and cross conversion between 1080i and 720P.
Features:
- Three 2/3-inch type CCDs
- High-quality four-channel audio recording
- Compact and lightweight at 9 lb 4 oz
- Dual HD/SD-SDI outputs and composite/HD-Y output
- Pool-feed input (HD/SD-SDI and composite) option
- Ethernet interface
- i.LINK interface
- HD422:1080: 59.94i, 50i
- HD422 50Mbps
- DL & SL Disc Recording
- HD422: 1080: 29.97p, 25p, and 720: 59.94p, 50p
- HD420: 1080 & 720
- MPEG IMX & DVCAM |
Sony PDW-F800 XDCAM HD422 Camcorder
| $795.00 |  The PDW-F800 camcorder is the newest member of the XDCAM family. It offers multi-format recording flexibility as standard - including SD recording and a frame rate of 23.98P in 1080 mode. It is equipped with three 2/3-inch type CCDs and a �Power HAD FX� progressive CCD with 1920 x 1080 effective pixels. Stunning-quality HD images can be captured by this high-resolution CCD and advanced digital signal. On top of the exceptional technology, the PDW-F800 offers very high quality HD recording at a data rate of up to 50Mbps using the MPEG-2 4:2:2P@HL compression. It also provides multi-format recording flexibility including 1080i, 720P and SD, which comes with HD/SD conversion and cross conversion between 1080i and 720P. With features such as Slow & Quick Motion (over-crank and under-crank recording) make the PDW-F800 ideal for cinema and TV drama productions, as well as ENG applications. Price is for body, no lens is included. Normal and wide HDlenses are available.
CAMERA AS VTR!!
Our F800 cameras are supplied with Sony CBK-HD01 (at no additional charge). Sony CBK-HD01 is an optional HD-SDI input board designed for the PDW-800 XDCAM HD camcorder. This circuit board provides a BNC input connector that will accept standard definition video directly to the camera's VTR.
Includes:
OnBoard Microphone
Camera-Tripod Plate |
Sony PDW-F350 XDCAM HD Pro Camcorder
| $495.00 |  This addition to Sony's camcorders brings selectable frame rate recording to the CineAlta family line up. Commonly known as "overcranking" and "undercranking", Sony calls this function Slow & Quick Motion. In addition, not only does the PDW-F350 record in true 24P, but also 25P and 30P at 50i or 60i.
**Your lens choice ia at addtional charge |
Sony PDW-F355 XDCAM HD Pro Camcorder
| $549.00 |  The Sony PDW-F355 XDCAM HD Camcorder provides the durability and reliability professionals have become accustomed to with their full line of ENG camcorders, while adding many new features. What sets the XDCAM HD line apart from other cameras is the ability to shoot high definition video at manageable bitrates, without sacrificing quality.
Equipped with three 1/2" HD CCDs, the PDW-F355 is capable of recording a 1080i stream at different frame rates and bit rates, giving the user increased versatility to choose between quality and run time. The camera can also under and over crank, between 4 and 60 frames, which can be used for fast and slow motion effects. |
Sony PMW-200 CMOS XDCAM HD422 Camcorder
| $295.00 |  The PMW-200 is the successor to Sony's well respected PMW-EX1/R camcorder which supports the 50 Mbps MPEG HD422 codec and MXF recording. It is a good companion to the PMW-500 XDCAM HD422 shouldermount camera. With its three 1/2-inch Full HD Exmor CMOS sensors (1920x1280), the PMW-200 is able to achieve high resolution (1000 TVl), high sensitivity (F11@2000 lx), low noise (56 dB), and wide dynamic range. The PMW-200 can be used for both SD and HD applications. It can be set to record 50 Mbps MPEG HD422 as MXF files on UDF formatted cards just like the PMW-500 memory camcorder or the PDW-700/F800 optical disc based camcorders. Or you can set the camcorder for FAT mode recording to shoot SxS cards which are compatible with the XDCAM EX format made by the PMW-EX1/R or PMW-320/350. For SD applications you can make DVCAM recordings as either MXF files or XDCAM EX compatible files.
In the UDF/MXF recording mode, you can record Full HD video (1920x1080) at up to 50Mbps using MPEG HD422 compression technology and enjoy the benefits of proven, high-speed and intuitive XDCAM HD422 workflow. With the PMW-200, you can also record video in MPEG HD (420) or DVCAM format.
Features:
- Three 1/2-inch Full HD Exmor 3CMOS sensors
- 50 Mbps MPEG HD422 recording as MXF - SD Recording and Playback (DVCAM) standard
- 14x Fixed Zoom Lens (servo/manual switchable) with unique focus ring mechanism
- Two ExpressCard SxS Memory Card Slots
- Record up to 4 hours 50 Mbps MPEG HD422 in camcorder using two 64 GB SxS-1A memory cards
- UDF (Professional Disc compatible) or FAT (XDCAM EX compatible) file format mode shooting to have similar high res files and workflows with existing Professional Disc and XDCAM EX camcorders
- Low power consumption
- Compact and lightweight
- 16:9, 3.5 inch color LCD
- Slow & Quick motion
- Focus Magnification for focus assistance
- Slow Shutter Function
- Shutter Angle Settings
- Picture Cache Recording
- High-quality four-channel audio recording
- HD/SD-SDI output and composite/HD-Y output
- USB interface for connecting camcorder as card reader
- Six Standard Gamma settings and Four HyperGama Settings |
Sony PMW-EX1 XDCAM Pro HD Camcorder + 32GB
| $239.00 |  The Sony PMW-EX1 is a flash-memory based high definition camcorder capable of a variety of frame rates and resolutions using Sony's new XDCAM-EX intraframe codec. The Exmor 1/2" CMOS sensors used in the PMW-EX1 provide unprecedented levels of image clarity previously unavailable in the prosumer market. Sony's sophisticated SxS Pro memory cards add a unique dimension to almost any production. INCLUDED IS ONE 8gb CARD. Additional cards 8gb and 16gb are available on this page.
Enhancing both usability and workflow efficiency, the PMW-EX1 has an extensive set of features that push the boundaries of traditional handheld cameras, including a continuous record time of up to 140 minutes! Whether shooting in 720p, 1080i, or 1080p modes, the PMW-EX1 has it all covered. Its bevy of output settings lets users take advantage of fast and slow motion, as well as popular framerates such as the "film-like" 24p mode.
Includes one 32gb SxS Sony Memory Card + three batteries and charger.
WARNING!!! The 32gb SxS cards will function only in Sony EX1 cameras with firmware upgrade to new version 1.11 (All Budget Video cameras are upgraded). |
Sony PMW-EX1R XDCAM Pro HD Camcorder + 32GB
| $239.00 |  The Sony PMW-EX1R is a flash-memory based high definition camcorder capable of a variety of frame rates and resolutions using Sony's new XDCAM-EX intraframe codec. The Exmor 1/2" CMOS sensors used in the PMW-EX1 provide unprecedented levels of image clarity previously unavailable in the prosumer market. Sony's sophisticated SxS Pro memory cards add a unique dimension to almost any production. INCLUDED IS ONE 8gb CARD. Additional cards 8gb and 16gb are available on this page.
Enhancing both usability and workflow efficiency, the PMW-EX1R has an extensive set of features that push the boundaries of traditional handheld cameras, including a continuous record time of up to 140 minutes! Whether shooting in 720p, 1080i, or 1080p modes, the PMW-EX1 has it all covered. Its bevy of output settings lets users take advantage of fast and slow motion, as well as popular frame rates such as the "film-like" 24p mode.
Includes one 32gb SxS Sony Memory Card + three batteries and charger.
WARNING!!! The 32gb SxS cards will function only in Sony EX1 cameras with firmware upgrade to new version 1.11 (All Budget Video cameras are upgraded). |
Sony PMW-EX3 XDCAM HD Camcorder
| $299.00 |  The Sony PMW-EX3 is a flash-memory based high definition camcorder capable of a variety of frame rates and resolutions using Sony's new XDCAM-EX intraframe codec. A "big-brother" to the PMW-EX1, the PMW-EX3 ups the ante by providing an interchangeable lens mount. The mount allows users to put a variety of professional lenses on the camera, including 1/2" and 2/3" bayonet-mounts.
Enhancing both usability and workflow efficiency, the PMW-EX3 has an extensive set of features that push the boundaries of traditional handheld cameras, including a continuous record time of up to 140 minutes! Whether shooting in 720p, 1080i, or 1080p modes, the PMW-EX3 has it all covered. Its bevy of output settings lets users take advantage of fast and slow motion, as well as popular framerates such as the "film-like" 24p mode.
The supplied lens is a Fujinon HD 14X 5.8-81.2 f/1.9.
Includes:
ONE - 32GB SxS Sony Memory Card
ONE - SXS Card Reader
THREE - BP-U60 batteries
ONE - Battery Charger |
Sony PMW-F3L Super 35mm XDCAM EX - PL Mount Camcorder
| $595.00 |  Joining the F35 and SRW-9000PL in Sony's lineup of CineAlta 24p digital cinema cameras, the PMW-F3L Super 35mm Full-HD Compact Camcorder continues the democratization of high-end image capture. The camera's newly developed 35mm-size CMOS sensor offers a variety of advantages over smaller sensors, including increased control over depth of field, higher sensitivity in low light, lower image noise, and an exceptional dynamic range. Unlike smaller, broadcast-style sensors or the larger "full-frame" sensor found in some DSLRs, the PMW-F3's chip is on a par with Hollywood film cameras, in terms of field of view and depth of field. That means complete compatibility with cine-style film lenses and consistency of vision for cinematographers used to shooting on 35mm film.
Features:
- PL Mount Adapter
- 35mm Cine Lens Compatibility
- 1920 x 1080 HD, Native 23.98p
- MPEG-2 Long GOP
- 1080/720, Interlace/Progressive Modes
- PCM Uncompressed 16-bit Audio
- 10-bit 4:2:2 HD-SDI Output
- Genlock, Timecode
- S-Log/LUT Workflow
- (2) SxS Memory Card Slots
HQ Mode:
Approx. 100 min with SBP-32 (32 GB) memory card
Approx. 50 min with SBP-16 (16 GB) memory card
SP/SD Mode:
Approx. 140 min with SBP-32 (32 GB) memory card
Approx. 70 min with SBP-16 (16 GB) memory card |
GoPro Cameras
GoPro HERO 12 Black
| $99.00 |  GoPro HERO 12 Black Specs:
- 27MP Sensor
- 5.3K/60, 4K/120, 2.7K/240 video (up to 100 Mbps bit rate)
- H.264 and H.265 codecs
- HDR video and photos
- HyperSmooth 6.0 video stabilization
- Timecode Sync with other GoPro12 cameras
Rental Package Includes:
- 3 batteries
- battery charger
- microSD card with at least v30 or UHS-3 rating.
- 3 accessories (your choice) |
GoPro HERO 10 Black
| $99.00 |  GoPro HERO 10 Black Specs:
- 23MP GP2 Chip
- 5.3K/60, 4K/120, 2.7K/240 video (up to 100 Mbps bit rate)
- H.264 and H.265 codecs
- HyperSmooth 4.0 video stabilization
Rental Package Includes:
- 3 batteries
- battery charger
- microSD card with at least v30 or UHS-3 rating.
- 3 accessories (your choice) |
GoPro HERO 9 Black
| $99.00 |  GoPro HERO 9 Black Specs:
- 23.6MP sensor
- 5K/30, 4K/60, 2.7K/120, 1440/120, 1080/240 video (up to 100 Mbps bit rate)
- H.264 and H.265 codecs
- HyperSmooth 3.0 video stabilization
Rental Package Includes:
- 3 batteries
- battery charger
- microSD card with at least Class 10 or UHS-1 rating.
- 3 accessories (your choice) |
GoPro HERO 8 Black
| $99.00 |  GoPro HERO 8 Black Specs:
- 12MP sensor.
- 4K/60, 2.7K/120 and 1080/240 video (up to 100 Mbps bit rate)
- H.264 and H.265 codecs.
- HyperSmooth 2.0 video stabilization.
Rental Package Includes:
- 3 batteries
- battery charger
- microSD card with at least Class 10 or UHS-1 rating.
- 3 accessories (your choice) |
GoPro MAX 360 Action Camera
| $99.00 |  GOPRO comes with 2 accessory options, memory card, 3 batteries, and charger! |
Karma Grip for HERO6 Black/HERO5
| $49.00 |  Capture stabilized footage so smooth your ordinary shots will look extraordinary. Enjoy professional, cinema-quality video whether you're hiking, biking or chasing your kids through the park. Compatible with most GoPro mounts, Karma Grip captures the amazing handheld, gear-mounted and body-worn perspectives only a GoPro can-now with pro-quality stabilization. Simple built-in camera controls let you power on and off, change modes, start and stop recording, and add HiLight Tags on the fly.1 Capture incredible ... Karma Grip.
- Capture amazingly smooth shake-free video
- Compatible with most GoPro mounts
- Karma Drone compatible
- Built-in camera controls1
- Use with the optional Karma Grip Extension Cable
- Offload footage without un-mounting your camera
- Extra-long 1 hour and 45 minute battery life
- Charge your GoPro and Karma Grip at the same time
- Recharge up to 70% faster using the optional GoPro Supercharger (International Dual-Port Charger) |
GoPro Mounting Kit
| $14.95 |  11-inch mini magic arm, made of aluminum alloy & stainless steel, with high-end aluminum polished, maximum load weight is 1kg / 2.2lbs, a perfect camcorder mount
Adjustable ball head design on both ends with standard 1/4-screw, provide multi-angle shooting, suitable for monitor DSLR camera, camcorder, action camera, DJI OSMO ACTION, video camera, photographic light, tripod, slide car Equipment
Meshing teeth design in the middle, provide more stability and security , easily tighten the joint of magic arm by turning the hi-torque screw
Super clip made with non-slip rubber pad inside, increase the friction and reduce the scratch of the pole, more stable and secure, work with 47mm diameter pole in max.
Attach with high-torque screw, gopro adapter, super wide smartphone clip, compatible with gopro or gopro-action camera and most of the smartphone in the market. |
Viewfinders
Zacuto Gratical HD Micro OLED EVF
| $149.00 |  Rising far above the readily available generic EVF or LCD screen with a loupe magnifier attachment, the Zacuto Gratical HD Micro OLED EVF packs more display features and functions than is found in many much larger EVFs and on-camera monitors. At the heart of the EVF is a micro OLED panel about the size of your thumbnail with 5.5 million dots of resolution that produces an image with true blacks and a 10,000:1 contrast ratio, supporting RGB at 24-bits for vivid color rendition. You can choose to display a 720p image within the full resolution display of the OLED and then display the various scopes and signal displays outside of your picture area, which allows you to have an unobstructed view of your image while being able to see a waveform or histogram display of your image.
Features:
- 0.61" OLED EVF
- 24-Bit RGB 1280 x 720 Resolution
- Zebra, Vectorscope, Waveform, Histogram
- Peaking, False Color, Test Pattern
- LUT Creation and Import
- Audio Meters
- Four Programmable Buttons
- Built-In -1 to +4 Diopter Adjustment
- ARRI Rosette & 1/4"-20 Mounting
- Powers from Included LP-E6 Battery |
Sony HDVF C30W Color Viewfinder
| $249.00 |  The HDVF-C30W is a 2.7" LCD, 16:9 aspect ratio HD Color Viewfinder for the HDC-950, HDC-F950, HDC-930, HDW-730, HDW-750 and HDW-F900 series cameras and camcorders. It provides the optimum visual information with a full-color and flicker-free TFT-LCD providing a 960 x 540 pixel resolution. |
DV, DVCAM Camcorders
Canon XL-1s NTSC
| $195.00 |  3-CCD, variable frame rate: 60i/30p/24p 16:9and 4:3 aspect ratio shooting formats XLR; BNC connectors. Mini DV camera with 20x zoom lens, and 3 batteries (3X wide angle lens, Follow Focus are also available.) |
Canon XL-1s PAL
| $225.00 | | 3-CCD, variable frame rate: 60i/30p/24p 16:9 and 4:3 aspect ratio shooting formats XLR; BNC connectors. Mini DV camera with 20x zoom lens, and 3 batteries (3X wide angle lens, Follow Focus also available.) |
Canon XL-2 NTSC
| $225.00 |  3-CCD, variable frame rate: 60i/30p/24p 16:9and 4:3 aspect ratio shooting formats XLR; BNC connectors. Mini DV camera with 20x zoom lens, and 3 batteries (3X wide angle lens, Follow Focus also available.) |
Canon XL-2 PAL
| $250.00 | | 3-CCD, variable frame rate: 60i/30p/24p 16:9and 4:3 aspect ratio shooting formats XLR; BNC connectors. Mini DV camera with 20x zoom lens, and 3 batteries (3X wide angle lens, Follow Focus also available.) |
Panasonic AG-DVX100A NTSC 24p
| |  DVX100A or DVX100B available. Three 1/3" interline transfer CCDs camera with all the newest perks. Supports Cinema-style 480/24p, 480/30p, and 480/60i (NTSC) shooting modes. Adjust Autofocus and gain controls in 24p mode. |
Panasonic AG-DVX100B NTSC 24p
| | | Three 1/3" interline transfer CCDs camera with all the newest perks. Supports Cinema-style 480/24p, 480/30p, and 480/60i (NTSC) shooting modes. Adjust Autofocus and gain controls in 24p mode |
Panasonic AG-DVX100AE PAL 25p
| | | Cimema-style PAL shooting modes. Three 1/3" interline transfer CCDs camera |
Sony DSR-450 DVCAM
| $495.00 |  camcorder |
Sony DSR-500 DVCAM Camcorder
| $495.00 |  |
Sony DSR-570 DVCAM Camcorder
| $495.00 |  |
Sony DSR-PD150P PAL DVCAM
| $225.00 |  |
Sony DSR-PD170 NTSC
| $195.00 | 
Mini DVCAM 3-CCD Mini DV camera supplied with 3 batteries NOTE: Underwater housings and EWA marine bags available. |
Sony DSR-PD170P PAL
| $195.00 | | Mini DVCAM 3-CCD Mini DV camera supplied with 3 batteries NOTE: Underwater housings and EWA marine bags available. |
Digital Betacam Camcorders
Sony DVW-790WS NTSC DigiBeta
| $495.00 |  Digital Betacam |
Sony DVW-790WSP PAL DigiBeta
| $495.00 | | Digital Betacam |
Sony DVW-700WS NTSC DigiBeta
| $495.00 | | Digital Betacam Widescreen |
Sony DVW-700WSP PAL DigiBeta
| $495.00 | | Digital Widescreen Betacam |
Betacam SP Camcorders
Sony BVP550 w/BVV-5 Recorder
| $395.00 |  |
Sony BVP70is w/BVV-5 Recorder
| $395.00 |  Betacam head with SP recorder |
Sony BVP70is Head w/lens and CA3A
| $295.00 | | Betacam Head, lens, and Sony CA3A Camera Adapter for split camera-recorder operation. |
Sony BVP7AP PAL Betacam w/Recorder
| $395.00 | | PAL Broadcast Betacam with BVV5PS PAL Betacam SP recorder." |
Sony BVP90 NTSC Camera Head
| $295.00 |  Betacam |
Sony BVP90P PAL Betacam w/Recorder
| $595.00 | | Broadcast Betacam with BVV5PS PAL Betacam SP recorder. |
Sony BVW400 Betacam
| $395.00 |  Broadcast Betacam |
Sony BVW400A Betacam
| $395.00 | | "One-piece" Chip "FIT" |
Sony BVW590 Betacam
| $395.00 |  Digital HyperHad CamRec |
Sony BVW-D600 Betacam SP
| $395.00 |  Broadcast Betacam |
Sony BVW D600WS Digital Betacam Camcorder
| $195.00 |  The BVW D600 is a combination of a colour video camera which uses FIT type Hyper HAD sensor CCDs with a Betacam SP portable video cassette recorder. It�s high image quality and sensitivity, portability and dust and water proof construction makes it ideal as a camcorder for END and EFP.
Key Features:
� Selectable Video gain
� Sophisticated Electronic Shutter
� FIT type Hyper HAD sensor CCD
� Colour Bar Generation |
Sony DXC-D30WS Camcorder
| $395.00 |  (16:9 & 4:3) |
Sony DXC-D50WS
| $249.00 |  This camera features high-performance Power HAD� EX CCDs, switchable 16:9/4:3 aspect ratio, and precise 12-bit A/D conversion built into a highly sophisticated LSI. The result is superior picture quality and high sensitivity, plus extremely low noise and smear characteristics. A variety of automatic functions have also been included, allowing easy and convenient operation in any shooting scenario.
Weight: 4.81 lbs
Dimensions: 5" Width x 10.25" Height x 10.62" Depth, camera head only |
Sony DXC-D55WS
| $249.00 |  The DXC-D55/D55WS is the next-generation in the DXC-series of cameras, designed for even greater picture quality and operational ease of use. These cameras are offered in two different versions: the DXC-D55 4:3 aspect ratio model and DXC-D55WS 16:9/4:3-switchable aspect ratio model. Both feature the new high-performance Power HAD? EX CCD sensor and NEW 14-bit A/D conversion built into a highly sophisticated LSI. The result is superior picture quality, high sensitivity, plus low noise and smear characteristics over previous models. A variety of automatic functions have also been included, allowing easy and convenient operation in any shooting scenario.This camera works with CA-537 for multicore studio use, CA-TX7 for Triax studio and EFP use, or with virtually any dockable VTR, like PVV-1, PVV-1A, PVV-3. or DSR 1. |
DVCPRO Camcorders
Panasonic AJ-D910 DVCPRO50
| $549.00 |  Digital Camcorder |
Panasonic AJ-HPX2000
| $795.00 |  The Panasonic HPX2000 is a multi-format HD production camera that records onto P2 cards. Using the same sensor as the popular VariCam and HDX900 cameras, the HPX2000 can shoot native 720p or switch to shoot 1080i with 24p, 25p & 30p capture. Standard definition NTSC or PAL recording is also available.
Includes normal HD lens. |
Panasonic AJ-SDX900 24p
| $199.00 |  Includes Standard Lens.
- Three 2/3" 520,000 Progressive CCD imagers
- 24P/30P/60i recording capability
- Captures film-like 24-frame images using exclusive CineGammaTM technology
- 50 Mbps DVCPRO50 3.3:1 compression/25Mbps DVCPRO 5:1 compression switchable
- Switchable 16:9/4:3 aspect ratios
- 12-bit DSP (6 pole matrix, 12 pole color correction)
- 18MHz sampling frequency
- Dual Stage Filter Wheel
- High Sensitivity: F13 at 2000 Lux
- Minimum illumination: .11 Lux at +48dB gain
- Shutter speeds and Synchro-scan shutter
- Wireless microphone receiver pocket built-in
- 4-channel digital audio recording
- SD Memory Card for scene file swapping
- Remote control using simple AJ-EC3, Studio RCU with 26 pin adapter or Digital Triax
- Ideal for program production, independent filmmaking and content creation |
Batteries and Power
Lifepower A2 L Power Pack 27,000mAh Backup Battery
| $49.00 |  Charge your AC- and USB-powered devices with the A2 L Power Pack 27,000mAh Backup Battery from LifePower. The LifePower A2 L power pack sports a typical 3-prong wall outlet along with up to 120W of peak power to run notebooks, film-set lighting, guitar amplifiers, drones, and more. This feature lets you use nearly any device, using the power charger that came with your unit. To simultaneously charge smartphones or tablets, it also comes with a USB Type-A port that delivers up to 3A of current. This backup battery has a large, 27,000mAh (99.9Wh) capacity, which can be recharged in about 3 hours with the included DC-charger. An optional solar panel kit is available for recharging the internal lithium-ion battery while outdoors or during emergencies. In addition, the LifePower A2 L is built with a brushed aluminum chassis to help it survive drops and spills, and there's also a velvet carrying pouch supplied for protecting the exterior surface from scratches.
Features:
- Compatible with AC-Powered Devices
- 27,000mAh Battery Capacity
- Rechargeable Lithium-Ion Battery
- USB Type-A Female Charging Port
- Up to 100W Continuous (120W Peak) Power
- Compact Design |
14v, 190 Watt Hour, 2 Battery Package
| $49.00 |  (2) 14.8 volt, 190 watt hour Anton Bauer type batteries
(1) Charger / power supply
(2) 4-pin power cables |
Anton Bauer Pro Pac 14 Battery
| $15.00 |  Ni-Cd 14.4v, 65 watt hours
The Pro Pac is recognized by broadcasters and video professionals around the world as the ultimate professional video battery and is recommended for all applications. The premium low resistance Pro Pac cell is designed to deliver long life and high performance even under high current loads and the most adverse conditions. |
Anton Bauer TrimPac 14 Battery
| $15.00 |  Ni-Cd 14.4v, 45 watt hours
The TRIMPAC size and shape was developed in close collaboration with major camcorder manufacturers. Thin, flat and lightweight (less than half the width and almost half the weight of a ProPac), the powerful low resistance TRIMPAC is the economical professional choice and will operate a 25 watt camcorder and on-camera light for up to 45 minutes. |
Anton Bauer HyTRON 50 Battery
| $15.00 |  Ni-MH, 14.4v, 50 watt hours
The HyTRON 120 is a Nickel Metal Hydride (NiMH) battery. NIMH provides the highest energy density cells available. An on-board "Fuel Computer" is built-in to keep a constant vigil on the battery energy I/O, as well as critical operating characteristics and conditions. |
Anton Bauer HyTRON 120 Battery
| $15.00 |  Ni-MH, 14.4v, 120 watt hours
Ideal battery for the latest generation of HD equipment, providing extended runtimes of up to 5 hours on DVC format camcorders. The HyTRON 120 is a Nickel Metal Hydride (NiMH) battery. NIMH provides the highest energy density cells available. An on-board "Fuel Computer" is built-in to keep a constant vigil on the battery energy I/O, as well as critical operating characteristics and conditions. |
Anton Bauer QR-EX3 Gold Mount for Sony PMW-EX3 Camera
| $15.00 |  The Anton Bauer QR-EX3 is a mount for the Sony PMW-EX3 XDCAM EX camera. The mount attaches to the rear of the camera and holds both Dionic 90 and HyTron 50 Anton Bauer batteries. The battery pack not only provides additional power to the camera, but also acts as a counter-balance, making the camera easier to mount on one's shoulder. |
Beillen 160 Battery
| $15.00 |  Lithium-ion, 14.8v, 160 watt hours
Gold Anton Bauer Mount. Compatible with all professional video cameras using AB type batteries. Built-in 4-level LED power status display. Standard Power Tap connector. |
Beillen 190 Battery
| $15.00 | Lithium-ion, 14.8v, 190 watt hours
Gold Anton Bauer Mount. Compatible with all professional video cameras using AB type batteries. Built-in 4-level LED power status display. Standard Power Tap connector. |
JVC BN-V428U Battery
| $8.00 |  Lithium-ion, 7.2v, 2800mAh
For extended operational time our 7.2V / 2800mAh lithium ion rechargeable battery is an excellent choice. This battery will provide approximately 4-hours of operational run time. For use with the HD100, HD110 camcorders.
(AS SPARE- Three are supplied with each camera rental) |
Panasonic CGA-D54s Battery
| $8.00 |  Lithium-ion, 7.2v, 5400mAh
For DVX100, DVX100A, DVX100B, HDX200.
(AS SPARE- Three are supplied with each camera rental) |
Panasonic DE-A20B Battery Charger / AC Adaptor
| $10.00 |  |
| Sony NP-FW50 Battery for A7S, A7R
| $8.00 |  Camera rentals INCLUDE 3 batteries.
Choose this item if you need additional batteries.
Sony NP-FW50 Lithium-Ion Rechargeable Battery (1020mAh) fits Sony Alpha A7S, A7S II, A7R II |
Sony NP-F970 L Series Camcorder Battery
| $10.00 |  Lithium ion, 7.2v, 47.5 watt hours
for the PD150, PD170, DCRVX2100, HDR-FX1, HDR-FX7, HVR-Z1U, etc.
(AS SPARE- Three are supplied with each camera rental) |
Sony BP-U60 Battery for EX1, EX3, FS7
| $15.00 |  Camera rentals INCLUDE 3 batteries.
Choose this item if you need additional batteries.
Lithium-ion, 14.4v, 56 watt hours
The Sony BP-U60 is a lithium-ion battery designed for professional video shooting in both the field and the studio. This battery is equipped with the INFO function that communicates battery status data to the PMW-EX1, PMW-EX3 camcorders. |
Sony BP-U30 Battery
| $10.00 |  Lithium-ion, 14.4v, 23 watt hours
The Sony BP-U60 is a lithium-ion battery designed for professional video shooting in both the field and the studio. This battery is equipped with the INFO function that communicates battery status data to the PMW-EX1 camcorder. |
Sony BC-U1 Battery Charger / AC Adaptor
| $10.00 |  BC-U1 Battery Charger/AC Adaptor for BP-U30/U60 Lithium-ion Battery Packs. |
Sony NP-1 Type 14.8v Battery
| $12.00 |  Lithium-ion, 14.8v, 71 watt hours
IDX NP-L7S NP Style Lithium-ion Battery with 3 L.E.D. Power Indicator. Typical run time is 2.7 hours. |
Sony BP-90 Type Battery
| $15.00 |  Lithium-ion, 14.4v, 7200mAh
Camcorder Battery for SONY DSR-300, DSR-250P, PDW-F330L |
Canon BP-975 Battery for C300, C500
| $20.00 |  Camera rentals INCLUDE 3 batteries.
Choose this item if you need additional batteries.
This battery fits the Canon C300 and C500.
This DOES NOT fit the C300 MK II. |
Canon BP-A60 Battery Pack For EOS C300 Mark II
| $35.00 |  Camera rentals INCLUDE 3 batteries.
Choose this item if you need additional batteries.
This battery fits the Canon C300 MK II. |
Canon LP-E6 Battery for 5D Mk II, 5D Mk III, 7D
| $8.00 |  ALL CANON Camera rentals INCLUDE 3 free batteries.
Choose this item if you need additional batteries.
Canon LP-E6 Lithium-Ion Battery Pack (7.2V, 1865mAh) fits Canon EOS 7D Mark II, 7D, 5D Mark II, 5D Mark III, 5DS, 5DS R, 60D, 60Da, 70D, and 6D Cameras |
Canon LC-E6 Charger for LP-E6 Battery Pack
| $7.00 |  The Canon LC-E6 Charger for LP-E6 Battery Pack is designed for use with the for LP-E6 battery pack, which powers the Canon EOS 5D Mark II, 5D Mark III, 7D and 60D Digital SLR cameras. This unit can be used to charge a battery for these cameras from a standard electrical outlet. The charger operates on 100-240VAC power for worldwide use. Its 2-prong US plug goes directly into a wall outlet, so no power cord is required. |
Canon BP-945 / BP-941
| $8.00 |  Lithium-Ion Battery Pack (7.2V, 6600mAh) |
Anton Bauer 30/13v Battery Belt
| $50.00 |  Anton Bauer 30/13 Switchable Battery Belt, 30 volts 4 AH or 13.2 volts 8 AH Output, with Internal Charger, 4 pin XLR & 2 pin Amphenol Connections. |
30V Li-Ion Battery Belt
| $69.00 |  Includes slow battery charger. Works with Arri Pocket Par
*** Take Enough Batteries! *** |
30V NiCad Battery Belt
| $49.00 |  Internal slow charger. Works with Arri Pocket Par
*** Take Enough Batteries! *** |
12V NiCad Battery Belt
| $15.00 | | Powers any 12 volt device |
14v Two Battery Package (GOLD MOUNT)
| $49.00 | Each package includes:
(2) 14 volt Gold Mount block batteries
(1) Charger
Use this battery pack to power:
- Kino Flo Kamio Ring Light
- Litepanels LED Ringlite
- Budget Video Pole Lite |
14v Two Battery Package (V-Mount)
| $49.00 | Each package includes:
(2) 14 volt V Mount block batteries
(1) Charger
Use this battery pack to power:
- Kino Flo Kamio Ring Light
- Litepanels LED Ringlite
- Budget Video Pole Lite |
Lunchbox Battery, 12v + 24v
| $35.00 | |
G&M Dual Output Battery
| $35.00 | | 14.4V x 7 Amp Hour Block Battery |
Anton Bauer Quad Charger / Power Supply
| $25.00 |  This four position InterActive battery charger communicates with InterActive Anton Bauer batteries to provide a safe reliable and fast charge. The system extends the life of your batteries and eliminates old concerns of battery "memory". The Quad 2702 also functions as an adapter to power a camera from AC mains worldwide. |
Beillen Dual V-Mount Battery Charger / Power Supply
| $25.00 |  Model BLB-AN2E
V-Mount (V Lock) 2 Position Simultaneous Portable Charger with Power Supply
Input AC: 90-242VAC 47-63Hz
Output Charging: 16.8V 2.6A
Output DC: 15V 4.0A |
Sony AC-500 12v DC Power Supply
| $15.00 |  AC adapter to power professional Sony video cameras. It has video out, XLR microphone out, BNC video out, and a 14-pin camera input/output. AC 100/120/220/240 volt~50/60 Hz 120W. 12v DC Output. |
Anton Bauer adapter for JVC HD100, HD110
| $15.00 |  This battery adapter allows you to mount Anton Bauer Gold Mount batteries directly onto the back of the GY-HD100. It not only extends the camera's runtime but also improves the camera's ergonomics by balancing the weight of the full size bayonet mount lenses used with this camera. |
200 watt DC to AC Power Inverter
| $15.00 | | 12VDC input, (2) 115v AC outlets |
500 watt DC to AC Power Inverter
| $25.00 | | 12VDC input, (2) 115v AC outlets |
750 watt DC to AC Power Inverter
| $25.00 | | 12VDC input, (2) 115v AC outlets |
1000 watt DC to AC Power Inverter
| $39.00 |  12VDC input, (2) 115v AC outlets
* High surge capacity for products that require more power to start
* High efficiency - converts virtually all the battery's available power to AC
* Overload and over temperature shutdown
* Over voltage protection (15.0 VDC)
* Low voltage alarm (11.0 VDC)
* Low voltage cut-out (10.5 VDC)
* Max. continuous power: 1000 watts
* 5 min. continuous power: 1200 watts
* Surge capacity (peak): 2000 watts
* AC output voltage: 115 VAC RMS +/-5%
* AC output waveform: Modified sine wave
* Optimum efficiency: 90%
* No load current draw: < 0.3 A DC |
1200 watt DC to AC Power Inverter
| $39.00 |  12VDC input, (2) 115v AC outlets
Maximum efficiency: Approximately 87%
No-load draw: < 0.6 amp
Output Wave Form: Modified Sinewave
Input voltage range: 10.5 -15.5 VDC
Output voltage range: 110/120 VAC 60 Hz
Low voltage alarm: 10.5 volts
Low voltage shutdown: 10.0 volts auto reset
Thermal shutdown: Yes, auto reset |
1750 watt DC to AC Power Inverter
| $49.00 |  12VDC input, (2) 115v AC outlets
* 1750 watts continuous, 3000 watt surge capability
* Supports addition of external AC outlets
* Includes ON/OFF remote switch
* Dual LED displays for DC volts and amps
* Heavy duty terminals for trouble-free battery connection
* Low voltage alarm (10.7 VDC)
* Over voltage protection (15.0 VDC)
* Overload shutdown
* Over temperature shutdown |
Exide Prevailer Sealed Gel Battery
| $99.00 |  Model PV-27DC. Group 27, 12 volt GEL VRLA marine battery. Use this battery when lots of battery power is required. Supplied with 4 pin XLR power for 12v, extra long battery cable for inverter operation. Battery charger included. Inverters available separately. |
Anton Bauer CINE VCLX CA Dual Voltage Battery
| $99.00 |  The Anton Bauer CINE VCLX CA is an advanced battery for film and video applications. This battery offers 28VDC cine and 14.4VDC video capabilities. It features Anton Bauer diagnostics, protection and a rugged case design. This version is a specialized battery for the Sony Cine Alta camera system.
Note! This battery can only be charged by the VCLX charger and needs the CA-GBC cable for charger connectivity.
Cine Alta The specialized CINE-VCLX-CA version is specifically designed for use with the Sony F-23 Cine Alta camera. This battery supplies both 28 and 14VDC on a single cable, via an 8 pin Lemo connector along with a single 28VDC 3-pin and a 14VDC 4-pin.
Microprocessor The microprocessor accurately monitors energy distribution of the battery. Therefore, this battery "learns" it's own parameters and communicates with the charger for optimum performance.
Dual Voltage This battery offers 28VDC cine voltage on a 3-Pin XLR and a 14.4VDC video voltage via 4-Pin XLR connectivity.
Case Design The design of this case protects the cells from impact and transportation situations.
Protection A low voltage cut-off of 12VDC protects the battery against electronic damage.
Product Highlights
■14.4V and 28VDC Output
■560 / 336 Wh
■Nickel Metal Hydride Technology
■4-Pin, 3-Pin XLR and 8-Pin Lemo
■Cine Alta Version
Size: 10.00 x 12.75 x 5.50 in (25.40 x 32.39 x 13.97 cm)
Weight: 25.0 lbs (11.3 kg)
(2) 4p XLR for 14.4v and (1) 3p XLR for 28v.
Provides Dual simultaneous outputs (20 amps@ 14.4v ; 12 amps @28v)
14.4v and 28v 560Wh NiMH battery
Integral digital features
ON/OFF switch
REALTIME display
Compatible with CINE VCLX charger
MAXX 1.5 Warranty |
Pag PAGlink HC-PL94T Time Battery Gold Mount (14.8V, 94Wh)
| $15.00 |  The capacities of all the units combine to provide a higher current draw and a longer run-time than if the individual units are used consecutively. A single unit supports a 10A draw while two units combine to provide a 12A draw. Multiple units can be attached together when being used and when being charged. They're compatible with PAG and Anton Bauer lithium ion chargers. Up to eight can be linked per channel on select PAG chargers and up to four on Anton Bauer chargers (up to six with the right firmware). They stop charging once topped-off so you can safely leave them on the charger rather than let them self-discharge on the shelf. Combined units form a network and communicate with one another to provide safe and efficient output. For example when two units that have the highest states of charge in the group are linked one to the other they are used as the ones to provide power to the camera while the remaining units in the group wait in stand-by. Combined packs support hot swapping for continuous power supply. The HC-PL94T is also capable of sending capacity data to all supporting cameras. The HC-PL94T features a numeric run-time and capacity display which maintains accuracy by tracking performance and adjusting calibration values to compensate for the aging of the cells. Run-time is expressed in hours and minutes and can be switched to a percentage figure. When linked for use run-time is displayed for the entire pack. When being charged each battery displays its individual status. The display characters can be changed at the press of a button for the character type more legible for you. The battery cells have no memory effect and are completely recyclable. The battery uses a fail-safe electronic system with an electrolyte-resistant coating on its protection circuit. The system features three over-current two over-voltage two under-voltage and three thermal safety shutdown systems including a non-resetting thermal fuse. To support a long working life the battery's front and rear contact assemblies are external to the battery case and can be replaced if damaged. PAGlink batteries are capable of working in temperatures as low as -20? The HC-PL94T is UN tested and is unrestricted in quantity by air transport legislation. You can carry as many with you on board as you can fit in your hand-luggage. The HC-PL94T can only be linked with other The HC-PL94T Gold Mount units
Product Highlights
High Current 14.8V, 94Wh, 6.4Ah Li-Ion
Linkable with Other Units for More Power
10A Draw; 12A When Two Units Combined
Numeric Run-Time and Capacity Display
Display Accuracy Maintenance Feature
No Memory Effect
Fail-Safe Electronic System
Communicates Data to Supporting Cameras
High-Impact, Molded Polycarbonate Case
Unrestricted Hand-Luggage Carry-On |
Beillen Dual Gold Mount Battery Charger / Power Supply
| $25.00 |  Model BLB-AN2E
Gold mount 2 Position Simultaneous Portable Charger with Power Supply
Input AC: 90-242VAC 47-63Hz
Output Charging: 16.8V 2.6A
Output DC: 15V 4.0A |
Beillen Gold Mount Quad Li-ion Charger / Power Supply
| $35.00 |  FEATURES
Input: AC 90-240V, 47-63Hz
Charger output: DC 16.8V 2.5A
DC output: 15V 4.5A
Dimensions: 231 x 141 x 104 mm
In inches: 9" x 5.5" x 4.1"
Weight: 5.9 lbs (2700 grams)
Chemistry: Lithium-ion
Beillen BLB1703-AN4 is a four channel simultaneous Li-ion charger and DC adapter. When used as a DC adapter, it powers the camcorder directly via XLR connector. As battery charger, AN4 can recharge up to four Gold Mount type Li-ion batteries simultaneously. |
Beillen V-Mount Quad Li-ion Charger / Power Supply
| $35.00 |  FEATURES
Input: AC 90-240V, 47-63Hz
Charger output: DC 16.8V 2.5A
DC output: 15V 4.5A
Dimensions: 231 x 141 x 104 mm
In inches: 9" x 5.5" x 4.1"
Weight: 5.9 lbs (2700 grams)
Chemistry: Lithium-ion
Beillen BLB1703-BP4E is a powerful charger and AC adaptor in one. It's a four channels, simultaneous Lithium-ion charger for professional V-Mount batteries, while as an AC adaptor it provides power to the camera via XLR. |
Pro-X GP-TS V-Lock Mount Dual Battery Mount, Shark Fin
| $29.00 |  |
Anton Bauer QR-HOTSWAPGM Hot-Swap Battery Plate "Shark Fin"
| $29.00 |  The QR-HSGM is a Universal Hot-Swap battery mount. Utilizing the Gold Mount, battery-mounting system, the QR-HSGM can be attached to any portable device with an existing Gold Mount bracket. The "Hot-Swap" design allows the QR-HSGM to mount two fully charged *batteries simultaneously. Either battery can be changed-out for a fully-charged battery at any time.
The QR-HSGM offers true perpetual power, by allowing the operator to "swap-out" a battery with low available capacity, with a fully charged battery, without having to power-down the equipment. |
IDX Endura 50 Lithium Ion V-Mount Battery
| $15.00 |  DC14.4V |
IDX Endura 50 Lithium-Ion V-Mount Two Battery Package
| $49.00 |  Includes 2 V-Mount batteries, a dual charger, and power supply cable. |
Anton Bauer QR-SDH V-Mount to Gold Mount Adapter Plate
| $29.00 |  QR-SDH mounts instantly to XDCam HD (2/3"), XDCam EX, SX, Digital BetaCam, Hi-Definition and IMX cameras to accept Anton/Bauer batteries. |
Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)
| $8.00 |  |
Quad Box Power Plug
| $7.00 |  Cast aluminum 4 outlet stage box with basket strain relief Heavy Duty Leviton 5266C 3-Prong AC Plug 14/3 SJ heavy duty rubber-coated power cable Terminated in BR-15 (Brown) high impact receptables A serious power cable that can tour with heavy metal and come back still performing flawlessly |
Camera Heads
Sony BVP550 NTSC Camera Head
| $295.00 | |
Sony BVP90 NTSC Camera Head
| $295.00 | | Betacam |
Sony BVP70is Betacam Head
| $195.00 |  |
Sony BVP70is Head w/lens and CA3A
| $295.00 | | Betacam Head, lens, and Sony CA3A Camera Adapter for split camera-recorder operation. |
Matte Boxes
ARRI LMB-5 2-Stage Clip-On Matte Box
| $69.00 |  The Arri LMB-5 (Lightweight Matte Box) clips onto various front diamater lenses via special backs and step-down rings. Weighing in at only 10.4 ounces, it is one of the most requested matte boxes when weight and size are a concern. It features (2) 45.650 filter trays and comes with an eyebrow. |
Arri LMB-5 Clip-On 3 Stage Matte Box
| $69.00 | Arri LMB-5 Three Stage Clip on Mattebox
The Arri LMB-5 (Lightweight Matte Box) clips onto various front diamater lenses via special backs and step-down rings. Weighing in at only 10.4 ounces, it is one of the most requested matte boxes when weight and size are a concern. It features (3) 45.650 filter trays and comes with an eyebrow. |
Arri MB-20 Matte Box
| $69.00 |  With the MB-20, ARRI is introducing the most flexible compact matte box available to the film and video production industry today. The MB-20 is an all-new compact wide angle matte box that accepts all HD zooms like the Canon 4.7x11 or the Fujinon 4,5x13, HD primes, small cine zooms and most cine prime lenses, including wide angle primes up to 14mm. |
Chrosziel Matte Box 4x5.65
| $49.00 |  (16:9 and 4:3) |
Chrosziel Super 16 Matte Box
| $49.00 | | 4x5.65, swing away Matte Box will also fit the Panasonic DVX-100 A/AE with Anamorphic Adapter installed |
Arri MB-14 Production 6 x 6 Matte box
| $69.00 |  The MB-14 production matte box is equipped with a 4x filter stage for four 6.6" x 6.6" push-through filters (rotatable in pairs). Two of the filter frames are toothed for operation by knob or flexible shaft. The 4x filter stage has a rear receptacle for 6", 138 mm or 40" filter rings, for anti-reflection rings and additional 4" x 4" filter stage. The 4x filter stage can be interchanged with other filter stages. For easy lens changing the matte box swings open 90 to the front. The lateral adjustment on the side of the matte box is equipped with a quick-set clamp. A holder for secure mounting of french flags is included. |
Arri MB-28 Compact 6 x 6 Matte box
| $69.00 |  ARRI's newest mattebox designed specifically to fit the Angenieux Optimo 24-290mm zoom in addition to prime lenses. One, three-stage mattebox can now cover both needs. |
Arri MB-20 Matte Box
| $69.00 | | With the MB-20, ARRI is introducing the most flexible compact matte box available to the film and video production industry today. The MB-20 is an all-new compact wide angle matte box that accepts all HD zooms like the Canon 4.7x11 or the Fujinon 4,5x13, HD primes, small cine zooms and most cine prime lenses, including wide angle primes up to 14mm. |
4x4 Matte Box for DV
| $39.00 |  4x4 for DV Century Precision with adapters for DVX100, PD150, PD170, XL1, XL1s etc. |
French Flag
| $8.00 |  11 1/2" x 8". Includes clamp. |
Follow Focus
Tilta Nucleus-M Wireless Lens Control System
| $125.00 |  The Tilta Nucleus-M Wireless Lens Control' System features a 1000' transmission range and comes with two lens drive motors with built-in wireless receivers, a FIZ hand controller, and two handgrips-one to control focus, and the other iris and zoom. The lens drive motors each feature a cine standard 0.8 MOD drive gear and two 7-pin connectors, enabling you to freely swap or interchange each motor. The motors power by daisy-chaining using the 7-pin cables, and each motor includes a 19mm rod clamp with 19 to 15mm reducing bushing.
The FIZ hand controller allows you to control focus, iris, and zoom, and it includes a neck strap. The handgrips feature adapters that enable mounting the controllers onto ARRI-compatible rosettes or onto 25/30mm diameter rods, such as those used with gimbals. The system comes packed in a waterproof hard case that protects your gear during transport and storage.
- The system features three ranges: low, medium, and high. It supports up to 15 channels to select from, and the controllers pair with each motor via the motor ID.
- The FIZ hand unit can control three channels (focus, zoom, and iris), as well as override the handgrips.
- The motors can calibrate on lenses with or without hard stops, such as a photo lens with follow focus gears.
The motors feature cine standard 0.8 MOD 32 pitch drive gears. Each motor includes a 19mm rod clamp and a 15 to 19mm adapter bushing, allowing you to mount the motors onto either a 15mm or 19mm rod.
- The motors power from a D-Tap connector, and then pass power by daisy-chaining via the 7-pin connectors with the included cables.
- The FIZ hand controller and each handgrip power via two 18650 3000mAh, 3.7V Li-ion batteries.
The batteries in the FIZ hand controller will last for more than 10 hours, and up to 48 hours in each handgrip, when idle. |
Arri FF4 Follow Focus
| $69.00 |  Easy markings on the Focus scale offers you control for your focus points. Focus marks on video lens have a rotating angle of approximately 110� - 144� on the lens. The Studio Rig/Follow Focus system spreads this angle to approximately 2 - 2.5 times on the handwheel. Includes whip and right side. |
Chrosziel Follow Focus 203-01
| $69.00 |  The Chrosziel 203-01 is a follow focus designed for film and video cameras. The unique system allows easy operation from both sides, making it highly accessible in a variety of situations. The follow focus makes critical focus pulling a breeze.
Markings on the focus wheel give about 110-140� of rotation on the lens, spreading the angle to the focus knob by a factor of two. Precision focus pulling cannot only be achieved with remarkable accuracy; it can also be recreated over and over with very little deviation from take to take. The kit comes with all necessary parts, including a removable hand wheel, focus level, and wheel scale. |
ARRI WCU-4 Wireless Compact Unit for 3-Axis Lens Camera Control
| $249.00 |  Price is for 1 motor. Please advise if you need more motors.
The ARRI WCU-4 Wireless Compact Unit is a 3-axis handheld controller featuring an integrated lens display. Control camera functions, focus, iris, and/or zoom from a distance, such as when shooting handheld or using a stabilizer, gimbal or crane. The WCU-4 is compatible with the ARRI ALEXA Mini, ALEXA Plus, and Studio cameras, and with ARRI UMC-4, SMC-1, EMC-1, and AMC-1 motor controllers. Camera functions are controllable for ARRI ALEXA Mini, Plus and Studio, and ARRI AMIRA when used with the UMC-4 motor controller. |
Camera Accessories
Canon Mount Adapter EF/EF-S to EOS R
| $49.00 |  Extending the range of compatible lenses, the Canon Mount Adapter EF-EOS R is a lightweight, compact lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This simple adapter retains full autofocus and image stabilization capabilities and contains no optical components, thereby maintaining the original optical quality of the mounted lens. It is also dust- and water-resistant, making it suitable for use in harsh weather conditions. |
Canon Drop-In Filter Mount Adapter EF to EOS R with Variable ND Filter
| $69.00 |  Extending the range of compatible lenses, this Canon Drop-In Filter Mount Adapter EF-EOS R is a unique lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This sophisticated adapter affords compatibility with select A-type drop-in filters, and includes a variable neutral density filter for greater control over your exposure settings.
The adapter's design extends the ability to use filters with unique lenses that cannot accept filters on the front, and and it also retains full autofocus and image stabilization capabilities of the mounted lens. It is also dust- and water-resistant, making it suitable for use in harsh weather conditions. |
Tilta Nucleus-M Wireless Lens Control System
| $125.00 | The Tilta Nucleus-M Wireless Lens Control' System features a 1000' transmission range and comes with two lens drive motors with built-in wireless receivers, a FIZ hand controller, and two handgrips-one to control focus, and the other iris and zoom. The lens drive motors each feature a cine standard 0.8 MOD drive gear and two 7-pin connectors, enabling you to freely swap or interchange each motor. The motors power by daisy-chaining using the 7-pin cables, and each motor includes a 19mm rod clamp with 19 to 15mm reducing bushing.
The FIZ hand controller allows you to control focus, iris, and zoom, and it includes a neck strap. The handgrips feature adapters that enable mounting the controllers onto ARRI-compatible rosettes or onto 25/30mm diameter rods, such as those used with gimbals. The system comes packed in a waterproof hard case that protects your gear during transport and storage.
- The system features three ranges: low, medium, and high. It supports up to 15 channels to select from, and the controllers pair with each motor via the motor ID.
- The FIZ hand unit can control three channels (focus, zoom, and iris), as well as override the handgrips.
- The motors can calibrate on lenses with or without hard stops, such as a photo lens with follow focus gears.
The motors feature cine standard 0.8 MOD 32 pitch drive gears. Each motor includes a 19mm rod clamp and a 15 to 19mm adapter bushing, allowing you to mount the motors onto either a 15mm or 19mm rod.
- The motors power from a D-Tap connector, and then pass power by daisy-chaining via the 7-pin connectors with the included cables.
- The FIZ hand controller and each handgrip power via two 18650 3000mAh, 3.7V Li-ion batteries.
The batteries in the FIZ hand controller will last for more than 10 hours, and up to 48 hours in each handgrip, when idle. |
Panasonic AJ-EC3 Paintbox
| $75.00 |  Panasonic Remote Set-Up Controller for DVCPRO, DVCPRO50 and DVCPRO HD Camcorders. Access camera settings, iris control, menus and VTR transport controls via a small, control panel that can used up to 100 feet away. |
Scriptlinc Time Code Clipboard
| $49.00 |  The Scriptlinc by Katamount is a high-tech clipboard with an integrated wireless receiver and time code reader, created with both script and production notes in mind.
Large LCD numbers and easily accessible buttons make this key task easy to perform accurately without disturbing the rest of the crew. The complete Scriptlinc system includes a compact light-weight transmitter that can be attached to the sound or video recorder to send the time code to the clipboard reader/receiver, as well as an input cable and soft carry case. You'll surely save time on set and in post production with the Scriptlinc time code system.
Features Include:
- Integrated wireless receiver and timecode reader
- Automatic frame rate selection
- 3.5mm (1/8") input connector for optional hardwired use
- 19mm (3/4") high LCD display for excellent visibility
- Low power consumption (4 AAA cells last 36 hours!)
- "Hold" buttons freeze the time code display |
ScriptBoy Time Code Clipboard
| $49.00 |  The Scriptboy is the ideal production assistant's assistant. It provides a large, clear readout of timecode from the camera at distances of up to 100 metres, without cables - and without having to ask the cameraman "what's the code?" A small battery-powered transmitter is attached to the camera and fed with LTC timecode in EBU or SMPTE, dropframe or non-dropframe format. This is transmitted to the Scriptboy clipboard which automatically detects the format and decodes the signal for display. The display reading can be frozen so that accurate timecode can be recorded on continuity notes or script. |
Pointmaker Onscreen Writer
| $99.00 | | Presentation onscreen writer |
DV Rig Pro (shoulder brace)
| $79.00 |  This versatile shock-absorbing support for DV cameras adjusts to accommodate various body types, camera weights, and shooting styles. Fluid tilt and adjustable suspension enable smooth, mobile acquisition. Great for hand-held shooting. (Camera not included) |
Denecke TS-3EL Time Code Slate - Color Clapper, Backlight
| $59.00 |  The Deneke TS-3 Time Code Slate reads and displays SMPTE/EBU Time Code; it utilizes an internally mounted SB-2 Syncbox Time Code Generator. This unit Jams to all standard frame rates, including 30 df; user bits jam automatically when the time is set. The high stability crystal ensures low drift and now comes standard with the TCXO option for extreme temperature ranges.
EL Backlit Display
The EL Backlit Display is particularly useful during night shoots and on dimly lit stages.
Flat Back
This slate features a flat back for easy holding; also has a removable plate for holding camera logs.
Voltage Readout
A battery voltage readout and low battery warning keep the user informed.
Error Warning
A Sync Error warning lets the user know different frame rates are being input.
Automatic
The incoming frame rate is read and the reader automatically sets to that frame rate.
Logging
A logging feature allows the user to scroll back through the last 16 time code claps.
TCXO
The high stability Temperature Compensated Crystal Oscillator ensures low drift and is standard on the TS-3. |
Ambient ACL-202 Clockit Box - Timecode Generator
| $49.00 |  The Clockit, called "Lockit" by many, is a small, highly accurate portable timecode and colour videosync and wordclock generator. Audio and video machines such as DAT recorders, and Betacams can be genlocked to the Clockit Box, thus giving a very low drift between equipment working together. Typically, the drift will be less than 1 frame per day, without connecting cables or radio links. The Clockit can be jamsynced with external timecode, or set with Aaton ASCII code. The Clockit is especially useful in multicamera Betacam shoots, where a Clockit on each camera and one on the audio recorder will reduce drift between machines to under one frame a day. |
Ambient ACL-203 Clockit Box - Timecode Generator
| $49.00 |  The Ambient ACL 203 Tri-Level Sync Lockit Set is a time code device designed for use with HDV cameras. It supports a variety of HD video formats, as well as sample-rate-based synching for audio recorders in world clock and black audio up to 192KHz. The unit features (3) rotary encoders that control function blocks, sync format, sync frequency, and time-code frame rate. These controls allow for simple dialing even with exotic variants of pull-up/pull-down or cross jam modes. |
Ambient ACC-501 Controller, Clockit Master Clock System
| $79.00 |  The Ambient Controller is an extremely accurate portable master clock and timecode generator/reader. It can can be used to jam, read, identify, and compare all timecodes. All framerates are supported and the frame rate can be changed without losing time of day, enabling a camera running at 24 frames, and a recorder running at 25 or 30 frames to be jamsynced.
The Controller can also be used to check and calibrate the crystal oscillators of the Ambient range of time code products in the studio or field, giving unsurpassed accuracy. Its internal crystal oscillator can be calibrated from four different external sources: external timecode, another Ambient unit, GPS satellite, or DCF radio clock. Once calibrated, the controller becomes a portable timecode master clock with an accuracy of 0.2 ppm. |
Arri FF4 Follow Focus
| $69.00 | | Easy markings on the Focus scale offers you control for your focus points. Focus marks on video lens have a rotating angle of approximately 110� - 144� on the lens. The Studio Rig/Follow Focus system spreads this angle to approximately 2 - 2.5 times on the handwheel. Includes whip and right side. |
Chrosziel Follow Focus 203-01
| $69.00 | The Chrosziel 203-01 is a follow focus designed for film and video cameras. The unique system allows easy operation from both sides, making it highly accessible in a variety of situations. The follow focus makes critical focus pulling a breeze.
Markings on the focus wheel give about 110-140� of rotation on the lens, spreading the angle to the focus knob by a factor of two. Precision focus pulling cannot only be achieved with remarkable accuracy; it can also be recreated over and over with very little deviation from take to take. The kit comes with all necessary parts, including a removable hand wheel, focus level, and wheel scale. |
Mini Shutter
| $79.00 | | creates clear scan capability in cameras with companion circuit |
BeachTek DXA-5D Dual XLR Audio Adapter
| $29.00 |  The DXA-5D provides an easy way to connect professional microphones and other audio gear to the Canon 5D Mark II camera. It is now possible to capture professional sound with control and monitoring ability.
The DXA-5D features dual transformer-balanced XLR inputs with phantom power and built-in level meters. In addition, the built-in headphone jack allows the user to monitor the audio - a feature missing on this camera. The trim controls allow the user to dial in the proper signal levels for optimum recording quality.
Most importantly, is the unique AGC Disable function which was the most sought after feature by users of this camera. The AGC Disable circuit is activated by a switch which controls the wild swings of the Auto Gain Control in the camera to reduce the hiss generated by the preamplifiers during quiet moments of recording. It works by sending a high frequency inaudible tone to the left channel of the camera. This feature greatly decreases the camera noise which has always been a problem in the past.
Camera Rental Not Included |
BeachTek DXA-6 XLR Adapter 48V Phantom
| $39.00 |  The BeachTek DXA-6 Has all the features of our popular DXA-4 adapters with the addition of 48 volt phantom power on both channels. Works with any stereo camcorder. This adapter is designed to easily attach balanced or unbalanced type microphones to any camcorder with a MIC jack. The DXA-6 gives you all the benefits of using balanced audio devices for clean audio as well as control over the signal levels to ensure the best possible sound. |
BeachTek DXA-4 XLR Adapter
| $25.00 |  The BeachTek DXA-4 is a two channel transformer balanced XLR adapter for today's small, compact camcorders. This adapter is designed to easily attach balanced or unbalanced type microphones to any camcorder with a MIC jack. The DXA-4 gives you all the benefits of using balanced audio devices for clean audio as well as control over the signal levels to ensure the best possible sound. |
BeachTek DXA-2s XLR Adapter
| $25.00 |  The BeachTek DXA-2s is a two channel transformer balanced XLR adapter for today's small, compact camcorders. This adapter is designed to easily attach balanced or unbalanced type microphones to any camcorder with a MIC jack. The DXA-2s gives you all the benefits of using balanced audio devices for clean audio as well as control over the signal levels to ensure the best possible sound. |
Chrosziel Quick Lock Plate for HD Cameras
| $15.00 |  Universal Quick Lock Plate for Sony and Panasonic HD Cameras and Camcorders. |
Israeli Arm / LCD Monitor Arm
| $19.00 |  By mounting the FHS-LCD Monitor Arm to either the left or right handle rosette of your fluid head, you can now position an LCD monitor or a 6" HD/SD waveform & vector scope monitor right where you want it for easy viewing. Great for studio and field work. Go from viewing a large LCD at working level to hand held work without having to dismount monitor from the fluid head.
- Made from solid aircraft aluminum.
- Quick, easy, solid.
- Weight: 13.8 oz (390 grams)
- Extended Length: 9" (23 cm)
- Supports up to 5 lbs (2.2 kg)
- Works with most Sachtler fluid heads |
Kata Raincover for HDV Camcorders
| $20.00 |  CRC-14 is the perfect compact rain cover for HDV camcorders such as the Canon XH A1, G1, Sony V1, VX2100, PD170, Panasonic DVX100 and similar.
It features quick and easy set up, pull tight cords, Hook & Loop strips all along the rim for rapid opening and closing, and a full size transparent window to monitor all controls when working. |
Hurri-cam Rain / Snow Deflector
| $299.00 |  The revolutionary lens accessory for
professional video and film cameras. Used in news, sports, nature and other
field productions to remove the visual
interference of rain and snow on the lens.
- Instantly deflects rain and snow
- No gyro effect when panning/tilting
- Fits practically all video and film lenses
- Low power consumption
- Fast on/off |
Director's Viewfinder
| $25.00 |  Manufactured by Alan Gordon Enterprises, the Mark Vb is the latest version of the Academy Award Winning Mark V and continues to be the choice of Film and Video makers world wide. The Mark Vb has all the features of the Mark V plus new markings on the Aspect Ratio ring, making it easer to read for both film and video use. We also eliminated the 1/2 " video window and replaced it with the current video chip standard of 2/3." Film sizes and video formats are color-coded for quick reading.
12:1 Zoom Ratio Ring: Smooth zooming from wide angle to telephoto. Focal lengths are viewed in windows located on the barrel of the viewfinder. The zoom range for the various formats is as follows:
Zoom Ranges:
Film
- 16mm film: 8.5-100mm
- Super 16 film: 10.5-125mm
- 35mm film: 18-200mm
- 35 Anamorphic film: 35-420mm
Video
- 2/3" video: 8.5-75mm |
Metabones Canon EF Lens to Sony NEX Camera Speed Booster
| $69.00 |  Product Highlights
■Canon EF Lens to Sony NEX Adapter
■Increases Maximum Aperture 1 Stop
■Increases Angle of View by 0.71x
The Canon EF Lens to Sony NEX Camera Speed Booster from Metabones allows Canon EF lenses to be mounted to Sony E-Mount APS-C format cameras, increasing the angle of view and the maximum aperture of the lens by 1 f-stop. This photo accessory also comes with a detachable tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads.
The Speed Booster condenses light from the lens and projects it onto the APS-C sensor without vignetting; this allows the sensor to capture all of the lens' transmitted light and effectively produce full-frame coverage on non-full-frame sensors. A corresponding increase in the maximum aperture of 1 stop makes the lens more effective in low-light situations and able to create a shallow depth of field.
Metabones' Speed Boosters are made of machined brass, finished in satin black, the camera-body, and chromium-plated on both mounts to ensure smooth mounting and reliability.
These speed boosters are only fully compatible with mirrorless cameras housing APS-C or smaller image sensors. They will physically fit the Sony A7/A7R full frame mirrorless cameras but the camera must be set in Crop Mode to fully support the speed booster's functions.
Allows Canon EF lens to be mounted to Sony E-Mount camera
Increases the angle of view and maximum aperture by 1 stop
Electronic integration of aperture diaphragm controlled from the camera body.
Reaches infinity focus while maintaining the correct registration distance
Precision-machined and chromium-plated brass lens and camera mounts
Matte-black interior finish reduces internal reflection and helps preserve image quality
Detachable tripod foot compatible with Arca Swiss, Markins, and Photo Clam ball heads
Satin black finish exterior .
Mount Types Lens Mount: Canon EF
Camera Mount: Sony E-Mount
Magnification 0.71x
Maximum Input/Output Aperture Input: f/1.26
Output: f/0.90
Lens Elements/Groups 4 / 4
Dimensions 2.7 x 1.1" (69 x 27 mm) without tripod mount
Weight 6.8 oz (194 g) |
Metabones Canon EF Lens to Sony NEX Smart Adapter (Mark II)
| $69.00 |  This Smart AdapterTM has the following features:
True electronic integration of aperture diaphragm - let camera automatically choose aperture in P or S exposure modes, or dial in yourself on the camera body in A or M modes.
Powered by camera body. No external power source required.
Wide open button (opposite of depth-of-field preview function) makes manual focusing easy.
The tripod foot is detachable and compatible with Arca Swiss, Markins, Photo cam ball heads.
High performance 32-bit processor and efficient switched-mode power supply.
Smart Adapter Mark II is NOT compatible with full-frame camera bodies such as A7, A7R and NEX-VG900. Please choose the newer Smart Adapter Mark III for full-frame Sony cameras.
Supported
EF lenses (see below for list of tested lenses)
EF-S lenses (see note 1)
Image stabilization (IS) (see note 2)
Electronic manual focusing (e.g. EF 85/1.2L II and discontinued EF 50/1.0L)
EXIF (focal length, aperture, zoom range)
P, A, S, M exposure modes
Autofocus (see autofocus support section below)
Distance and zoom display on VG and FS series camcorders (see note 3)
Auto magnify (see note 3)
Contax N mount lenses modified to Canon EF by Conurus
Contax 645 NAM-1 adapter modified to Canon EF by Conurus
Sigma, Tamron and Tokina lenses in Canon EF mount
Not supported
Lens correction such as peripheral shading, CA and distortion
Focus confirmation "chip" (e.g. Dandelion)
Stacking another lens mount adapter on top (see note 4)
NEX-VG900
Note:
1.Vignetting at corners may occur for certain EF-S lenses because they are designed to cover a 1.6x crop image circle but Sony NEX has a 1.5x crop sensor.
2.Image Stabilization lens?requires adapter firmware version 02 or above.
3.Requires lenses supporting distance information.
4.A third party zoom lens may need to be registered with the Smart Adapter first in order to detect its maximum aperture. Autofocus is disabled for most third-party lenses.
5.For example, some improperly-made M42 screw mount adapters may cause a short-circuit with the electronic contacts of the Smart Adapter??and cause damage to the Smart Adapter??and/or camera body.?
Tested Camera Bodies
NEX-FS700 (autofocus works only in photo mode, but is disabled in movie capture mode)
NEX-FS100 (autofocus works only in photo mode, but is disabled in movie capture mode)
NEX-EA50
NEX-VG30
NEX-VG20
NEX-VG10
NEX-7
NEX-6
NEX-5R
NEX-5N
NEX-5
NEX-C3
NEX-3
Tested Lenses
The following lenses have been tested for autofocus operation. Minimum firmware version required shown in parenthesis.
Canon EF primes
EF 14/2.8L II USM
EF 24/1.4L II USM
EF 24/2.8 IS USM
EF 35/1.4L USM (Ver.19)
EF 50/1.2L USM
EF 85/1.2L II USM
EF 85/1.8 USM (Ver.18)
EF 100/2.8 USM macro (Ver.17)
EF 135/2L USM (Ver.17)
EF 200/2.8L II USM (Ver.17)
EF 300/2.8L IS USM
Extender EF 1.4x III
Extender EF 2x (mark I)
Canon EF zooms
EF 8-15/4L USM fisheye
EF 17-40/4L USM
EF 20-35/2.8L (Ver.18)
EF 22-55/4-5.6 USM
EF 24-70/2.8L USM II
EF 28-80/3.5-5.6 II (Ver.18)
EF 28-90/4-5.6 III
EF 35-350/3.5-5.6L (Ver.18)
EF 70-200/2.8L IS USM II
EF 70-200/4L USM
EF 70-200/4L IS USM
EF 70-300/4-5.6L IS USM
EF 70-300/4-5.6 IS USM
EF 100-300/5.6 (non-L, not USM, push-pull zoom) (Ver.18)
EF 100-400/4.5-5.6L IS USM
Canon EF-S
EF-S 10-22/3.5-4.5 USM
EF-S 17-55/2.8 IS USM
EF-S 17-85/4-5.6 IS USM
EF-S 18-55/3.5-5.6
EF-S 18-55/3.5-5.6 IS
EF-S 18-135/3.5-5.6 IS
EF-S 60/2.8 macro USM |
Ambient Clockit Master Slate ACD 301 / RF Mark III
| $79.00 |  Due to the increased use of record run timecode when recording sound on DAT recorders, and the need to display this code in front of the camera, Ambient has developed the 'Master Radio Slate'.
This slate has all the features of the standard Master slate, but has a built-in UHF telemetry receiver and separate, very small transceiver to attach to the timecode source or recorder. Range is typically 50 metres, but in certain circumstances, can be much greater.
The slate also has a slip-on writing sleeve (280mm wide) which gives the slate a wide screen format, and additional writing space. The sleeve is easily removed for close up shots. A further useful feature is a 'flash on close' option to aid Telecine syncing. |
Preston FIZ Wireless 3 Channel Focus/Iris/Zoom Unit
| |  PRESTON FIZ3 LENS CONTROL MDR-2 SYSTEM FEATURES
The FI+Z system controls the complete array of both lens and camera functions. The system is modular, giving the user a wide range of choices from a basic cable connected system to a full wireless microwave system. The System consists of the Hand Unit, Motor Driver, Digital Motors, optional Microwave Link, cables and motor mounting bracket.
The heart of the system is the Hand Unit. Its robust construction, ergonomic design and quick set-up have all contributed to its position as the "industry standard". It's carefully machined exterior matches the phenomenal precision offered by its advanced digital architecture. The unit provides 16 bits of position resolution - 1 part in 64,000 - for incredible smoothness. A bright bargraph display shows the position of the zoom lens. A "Snorkel Mode" enables electronic Pan and Horizon control of Snorkel lenses.
The zoom function is implemented by a Micro Force control. It can be directly connected to the Hand Unit using a bracket or operatedremotely using a cable. The camera may be started either from the Micro Force or from the Hand Unit.
A unique scale adjustment system makes set-up extremely quick. Any portion of the lens focus, iris, or zoom range may be expanded tothe full-scale range of the corresponding control knob with the touch of a switch. In the case of zoom, electronic limit stops can be set. An optional Remote Iris Box provides a separate control for the Iris function. It is automatically enabled when plugged intothe Iris accessory connector on the Hand Unit.
The Motor Driver MDR2 (shown below with the microwave transceiver) interfaces the FIZ Hand Unit with the DM-1, DM-2, and DM-3 digital motors. It provides 3 channels of motor drive, the camera run function for film cameras and the VTR function for video cameras. In addition, it allows wireless control of both the camera frame rate and shutter angle when used in conjunction with the F/X box.
The unit automatically calibrates the motors to the mechanical end limits of the lens. Each of the three channels has a separate three level torque limit selected by a switch.
The power requirements of the MDR2 are 24 - 30 VDC at .15A quiescent, 3A peak (all 3 motors stalled. When fitted with the Microwave transceiver, the operating voltage range is extended from 12 - 30 VDC input. |
Metabones Adapter Mark IV for Canon EF Mount Lens to Sony E-Mount Camera
| $69.00 |  The T Smart Adapter Mark IV for Canon EF or Canon EF-S Mount Lens to Sony E-Mount Camera from Metabones allows a Canon EF or EF-S mount lens to be mounted onto a Sony E-mount camera. While doing so, the adapter is designed to support electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilization, as well as camera-controlled aperture functions, this adapter is intended to allow those features to be used. If an attached lens is also capable of generating EXIF metadata when used with a directly compatible camera, the T Smart Adapter Mark IV for Canon EF or Canon EF-S Mount Lens to Sony E-Mount Camera is designed to allow that information to be saved along with image files generated with a combination of the lens, a Sony E-mount camera, and the adapter.
By enabling camera-controlled aperture functions for a Canon EF or Canon EF-S Mount Lens when used with a Sony E-mount camera, program, shutter-priority, aperture-priority, as well as manual modes can be set and used through the camera. Power for these functions is transferred from the camera to the lens, and the T Smart Adapter Mark IV for Canon EF or Canon EF-S Mount Lens to Sony E-Mount Camera is designed to accomplish this in an energy-efficient manner. When manual focusing is preferred with a compatible electronic lens, an integrated switch can be depressed which opens the lens's aperture diaphragm to it largest setting. The resulting shallow depth-of-field can then be used to help ensure focus accuracy.
When an image is taken with the T Smart Adapter Mark IV for Canon EF or Canon EF-S Mount Lens to Sony E-Mount Camera, a matte black internal coating minimizes the potential for reflections within the adapter barrel, which could otherwise result in unwanted glare within the image. The adapter barrel also features a wide internal diameter to support the movements of compatible tilt-shift lenses.
The T Smart Adapter Mark IV for Canon EF or Canon EF-S Mount Lens to Sony E-Mount Camera is constructed from aluminum alloy for durability while minimizing weight. Its mounting rings are made with brass to further prevent wear-and-tear, and a detachable tripod foot is included that features 3/8" threads as well as compatibility with Arca-Swiss tripod heads.
While Canon EF-S or third-party APS-C EF-mount lenses may be used with the T Smart Adapter Mark IV for Canon EF or Canon EF-S Mount Lens to Sony E-Mount Camera, vignetting may occur when such lenses are combined with this adapter and a Sony E-mount camera with an APS-C sized sensor. Canon EF-S and third-party APS-C EF lenses are designed to project an image onto sensors measuring 22.3 x 14.9mm, while Sony E-Mount APS-C cameras feature sensors that measure 23.5 x 15.6mm.
The T Smart Adapter Mark IV for Canon EF or Canon EF-S Mount Lens to Sony E-Mount Camera can be used to connect Canon EF or third-party "full-frame" EF-mount lenses to a Sony E-mount camera with a "full-frame" sensor without vignetting. It may be used to adapt Canon EF-S or third-party APS-C EF-mount lenses to a "full-frame" Sony E-mount camera as well. However, Sony E-mount cameras with a "full-frame" sensor must be set to "crop mode" when combined with this adapter and Canon EF-S or third-party APS-C EF-mount lenses to avoid generating images with vignetting.
Allows a Canon EF or EF-S mount lens to be used with a Sony E-mount camera
Allows third-party, full-frame or APS-C EF-mount lenses to be used with a Sony E-mount camera
Supports electronic communication between camera and lens to enable autofocus, image stabilization, on-camera aperture control, and EXIF metadata generation when possible
Internal coating minimizes reflections within the adapter barrel
Wide internal barrel diameter facilitates the use of tilt-shift lenses
Integrated switch fully opens aperture diaphragm on compatible electronic lenses to help ensure focus accuracy
Detachable, Arca-Swiss compatible tripod foot with 3/8" threads
Aluminum-alloy components for weight reduction
Brass mounting rings further prevent wear-and-tear
Locking mechanism for secure attachment of lens with push-button release. |
Sony CA-400 4K Live Fiber Adapter for PMW-F55
| $749.00 |  The CA-4000 4K fiber transmission camera adapter permits live capture of 4K, providing Super 35mm 4K for live events such as sports, concerts and live studio programming. With the CA-4000 adapter attached to the docking interface of the PMW-F55, the Super 35mm 4K CMOS sensor camera is turned into a 4K Live system camera with High Frame Rate (HFR) capabilities and innovative HD cut-out operation. |
Metabones PL to E-Mount Adapter
| $69.00 |  Adapts E-Mount Camera to PL Mount Lens
Note: If you want to use your existing PL mount lenses on a camera with a Sony E-mount, you need an adapter. The Metabones PL to E-Mount Adapter mounts to your camera's lens port and allows you to use PL mount lenses with your camera. Although this is not a permanent conversion, the adapter features a removable support foot to take the strain off of your camera's mount. |
Movcam Universal Shoulder Kit
| $99.00 |  The Movcam Universal Shoulder Kit is compatible with the universal LWS base plate system (sold separately) and can be used with the Sony F5 / F55 and FS700 / FS7 and Canon C100 / 300 / 500 cameras. The shoulder kit includes the Movcam 9" universal LWS mini dovetail plate, quick release block, universal shoulder pad, long rosette adapter, and a pair of anti-skid contoured hand grips and rosette offset adapters. When assembled, the kit allows you to carry a compatible camera attached to the universal lightweight baseplate (not included) in a shoulder-mount configuration. |
Shape Revolt VCT Shoulder Rig
| $99.00 |  Includes shape revolt VCT universal baseplate, shoulder pad, and handles. |
Metabones T Smart Adapter - Canon EF or EF-S Mount Lens to Select Micro 4/3
| $69.00 |  The T Smart Adapter for Canon EF or Canon EF-S Mount Lens to Select Micro Four Thirds-Mount Cameras from Metabones allows a Canon EF or EF-S mount lens to be mounted onto a Micro Four Thirds-mount camera. While doing so, the adapter is designed to support electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilization, as well as camera-controlled aperture functions, this adapter is intended to allow those features to be used. If an attached lens is also capable of generating EXIF metadata when used with a directly compatible camera, the T Smart Adapter is designed to allow that information to be saved along with image files generated with a combination of the lens, a Micro Four Thirds-mount camera, and the adapter.
By enabling camera-controlled aperture functions for a Canon EF or Canon EF-S Mount Lens when used with a Micro Four Thirds-mount camera, program, shutter-priority, aperture-priority, as well as manual modes can be set and used through the camera. Power for these functions is transferred from the camera to the lens, and when manual focusing is preferred with a compatible electronic lens and a Panasonic camera, an integrated jog dial that allows incremental aperture adjustment can be depressed to open the lens's aperture diaphragm to its largest setting. The resulting shallow depth-of-field can then be used to help ensure focus accuracy.
When an image is taken with the T Smart Adapter, a matte black internal coating minimizes the potential for reflections within the adapter barrel, which could otherwise result in unwanted glare within the image.
The T Smart Adapter is constructed from aluminum alloy for durability while minimizing weight. Its mounting rings are made with brass to further prevent wear-and-tear, and a detachable tripod foot is included that features 3/8" threads as well as compatibility with Arca-Swiss tripod heads.
While the T Smart Adapter allows a Canon EF or EF-S mount lens to be mounted onto any Micro Four Thirds-mount camera, any functions that involve electronic communication currently require a Panasonic-brand Micro Four Thirds-mount camera.
Allows a Canon EF or EF-S mount lens to be used with a Micro Four Thirds-mount camera
Allows third-party, full-frame or APS-C EF-mount lenses to be used with a Micro Four Thirds-mount camera
Supports electronic communication between camera and lens to enable autofocus, image stabilization, on-camera aperture control, and EXIF metadata generation when possible
Internal coating minimizes reflections within the adapter barrel
Integrated jog dial for incremental aperture adjustment and push-button access to lens's widest aperture setting when used with a compatible Panasonic camera
Detachable, Arca-Swiss compatible tripod foot with 3/8" threads
Aluminum-alloy components for weight reduction
Brass mounting rings further prevent wear-and-tear
Locking mechanism for secure attachment of lens with push-button release
In the Box
Metabones T Smart Adapter for Canon EF or Canon EF-S Mount Lens to Select Micro Four Thirds-Mount Cameras
Front Cap
Rear Cap
Tripod Foot Key |
Sony VCT-U14 Quick-Release Tripod Adapter
| $35.00 |  Sony's VCT-U14 is probably the second most important piece of equipment in your camera bag - second only to the camera itself. The VCT-U14 allows the full-size, shoulder mount professional camera or camcorder to be attached to a tripod's wedge-plate. The Sony plate has a quick release mechanism that allows for rapid mount or dismounting of the camera from the tripod. |
Rain Slicker for ARRI AMIRA
| $25.00 |  -Custom-fit for ARRI AMIRA
-Protects camera in wet or rainy conditions
-Constructed from waterproof Taslan nylon
-Breathable material allows heat from camera to escape
-Clear vinyl windows for viewing camera controls
-Touch fasteners provide access to camera controls and power supply
-Adjustable lens gasket for tight fit around lens or matte box; fits a variety of lens lengths |
PortaBrace Rain Cover for Canon C300 Mark II
| $29.00 |  Protect your Canon C300 Mark II or C500 from rain and dust. The RS-C3500II is made from Nylon Taslan material with a soft tricot interior that won't scratch your equipment. The Taslan material is both waterproof (1000MM waterproof rating) and breathable (1000G/M breathability rating), which keeps the camera dry while also preventing the camera from overheating.
A clear Vinyl window provides an unobstructed view of the controls.
The RS-C3500II can be used with view-finder and shoe-mount grip in place.
Equipment Covered:
Canon C100
Canon C300
Canon C300 Mark II
Canon C500 |
Hoodman H-400 Camcorder LCD Hood
| $3.00 |  The H-400 hood is a great tool for viewing your camcorder LCD screen glare-free outdoors. |
Optitek CPL-i Canon EF to Sony FZ Adapter
| $125.00 |  The Canon EF to Sony FZ Electronic Lens Mount ProLock-I Mark3 Adapter Kit from Optitek is an electronic lens adapter that allows the mounting of Canon EF Mount lenses-as well as Sigma, Tokina, and Tamron-on a Sony F3, F5, or F55 camera. It features a positive locking mechanism for unmodified stock Canon EF lenses. It provides 7 to 35V and a power draw of 1 to 5W, depending on the lens attached. |
Spider Grip
| $49.00 |  The Spidergrip works with most shoulder rig setups with either 15mm or 19mm rods. It's lightweight, durable, and versatile. |
CCU Camera Control Units
Sony CCU-355 Camera Control Unit
| $325.00 | w/CA-55/A Triax CCU for BVP-7/70/90/550/900 Cameras
Triax CCU adaptor for Betacam cameras. Can also be used for external VTR and stand-alone applications. Fits all BVP-series CCD cameras (except BVP-5). Provides triax interface for use with the CCU-355 triax CCU. Use type CCTA or CCTB triax cable. Standard 26-pin VTR connector provides composite and component outputs. Allows stand-alone operation including genlock. |
Sony CCU-355
| $275.00 | | With any camera rental |
Sony CA-570 Adapter w/Camera
| $99.00 | | Price with camera rental |
Sony CCU-550 Camera Control Unit
| $325.00 | | w/SDI Output and CA-570 camera adapter |
Sony BVF-50/55 5in Studio Viewfinder
| $79.00 | |
Sony BVF-50/55 Viewfinder w/Camera
| $49.00 | | Price with camera rental |
Sony CA-3A ENG Camera Adapter
| $49.00 | |
Sony CA-511 Camera Adapter
| $49.00 | | Allows docking of BVV-5 to DXC-D30 /D50 |
Sony CA-537 Camera Adapter
| $99.00 | |
Sony DXF-50/51 Studio Viewfinder
| $49.00 | |
Zoe Remote Zoom Control for DV Cameras
| $35.00 | |
Flypacks
Multicamera Flypacks
| | | From two to an unlimited number of Sony or Ikegami broadcast cameras all with broadcast triax systems. Digibeta, BetaSP, DVCAM or DVCPRO, you name the format and we will configure an efficient cost-effective package. Jibs, dollies, cranes, etc.are all available. Hi Def multicamera packages are now available. Call us! |
Hidden Cameras
HatCam Baseball Cap Camera
| $149.00 | | Baseball cap with a hidden 370 line color video camera. |
Lipstick, Ice Cube Cameras
Toshiba IK-HR1S Miniature HD Camera, SDI Output
| $449.00 |  The one-piece ultra compact IK-HR1S with HD SDI output offers a superb 1920 x 1080 HD image (Interlaced) and 1280 x 720 (Progressive) ideally suited for broadcast, scientific and industrial applications.
- Onboard CCU
- Economically priced
- 1/3" 2 Million pixels C-MOS sensor
- C mount
- HD-SDI output
- HDTV Format Output 1920 x 1080 Interlaced, 1280 x 720 Progressive, Switchable
- PAL or NTSC switchable
- Ultra compact one-piece camera body
- Digital Noise Reduction
- Auto electrical shutter
- Auto / manual white balance
- Gain function in great detail
- Serial command setting via RS-232C
Note:
This camera is not compatible with the Bluefish 2. |
Toshiba TU-51 NTSC Miniature Camera
| $249.00 |  NTSC "Three Chip" 3CCD miniature "Ice Cube" color camera. |
Toshiba TU-61 PAL Miniature Camera
| $249.00 | | PAL 3CCD miniature "Ice Cube" color camera. |
Sony XC-555 NTSC Miniature Camera
| $199.00 |  The XC-555 is an ultra-compact, integrated 1/2 type IT CCD color "lipstick" camera ideally suited for a wide variety of applications such as machine vision, multimedia and remote monitoring. The XC-555 is designed so that a video output signal can be obtained by only providing a power supply of 12 V DC. Its ultra-compact, one-piece design eliminates the need for a bulky CCU, allowing the XC-555 camera to be easily installed in space-restricted areas. The XC-555 is a direct replacement for the XC-999 |
Sony XC-999 NTSC Cigar Camera
| $199.00 |  CCD color 6" long miniature "cigar" camera |
Sony XC-999 PAL Cigar Camera
| $199.00 | | PAL CCD color 6" long miniature "cigar" camera |
On Board and Frezzi Lights
Canon Onboard video light
| $49.00 |  Includes:
2 batteries
1 charger |
Sony Dual Onboard Video Light HVL-20DW2 10/20W DC
| $49.00 |  Excellent for camcorders not equipped with a powered accessory shoe. One NP-F970 Battery will run light for approx. 1.5 hours. This is by far our most popular onboard light.
Includes:
2 NPF970 batteries
1 Sony charger
The Sony dual light
(use one or both lamps
giving two brightness options
and redundancy in case of lamp failure) |
Frezzi Mini Fill
| $29.00 |  compact, dimmable light. Includes:
1 Mini-Fill 30W Light
1 Power-Tap Connector or 4-Pin XLR (specify)
1 2' Cable Length
1 Shoe Mount Adapter
1 spare bulb |
Anton Bauer Ultralight 2
| $29.00 |  The Ultralight is the first and only camera mounted light designed specifically to work with any available light to create truly studio quality images.
Includes:
1 Ultralight 2
1 Power-Tap Connector or 4-Pin XLR (specify)
1 Shoe Mount Adapter
Use with all cameras that have built in PowerTap. Adapts to 12 volt 4-Pin XLR. |
Sun Gun or HMI 30v battery belt
| $49.00 | | Spare battery belt for 30 volt Sun Gun or HMI light. |
Sun Gun 30V Li-Ion Battery Belt
| $69.00 | | Lithium Ion 30v battery belt for Sun Gun or HMI Pocket PAR light. |
Chimera / Anton Bauer dual soft light
| $49.00 |  on camera light |
Paint Boxes
Sony RMP-3 Paintbox
| $49.00 |  for BVP-7, 70, etc. |
Sony RMP-9 Paintbox
| $69.00 |  for BVW-600, 700, 550, 90 Cameras |
Sony RMB-150 Paintbox
| $95.00 |  Remote Paintbox |
Panasonic AJ-EC3 Paintbox
| $75.00 | | Panasonic Remote Set-Up Controller for DVCPRO, DVCPRO50 and DVCPRO HD Camcorders. Access camera settings, iris control, menus and VTR transport controls via a small, control panel that can used up to 100 feet away. |
Panasonic AJ-RC10G Remote Control Unit
| $125.00 |  The AJ-RC10G comes with a 10 meter (32 feet) 10-pin multi-cable that can connect to the AJ-HDX900's down-conversion video OUT terminal for monitoring at the RCU. The AJ-RC10G provides detailed control of gamma, flare and the AJ-HDX900's versatile paint functions. The AJ-RC10G has a slot for SD memory card; you can save scene settings on a memory card for easy transfer to other cameras. Longer cables up to 90meters (295 feet) are available. |
Remote Camera Systems
Panasonic AW-HE40SK PTZ Camera with HD-SDI Output
| $299.00 |  The Panasonic AW-HE40SK PTZ Camera with HD-SDI Output features a 1/2.3" MOS sensor. When connected to the Internet, this IP camera allows you to control PTZ actions and monitor the surveillance area from a remote location via a Web browser. This provides you with several advantages like reduced integration costs, easy remote production and engineering, and lower cost for multiple location systems.
Equipped with a 4.3 to 129mm zoom lens (35mm equivalent is 31.6 to 962mm) with 30x optical zoom and 16x digital zoom, and a 1.4x digital extender, this PTZ camera enables you to zoom in on activity in the monitoring area for a closer look. The Dynamic Range Stretch (DRS) minimizes blocked shadows and blown highlights. When it gets too dark to record normal footage, this Full HD PTZ camera uses Night Mode to capture clear images in monochrome. The camera supports audio input, allowing you to capture and embed audio within the video signal. It is PoE+ compatible, allowing you to power the unit using only a single LAN cable.
Features:
Highly accurate pan-tilt head offers precise, fast, and fluid movement in all directions, enabling the capture of both slow- and fast-moving objects without excessive vibration and bounce
Freeze During Preset function may be enabled to freeze the video during preset playback. The immediately preceding still image is output during preset movements, so that the swiveling movement is not displayed.
Dynamic Range Stretch (DRS) for minimizing over exposure in highlights and detail blocking in dark areas. The AW-HE40SK is equipped with High Dynamic Range (HDR) mode. When shooting and synthesizing two images with differing exposure times, the AW-HE40SK can create video with high visibility that corrects for halation and black defects, even under backlit conditions.
Hybrid 2D/3D Digital Noise Reduction (Hybrid DNR) allows clear image capture with minimum after images, even in dimly lit areas.
Switching to Night Mode makes shooting possible, even in low-light conditions. The AW-HE40SK can also be set to switch to the mode automatically, depending on surrounding light levels.
The AW-HE40SK also supports audio input, embedding and encoding. The input from the camera's switchable mic/line input can be combined with the HD-SDI, HDMI, and streaming outputs for mixing, recording or transmission.
Pan/tilt speed adjustment from 2 to 4 steps |
Panasonic Remote PTZ Camera Controller
| $99.00 |  The Panasonic Remote Camera Controller uses serial and IP control to support Panasonic pan/tilt heads, integrated, and box cameras. Simple to set up and operate, the controller offers automatic IP setup and can be configured via your PC.
Using the Remote Camera Controller, you can control 1 camera simultaneously with up to 5 AW-RP50 via IP or serial control. It also allows you to control up to 100 AW-HE50S/H units via an IP connection when using a network hub (switching hub). The Automatic IP Address Setup function automatically assigns IP addresses to the AW-HE50S/H or AW-HS50 units. Camera functions including pan/tilt, zoom, focus, iris, gain, pedestal, shutter, white/black balance, and switch scene files can be adjusted remotely via the device. The controller is subcompact at 8.26 x 2.63 x 6.96" (210 x 67 x 177 mm) and weighs 2.4lb (1.1kg). Ergonomically designed, the controller is ideal for use in remote production, educational purposes, and houses of worship use.
Features:
Uses serial and IP control to support up to 5 Panasonic pan/tilt heads, integrated, and box cameras.
Simple to set up and operate and offers automatic IP setup
Can be configured via your PC.
Allows you to control up to 100 AW-HE50S/H units via IP connections when using a network hub (switching hub).
Allows you to control 1 remote camera simultaneously by up to 5 AW-RP50 units via IP connection or serial control.
Automatic IP Address Setup function - allows IP addresses to be automatically assigned to the AW-HE50S/H or AW-HS50 units.
Adjustable camera functions - pan/tilt, zoom, focus, iris, gain, pedestal, shutter, white/black balance, and switch scene files. |
Sony BRC-H700 Remote Pan/Tilt/Zoom HD Camera
| $295.00 |  The BRC-H700 combines a high quality HD 3CCD camera with a pan/tilt/zoom mechanism, wrapped in a sleek, compact body. Like the BRC-300, the BRC-H700 can also be mounted on the ceiling. The BRC-H700 supports analog RGB, Y/Pb/Pr output as standard and is also equipped with a slot for optional cards responding to diverse needs. With the optional cards, HD-SDI (HDBK-HD1), down converted SKI (HFBK-SD1), computer XGA (HFBK-XG1) and HDV (HFBK-TS1) formats can be used. The BRU-H700 HD optical mutliplex unit with the BRBK-H700 HD optical multiplex card enables the BRC-H700 to transmit uncompressed digital data without deterioration through the CCFC-M100HG HD optical fiber cable. The same RM-BR300 remote control unit for the BRC-300 can be used with BRC-H700; it will simultaneously control up to 7 cameras from a distance.
- High Performance Pan/Tilt/Zoom Mechanism
- Standard and Optional Outputs
- RS-232C and RS-422 Remote Control |
Sony BRC-300 Remote Pan/Tilt/Zoom SD Camera
| $195.00 |  The Sony remote control camera BRC-300, is a 3-CCD Standard Definition communications camera mounted on a pan and tilt mechanism. The superior quality of the video resulting from the 3-CCDs and the choice between conventional or widescreen video output makes this camera quite advanced. With the refinement in CCD development, it has over 1 million pixels at its disposal. The camera can be mounted upside down, like from a ceiling or right-side-up because it has a image-flip function.
- Standard Definition (SD)
- 3-CCD Quality with Widescreen Option
- Multitude of Control Options
- Wireless Remote Functions
- Optional Component and Digital Video Outputs |
Sony RM-BR300 Joystick Remote Control Panel
| $99.00 |  The RMBR300 is an advanced remote control unit for the BRC-300, BRC-H700, EVI-D100, EVI-D70 and EVI-D30 cameras all with using the VISCA control system. A joystick controller gives precision camera moves and focus adjustments. For the BRC-300 up to 6 preset camera and lens positions can be programmed for immediate recall. The other camera models have up to 16 preset positions. |
Sony EVI-D70 1/4" CCD Color Pan/Tilt/Zoom Camera
| $79.00 |  The Sony EVI-D70 is a remote controlled Pan/Tilt/Zoom Communication video camera that is compact, easy to use, and is ceiling mountable. Incorporating an 18x optical zoom lens, the camera allows a user to zoom in on a small or distant object with exceptional clarity. The unit comes with a wireless remote controller.
High Speed and Wide Range Pan and Tilt
The camera offers a wide pan angle of 170 degrees from center. And it has a maximum pan speed of 100 degrees per second. The unit will tilt upward a full 90 degrees and downward 30 degrees. Its tilt speed is a maximum of 90 degrees per second.
18 x Optical Zoom
The EVI-D70 offers a high quality 18 times zoom lens that, at its widest, offers 48 degrees of horizontal view, and at full zoom 2.7 degrees. The camera has a digital zoom feature that adds 12x power to the optical lens zoom.
Six Pre-Set Positions
The user may store up to 6 predetermined positions of the pan/tilt/zoom for instant recall. The presets also include picture parameters like white balance and exposure features. |
Transmitters, Receivers
WVC 2000ft. Range 5Ghz HD-SDI HDMI Wireless Video System
| $395.00 |  2000ft. Clear-Line-of-Sight HD-SDI & HDMI Video Link Includes: (1) Transmitter, (1) Receiver, (7) Omni Directional Antennas, (2) Power Cables (2ft. 4-Pin LEMO to D-Tap) Plug & Play Full 1080p HD Wireless Video up to 2000ft. Clear-Line-of-Sight Range >1ms Latency (video delay) uncompressed video HD-SDI and HDMI inputs for TX and outputs for RX Great for any video application where running cables not an option Lightweight Transmitter, only 8 oz. (224 grams) ¼ 20 Brass Threaded inserts for easy mounting of Transmitter and Receiver 4-Pin LEMO power inputs for Transmitter and Receiver 10-Channel TX & RX for use of up to 4 systems in the same area Multi-casting so multiple Receivers can view the same Transmitter. RSSI indicators on Receiver to display incoming signal strength.
Transmitter Video Interface HD-SDI (BNC) & HDMI video input (can use one or the other SDI has top priority) Antenna Connectors (2) RP-SMA female Power Input 4-Pin LEMO (female) 6.5-16.8VDC >8watts power consumption ON/OFF Switch Yes (located at side of case) Size 114mm X 67mm X 23mm 4.75" X 2.75" X .9" (not including antennas) Weight 224 grams (8 oz.) (without antennas) 241 grams (8.6 oz.) (with antennas) Video Input Format HDMI: SD, HD 525i, 625i, 720p, 1080i, 1080p; via HDMI Type A SDI: 3G, HD & SD-SDI (auto selected), SMPTE-259/274/292/296/ 372/424/425; via BNC Video Output Format N/A Audio Input Format SDI embedded 4-channel 24bit/48Khz Audio Output Format N/A Frequency Range 5.1Ghz to 5.9Ghz Channel Selection 10 position rotary switch Modulation OFDM 16QAM Transmission Power 23dBm (maximum) Receiver Sensitivity N/A Bandwidth 40Mhz Transmission Range over 2000ft. Clear-Line-of-Sight Range (tested with TX & RX at 5ft. elevation with standard antennas) |
Vaxis SL 1620 HD Video Wireless Transmission System
| $395.00 |  The VAXIS SL1620 1200ft Multicast Wireless Transmission System is the broadcast industry wireless system, includes an SL1620 transmitter and an SL1620 receiver, with WHDI (OFDM) technology, supports uncompressed 3G/HD/SD-SDI and HDMI wirelessly transmitted in 800 meters scale, and with less than 1ms latency. The system is pure hardware connection, plug and play build-up, which is widely used in on-site shooting and director monitoring. Transmission through walls is possible, with reduced distance depending on the wall's construction.
SPECS
- Latency: <1 millisecond
- Highest resolution 1080p 60,no compression
- Professional WHDI (MIMO/OFDM) technology
- Uncompressed 3G/HD/SD-SDI and HDMI
- 2-ch SDI/HDMI embedded audio transmission
- 800 meters (LOS) transmission distance
- 5.1-5.9GHz license-free operation frequency
- Security: AES 256bit encryption
- User configurable frequency bands
- Multicast - 1 transmitter to multi receivers
- Mounting: V-mount / Gold Mount connections
- Embedded time code transported over link Up to 63mW
- RF Power output: Up to 63mW,no harm to human health
- All-metal housing, durable
- Pure hardware connection; Plug and Play |
Teradek Bolt Pro 300 3G-SDI Wireless Transmitter-Receiver Set
| |  Transmit uncompressed 1080p video wirelessly over 300 feet with the Teradek Bolt Pro 300 3G-SDI Wireless Transmitter-Receiver Set. Included in this set are a Teradek Bolt 300 transmitter and receiver both equipped with 3G-SDI ports. The units in this kit are compact and feature internal antennas so they can fit on your camera rig and in your video village, DIT cart, or director's monitor rig.
When transmitting uncompressed video, latencies of less than one millisecond can be achieved if no other video processing is necessary. Unnoticeable latency is important for directors and focus pullers to see the action at the same time the camera does.
A boon for DITs, the USB GRAB engine streams the uncompressed video straight out of the receiver and into a PC for immediate recording. With this video available, rough edits can be made even before the footage is offloaded from the camera.
Features:
- Uncompressed Video and Audio Transmission
- Supports Resolutions up to 1080p60
- 300ft Distance with 1ms Latency
- Uses License-Free 5 GHz Frequency
- 3G-SDI Input & Loop; 3G-SDI Output
- Video Output via USB 3.0 GRAB Engine
- Internal Antennas
Color monitors are available separately |
Teradek Bolt 500 3G-SDI/HDMI Video Transmitter and Receiver Set
| $349.00 |  The Bolt 500 3G-SDI/HDMI Video Transceiver Set from Teradek includes one Bolt 500 3G-SDI/HDMI video transmitter and one Bolt 500 3G-SDI/HDMI video receiver. The combination of these lets you transmit video signals a distance up to 500'. Both transmitter and receiver feature metadata and timecode support, 3D LUTs, dual inputs/outputs, are multicast capable, and offer manual frequency selection and the USB 3.0 GRAB Engine.
Product Highlights
Complete Bolt Set
Wirelessly transmit visually lossless 1080p60 Video/Audio up to 500 ft
< 0.001 seconds latency
Rapid Reconnect & Real-Time Frequency Adjustment
Built in HDMI/SDI Cross Conversion
Multicast up to 4 Receivers
Support camera metadata, timecode, and start/stop flags |
Teradek Bolt 500 3G-SDI/HDMI Video Receiver
| $99.00 |  Product Highlights
Must pair with a Bolt Transmitter
3G-SDI or HDMI output
Wirelessly transmit visually lossless 1080p60 Video/Audio up to 500 ft
< 0.001 seconds latency
Rapid Reconnect & Real-Time Frequency Adjustment
Multicast up to 4 Receivers
Support camera metadata, timecode, and start/stop flags |
Starlink SL1450 UltraPRO 2.4 GHz Wireless Video Transmitter
| |  - 8 Channel Selectable from 2350 MHz to 2550 MHz Wireless Transmitter
- 1000 Milliwatt Power Level
- SMA Antenna Connector
- NTSC/SD Video In, RCA Line Level Audio In
- Built-in OnBoard ThermaCool Power System
- VariPower System, Designed for Direct Connection to Anton/Bauer PTAP JACK
- Includes 3 dB SuperFLEX Fold-Up Dipole Antenna
- Ruggedized Machine Billet Aluminum Case
- Machined BNC Video Input Port
- SwitchCraft Locking DC Power Connector
- Built-In 1/4 20 Female Camera Thread Mount |
Starlink SL2900 PLUS 2.4 GHz Wireless Video LCD Receiver
| |  - 8 Channel, High Gain Multi-Mode Wireless LCD Receiver
- Optimized for Long Range Signal Reception
- 5.0" High Quality Color LCD
- Adjustable Brightness and Volume Controls
- Power "ON" and "OFF" Switch
- Channel Frequency Selector with Multi-channel LED Status Indicators
- No-Spin Antenna Mount
- Includes Fold-Up Dipole Antenna, 12V Regulated Mini AC Adapter and Accessory Cable Set with Tilt-Swivel Base |
Teradek Cube-150 1 Channel HD-SDI Encoder
| |  The Teradek Cube-150 1 Channel HD-SDI Encoder is a camera-top HD video encoder, and is suitable for on-set video monitoring as well as full-scale film production. It features HD-SDI (serial digital interface) input, dual band WiFi (2.4/5.8 GHz), and an external USB port. In addition, the cube encoder features line-of-sight (waves traveling straight line) WiFi range up to 300' (91m).
Featuring a setup wizard, the Cube 150 HD-SDI Encoder web interface simplifies configuration. You can create a network, log on to Cube's web interface, complete the setup wizard, and start streaming video after connecting video to the Cube system. The Cube 150 HD-SDI Encoder features H.264 High Profile (level 4.1) video compression to offer high video quality at lower bit rates.
Downscaling to lower resolutions is possible via a built-in scaler that allows for output streaming resolutions of 1080p/PsF, 1080i, 720p, and 480i. Based on available IP bandwidth, you can choose target bit rates (HD - 2 to 4Mbps, SD sub-1Mbps) and a video resolution as required. The Cube encoder offers end-to-end latency (time delay) of 1/8-1/2 second.
With a small size and compact design, the Cube 150 HD-SDI Encoder can be mounted to a rail system, cage, hotshoe, or camera baseplate. In addition, it can be used with camera systems such as Red One, Arri Alexa, and Panavision Genesis. The Cube encoder requires only 2.5W DC power. |
Canatrans Video Transmitter, 250mW
| |  This is the 250mW Canatrans Video Transmitter. Line of sight transmitting distance is roughly 1,000 feet. It has 6 user selectable NTSC UHF channels of 38-43. It measures 6"x3"x2" and weighs 17 oz. The unit is powered via a 4 pin XLR connector, 385 mA consumption @ 13.5 VDC. Video in is thru a BNC connector. Note that this transmits video only, not audio. |
IDX CW-5HD Cam Wave HD Video Wireless Transmission System
| $299.00 |  The IDX CW-5HD Cam-Wave HD is a wireless transmitter and receiver designed to connect HD video cameras to either a monitor or recording device. The system produces an uncompressed signal without the need to run any pesky cables, at a range of up to 150'. The transmitter can run off 1 V-Mount series battery or function off DC power through its 3-Pin XLR input. Weighing in at a little over 1.8 lbs, the CW-5HD provides premium high definition wireless support without adding additional bulk to the entire camera.
Uncompressed Wireless Signals
The CW-5HD transmits pristine video from either SD-SDI or HD-SDI, producing a completely uncompressed signal. The signal can then be fed into a field monitor, studio monitor, or recording deck. Additionally, video signals can be transmitted with 256-bit encryption, making sure there are no "prying eyes".
Instant Transmission
The CW-5HD has less than a 1ms latency between transmitting and receiving. |
Transvideo Titan Video Transmitter
| $99.00 |  The first multi-directional Microwave Wireless Transmitter and receiver system
broadcasting through obstacles without desynchronization of the video picture.
- ideal for all Body-rig operators; the signal remains stable even both the Transmitter and the Receiver are in motion.
- very user friendly: the 4 channels are pre-dialed and accessible with the flip of a switch. No tools required.
- transmits & receives NTSC, PAL and SECAM color signals as well Black and White.
- operates on 9-36 V DC via Lemo 2 or Hirose 6 connectors. The Hirose 6 connector carries video out (Receiver) or video in (Transmitter) and accepts DC in.
- Transmitter and Receiver weigh 7oz (200g) each. Very compact they can be easily velcroed to any camera or monitor.
- 2.4Ghz channels:
A= 2.4125 Ghz
B= 2.4275 Ghz
C= 2.4425 Ghz
D= 2.4575 Ghz
WIRELESS VIDEO WARNINGS AND TIPS
Since the first wireless video transmitters were developed there have been millions of devices built and put in current use that use the RF bandwidth for very many purposes. Start with your cell phone and the millions of others all transmitting at the same time, full time. Then we have blue tooth and hot spots and wifi.
Don't forget about security systems, wireless drone and game machines and countless of other radio frequency emissions. All of these signals are out there to compete with your single video path.
The success of a video transmission, therefore, depends on a huge number of competitive signals all fighting for the space. If you change the frequency of the intended video path you have extra chances of a clean signal if your choice of a frequency is not one of the competitive signals or a multipath frequency.
The first and most important guideline for a user of this equipment is to run a test in advance of the event, performance or videotaping/screening of the signal.
If the advance test works fine...and note that with with the TransVideo STANDARD DEFINITION wireless video you have a switchable selection of four frequencies which can, in a clean and signal-free environment deliver a clean video image over anywhere from 50 to 1000 feet depending on the environmental makeup of the location. RF does not like metal of any kind (look up Faraday cage in google-this is a place designed so that NO signals can penetrate discovered in 1836). Clear line of sight from the antenna of the transmitter to the receiver is the ideal arrangement. Helicopters have been used for years as a reliable relay station from ground level signals to a broadcast, live, or video taped, if unmovable obstructions like buildings, vehicles, or other potential signal blocking structures are encountered.
Receiver positioning is extremely important. Think about the signal blocking as described above. If you can place the receiver above the area where you are transmitting from that simple relocation (taking the video signal from the receiver with a simple BNC cable to the recorder or live feed.
Keep in mind that once you have done the first step of testing to a perfect signal prior to the "go time" your next contest is to avoid and eliminate as many of the portable and temporary devices that will bring new and untested RF (EMF) signals to the location.
If the signal is in any way degraded on the work day, start with eliminating cell phones and any new switched on devices. Relocate the actual receiver.
These transmitter-receivers can do a good job. If conditions are compatible with them great.
If not, then the options become expensive as in $1500 a day or more for a serious and state-of-the-art high definition broadcast system.
Call Budget Video Rentals 24/7 for further technical assistance |
Transvideo Titan Video Receiver
| $99.00 |  4 channel wireless video receiver for above transmitter.
WIRELESS VIDEO WARNINGS AND TIPS
Since the first wireless video transmitters were developed there have been millions of devices built and put in current use that use the RF bandwidth for very many purposes. Start with your cell phone and the millions of others all transmitting at the same time, full time. Then we have blue tooth and hot spots and wifi.
Don't forget about security systems, wireless drone and game machines and countless of other radio frequency emissions. All of these signals are out there to compete with your single video path.
The success of a video transmission, therefore, depends on a huge number of competitive signals all fighting for the space. If you change the frequency of the intended video path you have extra chances of a clean signal if your choice of a frequency is not one of the competitive signals or a multipath frequency.
The first and most important guideline for a user of this equipment is to run a test in advance of the event, performance or videotaping/screening of the signal.
If the advance test works fine...and note that with with the TransVideo STANDARD DEFINITION wireless video you have a switchable selection of four frequencies which can, in a clean and signal-free environment deliver a clean video image over anywhere from 50 to 1000 feet depending on the environmental makeup of the location. RF does not like metal of any kind (look up Faraday cage in google-this is a place designed so that NO signals can penetrate discovered in 1836). Clear line of sight from the antenna of the transmitter to the receiver is the ideal arrangement. Helicopters have been used for years as a reliable relay station from ground level signals to a broadcast, live, or video taped, if unmovable obstructions like buildings, vehicles, or other potential signal blocking structures are encountered.
Receiver positioning is extremely important. Think about the signal blocking as described above. If you can place the receiver above the area where you are transmitting from that simple relocation (taking the video signal from the receiver with a simple BNC cable to the recorder or live feed.
Keep in mind that once you have done the first step of testing to a perfect signal prior to the "go time" your next contest is to avoid and eliminate as many of the portable and temporary devices that will bring new and untested RF (EMF) signals to the location.
If the signal is in any way degraded on the work day, start with eliminating cell phones and any new switched on devices. Relocate the actual receiver.
These transmitter-receivers can do a good job. If conditions are compatible with them great.
If not, then the options become expensive as in $1500 a day or more for a serious and state-of-the-art high definition broadcast system.
Call Budget Video Rentals 24/7 for further technical assistance |
Teradek Dual Wireless Video Cigarette Girl*
| |  Two channel, portable wireless video monitor system.
Includes:
(1) custom cigarette girl tray
(2) Teradek video transmitters
(2) Terdek video receivers
(2) LCD monitors (5-8 inches)
(3) lithium long life Anton Bauer type batteries
(1) battery charger
*girl not included |
Cigarette Girl* - Single Monitor Package
| $349.00 |  Single channel, portable wireless video monitor system.
Includes:
(1) custom cigarette girl tray
(1) Teradek video transmitter
(1) Teradek video receiver
(1) LCD monitor (5-8 inches)
(2) lithium long life Anton Bauer type batteries
(1) battery charger
*girl not included |
Modulus UHF Video Transmitter
| $99.00 |  UHF wireless video transmitter |
Coherent VHF Video Receiver/Trans Set
| $149.00 |  Includes one transmitter |
Coherent VHF Video Transmitter
| $99.00 |  |
Sony TU-1041U Stereo TV Tuner
| $69.00 |  The Sony TU-1041 is the television tuner component for industrial and broadcast monitors. With a simple 1 button selection, the TU-1041 tuner can be automatically programmed to tune in all receivable channels, from lowest frequency to the highest.
- Manual or automatic fine tuning
- Uses an internal NP-1 battery
- 4-pin XLR connector for external DC battery belt. |
Teradek Cube 155 HD-SDI Encoder with WiFi
| |  The Teradek Cube 155 HD-SDI Encoder with WiFi is a wireless camera-top video and embedded audio encoder. It connects to a camera by SDI and streams proxy files/dailies in H.264 to a decoder or website. You can stream by dual-band WiFi wherever a network is available, by Ethernet via an optional router, or by an optional 3G/4G modem connection. You can also store the files to a MicroSD card as the Cube features a MicroSD slot with support for up to 32GB cards.
For mounting, the Cube attaches either onto a camera's hot-shoe or onto a cage/rig by an included 1/4"-20 mounting screw. Aside from the SDI input, connections consist of an Ethernet port, a 1/8" line/mic input, and a headphone jack. A micro USB slot is available for charging and configuring.
The Teradek Cube has a rechargeable internal lithium-ion battery that lasts up to two hours. It can also be powered with the included AC power adapter or by an external battery via a 2-pin Lemo input. An OLED screen indicates what the remaining battery life is and also displays online status and the URL being streamed to. Optionally, Teradek offers camera batteries with 2-pin Lemo output so you can easily power both the camera and Teradek with the same battery. The following three 2-pin Lemo batteries can be used for power: the Teradek Canon BP-945, Teradek Panasonic D54, and the Teradek Panasonic VW-VGB6.
SDI Connection to a Camera
Streams proxy files in H.264 to a decoder or website
Streams by WiFi, by Ethernet, or by optional 3G/4G modem
Stores files to an optional MicroSD card of up to 32GB in capacity
Attaches to a camera's hot-shoe or onto a cage/rig by a 1/4"-20 screw
Powered by a two hour internal battery or by an included AC power adapter
An OLED screen indicates battery life, online status, and the URL being streamed to |
Teradek Bolt Pro Wireless 1080p60 SDI Monitoring Transmitter
| |  The Teradek Bolt Pro Wireless 1080p60 SDI Monitoring Transmitter & Receiver wirelessly transmits an uncompressed HD video signal in up to 1080p60 4:2:2 as far as 300 ft with zero delay. The receiver features two 3G-SDI outputs for dual monitoring. One of these can be used to pass the video signal to an optional Teradek Cube Encoder, which will stream the signal even further on by WiFi or Ethernet, although only in up to 1080p30.
The Bolt Pro transmitter has a looping SDI output for local monitoring, a 70 minute internal battery, and can connect to more than one receiver in order to multiply the outputs.
Wireless 1080p60 4:2:2
The Bolt Pro Transmitter and Receiver set can wirelessly transmit 1080p60 4:2:2 up to 300 ft with zero delay.
1 TX to Multiple RX
A second and even more than two receivers can be added into the setup. One Bolt Pro transmitter can transmit full 1080p60 HD video to multiple receivers simultaneously. Bolt receivers have dual 3G-SDI outputs, which can connect to field monitors, switchers, and also Teradek Cube Encoders.
WSDI Pro Connectivity
Bolt transmits uncompressed video using WSDI Pro, which provides a wireless range of up to 300 ft and can coexist with other wireless equipment by dynamically adjusting the frequency bands used in real time. Bolt Pro transmitters have loop-through SDI outputs that you can connect to local monitors or recorders.
Internal Battery / P-Tap / Lemo DC for External Batteries
The transmitter has an internal 70 minute battery and a P-tap input for connecting to camera batteries. An AC power supply is included for the receiver. The transmitter and receiver each also have a Lemo DC input for connecting external V-mount or Gold-mount batteries.
Rugged Design
The transmitter has a milled aluminum body, and the receiver has an ABS plastic body. Both the transmitter and receiver have 1/4" mounting threads and can be attached right onto or next to the equipment you'll be using them with.
Transmitter
Connections:
1x SD/HD/3G-SDI input
1x looping 3G-SDI output
Resolutions: Up to 1080p60
Wireless Range: Up to 300 ft (91 m)
Power: Low power: ~4.5 W
Lemo 6 - 16 V DC input
Rechargeable lithium-ion battery with 70 minute run time
Chargeable over mini USB port or DC input
Encryption: AES128
Chassis: Milled aluminum
Mount Type: 1/4"-20 threads
Operating Temperature: 32 to 122F (0 to 50C)
Dimensions: 2.3 x 4.3" (5.8 x 11 cm)
Weight: 0.4 lb (0.2 kg)
Receiver
Connections: 2x SD/HD/3G-SDI outputs
Resolutions: Up to 1080p60
Power: Low power: ~6 W
Lemo 6-28 V DC input
Chassis: Durable ABS plastic
Mount Type: 1/4"-20 through-hole
Dimensions: 2.95 x 4.3" (7.5 x 11 cm) |
Blackmagic Design Web Presenter
| $129.00 |  The Blackmagic Design Web Presenter is a compact desktop device that allows you to connect any SDI or HDMI camera signal and stream it live on the Web in 720p HD. Connect a camera or any other source, and then connect the Web Presenter to your computer's USB port.
The Web Presenter makes your SDI/HDMI source appear as a standard UVC and UAC compatible USB webcam, so it's capable of broadcasting video and audio on any webcam-compatible platform and software, including Skype, YouTube Live, Facebook Live, Twitch.tv, Periscope, Open Broadcaster, and XSplit Broadcaster on Mac, Windows, Linux, and Chrome OS systems. However, the magic happens thanks to a built-in Teranex conversion technology that will take your HD or Ultra HD signal and automatically convert it to the low-data-rate yet high-quality 720p resolution.
The Web Presenter features 12G-SDI, HDMI 2.0, XLR mic/line, and RCA L/R stereo audio inputs and SDI and HDMI outputs. In addition to everything it also has a built-in, two-input production switcher that allows you to live-switch programs if you incorporate the Blackmagic Teranex Mini Smart Panel, sold separately.
The optional panel (supplied) adds push button controls, an LCD screen, and a spin knob, and allows you to have a presenter on an SDI camera and a slide show on an HDMI computer, and to switch between them with smooth dissolves.
You can even preview video and monitor audio levels on the LCD screen before going live with your web browser.
Supplied with USB to USB cable
Supplied with OSHA cable |
Panasonic P2
Panasonic AJ-PCS060G P2 Store w/HVX200
| $49.00 |  The Panasonic P2-Store is a portable hard disk unit with a P2 card slot that quickly transfers the content of P2 cards to an internal hard disk drive. You can then connect it to your computer via USB to transfer files off of the hard drive. The 2.5" 60GB hard disk drive can hold the contents of up to 15 4GB P2 cards. The entire contents of a 4GB P2 card can be transferred to the internal hard disk drive in about four minutes.
Discounted price with camera rental (camera not included) |
Panasonic AJ-PCS060G P2 Store / Card Reader
| $69.00 | The Panasonic P2-Store is a portable hard disk unit with a P2 card slot that quickly transfers the content of P2 cards to an internal hard disk drive. You can then connect it to your computer via USB to transfer files off of the hard drive. The 2.5" 60GB hard disk drive can hold the contents of up to 15 4GB P2 cards. The entire contents of a 4GB P2 card can be transferred to the internal hard disk drive in about four minutes.
Price WITHOUT camera rental |
Panasonic AJ-PCD2GPJ Single-Slot P2 Memory Card Reader
| $39.00 |  The Panasonic AJ-PCD2GPJ is an affordable single-slot P2 memory card reader designed for offloading footage in the field. Using two USB slots-- one for data transfer, the other for power-- the drive lets you offload footage from a P2 card to any computer or laptop. Rugged and reliable, the AJ-PCD2GPJ works with all P2 cards and formats, and is compatible with Windows 7, XP, Vista and Mac OS X operating systems. |
Panasonic P2 card, 64GB (w/camera)
| $69.00 |  with camera rental
The amount of footage you can store on a single P2 card will depend on your recording format.
* DVCPro or DV: 256 min
* DVCPro50: 128 min
* DVCProHD 1080/60i: 64 min
* DVCProHD 720/24p (Over 60p): 64 min
* DVCProHD 720/24pN (Native): 160 min
* DVCProHD 720/30pN (Native): 128 min
For P2 charts see this tech article. |
Panasonic P2 card, 64GB
| $69.00 | | without camera rental |
Panasonic P2 card, 32GB (w/camera)
| $49.00 |  with camera rental
The amount of footage you can store on a single P2 card will depend on your recording format.
* DVCPro or DV: 128 min
* DVCPro50: 64 min
* DVCProHD 1080/60i: 32 min
* DVCProHD 720/24p (Over 60p): 32 min
* DVCProHD 720/24pN (Native): 80 min
* DVCProHD 720/30pN (Native): 64 min
For P2 charts see this tech article. |
Panasonic P2 card, 32GB
| $49.00 | | without camera rental |
Panasonic P2 card, 16GB (w/camera)
| $39.00 |  with camera rental
The amount of footage you can store on a single P2 card will depend on your recording format.
* DVCPro or DV: 64 min
* DVCPro50: 32 min
* DVCProHD 1080/60i: 16 min
* DVCProHD 720/24p (Over 60p): 16 min
* DVCProHD 720/24pN (Native): 40 min
* DVCProHD 720/30pN (Native): 32 min
For P2 charts see this tech article. |
Panasonic P2 card, 16GB
| $39.00 | | without camera rental |
Panasonic P2 card, 8GB (w/camera)
| $29.00 |  with camera rental
The amount of footage you can store on a single P2 card will depend on your recording format.
* DVCPro or DV: 4 min/GB
* DVCPro50: 2 min/GB
* DVCProHD 1080/60i 1 min/GB
* DVCProHD 720/24p (Over 60p): 1 min/GB
* DVCProHD 720/24pN (Native): 2.5 min/GB
* DVCProHD 720/30pN (Native): 2 min/GB
For P2 charts see this tech article. |
Panasonic P2 card, 8GB
| $29.00 | | without camera rental |
Focus Firestore FS-100
| |  Weighing about one pound and only 1.5 inches thick, the FireStore FS-100 is an HD recorder designed to work with the new Panasonic AG-HVX200 P2 camera, supporting DVCPRO HD, DVCPRO 50, and DVCPRO/DV recording formats. The FS-100 provides long recording times and improves workflow with Direct To Edit� technology. It can also be used with other Panasonic DVCPRO/DVCPRO 50 and DVCPRO HD devices that have a FireWire port. |
Duel Adapter - P2/PCMCIA Converter
| |  The DuelAdapter� seamlessly converts input from PCMCIA cards, such as Panasonic P2, cellular broadband, wireless networking, video, audio and memory expansion to an ExpressCard compatible format. Data can be transferred at rates up to the full speed supported by the ExpressCard interface � five times faster than USB 2.0!
The DuelAdapter is easy to set up � just install the driver, insert the adapter into your notebook's ExpressCard slot and plug your PCMCIA card into the adapter.
Features
- Connects PCMCIA cards to ExpressCard-enabled notebook and desktop computers.
- Fits in 34mm or 54mm ExpressCard slots.
- Works with standard 32-Bit CardBus cards and 16-Bit PCMCIA cards.
- Data transfer rate up to ExpressCard maximum, limited by PCMCIA card application.
- Windows XP and Mac OS X compatible
Easy driver installation and set up.
- Drivers / Installers available here. |
Sony XDCAM
Sony PXU-MS240 Mobile Card Reader / Storage Unit
| |  The Sony PXU-MS240 Mobile Storage Unit is a portable and lightweight recording device which makes it easy to transfer and store footage recorded on SxS cards. By using proprietary mobile drives, the PXU-MS240 can transfer XDCAM EX footage and extremely high rates, making it ideal for field archiving. With the ability to store up to 11 hours of footage on one drive, the unit is versatile enough for shooting documentaries, indie films and weddings. With the ability to connect to a PC or Mac via both eSATA and USB 2.0, the drive is both fast and flexible, no matter what your workstation requires. |
Sony PXU-HC240 Portable Cartridge
| $99.00 |  The Sony PXU-HC240 Portable Cartridge is used a drive specifically designed for the PXU-MS240 mobile storage unit. The cartridge holds 240GB of date, amounting to roughly 800 minutes of XDCAM EX footage in HQ mode. With a transfer rate of 160Mbps, transferring data to a PC or Mac is extremely quick.
- Designed for the PXU-MS240 SxS mobile storage unit.
- Compatible with Windows XP and Mac OSX.
- High transfer speed through USB 2.0. |
Sony SBAC-US10 SxS Memory Card Reader / Writer
| $39.00 |  The SBAC-US10 USB Card Reader/Writer supports those with PCs not equipped with the Express Card slot. The SBAC-US10 can be connected to a Windows PC or a Macintosh via USB interface. Since this connection is made as "Mass Storage Class", no special driver installation is required. DC power must be provided using the supplied AC adaptor. |
Sony SxS Pro Memory Card 16GB
| $29.00 |  XDCAM EX Series Memory Card
Recording Time:
HQ 1920x1080/60i, 720/60p = 50 minutes
SP 1440x1080/60i = 70 minutes |
Sony SxS Pro Memory Card 32GB
| $39.00 |  XDCAM EX Series Memory Card
WARNING!!! This card will not function in Sony EX1 cameras unless the software has been upgraded with new version 1.11 firmware from Sony (this normally requires shipment of camera to Sony).
Recording Time:
HQ 1920x1080/60i, 720/60p = 100 minutes
SP 1440x1080/60i = 140 minutes |
Sony SxS Pro Plus Memory Card 128GB
| $99.00 |  |
Sony SxS Pro Memory Card 8GB
| $19.00 |  XDCAM EX Series Memory Card
One 8GB card is included with an XDCAM camera rental.
Recording Time:
HQ 1920x1080/60i, 720/60p = 25 minutes
SP 1440x1080/60i = 35 minutes |
Hoodman SDHC Memory Adapter for XDCAM camcorders
| $8.00 |  This adapter lets you use SDHC memory cards in Sony XDCAM camcorders like the EX1 and EX3. Please note that only Hoodman RAW SDHC branded cards have guaranteed compatibility with the RAW SxSxSDXC adapter |
Sony SBAC-US20 SxS PRO solid state memory USB 3.0 & 2.0 reader/writer
| $39.00 |  Easy high speed transfers from SxS PRO cards
The SBAC-US20 SxS PRO memory card reader/writer works on both Windows-based PCs and Macintosh computers via a USB 3.0 interface for high-speed transfer of audio-visual material. The reader is also compatible with a USB 2.0 interface. This compact and portable device comes in handy in many situations on location, for desktop browsing and fully-fledged editing.
Compatible with Windows and Mac operating systems
The SBAC-US20 works on both Windows-based PCs and Macintosh computers.
USB 3.0 and USB 2.0 transfers
The SBAC-US20 provides high speed transfer of audio/visual material from a SxS PRO solid state memory card using an USB 3.0 interface, allowing you to make transfers when your computer does not have an ExpressCard slot. The device also provides compatibility with USB 2.0.
Bus-powered operation (AC adapter is not necessary)
The SBAC-US20 is compatible with media other than a SxS PRO card when using the following adapters: SD card adapter, Memory Stick adapter, XQD Express card adapter.
Compatible with:
Digital Motion Picture Camera
PMW-F3K
PMW-F3L
PMW-F5
PMW-F55
XDCAM
PMW-100
PMW-150
PMW-200
PMW-300K1
PMW-300K2
PMW-320L
PMW-350K
PMW-350L
PMW-400K
PMW-400L
PMW-500
PMW-EX1R
PMW-EX3
PMW-TD300
PXW-X160
PXW-X180
PXW-X500 |
Oddball Cameras
FGV Canon PL7D, Dedicated PL Mount Camera
| $99.00 |  A Canon 7D converted to a dedicated PL mount. It is rock-solid because the update includes internal camera modification instead of just a "screwed" on PL Mount. This is what you actually need when heading for a real action-cam mounted to a race car etc.
- PL-Mount accepts all professional Cine Film Lenses
- A new high-precision carrier connects sensor, mount and base
- 3-pin Fischer socket to remote start the camera using a LCS or RS-4
- Sensor size in the 7D perfectly matches the S-35 3-perf film format
- 24, 25 and 30 fps progressive @ 1920x1080, 50 and 60 fps progressive @ 1280x720 |
FGV Hybrid LWS for Canon PL7D
| $69.00 |  The FGV Hybrid LWS centers the lens to provide the proper height and offset when using standard motion picture equipment. If you attach a zoom or tele-lens you can use your own 15 or 19mm bridge plate and support rods. In this case the lightweight support acts as a riser plate for perfect height and offset. |
Panasonic AG-3DA1 Integrated Twin-lens 3D Camera
| $295.00 |  The AG-3DA1 is the world's first professional, fully-integrated Full HD 3D camcorder that records to SD card media. The AG-3DA1 will democratize 3D production by giving professional videographers a more affordable, flexible, reliable and easier-to-use tool for capturing immersive content as well as providing a training tool for educators
At less than 6.6 pounds, the AG-3DA1 is equipped with dual lenses and two full 1920 x 1080 2.07 megapixel 3-MOS imagers to record 1080/60i, 50i, 30p, 25p and 24p (native) and 720/60p and 50p in AVCHD. It can record for up to 180 minutes on dual 32GB SD cards in Panasonic's professional AVCHD PH mode, and offers professional interfaces including dual HD-SDI out, HDMI (version 1.4), two XLR connectors, built-in stereo microphone and twin-lens camera remotes. |
|
For studio use.
Fluid Head Only. Does not come with legs or spreader (must be rented separately)
An improved version of the Sachtler 30, the 60 can take up to 132 pounds.
The Dutch Head 35 also features Sachtler�s patented fluid damping and counterbalance systems. In addition, it has a cross-sliding plate that uses a high precision dove-tailed guidance with a sliding range of 60 mm / 2.4". This enables the camera�s center of gravity to be aligned exactly over the head�s swiveling axis. The head is able to tilt the horizon, and features a scale on the right side panel that shows the exact degree of third axis movement.
The Weaver Steadman is a light-weight modular fluid head system. Set friendly, the Weaver Steadman head is easily adjustable with one allen key and quick release pins. This is an ideal, manually operated head for a jib arm. Ideal for crane/jib systems and difficult angles. Designed for Mitchell bases.
Works with the Weaver Steadman fluid head system to provide a third axis for further flexibility and control.
A hihat allows a tripod head to be mounted without a tripod.
A hihat allows a tripod head to be mounted without a tripod.
A hihat allows a tripod head to be mounted without a tripod.
The Manfrotto 701HDV, 055XBK is an aluminum tripod system for camcorders up to 8.8 lbs. This system consists of the 701HDV Pro Fluid Mini Head and the 055XB aluminum tripod with soft case.
Able to handle DSLR setups weighing four pounds up to ENG and digital cinema cameras weighing 40 pounds, the Sachtler Video 18 S2 Fluid Head can fit into a wide range of video productions. Sixteen steps of counterbalance and seven steps of pan and tilt drag, along with locks for each axis, let you easily customize the response of the Video 18 S2 to fit your application, be it studio or field production.
The Kessler "Hercules 2.0" Head is the new and improved version of our ultra strong, solid aluminum pan / tilt head. Originally designed specifically for use with our Kessler Crane, the "Hercules 2.0" now has panning drag control and with an optional quick plate is an excellent head to mount your camera to, when not using your crane. Mounts to your tripod using a 100mm levelable ball mount, 75mm fixed ring mount, or a flat mount. No quick plate is used to mount your crane to the "Hercules 2.0", so you get an ultra stable connection.
The Video 18 has been helping people get amazing results all over the world for decades. It can support a payload of up to 22 kg and is a perfect fit for a wide range of video projects. This operational versatility is added to by 16-steps of counterbalance and seven steps of pan and tilt drag, which allows you to work intuitively safe in the knowledge that movement will always be smooth and seamless.
The versatile Ronin 2 gimbal from DJI is suitable for use either handheld or mounted in a variety of ways including onto a drone, Steadicam, vehicle mount, and more. An update from the original Ronin, this motorized stabilization system is suitable for a range of camera and lens configurations, boasting a payload capacity of 30 pounds. This means it can be used for everything from DSLRs up to cinema cameras such as the ARRI ALEXA Mini or Sony FS7.
Take control of your filmmaking with the Focus Handwheel 2 for Inspire 2 and Osmo Pro/RAW Cameras from DJI. Version 2 of the DJI Focus Handwheel gives you the ability to precisely control your camera's focus, aperture, and zoom.
Record shake-free videos with this Zhiyun-tech Smooth Q smartphone gimbal. It pairs with a Bluetooth-enabled phone via the ZY Play app, letting you set capture modes such as time lapse, slow motion and automatic subject tracking. This rechargeable Zhiyun-tech Smooth Q smartphone gimbal runs for up to 12 hours and works as a convenient charging device.
Product Highlights
The Zhiyun-Tech Crane v2 is a 3-axis handheld gimbal stabilizer offering 360 rotation along all three axes. It offers button-powered continuous rotation along the pan axis, and manual non-stop circular rotation along the tilt and roll axes.
You may arrive early with camera and lens to prep, balance and familiarize yourself with equipment.
The Osmo system from DJI combines the Zenmuse X3 camera/gimbal with a detachable handle, bringing the benefits of stabilized 4K shooting to a handheld form factor. The camera features a 1/2.3" CMOS sensor that enables up to full DCI 4K (4096 x 2160) video recording at 24 or 25p as well as 12MP photo capability. Basic controls for the camera and gimbal are provided on the handle itself, including a joystick for manual pan and tilt. For monitoring and more advanced operation, there is a Wi-Fi link allowing Osmo to be tethered to a mobile device running the DJI GO iOS and Android app. An included smartphone holder effectively turns your smartphone into an on-board monitor. The Wi-Fi features a range of up to 85', so you can operate the camera and gimbal remotely as well.
You may arrive early with camera and lens to prep, balance and familiarize yourself with equipment.
You may arrive early with camera and lens to prep, balance and familiarize yourself with equipment.
You may arrive early with camera and lens to prep, balance and familiarize yourself with equipment.
You may arrive early with camera and lens to prep, balance and familiarize yourself with equipment.
Included:
The Kenyon Gyro Stabilizer by Kenlab is a small, battery-powered, pod-like case that screws into a tripod socket and "floats" the camera in free space with only its weight supported by your hands. The device is maintenance free, works with any camera, and, best of all, retains the freedom and speed of handheld shooting.
Aerial Exposures ATM Gyro Stabilized Portable Camera Stabilizer
PRODUCT HIGHLIGHTS
PRODUCT HIGHLIGHTS
PRODUCT HIGHLIGHTS
The DJI RS3 Pro Gimbal Stabilizer Combo has been redesigned to be sleeker and more powerful than the Ronin RS 2 gimbal, with its carbon fiber body weighing only 3.3 lb and a payload of up to 10 lb. This compact gimbal is tough enough to support and stabilize midsize cameras such as the Sony FX6 or Canon C70 with a 24-70mm zoom lens attached. With a larger full-color OLED display, a new fine-tuning knob, and greater stability, the RS 3 Pro can become an essential part of your professional camera kit. The Combo kit includes additional essentials such as an updated focus motor, a motor rod mount kit with gear strip, a briefcase handle, a BG30 grip, a lower extended quick release plate, a wireless Ronin Image Transmitter, a phone holder, USB multicamera control cables, multiple HDMI cables, power cables, and a lens-fastening strap.
The Steadicam Merlin offers light, agile, seamless shooting for today's videographer. Ultra-light and ultra-compact, the Steadicam Merlin allows you to keep up with the action more easily than ever.
Stabilizes cameras 15 - 30 lbs, comes complete with vest, arm, LCD monitor, battery package.
The Glidecam HD4000 is a lightweight, hand-held camcorder stabilizing system. This system is upgraded from the 4000 Pro and offers fine adjustments and an improved gimbal and balance system.
The Glidecam HD2000 is a lightweight, hand-held camcorder stabilizing system. This system is upgraded from the 2000 Pro and offers fine adjustments and an improved gimbal and balance system.
The Glidecam 4000 Pro is newly redesigned. It not only allows super-smooth tracking shots panning tilting booming and running but also allows you to easily shoot fluid traveling shots from moving vehicles.
Imagine a world in balance. Imagine smoothness, freedom and grace. With the Glidecam 2000 PRO your camcorder floats, always balanced, isolated from your hand's undesirable motions. Now you are free to move with your camera panning, tilting, booming or running without any camera instability or shake. Lightweight, hand-held camcorder stabilizing systems allows you to shoot incredibly smooth and graceful shots, even while running up and down stairs or traveling over rugged terrain. And when it comes to normal shooting, like walking or moving the camera slowly around someone, the results are equally magical. Shot after shot, move after move, it delivers beautifully smooth and professional results. With the Glidecam 2000 Pro you no longer need a tripod or a dolly. All you need is your imagination!
The Glidecam Body-Pod is a lightweight, rigid support system which, when used with the Glidecam 2000 Pro or 4000 Pro hand-held stabilizers, allows all the weight of the system to be supported by your body.
The Glidecam Forearm Support Brace distributes the weight of the system over your entire forearm. The weight of the system is supported evenly by Glidecam's exclusive and unique, exoskeletal forearm support brace. The brace not only provides you with cushioned comfort while shooting, but also eliminates torque, which would otherwise cause stress on your wrist. With the forearm brace, the Glidecam system becomes an extension of the human body for smooth and natural shooting. Works with both the Glidecam 2000 Pro and 4000 Pro stabilizers.
Glidecam's Smooth Shooter is a highly developed and well engineered yet economical camera support system designed to be used with either the Glidecam 2000 Pro or the Glidecam 4000 Pro. The Smooth Shooter vest and support arm provide exceptional stability while taking the weight of the camera off your arm and allowing you to shoot for extended periods of time.
With the Steadicam ProVid, the 15 to 26 pound camera is mounted with a universal dovetail plate at the top of the sled. This is counterbalanced by the weight of the battery and monitor at the bottom. Thus, the natural tendency toward horizontal sway, especially in shoulder mode, is eliminated. Meanwhile the camera can be tilted up and down with mechanical fluidity.The combination of factors at work within the Steadicam ProVid give new meaning to camera mobility.
Use the Ready Rig GS Stabilizer to transfer the weight of a gimbal-mounted camera away from an operator's arms and shoulders. By redistributing the load to the user's hips and core, this rig enables you to extend your shooting time and lessens operator fatigue. It also reduces the bounce motion sometimes seen when doing handheld gimbal shots. The Ready Rig GS works with any gimbal in standard or underslung mode.
Measuring distance just became easier with the Cinematography Electronics CINE TAPE MEASURE System. This versatile ultrasonic system continuously calculates the distance between a subject and the camera's film-plane. By continuously measuring distance during a shot, small or subtle subject movements are no longer a problem. With non-stop measurements, focusing a camera lens is simplified which saves time, avoids retakes and reduces production costs.
The Kessler CineSlider is a heavy duty portable mini-dolly / linear slider system for camera rigs weighing up to 80 pounds. Weighing in at only 9 pounds, with a length of 40.5 inches, 5 inches wide, and a total camera travel distance or 35.5 inches, the CineSlider is a very portable solution to get those quick, smooth short-run dolly movements, without having to transport a large dolly system. Features include drag control and locking, handle with adjustable arc diameter for ultimate movement control, smooth rolling precision stainless steel ball bearing Delrin wheels, and multple mounting options.
The elektraDRIVE Motor Pod is our interchangeable motor drive system for use with our sliders and other elektraDRIVE line of products. 
The Kessler REVOLUTION Pan and Tilt System is our answer to the need for an affordable, quality motorized pan and tilt head. After two years of development, we have produced a motorized head that addresses the failings of other pan / tilt heads in this price range. When paired with the ORACLE Controller, we honestly feel the REVOLUTION is the most feature rich and best motorized head solution on the market.
The Glidetrack HD has been designed and tailor made for film-makers looking for heavy duty performance. A step above the SD model, the HD provides an even more rigid and stable foundation in order to cater for heavier camera/camcorder setups. The rail is of a heavier duty extrusion, which makes the HD perfect for mid size rigs that may include external monitors, matte boxes or support systems.
The Glidetrack SD is the original slider and is still one of the best sellers to date. The SD was designed and tailor-made for the new generation of video capable DSLRs as well as smaller prosumer camcorders.
After years of using the Fig Rig on his award-winning films, Mike Figgis brought his idea to Manfrotto. An idea that is non-traditional in design, but purely simple and effective. The only modular system in the world to smoothly support the DV camera and act as a frame to mount all the accessories including zoom controllers, mics, mixers, lights, monitors, arms... A circular frame with a crossbar to mount most mini DV cameras, the Fig Rig becomes part of the body to produce smooth, steady traveling shots. It is this very fact which is the secret to the Fig Rig. As the operator walks, his/her muscles and tendons absorb all the shocks, transferring only fluid movements to the camera. As there are no straps or harnesses attached to the Fig Rig, and quick and wide movements can be made within the same shot from ground-level to overhead, in one smooth movement. The camera, accessories and operator become one, allowing you to film scenes quickly and unobtrusively. With the Fig Rig your creativity is virtually limitless.
Solid and stable three-section professional monopod featuring sure rubber grip, suction cup foot, quick-action leg locks, wrist strap, and 357 quick-release sliding camera plate adapter to adjust the camera's center of balance. Ideal for ENG style camcorders.
The Cine Arm DG Hold-It Arm from Noga is a 3-joint mounting arm with 1/4"-20 screws on both ends that allows you to attach an accessory such as a monitor or light on a camera with a 1/4"-20 slot. This flexible arm can be easily adjusted as per your requirement. It also features a central locking ratchet lever that locks the arm in place.
The Pearstone 7.5" Articulating Arm is an arm used to mount small displays on prosumer and professional camcorders. The arm's unique design features a single-point locking mechanism, which gives the user maximum flexibility. Moving the display on multiple axes is quick and easy, allowing users to find the best possible viewing angle. In addition, the bottom verticle spacer piece is removeable to reveal a 1/4"-20 male screw, and the bottom shoe mount is removeable to reveal a 1/4"-20 female thread.
The Spider Pod, a portable tripod riser and standing platform, elevates a camera tripod and operator two feet. It is designed for professional videographers and filmmakers, and news crews who need to raise their camera's viewpoint, yet do it with speed and stability. The Spider Pod allows a camera operator to shoot above crowds and capture images that are stable and unobstructed.
Best for cameras between 10 and 16 pounds
The Easyrig gives you the speed and mobility of a hand-held camera, while still achieving steady shots from the shoulder and hip. Specially designed suspension lines with shock absorbers accept the weight of your camera & redistribute the majority to your hips, where it is more efficiently supported. Easy rig is ideal for news broadcasts, sport events, documentaries, commercials or many other hand-held situations where stability is crucial and where freedom of movement is essential.
The Easyrig 3 500N with Small Gimbal Rig Vest & 5" Extended Arm is a body-worn support system that is adjustable to support camera rigs weighing 24 to 28.5 lb. The system consists of the Easyrig 3 support bar with 500 N gas shock absorber, the small Gimbal Rig double shoulder vest, and a 5" Extended support arm.
The Easyrig Cinema 3 700N Gimbal Rig is a body-worn support system for camera operators working with handheld motorized gimbal rigs weighing 33 to 44 lb. The system works by using a suspension line to support the weight of the gimbal rig, taking the load off your shoulder, neck, and arm muscles, and distributing it across your torso. This lets you shoot for longer periods of time without worrying about arm fatigue.
The Easyrig Vario 5 with Gimbal Rig Vest and 9" Extended Arm is a body-worn support system that is adjustable to support camera rigs weighing 11 to 38 lb. The system works by using a suspension line to support the weight of the gimbal rig, taking the load off of your shoulder, neck, and arm muscles, and distributing it across your torso. The tension line is adjustable by turning a screw in the back, letting you dial in the appropriate amount of tension for your rig. The system consists of the gimbal rig vest, Vario 5 standard support bar, and a 9" extended support arm. As the name suggests, the gimbal rig vest is optimized for use with motorized gimbal stabilizers, providing increased lower back support that allows you to carry weights further away from your body. A carrying bag is also included for convenient storage and transport of the Easyrig system.
The EasyRig 4 Vario - 400 is a portable camera support with all the features of Cinema 3 (stabilizing camera support), and can be used with both film and video cameras. It weighs 8.6 lbs and supports cameras up to 40 lbs. The shock absorber allows for variable tension adjustments, and the support arm enables the handling a wide range of camcorder weights by simply turning a knob. The 4 Vario - 400 includes a vest, a hip belt, a lockable camera hook for safety, and comes with a Petrol carry bag.
The Microdolly CAMERA SUCTION MOUNT is ideal to safely attach a camera on a moving vehicle, aircraft, train or boat. This innovative KIT uses three strong suction cups, six universal joint clamps and a set of three 12 inch and three 18 inch rods that connect in seconds to a camera plate to position a camera or light almost anyplace. A lighting spud and stainless steel safety cable are also included.
Mounts a camera on the side of a car, truck, or other vehicle.
Mounts a camera on the hood of a car, truck, or other vehicle.
The Cinesaddle by Cinekinetic is filled with high tech foam balls that push the sides of the bag tight up against the camera and holds it rock steady. It also absorbs vibration, providing a very stable surface for the camera. Extremely lightweight and simple to set up.
cameras not included
The Anton-Bauer EgripZ handheld camcorder support is an ergonomic grip which helps small camcorders look like larger, heavier systems without the requisite backache. Wide, flexible handles allow one hand to smoothly and efficiently convey the camera while the other hand is freed completely to manipulate the zoom, focus, and iris controls.
This Sony Wall Mount Bracket is a wall mount kit designed for supporting BRC PTZ cameras.
The ENG Grip Relocator for C100/300 from Zacuto allows users to mount the Canon EOS C100 or C300's removable grip onto 15mm rods, for an ENG-style rig with the grip located directly beside the rods. The grip is tethered to the camera with a 24" cable, and once plugged in, users can control the record trigger, power on/off, lens aperture, and a programmable function button for such features as waveform, 1 to 1 zoom, "My Menu" and more.
Mounts to 15mm Light Weight Support Rods
Carry your director's monitor with you using the Wooden Camera Director's Monitor Cage. The cage is based on a universal plate system that secures to your monitor using its 1/4"-20 mounting points. In addition to holding your monitor, the cage allows for the mounting of a separately available V-mount or Gold-mount plate for battery power, and it also leaves plenty of room for wireless equipment, so you can remain untethered on set. Comfortable foam handgrips attach to the sides of the cage, great for carrying around and checking shot composition from anywhere. The front of the monitor is unimpeded, so you can mount sunhoods or other accessories. When not in use, or if you want to keep your setup in the same place, you can secure the cage on an available C-stand (baby pin).
The Wooden Camera Director's Monitor Cage v2 accepts virtually any 9" LCD on-camera monitor, allowing it to be securely held and carried by a director or anyone who needs to have a personal monitor during a shoot. Featuring wooden handgrips, a padded neck strap, and a swing-away design for easy access to the back, this cage makes carrying a small monitor both simple and comfortable. Based on a universal plate system that mounts your monitor using 1/4"-20 mounting points on the side, top, or bottom of your monitor. In addition to holding your monitor, the cage allows for the mounting of a separately available V-mount or Gold mount plate for battery power, and it also leaves plenty of room for wireless equipment, so you can remain untethered on set.
Easyrig Vario 5 - Gimbal Rig Vest and 5" Extended Arm with Flowcine Serene and Serene Extension Preinstalled
computer/10hrs / Prompter operators are available in English, Spanish, Portuguese, and possibly other languages on request.
Can be used with medium size cameras and DSLR's
- Covers Super 35 Sensor Size
- Covers Super-35 Sensor Size
- Covers Super-35 Sensor Size
- Covers Super-35 Sensor Size
- Covers Super-35 Sensor Size
- Covers Super-35 Sensor Size
- Covers Super-35 Sensor Size
- Covers Super-35 Sensor Size
- Covers Super-35 Sensor Size
- Covers Super-35 Sensor Size
- Covers Super-35 Sensor Size
- Covers Super-35 Sensor Size
- Covers Super-35 Sensor Size
- Covers Super-35 Sensor Size
- Covers Super-35 Sensor Size
- Covers Super-35 Sensor Size
Focal Length: 100mm
Focal Length: 75mm
Focal Length: 50mm
Focal Length: 40mm
The Fujinon 19-90mm T2.9 Cabrio Premier PL Lens is a wide to telephoto zoom lens for Super 35mm cameras. The focus, zoom, and iris barrels are geared with standard 0.8 film pitch, which provides an interface for the removable ENG-style digital drive unit. The rear PL mount features electrical contacts for sharing Arri LDS and Cooke /i Technology lens data with the camera.
The Zeiss Compact Prime CP.2 35mm/T1.5 Super Speed PL Mount is a fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light. Aside from great optics and mechanics, the lens offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity. 
The Zeiss Compact Prime CP.2 50mm/T1.5 Super Speed PL Mount is a fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light. Aside from great optics and mechanics, the lens offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity. 
The Zeiss Compact Prime CP.2 85mm/T1.5 Super Speed PL Mount is a fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light. Aside from great optics and mechanics, the lens offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity. 
Featuring 14 high-precision blades, which create a consistently round and symmetrical iris opening over the entire T-stop range, the lens ensures uniform out-of-focus highlights and a smooth bokeh. T* Anti-reflex coating and internal light traps help suppress disturbing flares. The Compact Prime Cine Lens features a unique lens design that helps provide enhanced contrast, resolution and color rendition, and reduces distortion. Markings for distance are given in feet.
The Zeiss Compact Prime CP.2 21mm/T2.9 Cine Lens (PL Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II). 
The Zeiss Compact Prime CP.2 25mm/T2.1 Cine Lens (PL Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II). 
The Zeiss Compact Prime CP.2 28mm/T2.1 Cine Lens (PL Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II). 
The Zeiss Compact Prime CP.2 35mm/T2.1 Cine Lens (PL Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II). 
The Zeiss Compact Prime CP.2 85cm/T2.1 Cine Lens (PL Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II). 
The Zeiss 15 - 30mm CZ.2 Compact Zoom Lens in PL mount with focus markings in feet is a short wide-angle zoom lens for production shooting on formats from Micro Four Thirds to Full-Frame sensors. Optimized for digital cinematography, the zoom lens supports 4K resolution and is colormatched to available Zeiss primes for seamless intercutting between zoom and primes.
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
- 18mm/T1.3
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens with integral Zeiss doubler to 600mm; this is a rare and beautiful lens, all by Zeiss
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
35mm, Arri PL Mount Prime Lens
- PL Mount
- Covers Super-35 Format
- Covers Super-35 Format
- Covers Super-35 Format
- Covers Super-35 Format
- Covers Super-35 Format
- Covers Super-35 Format
- Covers Super-35 Format
- Covers Super-35 Format
- Covers Super-35 Format
- Covers Super-35 Format
- Covers Super-35 Format
- Covers Super-35 Format
- Covers Super-35 Format
- Covers Super-35 Format
Converted by Century Optics from a Cooke 20-60mm, this short zoom lens has a physical length of 10 inches and a front opening of 120mm.
- Zoom ratio: 5x
- Zoom ratio: 5x
- Zoom ratio: 10x
- Zoom ratio: 10x
The Optimo lightweight hand-held zoom lenses - including the 15-40mm, 28-76mm, and 45-120mm - offer a superb balance between quality and agility. They are the lightest and the most compact series of cine zoom lenses in the industry and are perfectly suited for shootings requiring modern, lightweight and compact digital cameras and Steadicam work.
The Optimo lightweight hand-held zoom lenses - including the 15-40mm, 28-76mm, and 45-120mm - offer a superb balance between quality and agility. They are the lightest and the most compact series of cine zoom lenses in the industry and are perfectly suited for shootings requiring modern, lightweight and compact digital cameras and Steadicam work.
The Optimo lightweight hand-held zoom lenses - including the 15-40mm, 28-76mm, and 45-120mm - offer a superb balance between quality and agility. They are the lightest and the most compact series of cine zoom lenses in the industry and are perfectly suited for shootings requiring modern, lightweight and compact digital cameras and Steadicam work.
Setting the standard for optics technology and performance, the Optimo line offers a range of zoom lenses to meet the most uncompromising requirements. Manufactured with exquisite precision, they help you bring greater artistry and cinematic expression to your production in any format. The Optimo long lenses are unrivaled as the industry's reference lenses for every type of production from feature films, commercials, TV series and video clips to major sports events and concerts.
Setting the standard for optics technology and performance, the Optimo line offers a range of zoom lenses to meet the most uncompromising requirements. Manufactured with exquisite precision, they help you bring greater artistry and cinematic expression to your production in any format. The Optimo long lenses are unrivaled as the industry's reference lenses for every type of production from feature films, commercials, TV series and video clips to major sports events and concerts.
The Angenieux Optimo 24-290 is the industry standard for high performance optical quality, offering brilliant clarity in an extreme focal range at a fast aperture.
35mm, Arri PL Mount
35mm, Arri PL Mount
35mm
35mm, Arri PL Mount
35mm, Arri PL Mount
35mm, Arri PL Mount
35mm, Arri PL Mount
35mm, Arri PL Mount
Focal Length Range: 18-85mm
Focal Length Range: 18-50mm
Focal Length Range: 50-150mm
T1.8, Arri Lens Mount, 110mm front diameter
T1.8, Arri Lens Mount, 110mm front diameter
T1.8, Arri Lens Mount, 110mm front diameter
T1.8, Arri Lens Mount, 110mm front diameter
T1.8, Arri Lens Mount, 110mm front diameter
T1.8, Arri Lens Mount, 110mm front diameter
T2.9, Arri Lens Mount, 117.4mm front diameter
Cooke Anamorphic/i lenses feature standard Arriflex PL Mounts. They offer a linear iris and anamorphic characteristics including 2:1 oval bokeh for out of focus highlights.
Cooke Anamorphic/i lenses feature standard Arriflex PL Mounts. They offer a linear iris and anamorphic characteristics including 2:1 oval bokeh for out of focus highlights.
Cooke Anamorphic/i lenses feature standard Arriflex PL Mounts. They offer a linear iris and anamorphic characteristics including 2:1 oval bokeh for out of focus highlights.
This Cooke MACRO Anamorphic/i 65mm Prime Lens offers a linear iris with max. aperture of T2.6, anamorphic 2:1 oval bokeh for out of focus highlights, and weighs 11.5 lb with MOD at 18".
Cooke Anamorphic/i lenses feature standard Arriflex PL Mounts. They offer a linear iris and anamorphic characteristics including 2:1 oval bokeh for out of focus highlights.
Cooke Anamorphic/i lenses feature standard Arriflex PL Mounts. They offer a linear iris and anamorphic characteristics including 2:1 oval bokeh for out of focus highlights.
The PL 20-120mm Cabrio XK (XK6x20) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The XK6x20 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 20-120mm focal range, weight of only 2.9kg including servo motors, a T Stop of T3.5 end to end, The Cabrio XK is sure to become the "go to" lens.
We have Sony FE Prime Lenses in house:
A dynamic ultra wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast, versatile lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide-but-usable perspective is complemented by the f/1.8 maximum aperture for excellent performance in low-light conditions and increased control over depth of field. The optical design incorporates two extra-low dispersion elements and one super ED element to reduce chromatic aberrations, plus two XA (extreme aspherical) elements that significantly control spherical aberrations for a high degree of image sharpness and clarity. A Nano AR II coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions.
Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited to landscape, astrophotography, and street shooting applications. Its wide-but-usable perspective is complemented by the f/1.4 maximum aperture and the lens is also distinguished by a sleek, portable profile for all-day shooting.
The FE 35mm F1.4 GM delivers incredible G Master quality and performance in a compact and lightweight design, ideal for any occasion. Using Sony's most advanced optical design and manufacturing technology, it delivers extraordinary resolution and gorgeous bokeh with precision focus performance. Two XA (extreme aspherical) elements, an ED (Extra-low Dispersion) glass element and Nano AR coating II all contribute to high-contrast, high-resolution results with corner-to-corner sharpness and dramatically reduce chromatic aberration, flea and ghosting.
Combining speed, versatility, and quality, the Sony FE 50mm f/1.2 GM is a normal-length prime that flexes a bright f/1.2 design and advanced optics while remaining portable and lightweight for everyday shooting. As a G Master lens, resolution and bokeh are top priorities, and this 50mm f/1.2 goes on to also include a sophisticated focusing system to suit both stills and video needs and a reliable physical design that's intuitive to use and durable enough for working in harsh environments.
A prized focal length for portraiture, the FE 85mm f/1.4 GM from Sony is a fast, short-telephoto lens designed for E-mount mirrorless digital cameras. Characterized by its flattering perspective and fast f/1.4 maximum aperture, this lens is adept at isolation focus for shallow depth of field effects, as well as performing in low-light conditions. The optical design incorporates three extra-low dispersion elements to reduce chromatic aberrations and one XA (extreme aspherical) element, which significantly controls spherical aberrations for a high degree of image sharpness and clarity. Additionally, a Nano AR coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions. Pairing a bright f/1.4 aperture with a short-telephoto focal length, this 85mm lens is ideally suited for portraiture and other situations where focus control is paramount.
Delivering both smooth bokeh and fine sharpness, the FE 100mm f/2.8 STF GM OSS Lens from Sony is a short-telephoto prime featuring a unique, yet sophisticated optical design. Separating itself from other portrait-length lenses, this 100mm f/2.8 features Smooth Trans Focus (STF) technology, which uses an apodization filter to realize notably smooth bokeh with rounded out-of-focus highlights in both the foreground and background. Contributing to a high degree of sharpness and clarity, the lens also incorporates one aspherical element and one extra-low dispersion element to suppress both spherical and chromatic aberrations. Additionally, a Nano AR coating has also been applied to reduce lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions.
A fast and flexible wide-angle zoom, the FE 16-35mm f/2.8 GM Lens from Sony is a wide-angle zoom designed for full-frame E-mount mirrorless cameras. Distinguished by its constant f/2.8 maximum aperture, this lens offers consistent performance throughout the zoom range and benefits working in low-light conditions. The optical design incorporates two extra-low dispersion elements to reduce chromatic aberrations along with two XA elements and three aspherical elements, which significantly controls spherical aberrations for a high degree of image sharpness and clarity. Additionally, a Nano AR coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions.
A fast, standard zoom favored for its versatility, the Sony FE 24-70mm f/2.8 GM is a wide-angle to short telephoto lens designed for E-mount mirrorless cameras. Featuring a constant f/2.8 maximum aperture, this lens maintains consistent performance throughout the zoom range and benefits working in low-light conditions and with selective focus techniques. Complementing the apt light-gathering capabilities is an equally impressive optical design, which incorporates three aspherical elements and two extra-low dispersion elements. One of the aspherical elements features an XA (extreme aspherical) designation, ensuring its refined surface precision and notable ability to minimize spherical aberrations throughout the zoom range.
Boasting exceptional optics, a complete feature set, and outstanding speed in all aspects, the Sony FE 70-200mm f/2.8 GM OSS Lens easily takes its place as the de facto telephoto zoom for professionals. A member of the G Master series, this 70-200mm delivers high sharpness alongside smooth, clean bokeh and with an absolute minimum of aberrations. This is guaranteed through the use of an XA element, two aspherical elements, four extra-low dispersion elements, and two Super ED elements in the optical design. Furthermore, the lens has a Nano AR Coating that reduces reflections, flare, and ghosting for improved contrast and color. 
Extending the effective focal length of select Sony E-mount telephoto lenses, the FE 2.0x Teleconverter increases the lens's magnification by 2x for a narrower field of view. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization. Additionally, this teleconverter also features a dust- and moisture-resistant construction, matching the lens, to benefit working in harsh environmental conditions.
This lens is a compact full-frame option that covers wide-angle to short telephoto perspectives for working with a variety of different shooting styles and subjects. A constant f/4 aperture makes operation smooth and consistent throughout the zoom range. The lens further benefits from the use of one extra-low dispersion element and five aspherical elements to combat aberrations as well as a Zeiss T* anti-reflective coating to keep flare and ghosting to an absolute minimum. The lens is fast to focus as well due to the linear autofocus motor and an internal focus design. Additionally, the dust- and moisture-resistant lens is equipped with Optical SteadyShot image stabilization to reduce the effects of camera shake, and it has a seven-blade circular diaphragm for smooth bokeh.
With a dust and moisture resistant design, the compact and lightweight Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens covers your wide-angle zoom needs and is designed for full-frame E-mount cameras but can also be used on APS-C E-mount cameras as well. A constant f/4 maximum aperture offers consistent performance throughout the zoom range. Benefiting working in dim light is Optical SteadyShot image stabilization, which serves to minimize the appearance of camera shake by up to four shutter speed steps.
Designed to satisfy 4K production requirements, the Sony FE PZ 28-135mm f/4 G OSS Lens is a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame, APS-C, or E-mount camcorder or still photography camera system. The lens features a powered zoom control with a variable speed and zoom rotation direction reversal capability. Powering the zoom function is an SSM (Super Sonic wave Motor) drive that allows precision and quiet operation. Focus noise is also minimized through weight reduction of the focus element group and use of a linear motor. Iris function is also designed to be smooth and silent for cinematography demands.
The E 18-200mm f/3.5-6.3 OSS LE Lens from Sony is significantly smaller and lighter than comparable lenses, and is a high magnification zoom lens perfect for a wide range of shooting situations with Sony's NEX series and APS-C format E-mount mirrorless cameras or camcorders. With a compact size, achieved in part by downsizing the autofocus motor and optical image stabilization unit, the lens offers a powerful mix of versatility and image quality. This is perfect for shooting where a light, compact camera and lens combination is ideal. 
Make sure you have the right tool for both stills and movies with this E PZ 18-200mm f/3.5-6.3 OSS Lens from Sony. Equipped with a power zoom mechanism that can be set to different speeds, users will enjoy smooth, precise zooms during their videos. Designed for APS-C-format E-mount cameras, shooters will be able to make good use of the lens' vast zoom range, which is equivalent to 27-300mm. Also, it has a variable f/3.5-6.3 aperture to keep the overall size to a minimum and uses extra-low dispersion and aspherical elements to combat aberrations.
This G Lens for E-mount cameras delivers stunning still or movie imagery with the flexibility of 6x power zoom. Maximum aperture is a constant F4 from 18 mm wide angle to 105 mm medium telephoto, with excellent resolution and contrast throughout. A lever and ring on the lens barrel allow zoom speed to be freely adjusted as required while maintaining a sure, stable grip.
35 mm equivalent focal length (APS-C)
The Mini 35 adapter from P S Technik allows you to use 35mm film lenses on JVC GY-HD100U, Panasonic HVX200, Panasonic AG-DVX100/DVX100A/DVX100B, Sony HVR-Z1U/HDR-FX1, PD150/PD170, Canon XL1/XL1S/XL2/XL3 (XL H1) to achieve virtually the same depth of field, focus and angle of view as with a 35mm film camera.
The Pro 35 adapter from P S Technik allows broadcast videographers and digital filmmakers to attach any Arri PL mounted prime 35mm film lens to their high definition (HD) or standard definition (SD) 2/3" video camera to obtain the three-dimensional quality of a 35mm film camera on videotape.
For GY-HD200/250, PL to ProHD.
This adapter allows the JVC camcorders to utilize high quality 2/3" HD broadcast lenses using the Sony B4 mount. Broadcast lenses used with 2/3" HD cameras feature optics and image depth at a much higher quality than lenses designed for 1/3" camcorders. The upgrade in lens quality will upgrade the image to levels unprecedented in 1/3" chip cameras.
- 2/3" B-4 Mount
Lens w/2x ext 9-500mm, semi servo Sony or Ikegami mounts
- 2/3" B-4 Mount
Add a professional broadcast ENG zoom lens to your EOS C300 Mark III or C500 Mark II cinema camera with the CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens from Canon. This durable lens is designed for use with PL-mount cameras featuring large-format, Super 35-sized sensors with 4K optical performance. Measuring approximately 11" long and weighing only 6.7 lb, the compact, lightweight lens is suitable for a variety of productions such as narrative to EFP/ENG or run-and-gun documentary.
The Cine-Servo 17-120mm T2.95 with PL mount from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style motorized zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with sensors up to Super 35mm (26.2 x 13.8mm) in size and is suitable for 4K acquisition. With a detachable drive mechanism and support for rod attachment, it is designed to be equally at home whether being used by a solo camera operator or a full production team.
FREE with Panasonic AG-AF100 Rental
InnoVision's tubular lens, the HD Probe, offers superior optics and light transmission for High Definition Video (HD), while the system's unique periscope attachment lets operators shoot from an ultra-low perspective. The HD Probe has interchangeable Straight, 45 and 90 Periscope attachments. Completely waterproof, the HD Probe is ideal for commercials, music videos, product photography and feature films.
This is a stabilized telephoto ENG style lens for large venues or sporting events. Its RS-232 port allows remote control for full servo studio control, robotics, jibs, tower cams, teleconferencing and other applications where remote control of zoom, focus and iris via RS-232 serial data or traditional analog control is desired.
Engineered for high definition ENG, commercial, documentary and feature videographers who demand uncompromising optical quality.
The Canon HJ21x7.5B-IRSE Compact High Definition Lens is a low-weight, highly mobile 2/3" video lens designed to tackle a wide variety of shooting scenarios. The unit boasts enhanced digital functionality over previous models with improved operability. The reduced weight helps lessen fatigue, making it ideal for news gathering. The lens has a focal length of 7.5-158mm (21x zoom) with a minimum zoom of 2.8' (0.85 m) and comes with a 2x built-in extender for instant magnification.
The Arri Shift & Tilt lens system is an articulating bellows lens mount that allows the lens to be positioned separately from the camera in five different directions. This allows angles to be shifted, parallel lines to be aligned and selective focus within the image plane. It is a unique optical system that achieves images impossible any other way.
With the MTF stainless steel Micro 4/3 mount, this adapter will allow the use of PL mounted 35mm format lenses on the Panasonic Lumix GH1, Olympus E-P1 and the new PANASONIC AG-AF100 camera.
With the MTF stainless steel Micro 4/3 mount, this adapter will allow the use of ANY Nikon mounted lens on the Panasonic Lumix GH1, Olympus E-P1 and the new PANASONIC AG-AF100 camera.
The HDx2 is an optical doubler designed to expand an image circle lens from 11mm to 22mm coverage. It has a B4 mount on the front and a PL flange on the back. It allows the use of B4-mount 2/3" HD lenses on PL mount cameras. Corrects from 3xCDD sensor to single sensor optical path. Magnifies image to cover 22mm image circle: 1920x1080 on Phantom v640 & Phantom Flex, 3K on RED One, and full sensor on the Panasonic AF100 (with use of a PL adapter). Consumes only two stops of light.
The Voigtlander Micro Four Thirds to Nikon F Lens Adapter allows you to mount 99% of all Nikon SLR lenses by any manufacturer to a Micro Four Thirds mount camera body. Nikon G series lenses will not work, since they don't have the necessary aperture ring to control the f/stop. Lenses which protrude so deeply into the Nikon camera body that mirror lock up is required will also not work.
This Kit includes the Hot Rod PL mount, the Hot Rod PL Support Chassis and the Hot Rod X-Baseplate, and allows use of all 35mm PL mount lenses on the Panasonic AF100 safely and securely. This is the only PL mount system for the micro 4/3 format that features a professional shimmable flange; this feature is a 100% requirement in order to have accurate lens focus marks.
Schneider's Century .75X HD Wide Angle Converter is a newly designed, lighter weight optical tool for shooting situations that require both a wider angle of view and full zooming capabilities. The .75X HD Wide Angle Converter attaches to the front of the lens via the lens bayonet mount for 25% more coverage when set to wide angle, telephoto or anywhere in between. This new professional add-on lens produces crisp, high resolution images with low distortion and superior contrast edge to edge. The unit is front threaded to accept a 102mm filter.
The Fujinon ACM-21 is a lens adapter for the 1/2" CMOS chip PMW-EX3 camcorder. This adapter allows the 1/2" chip camera to utilize high quality 2/3" Fujinon lenses using the B-Mount.
For Sony HVR-Z1U. Made by Century Precision. Provides a 30% wider angle of view and full zoom capabilities for the Sony Z1
The Century Precision Optics 0HD-16TC-EX1 is a 1.6x Telephoto Converter Lens for the Sony PMW-EX1 camcorders. The lens bayonets directly to the zoom lens. The 1.6X HR Teleconverter instantly shifts the focal length range in the telephoto direction without light loss. This converter lens offers zoom through capability.
The Century Xtreme Fisheye produces extreme wide angle of view with profound barrel distortion. The Ultra wide Fisheye lens attachment offers the highest grade optics available with the widest field of view with very little barrel distortion. Horizontal field of view of view is approximately 160 degrees (180 degrees to the corners).
Designed for use with high performance ENG Electronic News Gathering Cameras having 1/2" or 2/3" bayonet mounts. These AstroScope night vision modules deliver very high quality night-time video images for professional broadcasters. Mounted between the camera and the lens, the AstroScope Gen 3 module amplifies low-light scenes so they are easily viewed and recorded by the host camera. Also available for Sony 1/2" bayonet-mount cameras. 
Convert Your Canon DSLR Camera Into a High-Performance Night Vision System. Electrophysics AstroScope is an advanced night vision module that incorporates a state-of-the-art Gen 3 PRO image intensifier that transforms dark scenes (below 10-4 lux) into bright, high-resolution images. The AstroScope 9350EOS-3PRO is specifically designed for Canon EOS-type cameras and mounts between the camera body and Canon EOS lenses using the standard Canon bayonet. AstroScope incorporates a high quality optic designed specifically for today's digital SLR cameras and delivers full frame images with little or no vignetting.
The AstroScope 9350-NIKS-3PRO Night Vision Adapter is compatible with Nikon's film and digital SLR cameras. The AstroScope provides your camera with the ability to produce high resolution full-frame images under adverse lighting conditions. The rugged and compact design makes it ideal for demanding applications. Fitted with a high-performance 3rd generation intensifier, the AstroScope significantly enhances your camera's low-light capabilities.
This AstroScope Night Vision Adapter 9350-Z7U-3LPRO is designed to be used with Sony's HVR-Z7U camera. The AstroScope provides your camera with the ability to produce high resolution full-frame images under adverse lighting conditions. The rugged and compact design makes it ideal for demanding applications. This bracket is fitted with a high-performance 3rd generation image intensifier that significantly enhances your camera's low-light capabilities. A high-quality 23mm f/1.2 C-mount lens is included.
The EyeDirect is a photographic device that guarantees eye contact from any subject, regardless of age or mood. Used by producers and shooters all over the world, the EyeDirect can guarantee an authentic connection. By employing two mirrors, a 'periscope' is created to draw the subject's attention to what is reflected behind camera. EyeDirect requires no electricity and is as simple as a child's toy.
The Mark E is specifically designed to guarantee eye contact from any subject while using a DSLR, C300/100 or prosumer camera. The adjustable base plate, glass mirrors, light-weight and small size, lets you work off a monopod or even handheld. The functionality of the Mark E is identical to the Mark II. (The Mark E does not accommodate an iPad as a teleprompter/autocue)
This bundle from Redrock Micro includes a handheld wireless focus controller, a fingerwheel controller, and a torque motor, which combine to allow the camera operator or focus puller to manage the focusing duties. You can leave both focus controllers attached and select between them with a flip of a switch. This allows your operator to use the fingerwheel controller or your focus puller to use the wireless handwheel. It is worth noting that the wireless handwheel has a range of up to 1 mile.
The Libec ZC-9EX is a zoom controller designed specifically for the PMW-EX1 camcorder as well as Fujinon and Canon ENG lenses. The unit allows users to turn the handheld camcorder into a capable studio camera.
The Universal Baseplate works with all cameras, including Panasonic HVX200, DVX100a/b, Canon XL-H1, XL1, XL1s, XL2, GL2, XH-A1 Sony XDCAM EX1, SO-HVR-Z1U, VX1000, VX2000, PD-150, PD-170, JVC GY-HD100U,HD200U, HD250U, Silicon Imaging SI2K, RED ONE and any other cameras of this size.
The Manfrotto 521EX Sony PMW EX1 Remote Control is designed specifically for the Sony EX series video cameras.
The Preston MicroForce V+F2 zoom control provides the smooth, flawless zooms that have made them the favorite of camera assistants worldwide. The V+F2 control can drive a wide variety of analog zoom motors including the Heden M26T motors as well as the integral Panavision zoom motors. A wide variety of accessories are available for interfacing the Micro Force to either film or video cameras and lenses.
The Canon MS-22M is a lens controller kit for ENG/EFP lenses, including the YJ18, YJ17, YJ12, YH18, YH17 and YH12. The kit consists of flex cable, flex focus module, focus handle, and zoom grip. The MS-22M covers the complete range of precision zoom/focus functions and is useful in both field recording and broadcast environments.
The Fujinon MS-01 kit for ENG/EFP lenses consists of the SRD-92B zoom servo demand, CFH-3 focus handle/grip, CFC-12-990 flexible cable, and FMM-6B manual focus module.
The BFD exceeds the performance of the old standards (Seitz, WRC-4) at a fraction of the price. Its compatibility with existing motors (Heden, ZB/SLD, FMG-6) allows the use of readily available used equipment as well as the new M-One motor. Its modular approach and interchangeable components allow you to start simple and build your way up to a full featured system.
The RTMotion LCS (Lens Control System) gives you solid, reliable, precision wireless control of cinema and still-camera lenses. The product range is specifically designed to enable a low-cost entry point (single Motor), with a broad expansion capability (FIZ, thumbwheels and more).
Includes: 
Use this lens adapter to make it possible for Broadcast lenses to be put on the JVC HD100/HD200 series cameras...then on a Jimmy Jib your lens is completely remoted just as if it were on a Betacam!
Add the 1.6X Tele-Converter to the front of your HVX200 (13X) to shift its focal range in the telephoto direction. The perfect tool when it's inconvenient, dangerous, or even impossible to move as close to the subject as you'd like. The 1.6X Tele-Converter alters your zoom's focal length range to 39.6-88mm - with no appreciable light loss. Note that the Tele-Converter offers partial zooming, vignetting will occur at mid-range through full wide angle.
Sony Mount Lens Doubler: This High Definition optical device will double the millimeters on any Sony mount (B4) lens while only losing one stop of light in the process.
True-Match Vari-ND MKII Variable Neutral Density Filter in 82mm. This solid variable neutral density filter features an adjustable filter factor of 0.45 to 3.45 that provides a reduction of 1.5 to 11.5 stops.
The 77mm Variable Neutral Density Filter from Tiffen is a money-saver for anyone shooting digital stills or video. The filter provides 2-8 stops of built-in neutral density filtration and can save you the trouble and expense of having to purchase and carry around individual ND filters. The filter is indexed on the filter ring so you'll always know or remember what degree of filtration you dialed in. It does not require any additional accessories to use - just screw it on and you're set to go.
The Tiffen 138mm Streak Effect 2mm Grid Glass Filter renders a single light ray effect from a light source, a reflective metallic or water surface.
The 58mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 - 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want - a real time and money saver.
The ProMaster Digital HGX Variable Neutral Density Filter variable neutral density filter providing light reduction of about 1.3 to 8.6 stops. The ND3 to ND400 density creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required.
RotaPola frame with custom 120mm German circular polarizing filter. Features an engraved dot to record the polarizer position indicated by the DOP and rotation controls on both sides to allow for easier access in low mode or inverted positions. Fits Arri LMB-5 Matte boxes or equivalent. Bonus custom fitted pouch included.
Clearly the most effective and exciting way to simulate the anamorphic streak effect with virtually any lens, anamorphic or not. Long, brilliantly colored streaks emanate from bright lights and highlights. Available in four strengths: 1mm (strongest), 2mm, 3mm and 4mm (most subtle); and in eight colors: Blue, Red, Yellow, Orange, Green, Violet and Pink as well as Clear.
This is by far the most effective polarizer for motion picture and television cameras. Having an extinction ratio of ER 374, the Schneider True-Pol is 12- times more effective than other polarizing filters, and is unmatched in its ability to:
This is an imaginary product for testing the new interface. It is not real.
Probe Lens
- RF-Mount Lens/Full-Frame Format
The Light Storm 1200d Pro is the flagship Light Storm product and the brightest fixture in the Aputure and Light Storm lineup. It utilizes a 1200W Daylight COB chipset to compete on the same level as industry-standard HMI Lights, with a staggering 83,100+ lux output at 3 meters with the Hyper Reflector (Narrow). 
The Aputure LS 600d Pro Daylight LED Light is a powerful COB LED fixture with expansive power, control options, and output comparable to a 1200W HMI, augmented by its 55° Hyper Reflector. The fixture renders 5600K color temperature with a high CRI/TLCI rating of 96. The light also has lots of wireless control methods, such as the included 2.4 GHz remote, the Sidus Link mobile app, and the built-in wireless DMX control. It has four dimming curves: Linear, Exponential, Log, and S-Curve, to ensure accuracy regardless of your chosen brightness level. While you can make adjustments locally on the fixture, you can also make them wirelessly at a distance up to 328' via these methods.
Compatible with the F10 barndoors, this F10 Fresnel Attachment for LS 600d LED & LS 1200d Pro Lights from Aputure allows smooth focusing of the light's beam spread from a tight 15° to a 45° medium flood. The Fresnel's design has built-in ventilation to prevent overheating while thwarting spill light.
The Aputure Spotlight Mount Set with 19° Lens is a versatile light modifier for producing dramatic yet clean beams of light with a high degree of control. Featuring a Bowens mount, this modifier can be easily attached to a variety of lights, including the Light Storm LC 120d II, 120D, 300D, and 600D series lights, and its integrated yoke has a dual junior/baby mount for attaching to anything from a C-stand to a lighting grid.
The Light Storm LS300X LED Light Kit from Aputure is the first Aputure light to go beyond traditional bi-color lighting by utilizing the expanded vari-white CCT range of 2700-6500K, providing warmer tungsten tones and cooler than daylight whites. The brilliant light can be dimmed from a potent main light to a subtle, nuanced fill light, flicker free across the dimming range.The Controller Box attached to the LS300X head with a 9.8-foot head extension cable, so adjusting settings is effortless regardless of where the light is set. The self-regulating , multi-voltage controller also operates using single or dual V-mount batteries, suitable for lighting in remote locations.
Made exclusively for Aputure LS C120d, LS C120d II, LS C300d, the Fresnel 2X Attachment offers a beam spread that's variable from 12 to 40 degrees. A valuable bi-product of this enhanced design is its ability to intensify the output of the light! Aputure's LS 120d II, for example, is capable of outputting up to 14x its standard power thanks to the Fresnel's dual lens design. The Fresnel 2X comes with a padded case for storage and transport.
The Barndoors, Grid, and Gel Holder for LS 120d II and LS 300d II LED Lights are light modifiers that fit the reflector that comes with all versions of these Aputure LED lights.
The Aputure MC 4-Light Travel Kit with Charging Case includes four Aputure MC light fixtures, a charging case, and accessories. The MC light fixtures are part of the Aputure M-series of lights and feature RGB LEDs, as well as both tungsten- and daylight-balanced LEDs, creating a full hue-controllable LED light that emits up to 95% of the BT.2020 color gamut. This lightweight fixture easily fits in the palm of your hand and can be mounted using the built-in 1/4"-20 threaded mounting hole or attached to metal items via its built-in magnets. The light integrates an OLED display screen and a control wheel. Compatibility with the Aputure Sidus Link app enables you to remotely control your light from your mobile device. The light fixture supports the Sidus Mesh technology that enables you to control multiple fixtures.
INCLUDED FREE WITH APUTURE LIGHT RENTALS
The AX9 utilizes the AX5's successful 3-in-1 concept which allows it to be used as wireless light and elegant uplight as well as a wired PAR light for longer or bigger installations. This makes it an extremely cost-efficient light and keeps your investment to a minimum.
Helios Tube is an RGB LED lighting tube that has all the features of the Titan tubes while offering a smaller format. This LED tube has 8 pixels, half the brightness of the Titan tubes and half the length.
This Set of 8 Titan Tubes with Charging Case from Astera is a formidable setup destined for the road. The set includes eight Titan Tube LED lights and a hard, shippable charging case with a DMX-compatible PowerBox that can actually charge the tubes with them inside. Astera has provided a full array of mounting options including sixteen holders with cotter pins for truss mounting, and sixteen spigots for joining tubes together and to be used as mounting studs for the eight included floor stands.
Astera AX1 is a powerful pixel controllable LED RGBW baton that can be mounted to light up talent and objects or create indirect lighting effects. A highly creative device that offers an infinite range of possibilities.
The Astera AX10 SpotMax is an RGBAW LED fixture with 9 LED emitters and a 13° beam spread. The RGBA fixture has a color temperature range of 2480 to 7100K, controlled via the app or DMX. It features a CRI rating of up to 92. In addition, the fixture is dimmable from 0% to 100% brightness in any mode. The fixture has an integrated lithium-ion battery, which can run the fixture for up to 20 hours on a full charge, while requiring up to 7 hours to charge.
Rechargeable Lithium Ion Battery
With the Q-LED Crossfade, tune the lamp from our beautiful 2000 Kelvin Candle Light all the way through to our 6000 Kelvin Overcast Daylight. Whether lighting actors or lighting environments, the versatility is undeniable. Stack lamps into large arrays to form LED panels of tremendous size and proportion. Light backings with unprecedented energy efficiency. String overhead above diffusions for the perfect sky. Retrofit your Kino package to high output, dimmer compatible LED units.
With the Q-LED Crossfade, tune the lamp from our beautiful 2000 Kelvin Candle Light all the way through to our 6000 Kelvin Overcast Daylight. Whether lighting actors or lighting environments, the versatility is undeniable. Stack lamps into large arrays to form LED panels of tremendous size and proportion. Light backings with unprecedented energy efficiency. String overhead above diffusions for the perfect sky. Retrofit your Kino package to high output, dimmer compatible LED units.
ARRI continues to broaden their LED line and reaffirm their commitment to accurate color rendering with the introduction of the blue/silver SkyPanel S30-C LED Softlight. Supported by a manual aluminum yoke, the panel's surface area measures 14 x 11.8", making it an ideal portable, on-the-go light source for mobile applications. Output is controlled via interchangeable thermoplastic diffusers that range from Standard to Lite to Heavy to soften the light and wrap its output around your subject and the SkyPanel S30-C outputs the equivalent of a 1,000W tungsten soft light while drawing a maximum of only 240W.
ARRI continues to broaden their LED line and reaffirm their commitment to accurate color rendering with the introduction of the SkyPanel S60-C LED Softlight. Supported by a steel yoke, the panel surface area measures 25.4 x 11.8" and employs interchangeable thermoplastic diffusers that range from Lite to Heavy to soften the light and wrap its output around your subject. The SkyPort outputs the equivalent of a 2,000W tungsten soft light while drawing a maximum of only 450W.
ARRI continues to literally broaden their LED line with the introduction of the wide-format SkyPanel S120-C LED Softlight. Supported by an aluminum yoke, the panel surface area measures 50.8 x 11.8" and employs interchangeable thermoplastic diffusers that range from Lite to Heavy to soften the light and wrap its output around your subject. A Standard medium diffuser is included with the light. The SkyPanel outputs the approximate equivalent of a 2000W tungsten soft light while drawing a maximum of only 430W.
ARRI continues to enlarge their LED line with the introduction of the massive SkyPanel S360-C LED Softlight. Supported by a weight-reducing carbon fiber yoke, the panel surface area measures 34.4 x 50.4". It employs interchangeable thermoplastic diffusers that range from Lite to Heavy to soften the light and wrap its output around your subject. There's also an Intensifier that boosts the output for long-throw use. A Standard medium diffuser is included with the light. The SkyPanel outputs the approximate equivalent of an 8000W tungsten soft light while drawing a maximum of only 1500W.
Inspired by the requests of users, the SkyPanel; Remote adds new flexibility and ease-of-use for the popular SkyPanel line of luminaires. This handheld remote connects to any SkyPanel; via a USB cable and allows for full control of the fixture remotely. This is particularly useful if the SkyPanel; is high up on a light stand or in a position where the onboard control panel is difficult to access.
S2 LiteMat is a unique and lightweight LED lighting fixture system designed for cinema, television, and HD video. Born out of the need for a Color-Correct light source that is both lightweight yet durable, high quality yet economical, and simple yet cleverly fashioned, the system takes an unusual approach to lighting. By providing evenly spaced, Color-Correct LEDs spread out over a large area, S2 LiteMat creates soft light without requiring diffusion. This "soft-through-pixelization" method allows the unit to achieve surprisingly bright light levels while remaining under 1 in. (25 mm) thick in size and just 2.2 lb (1 kg) in weight.
S2 LiteMat is a unique and lightweight LED lighting fixture system designed for cinema, television, and HD video. Born out of the need for a Color-Correct light source that is both lightweight yet durable, high quality yet economical, and simple yet cleverly fashioned, the system takes an unusual approach to lighting. By providing evenly spaced, Color-Correct LEDs spread out over a large area, S2 LiteMat creates soft light without requiring diffusion. This "soft-through-pixelization" method allows the unit to achieve surprisingly bright light levels while remaining under 1 in. (25 mm) thick in size and just 2.2 lb (1 kg) in weight.
Building on the success of the original LiteMat, with its thin and ultra lightweight housing, soft color-correct Hybrid (bi-color) output, and convenient mounting options, the S2 LiteMat takes lighting to the next level. The new S2 LiteMat is nearly 40% brighter than the original LiteMat, has better color quality, and a widely extended Kelvin range all without an increase in power draw. In addition, overall CRI increased to 95+ with a matching TLCI of more than 95 as well. With all of these tremendous advancements, S2 LiteMat remains compatible with all existing LiteDimmers, LitePower supplies, and cables.
Our new line of LiteRibbon(R) Kits has been personally designed by professional Hollywood set lighting technicians to accommodate almost every need and every budget. For LiteGear(TM) newcomers and veterans alike, each kit contains the essentials for installing and controlling your LiteRibbon(R). LiteRibbon(R) Pro Kits make perfect additions to any set lighting truck and are even great for anyone from DOPs to set decorators who need specialty lighting at their fingertips.
FloLight's BladeLight is a Professional Video and Photography Open Faced COB (Chip on Board) LED Light, that outperforms standard Panel LED, and SoftPanel LED Lights with it's Linear LED Form Factor, Incredibly High CRI Rating of 96, Focusable Beam angle from 120 Flood Light to a 20 Spot light, with incredible LUX Output of 13,000 (avg) at 1 meter (Around 3 Feet).
The new Q-LED Rainbow Linear LED Lamp featuring RGBX can paint your world with vibrant saturated color and illuminate it with powerful white light from our 2000 Candlelight to 6000 Daylight Kelvin.
The BI-FLEX1 is the first flexible BI-Color LED panel for professional use in television, movie and photographic production with an outstanding light quality and a CRI and TLCI over 98. The BI-FLEX1 is the cinematographer's choice for a small, lightweight and powerful lighting tool for many applications like: portable interview light or to hide in narrow spaces like elevators, cars or even inside objects for product photography.
This Aputure LS 600x Pro Bi-Color LED Monolight is a powerful LED fixture with color and power options, as well as high output augmented by its included 55° Hyper Reflector or an optional Fresnel attachment. The precision fixture has an expansive variable color temperature range from 2700 to 6500K with a high CRI/TLCI rating of 96 and 98 - your assurance of precise color reproduction. Besides power, control is a driving force in the design of the 600x Pro. Adjustments can be made locally on the fixture or wirelessly from a distance via the included 2.4 GHz wireless remote, the Sidus Link mobile app, and the built-in wireless DMX control - useful for when your light is mounted overhead or in a hard to reach place. The LS 600x Pro also has four dimming curves: Linear, Exponential, Log, and S-Curve, to ensure accuracy regardless of your chosen brightness level.
The WALL-O-LITE is a ten-lamp fixture operated by a built-in ballast. The ballast is flicker free at any camera speed or shutter angle with controls to power ten to five lamps at high output.
The Image line of soft lights is a very popular Kino Flo studio option for film, TV broadcast, video and photo set lighting. Image fixtures produce a soft, shadowless display of daylight or tungsten quality light (CRI 95) that can be controlled without dramatic shifts in color.
Kino Flo's VistaBeam 600 will change the way our industry lights film and television studios. A VistaBeam 600, for example, delivers the equivalent of a 4,000 Watt Softlight, but uses only nine Amps of power. Both fixtures have a DMX control system and the ability to produce daylight or tungsten balanced light from the same fixture.
Kino Flo packs a lot of soft light into its new blade-thin Barfly lights. The brighter, smaller, lighter Barfly's deliver more lumens per square inch than any other full-spectrum fluorescent source on the market. The new Barfly's are compact and controllable lighting sources that can squeeze in to tight spots for difficult shots on location or in the studio.
Contents:
The Diva-Lite® 400 has become the industry's most popular professional cool lighting fixtures for video location work. The Diva-Lite 400 portable softlights boast Kino Flo's trademark modular fixture designs with full-range dimming, switching and remote control features. Diva-Lites can go from nighttime to daytime interiors by switching True Match® tungsten for daylight quality lamps. Most applications require a C-stand or similar.
Kino Flo's award-winning 4ft, 4 Bank portable lighting systems have changed the way professionals light everything from feature films to television productions to video and still photography. Why? Because it is the most versatile softlight on the market. The 4 Bank is similar to a 1,000 Watt softlight, but uses 1/10th the power. Color temperature doesn't shift when the light levels change.
Includes (2) 4 foot tubes, a mounting bracket, head extension, fixture shell with harness, and a ballast. Tubes can be either daylight or tungsten as required.
Includes (1) 4 foot tube, a mounting bracket, head extension, fixture shell with harness, and a ballast. Tubes can be either daylight or tungsten as required.
The Diva-Lite 400 portable softlights boast the company's trademark modular fixture designs with full-range dimming, switching and remote control features. The Universal model can be used anywhere in the world from 100VAC to 240VAC.
The Diva-Lite 200 portable softlights likewise are portable, versatile units designed for the rigors of run and gun lighting for news or commercial video production. The Universal model can be used anywhere in the world from 100VAC to 240VAC.
The 4 Bank by 2' or "fatboy" as gaffers generally call them, has four tubes in a small compact configuration allowing for fill in small spaces. It comes with (4) 2 foot tubes, a mounting bracket, head extension, fixture shell with harness, and a ballast. Tubes can be either daylight or tungsten as required.
Includes (2) 2 foot tubes, a mounting bracket, head extension, fixture shell with harness, and a ballast. Tubes can be either daylight or tungsten as required.
Includes (1) 2 foot tube, a mounting bracket, head extension, fixture shell with harness, and a ballast. Tubes can be either daylight or tungsten as required.
Bulbs are available for most fixtures in 2900, 3200, or 5500 degrees Kelvin for warm interior, incandescent, or daylight applications. Please specify the ones you require.
Bulbs are available for most fixtures in 2900, 3200, or 5500 degrees Kelvin for warm interior, incandescent, or daylight applications. Please specify the ones you require.
Bulbs are available for most fixtures in 2900, 3200, or 5500 degrees Kelvin for warm interior, incandescent, or daylight applications. Please specify the ones you require.
Bulbs are available for most fixtures in 2900, 3200, or 5500 degrees Kelvin for warm interior, incandescent, or daylight applications. Please specify the ones you require.
Bulbs are available for most fixtures in 2900, 3200, or 5500 degrees Kelvin for warm interior, incandescent, or daylight applications. Please specify the ones you require.
Bulbs are available for most fixtures in 2900, 3200, or 5500 degrees Kelvin for warm interior, incandescent, or daylight applications. Please specify the ones you require.
Bulbs are available for most fixtures in 2900, 3200, or 5500 degrees Kelvin for warm interior, incandescent, or daylight applications. Please specify the ones you require.
Bulbs are available for most fixtures in 2900, 3200, or 5500 degrees Kelvin for warm interior, incandescent, or daylight applications. Please specify the ones you require.
Bulbs are available for most fixtures in 2900, 3200, or 5500 degrees Kelvin for warm interior, incandescent, or daylight applications. Please specify the ones you require.
Kino Flo Designer Color uncoated, 4 foot Red 625nm fluorescent bulb.
Kino Flo Designer Color uncoated, 4 foot Red 625nm fluorescent bulbs.
Kino Flo Designer Color uncoated, 4 foot Red 625nm fluorescent bulbs.
Includes: 60degree and 90degree Egg Crates, Yoke with Jr Pin, Gel Frame and Hard Case
NOTE: Kino Flo Celeb can be powered by Anton Bauer CINE VCLX CA Dual Voltage Batteries.
The sleek ParaBeam fluorescent fixture features optics that compress the focal range of the light to produce a broad, soft source along the horizontal axis, and a narrow beam on the vertical axis.
The Litepanels Gemini 1 x 1 RGBWW LED Soft Panel with Standard yoke. The aluminum-constructed fixture has many lighting modes including CCT, Hue, Saturation, Gel Presets, as well as an effects mode. The CCT color temperature control has six factory presets in increments from 2700 to 10,000K. There are also six presets for user-defined color temperature and plus/minus green control. The HSI Color mode allows you to adjust the hue, saturation, and intensity, while Gel mode permits your choice from a library of filters favored by filmmakers, and an effects mode provides nine different effects to work with. The light has a CRI/TLCI rating of 97 for daylight balance and 94 for tungsten balance.
Astra 6X Bi-Color LED Panel that is 6x the brightness of the original Bi-Color 1x1. As in previous versions of the 1x1 form factor, the Astra has variable tungsten to daylight color temperature with negligible color shift, 0-100% dimming and a universal (100-240 VAC) adapter. You can also run on 13-24 VDC batteries with separate purchase of a V-Mount or Gold Mount battery plate.
Each light includes a FREE Stand
The Litepanels Gemini 2x1 RGBWW LED Soft Panel with Standard Yoke. The aluminum-constructed, 25 x 6.5 x 12.5" fixture has three lighting modes. The CCT color temperature control has six factory presets in increments from 2700 to 6000K. There are also six presets for user-defined color temperature and plus/minus green control. The HSI Color mode allows you to adjust the hue, saturation, and intensity, while Gel mode permits your choice from a library of often-used filters. A firmware update adds a Lighting Effects mode that includes TV simulation, hue burst, paparazzi, strobe, fire, squares, fireworks, emergency lights, pulse, and party lights. The light has a CRI/TLCI rating of 97 for daylight balance and 99 for tungsten balance.
The Litepanels Ringlite Mini is an on camera light kit. The Ring light Cinema is an on camera light featuring 72 LED lights; the element encircles the lens and offers a direct, soft, adjustable and innovative lighting capability. This light is 10.5" in diameter and is designed to work with professional film and video cameras.
The Sola ENG Flight Kit from Litepanels is based on the light that represents a design breakthrough in LED design. The 3.0" Sola ENG LED light provides the beam control, illumination, and single-shadow properties of standard Fresnel fixtures at a fraction of the required power. Fully dimmable with no noticeable shift in color temperature, this cool-to-the-touch LED is flicker-free and requires only 30W of power to produce the tungsten equivalent of 250W. Powered either by a camera battery or AC adapter, the Sola ENG is not only energy efficient but extremely light at 10 oz (0.28kg). This kit everything you need for interviews or other small productions. Three Sola ENGs are included, each with a filter set, ball head, shoe mount, barndoor set, AC power supply and stand mount. Three compact stands are included as well as 3- 6.0' power cords, 3- 2-pin D-Tap cables and a Lastolite Softbox. It all fits in a specially designed Pelican 1510 rolling case.
Finally, ultimate color control right at your fingertips. A soft, high output light that lets you quickly dial up any color - from cool white daylight to warm white tungsten. The new Litepanels 1x1 Bi-Color flood lets you adjust color temperature instantly so you can adapt to different shooting conditions and skin tones on the fly. Like all Litepanels 1x1 lights, the Bi-Color has a full-range dimmer, remains cool to the touch, runs on AC or DC power, and produces a great, soft-wrapping light quality. 
If you love the Litepanels 1 x 1 LED light, but you want twice as much light, the Litepanels Fixture Frame for Two 1 x 1 Fixtures (Metal) is what you need. It allows you to easily mount two 1 x 1 fixtures (not included) side-by-side in a single mount.
Litepanels are a great small, cool light source that can go places other lights can't. But what if you need more light? This Litepanel 2x2 Frame/Yoke allows you to assemble four 1x1 Litepanels into a larger 2x2 light source, quickly and easily. The same great light quality covering a much larger area.
Litepanels' Honeycomb Grids, compatible with all models of 1X1 fixtures, offer a convenient means of control of the LED light beam. Constructed of extruded ABS plastic with powder-coated aluminum honeycomb material, offering the tightest control of the beam. In practice the grids, which slide into the 1x1's accessory rail system, function much like barndoors to control spill light, while their 3/4" depth is consistent with the slim-profile design which is the hallmark of Litepanels products.
Compatible with all models of 1x1 LEDs, this lightweight metal light shaper slides into the same accessory rail system which is used by Litepanels filters. The barndoors are ideal for controlling spill light or flagging off portions of the beam.
The Litepanels 1x1' Rain Cover (Black) is designed to keep a Litepanels 1x1 safe while operating in damp conditions. It has a clear plastic cover in the front and a drawstring design along the base that can be pulled tight to further protect the 1x1 from excess moisture. The rear has a hood that gives access to the controls on the back of the 1x1.
The professional LED light that runs off 6 standard AA batteries. MicroPro daylight on-camera lighting fixtures harness the company's proprietary LED technology in ultra-lightweight, compact package. With twice the illumination of the LitePanels Micro, the MicroPro offers luminous, soft, directional lighting, with the same warmth and great colour characteristics that made LitePanels an integral part of television, broadcast news & motion picture productions worldwide. At the top of the Micro Pro housing is a convenient integrated dimmer dial that puts instant 100% to 0 dimming with minimal colour shift right at the operator's fingertips. Output is flicker-free, heat-free and remains consistent. For more versatility, a flip-down filter holder allows for work with the three included colour/diffusion gels.
The compact Litepanels Mini fits easily on a camera, a stand, or elsewhere. Fully flicker-free, this unit offers output that is 3 times more efficient than a conventional tungsten camera light! Plus it's heat-free, and infinitely dimmable from 0 to 100%, with virtually no shift in color.
The compact Litepanels Mini fits easily on a camera, a stand, or elsewhere. Fully flicker-free, this unit offers output that is 3 times more efficient than a conventional tungsten camera light! Plus it's heat-free, and infinitely dimmable from 0 to 100%, with virtually no shift in color.
Litepanels offers the only infrared light source on the market designed by production lighting professionals. Litepanels MiniPlus Infrared facilitates working in total darkness, making it ideal when shooting in surveillance, video night mode or with infrared film. Producing no visible light, the Litepanels MiniPlus IR is fast becoming an invaluable tool for cinema-verite style and reality TV projects and documentaries in which you want to keep your presence minimal or shoot unseen. A single unit bounced off the ceiling can illuminate an entire room. 
Litepanels offers the only infrared light source on the market designed by production lighting professionals. Litepanels MiniPlus Infrared facilitates working in total darkness, making it ideal when shooting in surveillance, video night mode or with infrared film. Producing no visible light, the Litepanels MiniPlus IR is fast becoming an invaluable tool for cinema-verite style and reality TV projects and documentaries in which you want to keep your presence minimal or shoot unseen. A single unit bounced off the ceiling can illuminate an entire room. 
The Arrilux Pocket Par 200W kit includes both 30v BATTERY BALLAST and AC BALLAST. Batteries are additional. 
Arrilux Pocket Par 125W.
Arrilux Pocket PAR 400W.
Includes scrims, barndoors, rain hat and plus a spare lamp.
Includes scrims, barndoors, rain hat and plus a spare lamp.
Includes lenses, scrims, and barndoors.
Includes lenses, scrims, barndoors, and rain hat.
Based on the design principles of the ARRIMAX, the new M18 is an innovative lamphead that works with a new power class of lamp: the 1800W SE HMI. This lamp boasts 750 hours of average life and a Luminous Efficacy of 92 Lumens per Watt (L/W). The Color Rendering Index (Ra) is greater than 90 at 6000K (CCT).
Includes scrims, and barndoors.
Includes lenses, scrims, and barndoors.
INCLUDES stand, lenses, scrims, and barndoors.
Includes scrims, and barndoors.
Includes scrims, and barndoors.
Includes scrims, and barndoors.
Includes stand, lenses, scrims, barndoors, and rain hat.
Includes scrims, barndoors, and rain hat.
AC-DC Kit Includes: 1 JOKER-BUG 200W head, 1 Lamp MSR/SE 200W, 5600K, 200hrs, 1 Electronic power supply, 1 BEAMER, Optical accessory, Extension cable 25 feet, Fresnel Frosted lens with ring, Super Wide Flood lens with ring, Wide Flood lens with ring, Medium Flood lens with ring, Four leaf Barndoor, Frosted Glass Beaker, Carrying case with lens case. (33 lbs / 15 kgs)
AC-DC Kit Includes: 1ea. JOKER-BUG 400W head, 1 Lamp MSR/SE 400W, 5600K, 700hrs, 1 Electronic power supply - 110V/240V, 50/60Hz, 1 BEAMER, Optical accessory, Extension cable 25 feet, Fresnel Frosted lens with ring, Super Wide Flood lens with ring, Wide Flood lens with ring, Medium Flood lens with ring, Four leaf Barndoor, Frosted Glass Beaker, Carrying Case with lens case. (36 lbs / 16 kgs)
Kit Includes: 1 JOKER-BUG 800W head, 1 Lamp UV Stop 800W, 5600K, 600hrs, 1 Electronic power supply - 110V/240V, 60/50 Hz, BEAMER, Optical accessory, 25' Ballast Extention Cable, Lens set with Rings: Fresnel Frosted, Super Wide, Wide and Medium Flood Lens, 4-Way Barndoor, Frosted Glass Beaker, Carrying Case with lens case.
Converts D/C voltage to A/C voltage. The Slimverter connects to the battery, and the ballast plugs into the Slimverter. Cable, with Amphenol connector, attaches to any 30v battery with compatible connector. An on/off switch and a heat sink helps reduce heat buildup.
Still one of the most common, industry standard color meters, The Minolta II shows Color Compensating Filter (CC) data as a range of ± values in single digit increments. These values translate to Kodak Wratten filters. A conversion chart is provided on the back of the meter. A plus value indicates the spectrum has additional green, a minus value indicates additional magenta. Magenta filters reduce the green content, green filters reduce the magenta content.
Small Chimera for 1200w HMI lights.
The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area.
The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area.
The ARRILITE series comprises fully focusing, open face tungsten floodlights that are ideal for electronic news gathering, field production and fast turnaround location use. Specially designed reflectors balance controllability and efficiency while providing an exceptionally even field of illumination. The high light output is ideal for bouncing or diffusing and provides wide area coverage.
The ARRILITE series comprises fully focusing, open face tungsten floodlights that are ideal for electronic news gathering, field production and fast turnaround location use. Specially designed reflectors balance controllability and efficiency while providing an exceptionally even field of illumination. The high light output is ideal for bouncing or diffusing and provides wide area coverage.
Compact, lightweight, and self-contained, the Lowel Rifa-Lite uses a simple umbrella design to achieve its quick and easy setup and strike capabilities. A 32 x 32" (81 x 81 cm) woven glass fabric, heat-resistant front diffuser provides sufficient illumination with soft shadows.
The light head of the Dedolight system is extremely compact. With its dual-lens Aspherics2 optical system it provides astounding light output. With a 100W lamp in flood position, its light output is greater than a 300W Fresnel studio fixture. In spot position, its output equals or exceeds a 1000W Fresnel studio fixture
Internal power supply, 110 volt version. Includes stand.
Chimera OctaPlus 5 foot Lightbanks have soft silver interiors, which create a highly efficient and even light spread with rounded highlights. And they're all compatible with continuous source lights up to 1,200 watts.
The Chimera Lantern Softbox is used by still photographers, filmmakers and videographers, for illuminating entire rooms with soft, even light. Choose a Chimera Lantern Softbox according to the size of the room. This is the Small, 21" diameter Pancake Lantern. It is 35% more shallow and 15% wider than the 30 inch Lantern. This design makes better use of the light, while making it much easier to get the lantern up out of frame. The revolutionary speed skirt (included) allows for precise control of the light from the lantern making it ideal for lighting sets and locations.
For incandescent lighting only.
The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area.
Source Four combines the energy-saving power of the patented HPL lamp, with a dichroic reflector and optical-quality lenses, for the coolest beam on the market. That means your gels, patterns and shutters last longer and your performance space stays cooler. Source Four's revolutionary technology gives you a clean white beam for unequaled imaging, crisp pattern projection, and a bright, even field. The EDLT lens tube option for 19, 26, 36 and 50 field angles makes the Source Four even better for ultra-crisp, high-contrast gobo projections.
Source Four combines the energy-saving power of the patented HPL lamp, with a dichroic reflector and optical-quality lenses, for the coolest beam on the market. That means your gels, patterns and shutters last longer and your performance space stays cooler. Source Four's revolutionary technology gives you a clean white beam for unequaled imaging, crisp pattern projection, and a bright, even field. The EDLT lens tube option for 19, 26, 36 and 50 field angles makes the Source Four even better for ultra-crisp, high-contrast gobo projections.
The Pole Lite with an LED lamp (Supplied are 2700 Degrees Kelvin and 5000 Degrees kelvin
Includes:
The Pole Lite with 12V LED lamp inside its soft globe.
Includes a light stand.
"Mix and Match" any combination of 
Dedolight Dedo Basic Tungsten 4 Light Kit. Includes (4) 100w Heads, 1 DT124 power supply, light stands, barndoors, gel holders.
"Mix and Match" any three 1k (1000w) or 500w lights.
"Mix and Match" any four 1k (1000w) or 500w lights.
SmallHD's 502 HDMI / SDI On-Camera Monitor with 3D LUT Support brings full HD resolution to a durable lightweight on-camera monitor the size of a smartphone. The screen packs 441 pixels per inch, providing a sharp clear image on such a small screen. It features SDI & HDMI inputs and outputs with cross conversion. With a rubberized aluminum frame, the unit is 3/4" thick and weighs about 9 ounces, so it is light enough to mount to your camera without weighing you down, yet extremely rugged.
Not compatible with 4K
NOT COMPATIBLE WITH 4K
The Rack mounted and tiltable V-R653P-HDSDI represents leading edge technology in LCD imaging for broadcast and professional video applications featuring High Resolution, 1.2 megapixel, TFT screens with completely digital signal processing. All SMPTE/ITU serial digital video standards and frame rates are accepted and displayed on each screen of this model. All video formats are scaled to fit on screen in the highest resolution using a state of the art LSI that incorporates 4x4 pixel interpolations with precision Gamma correction to produce the best images available. Each screen is calibrated to SMPTE standards for gamma and color temperature.
The LMD-2451WHD is a 24-inch LCD professional video production monitor positioned at the top of the LUMA series. The monitor offers the latest DSP (Digital Signal Processor), the market-proven ChromaTRU color matching technology, and the high functionality for which Sony professional video monitors are renowned. The monitor accepts a variety of signals in both analog and digital, and HD and SD formats. Digital HD-SDI and SD-SDI interfaces are provided as options. The LMD-2451WHD is the best suited LCD monitor in its class for broadcast and post-production applications.
Thin-film transistor (TFT) active-matrix liquid crystal display (AMLCD)
The Panasonic BT-LH2550 is a 26" 1920 x 1200 widescreen monitor designed for broadcast and studio applications. The LCD has sophisticated technology to improve upon color space while utilizing advanced processing technology which can reproduce color and contrast qualities exceeding traditional CRT monitors. The model is also capable of displaying HDTV formats and frame rates along with NTSC and PAL systems.
The BT-LH1700W 17" widescreen production-quality monitor features two auto-switching SDI / HD-SDI inputs, waveform monitoring, and freeze frame/split screen functions. Desk stand is included.
HD/SD LCD monitor for monitoring at remote broadcasting and location sites or inside studios. Input signal supports 23 HD formats and 2 SD image formats. Power can be supplied from a camera battery or AC adapter. A wide range of functions includes Brightness, Contrast, and Chroma-Level adjusting as Marker display.
Lightweight at 4.4 lbs, compact size of 8-9/16"W x 6-15/16"H x 2-7/16"D, 8.4" screen size, 4:3 aspect ratio, 1024x768 (XGA) panel. Approx. 16.77 million colors. Selectable color temperatures. 
DM-3000 is a compact, lightweight and portable 6-inch HD monitor, which is used for camera and VTR check in remote broadcasting and at location sites as well as studios. It can be used with a camera battery, thus images can be checked wherever you go.
The VFM-056W/WP is available in two configurations and is ideal for HD-SLR production. A 6"x4"x1" lightweight magnesium-alloy case houses a 5.6" 1280x800 LED backlit LCD display with a full complement of preferred features.
The LVM-074W features waveform/vectorscope, built-in HDMI to HDSDI conversion output, Horizontal and Vertical Image Flip, Focus Assist, and Audio Level Meter. The user selectable Temperature Adaptive Color function measures LCD panel temperature and automatically compensates the white balance drift caused by a cold or hot weather. 
Model: MON-702
he Atomos Shogun Inferno is a 7", 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5" SSDs using 10-bit, 4:2:2 Apple ProRes and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.
Though monitoring HD video signals outdoors can be difficult, the SmallHD 703 UltraBright On-Camera Monitor, with its 2200 cd/m bright backlight, overcomes this environmental difficulty. The 7" 1920 x 1080 LCD provides a sharp image, ideal for focus pulling and image analysis on set and in the field. Another advantage of the high-brightness panel is the monitor's ability to preview HDR content. HDR preview extends the display's dynamic range to portray a greater range of brightness in the image.
More of what you want in one ultra-slim, XL 4K package. It's an Ultra High Definition cinema screen display backed by our powerful processor to enhance color, contrast, detail and sound.
View content at four times the resolution of 1080p with the Samsung MU6300-Series 75"-Class HDR UHD Smart LED TV. This TV has a 74.5" LED-backlit LCD display, and incorporates Motion Rate 120 technology to digitally enhance fast-moving images to reduce blur.
Experience the superior picture quality of this excellent integrated HDTV with the latest Plasma technology and Pixel Plus packed into a stylish design. Share music and photos via the built-in USB.
This Plasma Monitor is exactly that: It is just a monitor. It is not a TV set. It does not have a tuner. It does not have speakers. If you require more than just visuals please make a specific detailed request for audio or more. Second note: When ordering it is essential that you tell us exactly what input you will be sending to the monitor so we can supply the appropriate inputs on the monitor.
This Plasma Monitor is exactly that: It is just a monitor. It is not a TV set. It does not have a tuner. It does not have speakers. If you require more than just visuals please make a specific detailed request for audio or more. Second note: When ordering it is essential that you tell us exactly what input you will be sending to the monitor so we can supply the appropriate inputs on the monitor.
42" Plasma Monitor : 852 x 480 Resolution 16:9 panel (viewable area, measured diagonally);
The TH42PWD4UY sports the highest brightness level and contrast ratio available in a plasma display.
ViewSonic's N2751w high-definition 27-inch widescreen LCD HDTV rewards you with stunning graphics whether you're using it as PC display or the centerpiece of your home entertainment center. With advanced ViewSonic proprietary electronics, a 1,366 x 768 resolution, 550cd/m2 brightness, and 1000:1 contrast ratio, and a wide viewing angle you're assured of a clear picture and brilliant colors anywhere in your room!
The latest design improves on our popular UPD cart, which has been gold standard for years. The PSD-EB72 elliptical floor stand with 72" polished chrome poles, can be used as ether a static stand or mobile display cart when used with optional casters (sold separately). Adapts to PSM and CTM series mounts (not included).
Designed to enhance the slim lines of all large screen plasma displays, the PSD-FS "Cobra" floor stand adapter adds function as well as great looks to any floor mounted plasma display system. Constructed of heavy gauge steel and easy to assemble, the PSD-FS will safely hold the plasma display at the proper center of gravity position. Center of screen viewing heights is adjustable from 44" to 50" in 2" intervals, making the PSD-FS adapter ideal for home, boardroom or convention exhibit display type applications. Power and signal cables can be routed up through the stand between the stiffener braces that run the length of the stand to minimize cable visibility.
The Sony PVMA170 17" Professional OLED Production Monitor is suitable for both field and studio use. It features a 16.5" diagonal OLED panel with a native resolution of 1920 x 1080. Because of the OLED technology employed, each pixel can be switched completely off--unlike typical LCD displays--for a much closer approximation of true black. It can be connected to standard and high-definition video sources via SDI or HDMI, as well as analog standard-definition sources through composite.
Product Highlights
Low profile confidence monitor cart with universal mount for flat screen tv or monitor. Supports up to 75" monitor. Mount has 90 degree adjustable angle. Use for telepromoter in presentation of live shows or on stage, in any location.
- Low-profile design
Sony BVM "D" Series Monitors are optimized for the DTV world. The monitors support 480i, 480p, 720p and 1080i inputs; accept signals with a frequency range of 15.625kHz to 45kHz; SMPTE-C standard phosphors in the CRT; 450 TV lines of resolution; The Sony BVM-D9H5U has an integrated control panel; three option slots with four new input boards developed specifically for these monitors; built-in auto set-up system for chroma, phase and white balance; ITU 709 Matrix interchangeability.
The multi-award winning Atomos Ninja V Monitor-Recorder features a stunningly bright 5.2" 10-bit HDR display with 1000nits of output. The sleek aluminium body is crafted for maximum durability, weighing in at just 360g and measuring only 25mm thick - easily attaching to any camera rig.
Convergent Design's Odyssey7Q+ is a monitor/recorder that provides all of the features and functionality of the Odyssey7Q but adds support for 4K recording over HDMI. It features a 7.7", 1280 x 800, OLED, touchscreen display with a 3400:1 contrast ratio, true blacks, and advanced image analysis tools, including waveform, histogram, false color, and built-in display LUTs. Out-of-the-box, the Odyssey7Q+ can record up to 4K/UHD in the compressed Apple ProRes 422 HQ format or up to 2K/1080p using the uncompressed DPX file format. Additionally, it supports several RAW recording options for ARRI, Canon, Sony, and POV cameras, which are available for purchase or rental from Convergent Design's website.
Convergent Design's Odyssey7Q RAW Monitor & Recorder is an advanced follow-up to Convergent's Gemini 4:4:4 RAW monitor/recorder. The Odyssey7Q features a 7.7" 1280 x 800 OLED display with a 3400:1 contrast ratio and is equipped with advanced image analysis tools, including Vectorscope, Waveform, and RGB Parade. The monitor comes with a compressed DNxHD codec included and also supports several high-speed RAW and HD recorder options, sold separately. The included DNxHD codec will record up to 1080p60/50 10-bit 4:2:2. The firmware for the codec is preloaded and gets activated once you install a Convergent SSD. The monitor supports Convergent Design 2.5" SSDs only and has two built-in SSD slots. 
This is a proprietary 2.5" 1TB Server-Grade SSD from Convergent Design, made specifically for the Odyssey 7, 7Q, and 7Q+ monitors/recorders. It's designed to maintain the read/write speeds required by the Odyssey throughout its lifespan. It also features a power protection circuit that in the event of a power loss will close out the current file to prevent corruption of the file and remaining data.
This is a proprietary 2.5" 512GB Server-Grade SSD from Convergent Design, made specifically for the Odyssey 7, 7Q, and 7Q+ monitors/recorders. It's designed to maintain the read/write speeds required by the Odyssey throughout its lifespan. It also features a power protection circuit that in the event of a power loss will close out the current file to prevent corruption of the file and remaining data.
This is a proprietary 2.5" 256GB Server-Grade SSD from Convergent Design, made specifically for the Odyssey 7, 7Q, and 7Q+ monitors/recorders. It's designed to maintain the read/write speeds required by the Odyssey throughout its lifespan. It also features a power protection circuit that in the event of a power loss will close out the current file to prevent corruption of the file and remaining data.
The Blackmagic Design H.264 Pro Recorder is designed for the industry professionals who require professional encoding from SDI, HDMI, analog/component composite, and balanced audio. The flexible Pro Recorder enables you to capture old or new video formats into the same file formats used on the web, iPad, iPod, iPhone, Apple TV, and more, providing a convenient solution to capture from professional broadcast decks directly to SD and HD H.264 files.
The Sony SR-R1 Portable Recorder for HD-SDI Cameras is a portable I/O device with dual-stream HD-SDI inputs & outputs that's capable of recording both 4:2:2 1080p60 and stereoscopic 3D video (up to 1080p30) to extremely high-capacity SRMemory Cards (sold separately). For cameras such as the Sony F35 and the PMW-F3, the SR-R1 presents a powerful, convenient way to capture advanced formats in the field or in the studio, with backup recording to the cameras' cards. It even records S-Log data from those cameras.
The Sony SRMemory Card (512GB) is an ultra-high-speed, high-capacity card for SRMASTER series products for 3D production, high-frame-rate recording, and high-resolution digital cinematography. The SR-512S55 card features a 5.5Gbps speed. Additionally, Sony's original data redundancy method lends itself to high data reliability, and high data security such as card/file password protection and device authentication to ensure that your files stay secure.
The Sony SRMemory Card (256GB) is an ultra-high-speed, high-capacity card for SRMASTER series products for 3D production, high-frame-rate recording, and high-resolution digital cinematography. The SR-256S55 card features a 5.5Gbps speed. Additionally, Sony's original data redundancy method lends itself to high data reliability, and high data security such as card/file password protection and device authentication to ensure that your files stay secure.
The Sound Devices PIX 240 Video Recorder provides the ability of QuickTime recording for video cameras with HDMI and HD-SDI inputs. It employs Apple ProRes or Avid DNxHD formats to record videos which offer good picture quality and processing efficiency. It stores recorded videos onto compact flash cards or removable 2.5" solid-state hard drives with UDF format, and the recorded videos can be accessed on systems operating on both Windows and Mac OS. In addition, the PIX 240 records videos which are ideal for editorial workflows such as on-the-fly color grading, video processing, etc.
Extra Samsung 256GB Solid State Drive for the PIX 240
Convergent Design's nanoFlash is the World's Smallest High Quality HD/SD-SDI / HDMI Recorder/Player. It is also the most versatile Recorder/Player in the world in terms of bit-rates, recording options and formats. By adding the nanoFlash, one can meet the 50 Mbps acquisition requirements, for many networks.
The NVS2500 Video Storage pro (500GB) w/7200rpm Hard Drive from NEXTO DI is a compact device designed to provide a mobile storage solution for video. The integrated card reader can back-up Sony SXS cards faster than you can download them to your laptop. The storage device is also compatible with a wide array of memory cards and connectivity types. It is also compatible with Panasonic P2 cards with the included adapter.
The Aja Ki Pro Mini Compact Field Recorder adds extreme portability to the Ki Pro family. Bringing a file-based workflow to any production to be edited on Final Cut Pro, this miniature field recorder not only records edit-ready Apple ProRes footage from any SDI or HDMI video camera, it does so on easily available Compact Flash cards. Its small form factor allows it to be mounted on a tripod or camera with industry-standard adapters, while its powerful support of both SD and HD recording--via both SDI and HDMI--makes it an invaluable tool for on-set digital capture.
The AJA Ki-PRO is a unique recording device designed to streamline post production workflow by simplifying video acquisition. The unit features both SDI and HDMI inputs, making it compatible with most prosumer and professional cameras. The KiPRO takes advantage of Apple's ProRes technology for a seamless transition from "lens to post". The device records to high-capacity drives from a wide variety of cameras and will accept either the 500gb or 250gb drive for large or larger recording capacity and flexibility.
The AJA Ki Pro Rack is a tapeless, file-based video recorder that captures and records in ready-to-edit ProRes and DNxHD codecs, in 10-bit 4:2:2 full-raster files, and onto HDD or SSD storage modules (sold separately). 10-bit 4:2:2 color depth provides superior dynamic range, original picture representation, and flexibility in adjusting color and balance in post. Two slots are available for the storage modules.
The AJA KI-EXO-R0 provides a surrounding chassis for the Ki-PRO that can both mount to a tripod and provide a mount for the camera on top. This combination allows convenient access to controls.
The AJA KI-STOR500-R0 is an HDD storage module specifically designed for use with the Ki Pro recording device. Rent as many drives as you need and simply swap them as needed.
The PMW-EX30 deck is a highly versatile and affordable compact recording deck, and can be used for many different applications. It allows simple viewing of recorded materials with a monitor, dubbing to other format/media such as HDV�, XDCAM HD and HDCAM�, and feeding to nonlinear editing systems. In addition, the PMW-EX30 deck can be used as an affordable full HD recorder for event recordings � it can record HD signal outputs from a switcher. The PMW-EX30 deck is equipped with a wide array of interfaces including HD-SDI input and output, HDMI output, HD analog component, composite outputs and more. Equipped with two SxS PRO memory card slots, the PMW-EX30 deck can record up to 140 minutes of HD footage using two 16-GB SxS PRO memory cards (in SP mode).
A multi-frame rate switchable HDCAM digital recorder. The switchable frame rate allows recordings to be made at 24, 25 and 30 progressive frames per second, and also at 50Hz, 59.94Hz and 60 Hz fields interlaced. It features 4 channels of AES/EBU digital audio.
The PDW-U2 is a compact, mobile and highly cost-effective drive for use with PC's. This drive utilizes a new generation dual channel head system which is capable of reading XDCAM discs up to 2.6x faster than its predecessor the PDW-U1. It is suitable not only for use with nonlinear editing systems but also for simple viewing and logging operations with a lap-top or desk top computer. It can handle the current single and dual layer Professional Disc media (PFD23A / PFD50DLA) recorded in both HD and SD formats, as well as the new quad-layer 128 GB write once disc (PFD128QLW). The PDW-U2 uses a SuperSpeed USB 3.0 interface to give you the fastest throughput while providing backward compatibility with PCs which support Hi-Speed USB 2.0 interfaces.. Simply connect the PDW-U2 to the computer and it will show as an external drive on the screen. Its highly compact and lightweight design allows for installation in virtually any working environment. And its cost effectiveness makes it ideal for integration in current systems.
The PDW-U1 is a compact, mobile and highly cost-effective drive for use with PC's. This drive is suitable not only for use with nonlinear editing systems but also for simple viewing and logging operations with a lap-top or desk top computer. It can handle Professional Disc media (PFD23A) recorded in both HD and SD formats, as well as the new "dual-layer" disc (PFD50DLA). The PDW-U1 uses a USB 2.0 interface which is the most widely available interface in the IT world. Simply connect the PDW-U1 to the computer and it will show as an external drive on the screen. Its highly compact and lightweight design allows for installation in virtually any working environment. And its cost effectiveness makes it ideal for integration in current systems.
XDCAM HD decks are highly versatile and can be used for many different applications including HD video recording, linear/nonlinear editing, and presentations at large exhibitions and conference venues. The PDW-F75 XDCAM is highly flexible and can record in both MPEG HD and DVCAM formats. It is capable of recording 1080 video lines of multiple frame rates at a high bit rate of up to 35 Mbps on Professional Disc media. It also provides four channels of high quality uncompressed audio. 
Sony's PDW-F70 XDCAM recording deck features MPEG HD recording with DVCAM material playback compatibility. It is capable of recording 1080 video lines of multiple frame rates at a high bit rate of up to 35 Mbps on Professional Disc media. It also provides four channels of high quality uncompressed audio.
The PDW-F1600 is a compact HD recorder which provides outstanding picture quality of MPEG HD422 as well as an eight-channel (HD-SDI), 24-bit audio recording capability. The foundation of the PDW-F1600 deck incorporates the features of the PDW-HD1500, and acts as more than just file-based recording deck. With its insert/assemble editing capability, it can be used as a recorder in a linear editing system - just like a conventional VTR. 23.98P and SD legacy formats are supported as standard. What's unique about this deck is its ability to operate on AC, DC or power. With its large 4.3-inch* LCD and built-in speaker, it performs as a versatile and high-quality recorder which is suitable for both in-house and field operations. It comes equipped with a multi-format up/down converter, which is highly useful when employing both HD- and SD-format materials at the same time.
Affordable HDCAM studio editing recorder. Capable of Recording and playback HDCAM 1080/59.94i, 50i, 25PsF, 29.97PsF, 23.98PsF and 24PsF formats. 3-2 pull down is available by using option board HKDW-104. This deck inherited all editing functions from HDW-2000 series, such as DMC, audio split, pre-read and audio cross-fade editing. A color LCD panel on the control panel displays various type of information including audio level meter and time data. The LCD unit also displays video when playback or recording. Built-in down converter enables to output 480/59.94i or 576/50i. Up to 3 packets of VANC metadata can be recorded and played back. Non-audio recording is available such as Dolby-E or AC3. By using HKDW-104 option board, 720/50P or 720/59.94P output is available. The HKDW-105 i.LINK (HDV) input option board can be installed to record the i.LINK (HDV) signals from HDV devices onto HDCAM tapes.
The Sony J-H3 is a compact video player for HDCAM high definition recorded video tapes. This unit is a playback only model. The deck can play back just about any HD interlaced and progressive scan format recording including 24, 25 and 30 frame. In fact, this model can be used with Cine Alta 24/720p HDCAM recorded elements. The deck has both analog and digital outputs and circuitry for down conversion to standard definition including DVCAM.
The HVR-M35U supports Sony's new Native Progressive format recording. The HVR-M35U records and plays back HDV 1080i60, 1080i50, 1080p30, 1080p25, 1080p24, and DV/DVCAM 480i60, 576i50. The HVR-M35U is NTSC / PAL switchable. The HVR-M35U also offers 4CH audio recording and playback, and can record HDV 4CH audio signals from the i.LINK input. The HVR-M35U also offers various digital interfaces which include i.LINK for DV/DVCAM and HDV I/O, a dual function HD/SD SDI output connector, as well as AES/EBU BNC connectors. TC OUT is also supplied via a BNC connector. In addition to it's compact design, other features this new deck shares with the HVR-M25U is a ClearPhoto LCD plus 2.7-inch (viewable area, measured diagonally) 16:9 panel for video monitoring, as well as support of both mini and standard size video tape cassettes.
A lightweight, compact HDV 1080i VTR capable of record and playback of HDV 1080i, DVCAM�, and DV (SP) on a mini DVCAM cassette, offering full backward compatibility to the standard definition DV world.
The SRW-5500 is a high-end HD digital videocassette recorder that employs the HDCAM-SR format. This VTR also allows recording and playback of the well-proven HDCAM format. Applications range from HDTV to digital cinematography. Key features include high-quality 1080i, 1080PsF, or 720P recording and playback, a wide array of internal format conversions, including 4:4:4 to 4:2:2, legacy playback of Digital Betacam tape formats.
From field recording to nonlinear and in-studio editing, the AJ-HD1400 is an invaluable solution for HD production. The AJ-HD1400 records at 100 Mbps with 4:2:2 color sampling and intra-frame compression in multiple U.S. and worldwide HD/SD formats including 1080/59.94, 1080/50i, 720/60p, 720/59.94p and 720/50p. This AC/DC-powered recorder features HD SDI digital input/output and IEEE 1394 input/output, a 9-pin remote interface for use in assemble/insert editing, and a built-in up/down converter.
DVCPRO 25/50/100 HD Deck
As the HDV format uses the same recording track pitch as Professional DV, the JVC BR-HD50 VTR can record signals in either standard or high definition depending on the user's needs.
With its continued excellence in video reproduction, Sony has once again created a portable ENG/EFP VTR, the GV-HD700 HDV Video Walkman. It offers the ability to record SD resolution and play back HDV resolution, view content on its built-in 7" TFT 16:9 LCD screen, or output 1080/60i and 720/30p signals to an HD display. This versatile deck is designed with professional features like x.v.Color Technology, crystal clear still/slow-motion playback, MiniDV SP/LP record/playback, IEEE-1394 (DV) interface, component output, and 12-Bit/16-Bit PCM digital audio recording.
With its continued excellence in video reproduction, Sony has once again created a portable ENG/EFP VTR, the GV-HD700E PAL HDV Video Walkman. It offers the ability to record SD resolution and play back HDV resolution, view content on its built-in 7" TFT 16:9 LCD screen, or output 1080i and 720p signals to an HD display. This versatile deck is designed with professional features like x.v.Color Technology, crystal clear still/slow-motion playback, MiniDV SP/LP record/playback, IEEE-1394 (DV) interface, component output, and 12-Bit/16-Bit PCM digital audio recording.
Barco
The Odyssey7 is both a high quality portable monitor and a powerful HD video recorder. As a monitor it features a 7.7" OLED screen with 1280x800 resolution. OLED technology means that that colors are extremely accurate and contrast is great, with true inky blacks and brilliant whites. This is an image one can trust for designing lighting and setting exposure.
The Ninja 2 is the world's most advanced HDMI smart production recorder, monitor and playback deck. Every part of its physical and operational design has been carefully crafted to deliver the ultimate experience in simple operation and mission critical reliability. The Ninja 2 combines multiple devices external monitor, capture card, playback deck and cut edit suite into a single affordable tool. It's lightweight, tough and robust for operation in the field. We record direct to Apple ProRes or Avid DNxHD editing codecs onto commodity 2.5" hard discs at the camera, saving you on media costs, time for capturing and of course giving higher quality from any MPEG-based camera
The new Samurai Blade offers a stunning 1280 x 720 SuperAtom IPS touchscreen, at 325ppi 179-degree viewing, 400nit brightness and multi-frequency (48/50/60Hz) operation, depending on video input, giving super smooth monitoring and playback. Newly released sunhoods are also available for those shoots out in the sun. The capacitive touch panel gives lightning-quick response times and gesture capability. Controlling AtomOS 5.0 on Samurai Blade is silky smooth. Packed into the light and mobile camera-mountable Samurai Blade are all the essential tools you need to set up on-site accurate colors and exposure including full waveform monitor functions - Vectorscope, RGB and LUMA parades. Each provides an intuitive transparent interface offering full screen, lower 3rd or bottom right corner positioning to give you a range of options when setting up, recording and playing back your shot.
Includes: AJA Pak Dock and one AJA PAk 512gb SSD 
AJA's Pak512 512GB SSD for Ki Pro Quad is a high-capacity SSD for recording 4K, 2K and HD video on AJA's Ki Pro Quad recorder. The drive is encased in a rugged protective housing designed to withstand repeated use in the field. For offloading recordings, the drive inserts into an optional AJA Pak Dock that outputs by Thunderbolt or USB 3.0.
PRODUCT HIGHLIGHTS
The 240GB Extreme Pro Solid State Drive from SanDisk utilizes nCache Pro technology allowing the drive to withstand the harsh 24/7 operating environment found in many machines today. In addition to 24/7 operability, this drive can be overclocked to offer enhanced performance when needed. Add in the innovative TRIM support and Background Garbage Collection and this drive will continue to run efficiently as unallocated blocks are constantly freed up. This SanDisk SSD comes equipped with a SATA 3 interface offering up to 6 Gb/s data transfer rates, along with a sequential read speed of up to 550 MB/s and sequential write speed of up to 520 MB/s. These data speeds are accompanied by random read speeds of up to 100,000 IOPS and random write speeds of up to 90,000 IOPS.
Can be used as feeder for NL editing. Plays back Betacam, Betacam SP, Betacam SX, IMX and Digital Betacam. Comes equipped with SDI, Composite, S-Video, XLR Audio, RS-422A, RS-232C, 525/625 versatility, jog/shuttle dial. Handles both S and L-size cassettes.
The J30 has all the features of the original Sony J3 Series, plus firewire, Independent Time Code out and Left / Right audio balanced & unbalanced. The J-30 offers analog component output while the J-30/SDI offers two SDI outputs (BNC x 2) - including one with superimposition capability. Provides Betacam , Betacam SP, Betacam SX, MPEG IMX, and Digital Betacam playback compatibility, all PAL or NTSC. Also, one time code output is provided. Plays both large-size and small-size cassettes.
The GVD-1000E is a compact and portable PAL DV Video Walkman for playing, recording and edit your PAL DV footage. Use mini DV cassettes and Memory Stick images or MPEG videos to put together a visual story. You can edit or playback movies anywhere, any time - even through your PC. Edit your still or moving videos with USB Image Capture and ImageMixer software-- one of Sony's latest digital editing functions. The GVD-1000 makes it easier than ever to edit as a side-by-side companion to your mini DV camcorder. Or you can use the GVD-1000 as a VCR and connect to any television to playback your videos. Incorporates a 4" LCD monitor for clear, crisp color images, with a built in stereo speaker. 
The DSR-45 is a new versatile DVCAM digital video recorder that is perhaps the best in its class. Whether editing weddings, corporate training videos or cable television programs, the DSR-45 gets the job done in a timely manner with professional results. Its i.LINK(R) interface allows seamless integration into compatible DV-based editing suites. In addition, analog component connectors allow the unit to accept and transfer high-quality video and audio. For external control, the DSR-45 comes standard with RS-422A and RS-232C interfaces. Equipped with a 2-inch built-in LCD, the DSR-45 displays information including: audio level, system status, and the working image as they are needed. The DSR-45 is the videocassette recorder of choice for small to medium-sized production houses.
Portable NTSC clamshell VTR w/LCD Screen Sony Tuner TGV-100 is available as video receiver.
The DSR-1500A incorporates the same innovative, high standard technology featured in the DSR-2000 into a compact, half-rack width design. The space-saving size makes the DSR-1500 ideal for such installations as in OB vehicles and with desktop editing systems. A key feature of the DSR-1500 is its recording and playback compatibility of consumer DV (SP mode only) in addition to DVCAM as well as playback capability of DVCPRO 25 Mbps recordings, and its ability to automatically accommodate all standardized cassette sizes without the need for an adapter or changing menu settings.
The Sony DSR-11 DVCAM player/recorder can be easily integrated into your existing non-linear editing system. Providing basic VTR functions, the deck features Firewire connectivity and NTSC and PAL compatibility. This makes the DSR-11 a powerful and cost effective solution to computer based editing systems.
FEATURES:
Full blown one inch rack mounted machine with TBC ships in 19" rack case with wheels. Budget can have this delivered to your airport in most cities.
Offering unprecedented versatility for video production systems, the DMR-T3040 teams a DVD-RAM/DVD-R recorder with a built-in 40-Gigabyte hard drive to provide expanded flexibility for viewing, recording and DVD duplication. The large-capacity DMR-T3040 records up to 52 hours (in the EP mode) of video on its 40GB hard disk drive, 12 hours on a 9.4GB double-sided DVD-RAM disc, and 6 hours on a DVD-R disc.The DMR-T3040 is equipped with an IEEE 1394 input to permit the high-speed transfer of digital video from a IEEE 1394-equipped DV camcorder, like the full-size AG-DVC200, to the hard drive, and the unit's PC card slot makes it easy to copy images from a digital still camera. The DMR-T3040 offers a programmable auto renewal recording function that can be programmed to automatically record video, such as a satellite feed, at a specific time daily or weekly onto the hard drive, as well as a relief recording feature that automatically records to the hard drive when a DVD-RAM or DVD-R disc is full.
The Panasonic DMR-T2020 is a DVD Video Recorder, which records onto DVD-RAM or DVD-R discs (DVD-R discs are compatible with most conventional DVD players). It supports playback of CD, Video CD, CD-R/RW formats. The recorder features high performance VBR MPEG-2 encoding and AC-3 Audio for high-quality video and audio. With simultaneous recording and playback you can record video while you're playing back previously recorded content. Time Slip Playback allows you view content that you're currently recording from any point that's already been recorded. Rearrange the order of scenes, skip over unwanted scenes, or copy selections - and create custom playlists of favorite scenes on a disc.
Microboards' Tower duplicators use a unique high-quality controller available only through Microboards. That's why Microboards always supports the latest record speeds and has the best track record in the industry! DVD Formats include DVD Video, DVD ROM, DVD+R, DVD-R, DVD-RW, DVD+RW, and Dual Layer DVD.
The Mini Converter HDMI to SDI from Blackmagic Design will accept an HDMI signal and convert it to 2 SDI outputs. You can also choose to embed audio from balanced AES/EBU or analog audio inputs. Use this device to add SDI output to cameras with HDMI connections or add SDI outputs to computers with HDMI or DVI connectors.
The SDI to HDMI Mini Converter from Blackmagic will accept an SDI signal and convert it to an HDMI output. You can also choose to de-embed SDI audio to balanced AES/EBU or analog audio outputs. Use this device to connect SDI-based equipment to big-screen televisions, video projectors, and other HDMI displays.
Connect your video equipment to a HDMI monitor or television with the Blackmagic Design SDI to HDMI Micro Converter. It accepts an SD, HD, or 3G-SDI signal and converts it to an HDMI signal while retaining the original image quality and resolution. An SDI loop output sends out a re-clocked SDI signal for connecting to other down-stream equipment. The converter's small size allows it to be placed nearly anywhere, and it can be powered via any standard USB power source, including separately available USB battery packs.
The DVC-800 is the latest in camera-adapted conversion devices from Miranda and was designed to enhance electronic acquisition of material using HD cameras like the SONY HDCAM (DVC-800) or Panasonic Varicam (DVC-820).
The MXO2 LE (Laptop) from Matrox is a device designed to provide all the features of an I/O card in a sturdy, portable breakout box. It features both professional audio and video connectivity. The device can easily be moved among the laptops in your facility or in the field as the need arises. This model is designed for use with both Mac and PC laptops.
Convert non-USB Video Cameras to a USB 3.0 power house. The Magewell converter works with the major operating systems for a high quality image. Works with Skype for Business.
The MDC 700 is a small and compact High Definition downconverter which fits unobtrusively on the side of a Sony HDW 700A or HDW F900 High Definition Camcorder. It converts HD component analog output to NTSC or PAL composite video, allowing the use of standard definition equipment for monitoring. It is ideal for any High Definition shoot.
Telecast's Rattlers are miniature fiber optic serial digital video transmission modules that offer the industry's broadest range of digital rates while maintaining the signal quality that broadcasters demand. Rattlers handle your HD-SDI as well as your standard definition signals. No matter what your format, the Rattlers allow you to transmit:
The HD10A is an Analog to Digital HDTV signal converter; it accepts a 3-wire Component HDTV analog video signal (and sync) and converts to HD-SDI digital HDTV signal. This unit can also operate as a DA offering 3 identical HD-SDI output signals.
The HD10C2 is a signal converter that decodes a digital High Definition (BNC) Video signal to an analog High Definition (13W3) Video signal. This device comes with a breakout cable and features a miniature size. The featured upgrade is the ability to accept standard SDI and convert to YUV, RGB and composite.
The D10AD will accept a component, composite or Y/C analog video signal and convert the signal to an SDI digital video signal.
The D10C2 is a digital video to analog video converter; it accepts an SDI digital video signal and converts it to standard analog component, composite and Y/C video.
HDLink connects post production quality SDI video directly to any supported DVI-D based LCD computer monitor for incredible true HDTV resolution video monitoring. Because every single pixel in the SDI video standard is mapped digitally onto the pixels of a 1920 x 1200 resolution LCD display, you get a perfect digital pixel for pixel HDTV.
The HA5 HDMI to SD/HD-SDI Video and Audio Converter from Aja converts (1) HDMI signal to SD- or HD-SDI output and is capable of embedding up to (8) channels of HDMI audio into the output signal for a single-cable audio-video connection. It features (2) SD/HD-SDI outputs.
The AJA Hi5-3D Mini-converter combines dual 3G SDI inputs to form various multiplexed 3D formats for output on true 3D HDMI 1.4a and SDI monitors. It supports both 2D and 3D inputs using 2 BNC connectors and offers a simple and flexible stereoscopic view on 3D monitors and projection systems ideal for use in postproduction work of 3D formats.
The HD5DA 1x4 HD-SDI Distribution Amplifier from AJA accepts an HD-SDI digital video signal and outputs four identical signals for distribution. The input adapts to various formats of HD-SDI automatically.
The HD-10DA 1x6 SD/HD-SDI Distribution Amplifier from AJA accepts one SDI digital video signal and outputs six identical HD-SDI/SDI digital video signals. 
The 104LN is a unique piece of equipment that combines the functions of a distribution amplifier and a line driver. It accepts one composite video input and distributes a signal to four buffered outputs; gain and EQ controls are used to adjust the output level and equalization. The controls are used to compensate for signal losses in such situations as long cable runs. This model offers a differential input for noise elimination.
500 feet of 4-fiber optic tactical cable with a rugged, flexible polyurethane outer jacket, terminated with ST connectors.
Top quality HD-SDI cables with genuine Canare BNC connectors. 
The Sony AWS-G500HD Anycast Station High Definition Live Content Producer is a portable live production switcher. This all-in-one unit comprises a high definition video switcher, an audio mixer, a large LCD display, and a streaming encoder and server. It accepts a variety of inputs from PC's, cameras, VCRs and Hard Disk Drives. It mixes audio and offers ME capabilities. This unit will easily integrate into a studio or location live production operation.
Sony AWS-G500 Anycast Station SD Standard Definition Live Content Producer, Video switcher provides 4:2:2 8-bit processing, 6 primary inputs plus one still picture source, 1 ME with 1 keyer (selectable between Linear Key/Luminance Key/Chrominance Key) and 1 DSK with 1 fixed station logo), Comprised of a high-quality video switcher, an audio mixer, a large LCD display, and a streaming encoder and server, Uses high-resolution (1280 x 1024 pixel) internal processing for seamless switching between video and PC sources, The audio mixer provides 48 kHz/24-bit processing, 6 stereo channel input mixing, 6 channel faders and 1 master fader.
The HVS-300HS is the newest addition to FOR-A's popular Hanabi series and represents one of the most powerful, compact, broadcast level switchers on the market. Although small, it's 1 rack unit main frame is packed with features including: Frame synchronizing and re-sizing engine on every channel which allow any Standard Definition equipment to be used in full HD mode. It also has plenty of wipe patterns including 2D and 3D DVE transitions. The base unit also has keyer with chroma key, DSK, Dual picture in picture, 16-channel Multi Viewer, Still Stores and much more. It is perfectly suited for a wide range of applications including studio production, event and sports coverage, news, live staging and corporate use.
Simple and compact, but powerful, the Panasonic HVS-500HS 1M/E HANABI is an HD/SD-compatible, yet portable switcher that combines the easy operation and powerful features that FOR-A's HANABI series is famous for. The compact case houses a wide array of functions to give you unrivaled mobility.
The multi-format AV-HS400 live switcher is an all-in-one system that easily integrates into existing HD/SD workflows, flawlessly mixing HD and SD video sources. With a built-in MultiViewer image preview, expandable HD/SD architecture, 3D digital effects and a host of other advanced features, the HS400 provides all the functions you need for superb results.
The AVHS300G is a compact video switcher designed to provide HD/SD switching for live and to-be-recorded events. This unit is ideal for broadcast facilities, production vans, fly packs, sports events, church productions, music video & cable shows, corporate videos, event staging, and educational training facilities, among many other possible uses.
The 1OOCV is a compact, flexible, economical component switching system with the traditional family characteristics of its older brother; quality, performance, economy and a comfortable drive. The 1OOCV features non-looping video inputs, 8 in all, and 3 sets of BNC connectors for every input. Utilizing the same control panel as the 100 Production Switchers, the 1OOCV Component Video Production Switcher has updated electronics that incorporates as standard equipment many of the features offered as options on the 100.
TriCaster is a complete TV live truck in a backpack, offering all the critical tools needed for live production:
Producers can now shoot, mix and edit their SD video all within the DV 25 format while controlling the SE-800's dissolve, chromakey and more than 50 built in effects with its full size keypad and control panel.
12 Input HD/SDI Switcher
The sub-compact, multi-format live HD/SD AW-HS50 switcher offers 10-bit processing, four HD/SD-SDI inputs and one HD DVI-D input, as well as a built-in MultiViewer, Chroma Keyer, Aux Bus, 1080/29.94PsF support, and more.
Supplied With:
The Blackmagic Design MultiView 4 HD is a compact mini-converter that enables you to display up to four separate SDI streams via its HDMI or 10-bit SDI multiview outputs. The unit supports SD/HD/3G-SDI formats, and features automatic signal detection and SDI re-clocking.
Evertz's new 7767VIP12 signal monitoring module simultaneously accepts, auto-detects, analyzes and displays twelve synchronous or asynchronous HD/SD/Analog video signals. Ultimately displaying up to WUXGA (1920 x 1200) resolution, the 7767VIP12 module fits conveniently into Evertz's universally installed 7800FR frame and provides a cost-effective and space-efficient signal monitoring and display solution. 
The MV-1600HS Series is a multi viewer which supports mixed input of HD-SDI, SD-SDI, analog composite and RGB signals. It offers high-resolution output with a DVI terminal or HD/SD-SDI video output. A number of models are available in the lineup with different I/O signal types and numbers. Standard functions include the ability to create user patterns with a layout editor and video forwarding over a LAN.
Digital color quad system, allows up to 4 different cameras or displays, CG w/6 char/block, 2:1 interface, Genlock input terminal, front panel switch, advanced digital processing.
The Canon EU-V2 Expansion Unit 2 mounts onto your C500 Mark II camera and provides a V-mount battery mount for power as well as ports that expand the capabilities of your camera. The expansion unit adds five ports: Genlock/Sync Out, Remote B (RS-422), Ethernet, DC Out (24V, 2A), and a lens control port. This unit expands your C500 Mark II for work as a full-sized production camera, adding two 3-pin XLR connectors for audio input. The V-mount battery plate incorporates a D-Tap output for powering accessories.
While the PXW-FS7 XDCAM camera comes with internal XAVC and MPEG-2 recording on XQD media you can attach the optional XDCA-FS7 Extension Unit. The box is attachable via a MultiPin connector so there are no hassles about cables. The Extension Unit offers additional I/O connectors like Timecode and Genlock for multi-camera operation or the possibility to use common V-Mount batteries. It also allows RAW data output to record 12-bit RAW footage on the AXS-R5 (in combination with HXR-IFR5), or another third party RAW recorder via the FS RAW Interface. The XDCA-FS7 will encode the video stream into the Apple ProRes 422 codec, which is then recorded on to the internal XQD media.
Add the XDCA-FX9 Extension Unit from Sony to the back of your PXW-FX9 camera to add an ENG-style shoulder mount and additional I/O and power to your camera. The unit features a 4-pin XLR DC power output to power accessories and other equipment, as well as three BNC outputs for raw video, a reference signal, and timecode. A LAN interface and two USB ports provide live streaming and file transfer abilities, as well as compatibility with XDCAM Air streaming playback.
Built around a powerful ARM processor the Lanc Logger was designed to fit unobtrusively onto even the smallest consumer grade cameras.
With the Videonics TM3000 you can add crisp, dazzling professional looking titles to any video production! The TitleMaker 3000 is a technological breakthrough in video character generation. It delivers high-resolution titles in a million colors. The full size keyboard includes accented characters for 21 different languages. Advanced features include patterns, see-through video
Converts variable-frame rate footage from Varicam to 24fps. Converts 720P to 1080/24P, 1080/60i or 1080/50. Ideal for field production and post production. Immediate viewing of undercranked or overcranked off-speed effects. Extracts designated frames and records HD footage (up to 100 minutes) to internal hard drive for playout, HD-SDI, composite and SDI available, Half-rack, 5-RU size with easy-to-use VTR-type control panel, Remote control via 9-pin RS-422. 
Leitch VDA-16 or similar, Standalone 1x6 video DA "Throw Down" with equalization.
Leitch ADA-16 or similar, Standalone 1x6 audio DA.
Humbuckers get their name from the fact that they cancel out the interference induced by alternating current, which is normally experienced with single coil pickups. This interference can cause artifacts or "video noise". The Humbucker will eliminate this noise.
(1) Sound Devices 302 3 Ch portable mixer
The Whirlwind PRESSMITE is a professional, compact active press feed box with the capacity of distributing 12 clean mic level signals and two line level signals, and featuring high isolation between outputs. It provides 60 dB of gain adjustment on input, which accepts mic or line level signals.
Developed with input from the industry's top audio engineers, Sound Devices 442 encompasses the audio performance, feature set, and mechanical construction demanded by those who rely on audio gear for their livelihood. The 442 contains four microphone preamplifiers that re-define portable audio performance. With its comprehensive inputs and extensive outputs, including direct outputs per channel, the 442 is at home in small run-and-gun applications as well as large, multiple-input productions.
The MixPre from Sound Devices is a studio-quality two-channel, portable, stereo microphone mixer. Its impressive audio performance and comprehensive features, including pan switches, built-in slate microphone, 1 kHz tone oscillator, and headphone monitoring, make it ideal for the front end of any studio or field production system.
The FP33 is a 3-input, 2 output, portable stereo mixer specifically designed for remote audio recording, electronic field production, electronic news gathering, and location film production.
The FP42 is a 4-input, 2-output, compact, self-contained stereo mixer for applications in broadcasting, recording and sound reinforcement. The high-reliability FP42 integrates all the operating features of a professional stereo mixer in a single unit-small and lightweight enough for location use, but with the reliability of a studio console.
Mix, monitor, and record professional sounding podcasts and music performances with this mixing console!
The 1604-VLZ PRO incorporates Mackie's XDR (Extended Dynamic Range) mic preamps design. Added benefits include maximum freedom from ground loops and impeccable sonic performance that meets or exceeds the specs of esoteric, outboard mic preamplifiers.
Sure it's cute, but the Mackie 1202-VLZ3 is a serious professional compact mixer, with features that belie its small footprint. The ideal compact mixer for home and project studios, the 1202-VLZ3 is equally at home on the road, on the stage, or in the recording studio.
The H6 Handy from Zoom is a portable handheld recorder and USB audio interface that features an interchangeable microphone system. The recorder ships with both XY and mid-side microphone modules, foam windscreen, 2GB SD card, four AA batteries, USB cable, Cubase LE and a hard carrying case. Optional module attachments can be purchased for expanded functionality.
The H5 Handy from Zoom is a compact, portable handheld digital recorder that is capable of four-track recording and features an interchangeable, modular microphone system. The recorder ships with an XY microphone capsule and is compatible with the existing line of H6 modules including the optional shotgun mic and XLR/TRS input modules.
The DR-100 from Tascam is a professional-quality portable digital field recorder designed for musicians, journalists, and more. The unit has 4 built-in microphones, 2 cardioid and 2 omnidirectional, with analog limiting and filtering features to provide excellent audio quality. Dual XLR inputs with +48V phantom power allow you to connect your favorite external condenser mics. Line in and out 3.5mm connectors allow you to connect additional sound sources, mixers, or speakers.
The Zoom H4n Handy Recorder picks up where the H4 left off and adds additional features to an already popular audio recorder. Ideal for recording interviews, lectures, rehearsals, meetings, and more, this palm-sized unit packs the ability to record up to 4 channels of audio at greater than CD quality.
The 788T is a powerful eight input, eight-track digital audio recorder designed for production sound. The 788T offers greatly expanded input and output connectivity while continuing the 7-Series heritage of extensive control in a compact package.
The 788 is a powerful eight input, eight-track digital audio recorder designed for production sound. The 788 offers greatly expanded input and output connectivity while continuing the 7-Series heritage of extensive control in a compact package.
The CL-8 is a powerful mixing control surface for Sound Devices 788T recorder. Its large rotary faders and push buttons bring extensive mixer-type control to 788T inputs. The lightweight CL-8 can used either mounted or remote from the 788T.
The ACL204 from Ambient Recording is a portable synchronizer and the first in a new generation of Clockit products which fully utilizes the Ambient Clockit Network System (ACN). The company hopes that ACN becomes an industry standard, a system that is as open as possible, and which simultaneously merges real-time and file embedded metadata from various camera manufacturers along with a global time code reference.
The MDR-7506 is a large diaphragm foldable headphone designed for professional studio and live/broadcast applications.
DOES NOT INCLUDE MICROPHONE, MUST BE RENTED SEPARATELY.
More than just another great JBL sound system, the new EON600 is a true step forward in technology developed specifically to deliver the best sound possible regardless of its application. Completely rethinking how truly good an affordable self-contained, portable PA system can be, JBL engineers purposely designed and built the EON600 from the ground up featuring JBL's advanced waveguide technology, JBL designed and manufactured transducers, and convenient, wireless remote control of its onboard DSP EQ parameters via Bluetooth. This total redesign of the EON platform leverages the latest technologies in cabinet materials, acoustic science, transducer design and user friendliness that delivers the extraordinary quality of a high-end studio monitor in a fully professional, highly flexible, easy to use, portable system for today's working musicians and sound providers.
Alesis has combined their experience in reference monitor design and studio amplification to deliver the M1Active MKII Bi-Amplified Studio Reference Monitors. The speakers offer accurate response that translates well to other playback systems. The internal active crossover and custom-designed dual amplifiers ensure an extremely consistent performance under a variety of different studio conditions and program material.
Processor-Controlled 400-Watt 2-Way PA Speaker System with 12' Woofer and 1.25' Titanium Compression Driver.
The MPB-4500 is a 50-watt battery-powered sound system that runs 6 to 8 hours on a charge. It is designed for crowds of 100+ people with its 117dB of clear sound. The self contained PA system includes speaker, amplifier, and mixer in a single enclosure. Liberty is used at the White House for Presidential press conferences, at thousands of schools around the world, at corporate training centers and on every U.S. aircraft carrier. Liberty is rugged, reliable and crystal clear.
10cm woofer and 4.7cm tweeter speakers with 8W high-quality amplifier.
Does not include stand! Can stretch up to 6'.
Includes: 
We have assembled the perfect package for your public address (PA) event needs. Package includes:
Includes:
Simply the best, most affordable way to get professional caliber UHF wireless! Sennheiser's original evolution series introduced startling new technology and innovative design. Now, they're again pushing the limits of performance, audio quality, ruggedness and ease of use.
400/411 Tram microphone kit. Wireless diversity 
The rugged, water resistant MM400C is based on Digital Hybrid Wireless� technology, a revolutionary new design that combines 24-bit digital audio with an analog FM radio link. The result is outstanding audio quality plus the extended operating range of the best analog wireless systems in a package that can withstand the most extreme moisture and temperature environments.
The Lectrosonics SMQV Super Miniature Wireless Microphone Transmitter incorporates Lectrosonics patented Digital Hybrid Wireless technology, in a package no bigger than a pager. The SMQV transmitter is miniature in size yet rugged enough to withstand rigorous daily use in the field or in studios.
The UCR411A receiver provides professional performance and a versatile feature set in a compact design for field and location production. All settings are made from the front panel with a powerful LCD interface, making the unit ideal for use in Quad Paks, on sound carts, in portable bags and in rack mount multi-couplers. To alleviate interference problems in an increasingly congested RF spectrum, an RF spectrum analyzer is built into the receiver. The receiver tunes across its 25.6 MHz tuning range and records RF activity with markers on the LCD screen. Finding clear operating frequencies is a quick, simple process. The UCR411A is compatible with all 400 Series Lectrosonics wireless transmitters (and some other transmitter types) and can be powered with internal 9V batteries or external DC.
The UH400A is a digital hybrid synthesized UHF plug-on transmitter compatible with all receivers in the 400, 200 and 100 Series product groups. The DSP-base design allows the transmitter to operate in its native Digital Hybrid Wireless mode, or in several alternate modes that are compatible with analog receivers. A unique multi-voltage phantom power feature allows the transmitter to be used with any microphone, including high current condenser types, expanding its usefulness in high-end applications such as motion picture production.
The Lectrosonics SM sub-miniature wireless transmitter incorporates Lectrosonics patented Digital Hybrid technology, in a package no bigger than a pager. Despite its miniature size, the transmitter is built to withstand rigorous daily use in the field or in studios.
Includes four 411 systems mounted in the quad box multi-coupler, four Tram TR-50 lav mic packages, two dipole antennas, two 20' antenna cables, AC Supply, 4-pin DC powering cable, and any necessary antennas for belt packs all mounted in a case for easy transport.
Includes four 411 lavalier systems in a Portabrace pouch, four Tram TR-50 lav mic packages, a Remote Audio BDS Battery Distribution System, 2 NP-1 style NiMH batteries, battery charger, and any necessary antennas and jumper cables.
This antenna will provide users of UHF wireless microphones a simple and elegant solution for field use. It features an industry standard BNC connector.
The black COS-11D Omni Lavalier Mic, Reduced Sens, with Hardwired TA5F Connector for Lectrosonics Wireless Transmitter by Sanken is for capturing audio. It is designed to be used for various applications such as broadcast TV, theater, film, videographers, and more.
The VideoMic Pro from Rode packs the audio quality and features of the popular VideoMic into an ultra compact and lightweight design that's ideal for use with HDSLR cameras, camcorders, and audio recorders. The microphone has a broadcast-quality condenser capsule with a supercardioid pickup pattern to capture audio from the front, while minimizing pickup from the sides and rear. An integrated shockmount and foam windscreen minimize handling and wind noise to keep your recordings crystal clear.
The MKH 70 is a lightweight long shotgun microphone. Its excellent directivity is particularly suited to applications undertaken in difficult conditions, such as high background noise and distance microphone positioning. Its frequency-independent directivity prevents sound colouration from off-axis sound sources.
The MKH 60 is a lightweight, super-cardioid short shotgun microphone. It is versatile and easy to handle and its superb lateral sound muting makes it an excellent choice for film and reporting applications. Its high degree of directivity ensures high sound quality for distance applications.
The Sennheiser MKH-50 is a high quality, professional condenser microphone specifically designed for spot capturing in recording and sound reinforcement applications. The MKH-50 offers exceptional attenuation at the lateral sections of the capsule for a focused pick up without off-axis noise. It's wide frequency response and high sensitivity result in pristine audio fidelity no matter the source. The MKH-50 is more than suitable for capturing vocals or instruments in recording or sound reinforcement.
Phantom Powered short shotgun condenser microphone including K-Tek carbon fiber boom, Rycote Softie windscreen. Other Rycotes are available. Please note that the boom pole is free.
The Schoeps MK41 is part of the Colette series of modular capsules designed for use with the CMC preamplifier. Sound arriving from off axis is attenuated even more than with a standard cardioid. The pickup is "drier" and less susceptible to acoustic feedback, provided there isn't a strong sound source directly on the rear axis of the microphone. Its directivity is highly independent of frequency, so that even sounds arriving off axis and reverberant sound are registered without coloration. Consequently, even distant placement of the microphone produces a very natural sound pickup. 
Does not include boom pole or zeppelin. These items are available separately.
Does not include boom pole or zeppelin. These items are available separately.
This is the standard of the industry. Includes the inline power supply.
The Electrovoice 635A world's most popular ENG microphone! The 635A has an omnidirectional polar pattern that prevents the user from sounding "off mic" and practically eliminates plosives and other proximity effects thanks to it's built in shock mount and pop filter.
The Shure SM58 is the world's most widely used dynamic-cardioid microphone. Its legendary reliability, dependability, and near indestructibility, have made it the preferred choice of both musicians and engineers for a multitude of "live" and studio vocal applications.
Includes TA3 to XLR cable.
The Madonna VT700 frees performance to focus on the task at hand. These features are ideal for users in: event production, public speaking, theater and broadcast audio. The smooth sounding omnidirectional pattern offers sonic quality without penalty of proximity effect.
The Modular Windshield (zeppelin) is slid onto the Modular Suspension, and completely surrounds the microphone and its connector. Designed to provide significant improvement in exterior wind attenuation (up to 25dB). Twist and turn locking end caps provide easy, rattle free and secure fastening. slide-on/slide-off system allows easy removal of the microphone and suspension. Lightweight with a minimum of parts, it is tough enough to withstand the rigors of ENG and simple to use straight out of the box.
The most effective cover, providing 10 12db extra protection over a standard Windshield. Made from specially designed and manufactured screening materials with virtually no adverse effect on sound level or quality. Fitted with a drawstring & toggle to allow snug and easy fitting.
For Sennheiser MKH 816 Microphone.
Ambient Recording's Quickpole Xtra Light Boom is made from the industry's strongest, stiffest carbon fiber tubing; the boom is excellent for achieving lengths of over 13' and does not tighten in cold or wet climates. Tubing has a 1.5 mm thickness that is lightweight but offers very low transmission noise when the boom is handled. At the tip is a machined, stainless steel 3/8" thread. Secure screw locks and an internal spacer enhance the boom's safety features. The Quickpole Boom can be easily disassembled for cleaning.
The K-TEK is a very lightweight, superbly engineered, and meticulously crafted 5 section boompole made from a graphite fiber derivative in a black matte finish. It is used primarily for film and video field production.
The Gitzo GB1340 Series 1 Aluminum Boompole features 4 sections, is lightweight and handles a load capacity of up to 4.40 lbs (2kg); making it well suited for mounting micropones and shock-mounts in the field or indoors. The GB1340's G-Lock system provides fast and reliable locking on all 4 sections. The 1.2mm thick aluminum material is lightweight and features a matte-black brushed finish.
VDB-606 carbon fibre microphone boompole, 6 section - 600-2750mm
The RDE NTG1 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.
The RDE NTG2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.
The RDE NTG3 super-cardioid shotgun microphone is designed for professional use on film, television, electronic news gathering and wherever high-resolution broadcast audio is required.
Closed headset for professional monitoring - specifically for broadcasters. The HMD 300 PRO Series takes the strain off the user thanks to minimal, optimally distributed pressure, particularly soft viscoelastic ear pads and a fontanelle recess in the headband.
Actual model may vary.
Designed for meetings, education, lectures, and speeches. 22.8" x 16.5" x 44.8". 
Lightweight Adjustable Headset with Swivel Boom Microphone - connects directly to the GP350
Lightweight Voyager Headset for Motorola dual-pin radios. Over the head and features an in-line PTT button with swivel boom microphone.
The RC-216 Receive-A-Cue system is a professional quality, digitally synthesized wireless cueing system operating in the interference-free 216-217 MHz band. The IR-230D induction receiver and NTC-102 neckloop eliminate the need for visible wires going directly to the ear. With the adjustable volume control and low residual noise, this discrete earpiece is loud enough for even the most demanding environments. The dual function M-216 transmitter can be used with a lapel microphone for live cueing, or the AUX input and whip antenna can be used to send cues from a line level audio input source. Also, the AUX input on the transmitter allows for prerecorded material to be played back from another sound source such as an MP-3 player, dat recorder, or even a feed from a mixing board.
Base and 6 remote stations, 6 double muff headsets, and case. Order cable as required
The DH20 is a high quality single-line and dual-line telephone interfaces, designed to interconnect a standard telephone line and your audio equipment, allowing you the ability to send audio to and receive audio from a connected telephone line. The DH20 and DH22 are ideal when the very best audio quality is required for talk shows, news feeds, production, recording studios, and internet applications.
Microtel is a small, battery operated "mini mixer" that connects to the handset jack of your telephone for easy connection to the phone line. Microtel does much more than standard couplers. With Microtel, you can easily accomplish the following:
The Motorola CP200 portable two-way radios deliver the quality features you want. Powerful 500 mW audio output penetrates noisy environments, providing clear, crisp audio at any volume. A lightweight, ergonomic design makes these radios comfortable to carry and operate, even while wearing gloves.
Lightweight earphone, rubber eartip, radio connector and clothing clip. Not just for "surveillance" purposes anymore...also perfect for security at airports, casinos and manufacturing plants, crowd control at conventions and concerts, and others working in environments requiring discrete communications.
This compact microphone has a revolutionary windporting feature that helps lessen background noise from high winds and other severe weather conditions. Audio can pass through the speaker grill even when the microphone port is blocked by water. The coiled cord allows talking and listening without removal from belt or case. Includes Push-to-talk switch, swivel clip and quick disconnect latch.
The ClearTRAK headsets offer high clarity sound and additional hearing protection necessary for consistent, clear communication in high noise environments. The ClearTrak headset provides racing pit crews, driving teams and racetrack management with clear consistent communications for the entire race day.
As spare or rented alone.
NOTE: This or the single charger is INCLUDED FREE with all walkie talkie rentals.
These fit our Motorola CP200 radios. Also fits CP125, CP150, SP50, SP50+, P110, GP300, GP350, P1225/P1225-LS, and many other portable radios
Includes:
Includes In-The-Ear System
(1) Lectrosonics SMQV IFB Transmitter
The M-216 wireless microphone transmitter offers the ultimate performance and versatility for assistive listening, language interpretation, tour guide presentations, personal cueing, and for other personal remote transmission situations. For use with the PR-216 and PR-216 Option 7 synthesized receivers.
The PR-216/TV 5-6 is a professional quality, personal monitor receiver designed to meet the high demands of the TV, motion picture production, and entertainment industries.
The BTR-800 wireless intercom system has set the standard for all wireless intercom systems world wide. This award winning intercom system offers two channels of full duplex audio and has been enhanced to provide more frequency band options in the ever-changing UHF RF spectrum. 
2.4GHz Digital Wireless Easy-to-use, affordable, and secure communication. Crystal-clear, interference-free communication for up to 4 full duplex users per base station and maximum of 16 users on four-linked systems.
One Masterbeltpack + 3 Belt Packs
READY TO SHOOT PACKAGE
These Nauticam Features are Standard:
Includes:
The Amphibico "GENESIS" line of compact Prosumer HD housings is proud to announce its next creation for the Sony NEX-FS700 camera. The Sony NEX-FS700U Super 35 Camcorder is a fully professional large-sensor, 4k video camera.As for the housing, it is built with the same high quality solid aluminum construction as our previous pro line of housings, no compromise was taken to create the New "GENESIS" line from Amphibico. Keeping in mind total ergonomics and underwater balance, its compact design with an intergraded electronic grip system makes the unit extremely user friendly underwater. Our engineers worked very diligently on its design, keeping in mind size, weight, balance and it's on board electronics allowing easy and complete access to all key camcorder functions, it will give users the ability to create the best possible HD video underwater.
Features:
With HDSDI Output to Surface
The Gates SWP44c Fathom Imaging Wide Angle Port is designed for use with the Gates EX1, EX1R underwater Housings. Made of 9 elements of glass, with corner to corner sharpness, the Gates SWP44c allows full zoom through capability and up to 120 degrees Field of View.
The SEACAM silver for the CANON EOS5D MKII sets new standards in design and ergonomics. Due to the special construction, the mounting of the camera is especially easy. The housing is milled out of a saltwater-proof light metal alloy twice hardened and high-value anodized. Special longevity is achieved through use of materials of only the best quality: stainless steel, anodized aluminum, premium synthetics as well as Helicoil threads. Double sealing with seamless, high-quality precision O-rings protects all shafts and press buttons. The main O-ring is of a particularly strong dimension. A titanium SAFETY LOCK fastening system safely secures both housing shells. An interchangeable viewfinder system includes 4 different viewfinders and can be exchanged without any tools. The easy mounting system and the double O-ring sealing particularly secures the SEACAM front port connection with its bayonet thread.
The SEACAM silver for the CANON EOS1D/DS MK IV sets new standards in design and ergonomics. Due to the special construction, the mounting of the camera is especially easy. The housing is milled out of a saltwater-proof light metal alloy twice hardened and high-value anodized. Special longevity is achieved through use of materials of only the best quality: stainless steel, anodized aluminum, premium synthetics as well as Helicoil threads. Double sealing with seamless, high-quality precision O-rings protects all shafts and press buttons. The main O-ring is of a particularly strong dimension. Two secured quick-lock latches safely secure both housing shells. The interchangeable viewfinder system includes 4 different viewfinders and can be exchanged without any tools. The easy mounting system and the double O-ring sealing particularly secures the SEACAM front port connection with its bayonet thread.
This Aquatica housing for the Canon 5D Mark III is machined from a solid block of aluminum that is anodized, coated with polyurethane powder paint, and then clear coated. The housing operates safely to a depth of 300' (90m).
The Sea & Sea MDX-5D MKII housing is designed for professional underwater photographers. The housing is machined from a solid block of aluminum and is designed for ultimate precision, ergonomics and performance. It is durable and stands up to tough use. The MDX-5D MKII allows for full use of the Canon EOS 5D Mark II functions underwater. The snug design keeps the housing compact and lightweight, enabling greater maneuverability and ease of use.
Nauticam is happy to release the Nauticam NA-7D underwater housing for the Canon 7D Digital SLR.
Engineered for the working professional, the HVX200 Housing is a comprehensive inventory of features for serious underwater imaging. Adjustable handles provide perfect grip and easy access to critical functions like white balance, iris, manual focus, and user presets. Bayonet mounted ports allow quick change amongst Flat, Dome and Super Wide angle enabling the clearest, sharpest images possible -- a necessary requisite for HD endeavors. The HVX200 Housing is classically Gates: durable "bulletproof" machines aluminum and 100% reliable mechanical controls.
1080i/720P, PAL/NTSC, 110mm Color LCD Monitor. The Gates EM43 is a big 4.3" / 110mm color active matrix LCD to assist with framing and focus - even in bright sunlight. Sophisticated features like power-on and auto-format sensing mean no worries about accidental battery depletion or different worldwide formats.
Seal Check provides a fast and easy verification of your housing integrity before submersion in the water. This is the best possible way to check for damaged or compromised O-rings and seals before you have a flood or minor leak that could cost a lot of down time or money.
The New BLuFISH 2 HD underwater housing for the Toshiba IK-HR1S miniature HD camera, provides a revolutionary High Definition remote head point of view camera system providing a high-performance, multi-format solution in a small package.
This is the extension pole for the Bluefish 2 HD underwater housing. The pole has an integrated tilt mechanism and is perfect for shooting video in a swimming pool while the camera operator never gets their feet wet.
The Amphibico Phenom FXZ1 Basic Electronic Underwater Housing for the Sony HDR-FX1 and HVR-Z1U high definition camcorder is designed with the professional camcorder operator in mind. The housing is constructed with marine grade aluminum and 2 coats of polyurethane with marine grade brass and stainless steel hardware that will allow the camcorder to operate up to a depth of 330' with full camcorder functions.
The optics include a $3000 Phenoms and Endeavor 94 degree wide angle lens assembly at no additional charge.
Amphibicam underwater package with Sony HDW F900 + 4.5x13 specially adapted wide angle Fujinon lens. This premier HD underwater housing package works to 100 meters (330 feet).
Designed for the most discriminating underwater videographer, the Aqua Video MC-HC3 is a rugged, reliable, high quality Marine Case for the Sony HDR-HC3 high definition camcorder. Suitable for wet weather, water sports, and underwater video applications to depths of 90 meters/300 feet, it is compact, easy to set up, and easy to use. Designed to be used with an accessory wide angle converter (supplied) it provides extreme wide angle of view for dramatically clearer, more colorful underwater pictures. The dome port optical system corrects for distortions and aberrations that would otherwise occur, yet allows true, magnified macro and zooming functions - without having to change lenses or optical setup (to about 50% of zoom range - full range can be easily achieved with a diopter). An optional underwater color correction filter is also available. 
Includes a fully operational Sony PD170 camera loaded with fresh tape and battery...ready to shoot the first 40 minutes of DVCAM quality tape. Custom adaptations with external video or audio connections are all available. Lights and communications systems are also available elsewhere in the Underwater department.
UW housing camera For Panasonic DVX100. Constructed with rugged and durable PVC material and one inch cast acrylic front and rear faceplates with stainless steel hardware that eliminates corrosion and condensation for long lasting experience with housing. Housing is delivered complete with fully set up and adjusted camera, battery, and loaded with tape.
Includes:
The Phenom Z7LE for the Sony HVR-Z7U HDV Camcorder is an electronic and mechanical housing which gives complete control of your camcorder when filming your underwater scenes. It is constructed from high quality marine grade aluminum and fully anodized with a hard coat of polyurethane paint, including a clear coat. Pressure tested for 330 feet, you are certain to dive deep.
The SmallHD 502 is the sharpest and lightest 5-inch field monitor available, and the perfect complement to a Nauticam underwater video system. It combines a stunning 5", 1920 x 1080 Full HD Display with an amazing suite of software tools for image monitoring in a compact form factor. 
Connects to OTS AGA mask. Includes cables.
Synchronize your lighting above, on, and under the water by encasing your Pocket Wizard Plus III Radio Transceiver in the Water Wizard from Aquatica's Technical Lighting Control series. This waterproof housing protects your transceiver from harsh elements, allowing you to safely link and trigger multiple underwater strobes and top-side studio flashes. The Water Wizard features an Ikelite bulkhead connector, which interfaces with your camera housing or lighting units via user-supplied, commercially available sync and extension cords. This setup is compatible with any DSLR housing equipped with Nikonos or Ikelite-type strobe connectors.
The Kata E-705 GDC Elements Cover (Black) is a used to protect a Pro SLR digital camera with a 70-200mm lens attached and a pro flash installed from rain and harsh weather conditions. It slips quickly over the camera and is easily secured with the adjusters and pull-cords. There is access to all camera and lens controls via two side sleeves and a clear view through the transparent TPU enables easy monitoring all the time. It has a full length double zipper that provides bottom closure when hand held or on a tripod.
These fit our Motorola CP200 radios. Also fits CP125, CP150, SP50, SP50+, P110, GP300, GP350, P1225/P1225-LS, and many other portable radios
DOES NOT INCLUDE CAMERA. Will fit the following RED cameras: Epic, Dragon, Scarlet, Mysterium-X, Weapon, Raven
Splash housing for the Sony NEX FS700 (others available please call)
An all-aluminum, "all environment" splash housing designed to protect camera systems�from the "beta-cam" size video/HD systems up to the largest film cameras/lenses�when filming in the most extreme conditions.
The VFX is the splash housing for the Sony HDR-FX1 & HVR-Z1 digital camcorders. But the newer Sony HDR-FX1000 & HVR-Z5 are a perfect fit as well. Designed specifically for this camcorder the model VFX housing is manufactured from double laminated PVC and has an integrated, optically neutral flat glass port. Perfect for wet*, sandy, dusty, humid or foul weather conditions this housing will give your camera the best possible protection whilst being fully operable.
Splash housing for the Sony PMW-EX1 (others available please call)
Splash housing for the Sony PMW-EX3 (others available please call)
Splash housing for the Sony HVR-Z7U (others available please call)
Splash housing for the HVX200 (others available please call)
Splash housing for the DVX100, DVX100A, DVX100B (others available please call)
Splash housing for the PD170, PD150 and VX2000, VX2100 (others available please call)
The U-BZ100 splash housing is specially designed to fit the bulky, professional and semi-professional digital SLR cameras like the Canon EOS 5D and 7D or the Nikon D1, D2X, D200 and similar cameras. Smaller SLR cameras can still be used in the housing. The U-BZ100 has a wider front glass and includes the C-A 77 adapter, allowing the use of lenses with a filter thread of 77 and 82mm.
The Ewa-Marine U-BXP is specially designed to fit the bulky, professional digital SLR cameras such as the Canon 1Ds or the Nikon D2X, D200 and similar cameras. Smaller SLR cameras can still be used in the housing. The housing is manufactured from double laminated PVC and has an optical glass port.
The Ewa-Marine U-BXP100 housing is a special version of the U-BXP with a larger front port for 77mm and 82mm filter thread diameter lenses. 
CAMERA NOT INCLUDED WITH THE EWA MARINE HOUSING
Splash Housing for Sony PXW-FS7
DOES NOT INCLUDE CAMERA.
Underwater Strobe For use with the 35mm Nikonos 5 Underwater Still Camera or the Seacam D200 housing.
"LAMA" full face underwater helmet with internal boom microphone.
Fully battery operated system
The Litepanels SeaSun MicroPro Underwater Housing allows you to use your Litepanels MicroPro LED light underwater. Along with Los Angeles based underwater motion picture specialist Hydro Flex, Inc., Litepanels has developed this underwater lighting fixture.
Sola Video 4000 is the ultimate imaging light for the serious pro. Whether shooting video or photos, the Sola 4000 provides a smooth, wide beam pattern, with more than enough lumens to get the job done. Seven indicator lights at the back report the light mode setting, battery status and charging status.
The Sea & Sea YS-110a is a high-performance strobe that is designed to be compatible with most cameras. The automatic pre-flash function will adjust for most digital or film cameras.
Powerful 50W x 2 HID light heads mountable to Gates Housings
The original underwater HMI's designed by Richard Mula and Pete Romano for the movie The Abyss, the SeaPar 1200W HMI has been extensively used in the motion picture and commercial industries on countless projects worldwide. This light made such a profound impact on the industry that in 1991, the lamp received a Technical Achievement Award from The Academy of Motion Picture Arts and Sciences.
Combines a 250 watt Lowel Omni Focusing light with a custom built underwater housing. Includes (1) 30v belt. Additional belts are recommended.
Combines a Lowel DP 1000 watt Focusing light with a custom built underwater housing. Uses a 110v power source. 100 to 150 foot heavy duty cables available.
Light can be attached to a camera on left on the battery pack as shown. Battery pack has a belt loop. Comes with one battery as shown.
High power with Guide Number 24, wide 100 degrees circular beam angle light distribution even without a diffuser
Compact and set up ready to shoot with portable rolling C-stands, Taco Cart, rolling racks, and extra large TommyGate Lift Gate. Custom lighting and grip packages are available in addition to the long list of included items.
The Dana Dolly is an updated version of a design used in the film industry for decades. After making similar dollies for years for friends, Mike Hall decided to simplify the design, and modify the components and composition to make the entire system easier to use and more affordable. 
Discover the power of the SKATER® Mini, the flattest camera tracking device ever with a height of only 2.0 inch / 51,4 mm! With almost no prep time, you can do linear tracks in any direction as well as all sorts of curved and circular moves. Avoid complex rigging or even motion control and see how fast the SKATER® Mini is to work with.
Use the SKATER Levelling Support to hold and easily level a custom-made tracking board for your SKATER Camera Dolly and work at any camera height. The 28mm pin fits directly into standard lighting equipment. An adjusted levelled height can be fixed with a blocking nut. Each Levelling Support comes with 2 Guidance Rings to be mounted on the bottom side of your tracking board to keep the board into position.
The RED Dolly is Matthews' newest and perhaps most versatile piece of equipment. Outfitted with Matthews Mini Bazooka, the RED Dolly performs moves that other dollies just can't match. From tight 360 degree repeatable full circles to "crabbing" and the quick dolly reverse shot... remove the seat and there is a SteadyCam standing platform equipped with side receivers for lights, grip equipment, Bungee Cam, Rail rigs and more. Also works with all Matthews car mount accessories.
The new Round-d-Round Doorway Dolly from Matthews is the next generation in Doorway Dolly development. Based on the industry-proven designed and engineered Matthews Doorway Dolly, the new Round-d-Round model offers all-wheel steering which allows for greater turning flexibility and will turn in a tight 6 foot (2 meter) circle.
Lightweight and compact, the Model 11 Dolly shares the same controls and characteristics of the Model 10 Dolly and has a complete line of its own accessories. It operates effortlessly on Square or Round Track, making the Model 11 and Model 10 an excellent two dolly combination.
Four wheel dolly with hydraulic boom.
The Losmandy Spider Camera Dolly is the most portable professional camera dolly on the market. Combined with a piece of FlexTrak, the 4-Leg Spider is a fully rideable camera dolly with adjustable center column, a seat that pivots 360 degrees around the column, foot platforms, and pushbar. Both the 3-Leg and 4-Leg version can work on traditional steel track, or on track made of pvc pipe, or on our award winning FlexTrak--a flexible track made of a special rubber compound that not only rolls up into a bundle for easy transport, but also allows you to make straight or curved dolly moves with almost no set-up time.
The Losmandy Spider Dolly is the most portable professional dolly on the market. Combined with a piece of FlexTrak, the simple 3-Leg Spider converts your tripod into an inexpensive, extremely portable, tracking dolly. 
This amazing seamless dolly track can be configured in straight runs that can suddenly curve in any radius or direction. The basic unit is 40', which will loop to make one 17' run. 2 pieces side by side will create a 40' run. Each section rolls up into a 2' diameter bundle and weighs 40 lbs. creating unprecedented portability for a track rigid enough to support an operator, yet flexible enough to curve into a 90 degree turn with a 2' radius. The key to FlexTrak's success lies in the unique capability of our Spider Dolly's track wheels, which are designed with double articulating arms that create the ability to negotiate sharp radius turns. 
Rail Cam has a variable speed stepping motor, 150mm ball with smaller adapters. Comes with 17 ft of straight rail, 1 45 degree and 1 90 degree.
NOTE: This is designed to make slight moves in the camera position. IT IS NOT A CAMERA DOLLY...it will not make a smooth and usable "on air" move. Please look at all the camera dollies we offer if that is what you want to do.
NOTE: This is designed to make slight moves in the camera position. IT IS NOT A CAMERA DOLLY...it will not make a smooth and usable "on air" move. Please look at all the camera dollies we offer if that is what you want to do.
NOTE: This is designed to make slight moves in the camera position. IT IS NOT A CAMERA DOLLY...it will not make a smooth and usable "on air" move. Please look at all the camera dollies we offer if that is what you want to do.
with ladder and choice of 100mm or 150mm bowl Please call for long term rates or purchase
Simple and affordable, this dolly lacks many of the advanced features of the larger dollies, but is lightweight and easy to transport. Built-in skateboard style wheels mean you don't need to rent dolly tubs. 
Restrains and protects a camera operator or technician while riding on the exterior of a moving vehicle or other precarious location. Rated to 400 pounds including person, clothing, and gear. Meets OSHA requirements; ANSI A10.32-2004, Type 1. CSA Z259.10-M90 classes A,P; ANSI Z359.1
For Fisher, skateboard, or most other dollies when used with a "tub".
For Fisher, skateboard, or most other dollies when used with a "tub".
For Fisher, skateboard, or most other dollies when used with a "tub". 
For Fisher, skateboard, or most other dollies when used with a "tub".
Pair of Matthews articulated dolly tubs / skateboard sleds for use with straight AND CURVED dolly track (45 or 90 degree).
Pair of dolly tubs / skateboard sleds for use with STRAIGHT OR 45 DEGREE dolly track. This model of tubs does not work with 90 degree track.
Pair of Fisher fully articulated dolly tubs / skateboard sleds for use with straight AND CURVED dolly track. Easy to push, easy to pull, friction free turning on curved track. All 32 wheels maintain contact on both straight and curved round track.
Available in 6', 12', 18', 24', and 30'. Works with film & video broadcast cameras.
Complete remote system with hardware for Losmandy and other jibs. Can function independently on a manual only jib or makes a great insurance policy as a complete mechanical and electronic replacement for anything that might not function on a big live show. Can operate up to 300ft away from base. 50lb (22.7kg) camera capacity. 
Designed to carry up to 100 lbs. (45kg) of camera and fluid head weight, this is the most versatile of all lightweight jibs. Assembles in less than 5 minutes. No tools required. All parts are machined aluminum and stainless steel. Boom and pan lock included. Front inserts available for all standard fluid heads: 100mm, 150mm, Mitchell.
Porta-Jib w/36" Extension Specs:
Designed for videographers and 16mm cinematographers who need to travel light. Weighing only 29 lbs. (13.2kg), it supports 40 lbs. (18kg) of camera and fluid head. So compact, it folds up with no loose parts and fits into a baby tripod case. Its unique telescopic design allows it to work in constricted areas and also unfold to create a dramatic 6 foot lift. And best of all, it uses the 100mm style tripod and head you already own.
The EZ Jib arm is a portable, user friendly and the most versatile Jib arm in the production industry. Cost effective, user friendly and versatile are the attributes that set the EZ Jib arm apart from all others. Add production value and get the sophisticated look of moving camera shots in your productions. Save valuable production time by setting up your static shots very quickly. With the new stabilizer feature you can also do your tripod shots directly from the jib without removing the camera from the jib.
The EZ Jib Extension Kit is really two extensions in one and can be used at either the 3.5 foot length (1 meter) or the 7 foot length (2 meters). 
The VZ-MC100 Pan and Tilt control system for all camcorders up to 20 lbs. VariZoom has created a brand new lightweight and extremely portable remote head, weighing only 8 lb. The VZ-MC series pan and tilt heads allow for remarkably fast set-ups.
Includes:
The Libec JB-30 Heavy Duty Kit with T102 Tripod and DL-8 Dolly is a full-featured jib that supports film or video cameras weighing up to 44 lbs (20 kg). The head attachment is adaptable between 75mm and 100mm, and may be reversed when an ant's-eye point of view is desired. Standard barbell-type plates (not included) are employed for the counterweight, and the whole assembly sets up and breaks down in a simple, logical manner.
The Kessler K-Pod System is a revolutionary tripod system designed to support camera cranes / jibs. The K-Pod has extremely rigid double strut legs with the patent pending incremental Posi-Lock System, that friction locks the legs, as well as interlocks into incremental lock pockets. The lock pockets allow you to equally position the legs while providing a lock that can not slip down.
FREE LOCAL DELIVERY AND PICKUP*
Stay cool and comfortable without needing to install a heavy air conditioner in the window or affecting the exterior appearance of your home. The Hisense 12K BTU high-flow air conditioner has four caster wheels, an easy-to-install window kit for windows 18" to 50" wide, an I-Feel™ remote with a built-in temperature sensor, and a programmable clock. Three modes (cool, dehumidify or fan) make the 12K BTU portable air conditioner a real workhorse.
Do you need to provide cooling for guests at an outdoor event or in a large tent or temporary event structure? We have your solution!
With 5 inch polyurethane casters, double grip handle, 18 x 7 1/2 inch die cast aluminum nose plate, 10 inch pneumatic wheels.
With 5 inch polyurethane casters, U loop handle, 18 x 7 1/2 inch die cast aluminum nose plate, 10 inch pneumatic wheels
- 750-pound capacity, Deep-pocket lidded shelf keeps loads secure, Made in the USA
- Folds Easily for Convenient Storage
Includes: 
Includes:
Includes:
Matthews Reversible Blue/Green MATTE Screen for Chroma Key. One side blue, one side green, "quick corners"
Collapses to 1/3 of Open Size
Comes with frame, 2 fabrics (inserts) of your choice and carry bag.
The Scrim Jim Clamp allows for direct attachment of the Scrim Jim frame into a grip head allowing for 360-degrees of rotation.
The kit comes with one full-stop diffusion panel, one two-stop diffusion panel and a reversible zippered cover of silver, gold, sunlight and black reflective surfaces.
Includes frame and rag of your choice. Additional rags are $6.00.
Includes frame and rag of your choice. Additional rags are $15.00.
Includes frame and rag of your choice. Additional rags are $20.00.
Includes frame, pole, grip head and translucent 2/3 rag. Additional rags are $20.00.
This is the most popular, standard C-stand with a 40" main section and 2 risers. It includes a grip head, also called a "gobo" head and a 20" arm. 
This is a "Baby" C-stand with a removable "Turtle" base, 20" main section and 2 risers. It includes a grip head, also called a "gobo" head and a 20" arm. 
This is a Matthews Hollywood Combo Stand. It has a wide 43" footprint and extra long legs to provide stability. It rises to a maximum height of 11.3' (3.4 m).
This is a Matthews Hollywood Combo Stand. It has a wide 43" footprint and extra long legs to provide stability. It rises to a maximum height of 14.75' (4.5 m).
The Mombo Combo stand achieves an incredible height of 22.3 feet. Because of this height it features an extra wide base, and incorporates a collar for attaching stabilizing Guy wires or ropes.
Developed for flying Butterflys and Overheads on locations and supporting large backdrops in studios, these stands feature wide bases for stability and terminate in a 4.5 in Grip Head.
The Crank-O-Vator from Matthews is a heavy duty cranking light stand designed to support large lighting fixtures. The all-metal construction allows for a maximum load capacity of 200 lb, which can be lifted to a height of 11.3' and lowered to 4.7' while retaining stability. For transport and storage, the stand folds to 5.2' in length and weighs 91 lb.
Developed for flying Butterflys and Overheads on locations and supporting large backdrops in studios, these stands feature wide bases for stability and terminate in a 4.5 in Grip Head.
The Matthews Baby Jr. Triple Riser Stand is designed to support baby fixtures which require a 5/8" mounting pin. This stand has steel legs and riser. The tripod brace base, with all axis locking casters provides great stability.
Designed for larger lighting fixtures, these stands are built with steel legs and steel riser assemblies. These stands provide a stable rolling base for Junior and midsize lighting fixtures.
This is a standard, 2 riser "baby stand", a lightweight aluminum stand for light duty loads. Still photographers refer to these as "light stands". 
This is a standard, 3 riser "baby stand", a lightweight aluminum stand for light duty loads. Still photographers refer to these as "light stands". 
The Hollywood Beefy Baby is a heavier duty "baby stand". Legs are made of steel instead of aluminum to provide greater stability and longer wear. The top riser which is the smallest in diameter is also made of steel increasing its strength and permitting the 5/8" Baby Pin to be welded directly to the riser instead of being pinned.
Also called a Gobo head. This arm features the strongest and most popular Grip Head in the industry. Guaranteed to hold. Set it and forget it! Will not slip. Plates feature two holes 3/8" & 5/8", eliminating confusion. New castings offer positive lock in all directions.
Stage and event lighting truss, various lengths and types.
Adjustable lighting pole system. Create background supports, a lighting grid, or hundreds of other studio applications. Adjustable lighting pole system.
Adjustable lighting pole system. Create background supports, a lighting grid, or hundreds of other studio applications. Adjustable lighting pole system.
Matthews Matthpoles are stronger and more durable than any similar product. Unique "expanding casting" provides the pressure for holding the Matthpole in place. Used primarily in studios for mounting seamless paper and backdrops with the use of Super Mafer Clamps and Swivel U-Hooks; the Matthpole has also been used in a horizontal position behind the President of the United States to support small lighting fixtures, in campaign venues for many candidates, and probably in many places we don't even know about. Manufactured in three overlapping sizes, Matthpoles can be used in openings as small as 30" to 178" which is almost 15 feet without the need for extensions.
Matthews Matthpoles are stronger and more durable than any similar product. Unique "expanding casting" provides the pressure for holding the Matthpole in place. Used primarily in studios for mounting seamless paper and backdrops with the use of Super Mafer Clamps and Swivel U-Hooks; the Matthpole has also been used in a horizontal position behind the President of the United States to support small lighting fixtures, in campaign venues for many candidates, and probably in many places we don't even know about. Manufactured in three overlapping sizes, Matthpoles can be used in openings as small as 30" to 178" which is almost 15 feet without the need for extensions.
Matthews Matthpoles are stronger and more durable than any similar product. Unique "expanding casting" provides the pressure for holding the Matthpole in place. Used primarily in studios for mounting seamless paper and backdrops with the use of Super Mafer Clamps and Swivel U-Hooks; the Matthpole has also been used in a horizontal position behind the President of the United States to support small lighting fixtures, in campaign venues for many candidates, and probably in many places we don't even know about. Manufactured in three overlapping sizes, Matthpoles can be used in openings as small as 30" to 178" which is almost 15 feet without the need for extensions.
The Savage Background Port-A-Stand Kit consists of two black folding upright stands that can rise to a height of 8' 10", a crossbar that can expand to a width of 9' 5", and a travel case with handle.
Ideal for low angle shooting with heavy lights and accessories, the Mini Slider Stand from Matthews can support up to 80 lb. The stands maximum height is 38", its minimum height is 20" and it folds down to 21" for storage and transport.
The Matthews Mini Boom was designed to resist bowing when accessories are added to lighting fixtures or strobes. It mounts on a 5/8" stud, and will extend 6.6', terminating in a 5/8 mounting stud.
Designed primarily for use in lighting kits, these stands are compact and lightweight, ideal for assembling custom lighting kits or replacing your current stands.
Full, Half, Quarter, and Eighth (Pancake)
Standard Matthews 5/8" pin on an eighth Apple Box. Useful for placing a light or other fixture in low or hard to reach areas.
Heavy duty, nylon "saddle" type sand bag.
Heavy duty, nylon "saddle" type sand bag. Our most popular size.
Heavy duty, nylon "saddle" type sand bag.
Heavy duty, nylon "saddle" type shot bag.
The Matthews Fly-Away Sandbag holds up to 15lb of sand and is shipped empty, for convenience and economy. It can be filled with sand, or any type of weight you provide, and emptied for storage, or transport.
Also known as a "cardellini" clamp.
Also known as a "Quaker Clamp" or "Platypus Clamp", this clamp is ideal for positioning foam core or bead board.
Chair and desk/table not included.
Hard plastic hamper with wheels. 
Add optional 10ft sidewalls at $5 each
Add optional 10ft sidewalls at $5 each
jaws open 1 inch. Also called grip clip, "A" clamp, pony clamp
Painted chromakey green
Diameter: 36"
Glass mirror top.
Holds 110 quarts (104 liters or 168 cans)
Yellow Jacket "Classic" is designed for extra heavy duty applications. It is built to withstand constant, high speed, heavy traffic from trucks, buses and other vehicles. Yellow Jacket Classic's distinctive yellow and black colors are the high contrast combination preferred by the industry. Yellow Jacket Classic is "The Original and The Best" and outperforms all others. With its unique design and 30% more polyurethane than other 5-channel dog bone based cable protectors, a Yellow Jacket Classic is truly extra heavy duty. Yellow Jacket's proven durability makes it the best value on the market.
Yellow Jacket "Classic" is designed for extra heavy duty applications. It is built to withstand constant, high speed, heavy traffic from trucks, buses and other vehicles. Yellow Jacket Classic's distinctive yellow and black colors are the high contrast combination preferred by the industry. Yellow Jacket Classic is "The Original and The Best" and outperforms all others. With its unique design and 30% more polyurethane than other 5-channel dog bone based cable protectors, a Yellow Jacket Classic is truly extra heavy duty. Yellow Jacket's proven durability makes it the best value on the market.
medium duty extension cord
heavy duty, 12 AWG/3 extension cord
The all new Honda EU6500is is the first full super quiet inverter generator with 220V output from Honda. It provides 6500 watts of super clean pure sinewave power with a noise level perfect for the campsite or neighborhood. The EU6500i should provide more than enough power for even the most demanding RV or 5th wheel campers. It will most likely even handle your dual RV air conditioners. 
The Honda EU3000is maintains the impressive rating of 48 to 58dB (less than that of common speech even at rated load), and it will run for up to 20 hours on a single tank of gas when used with the Eco-Throttle feature. This impressive generator provides 3000 watts of power and weighs only 134lbs. The Honda Inverter Technology makes this generator ideally suited for use with sensitive electronics (e.g., computer, fax, printer, telephone, stereo). To prevent any possible damage to the unit, the Oil Alert will shut the unit off when the oil drops below a safe operating level. The available power is commonly used for the following typical electric devices:
Crawford or similar with trailer
Crawford or similar with trailer
Crawford or similar with trailer
The River, Your charging companion for all your needs. Great item for playing outside or in an emergency. Whether you are powering a camera on a campsite, a power tool on a rooftop, an office in an RV, a water filter pump in the developing world or preparing for the apocalypse, river puts an industrial amount of power in your hand so you can power a free life.
INCLUDES Haze Fluid!
The Rosco Vapour Plus Fog Machine is designed specifically to fill large venues and outdoor spaces by producing large amounts of fog quickly and efficiently. The sophisticated software driving the Vapour Plus precisely balances the heating and pump cycles to ensure you have enough fog when you need it. At 100% output, the Vapour Plus will run for a full 60 seconds before a short re-heating cycle is needed, and the output of this machine is capable of consuming more than 7 liters of fluid per hour.
Specifications: 
Product Highlights
Boasting enough horsepower to allow Canon's highest resolution mirrorless sensor to shoot a speedy 30 fps and capture 8K60p raw video, the EOS R5 Mark II Mirrorless Camera is the multimedia professional's solution for versatility, image quality, and intelligence. An all-new 45MP sensor's stacked, back-illuminated design joins a brand new processor to provide upgrades in nearly every category, creating a do-it-all camera that gets the job done.
For the professional image-maker who needs resolution, speed, and video capabilities, there is the Canon EOS R5. Setting a new standard for versatility, this full-frame mirrorless camera features a newly developed 45MP CMOS sensor, which offers 8K raw video recording, 12 fps continuous shooting with a mechanical shutter, and is the first EOS camera to feature 5-axis sensor-shift image stabilization.
Includes:
The Canon EOS 5D Mark III DSLR Camera is a full-frame 22.3MP DSLR featuring exceptional still image and movie recording capabilities. Integrating Canon's new DIGIC 5+ Image Processor and 14-bit A/D conversion, this camera is able to produce superbly detailed imagery with immense low-light sensitivity that is further aided by an extended ISO range up to 102400. Image quality is further enhanced by the new 61-point high density reticular autofocus, including up to 41 cross-type AF points and 5 dual diagonal AF points for ensured sharpness. iFCL metering works in conjunction with the AF system and uses color information from scenes to produce accurate exposure readings using a 63 zone dual-layer metering sensor. HDR and Multiple Exposure modes provide greater creative opportunities and help you to reduce the amount of post-production time needed to produce high quality imagery. The 5D Mark III is also capable of recording full HD video with manual exposure control and in multiple frame rates, including 1080/30p and 720/60p. Still images can also be recorded up to 6fps.
IMPORTANT NOTE: If you are shooting video you must remember ND filters so you can facilitate aperture/ISO/shutter settings you desire!
With a host of brand new features designed to enhance every facet of the photographic process, from still images to video, the new EOS 7D represents a whole new class of camera.
With a host of brand new features designed to enhance every facet of the photographic process, from still images to video, the new EOS 7D PAL represents a whole new class of camera.
The Canon EOS 70D DSLR Camera features a 20.2 megapixel APS-C CMOS sensor and DIGIC 5+ image processor to ensure high-resolution images and excellent low-light sensitivity. Both the sensor and processor work together to produce well-detailed, clear imagery that exhibits natural tonality and color gradations with minimal noise when working in difficult lighting conditions. The processor also provides notable speed throughout the camera system, including the ability to record up to 7 fps in full-resolution, quickened AF speeds, and full HD 1080p video recording in multiple frame rates with manual exposure and audio level control.
Immense power. Phenomenal speed. A remarkable combination of innovation and refinement. The new EOS-1D X Mark II camera is nothing but legendary every step of the way. Building on a heritage of sophisticated innovation, the EOS-1D X Mark II is blazingly fast. Up to 14 fps* (up to 16 fps* in Live View mode) can be captured at a burst rate of up to 170 RAWs with a CFast™ card, and an improved 61-point AF system helps deliver clean, sharp images quickly, even in dim light. This remarkable speed means faster recording too: 4K video can be recorded at up to 60 fps with smooth AF and strikingly clear detail. Combined with superb low-light performance thanks to its powerful sensor and expandable ISO range, the EOS-1D X Mark II performs brilliantly, swiftly and stunningly no matter when or where the photographer is shooting. From the stadium, safari or studio to virtually everywhere in between, the EOS-1D X Mark II maintains and enhances all the hallmarks of what Canon has to offer, marking a new page in the legacy of the EOS series of cameras.
The Canon RF 24-70mm f/2.8 L IS USM is a versatile wide-angle to portrait-length lens characterized by its bright, advanced, and intuitive design. The constant f/2.8 maximum aperture suits working in difficult lighting conditions and also enables greater control over depth of field. The optical design incorporates a series of aspherical and Ultra-Low Dispersion elements, which greatly reduce a variety of aberrations throughout the zoom range in order to produce sharp and clear imagery. An Air Sphere Coating has also been applied to suppress flare and ghosting when working in strong lighting conditions.
The Canon EF 14mm f/2.8L USM Autofocus Lens is a bright lens that provides an ultra wide-angle view, and has the shortest focal length in the line-up of L series lenses. Its diagonal angle of view is an impressive 114 - anything larger would be a fisheye lens.
Fisheye lens with a 180 angle of view for unique and intriguing effects. The wide depth of field makes it even more interesting. The short minimum focusing distance of 8 in. (20 cm) gives new meaning to close-up shots. The lens has a fixed petal-type hood and a gelatin filter holder at the rear.
The Canon TS-E 17mm f/4L lens expands shooting possibilities exponentially on EOS Digital cameras. Designed with UD glass to minimize and compensate for chromatic aberrations, with specially coated aspherical elements for the highest possible glare-free image quality, this tilt-shift lens offers an angle of view of 93�. New TS revolving lets users freely combine tilting and shifting within the range of +/- 90� in the direction of movement.
Ultra-wide-angle lens for serious applications. Easy to hold and carry at 0.89 lb. Floating rear focusing system gives sharp images at all subject distances.
The Canon EF 24mm f/1.4L USM lens is a venerable wide-angle prime lens that provides sharpness and impressive performance at all settings. Its large maximum aperture of f/1.4 allows for superb low-light photographs, and its circular aperture and narrow depth of field provide pleasing background blur. It is the ideal tool for photojournalists, landscape and event photographers, and anyone who enjoys taking images from a wider perspective.
For discerning architectural photographers, there is great need for wide angle lenses. Tilt and shift movements, features normally found on large format cameras, can be bestowed upon a smaller format of camera with a lens such as this wide Canon 24mm f/3.5L TS-E Lens.
This is the brand new version of Canon's 24mm tilt/shift lens. This is a manual focus lens and everyone is saying this is one of Canon's sharpest lenses ever.
The superior-quality Canon EF 35mm f/1.4L USM Wide-Angle Autofocus Lens features a brilliant maximum aperture of f/1.4, the largest in its class, along with the superior natural image quality of Canon L-series lenses. An advanced floating mechanism and a ground and polished aspherical lens element achieve extremely sharp, distortion free pictures from infinity to its closest shooting distance of 1.0'/0.3 m. With ring USM-powered rear focus, autofocus is stealthy and swift. A wide focusing ring provides comfortable manual focus, and the filter ring remains stationary for ease of use with polarizers and other special effects filters.
This fast wide angle lens with a minimum focusing distance of only 0.8' allows you to approach the subject closer and still obtain a more natural wide angle effect. Excellent background blur for portraits is obtainable.
The Canon TS-E 45mm f/2.8 Manual Focus Lens is a normal lens featuring tilt and shift movements. The floating system and rear focusing give sharp and stable delineation from throughout the focus range of 1.3' to infinity. Ideal for obtaining a natural-looking perspective in a distortion-free architectural image.
The EF 50mm f/1.2L USM is a peerless new standard lens featuring an ultra-large aperture for a narrow depth of field and soft background blur so loved by photographers everywhere. The EF 50mm f/1.2L USM is suitable for any shooting situation; its lens coating and construction are optimized to minimize the ghosting and flare that frequently occurs when lenses are used with digital cameras.
Standard lens featuring superb quality and portability. Two high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference. Crisp images with little flare are obtained even at the maximum aperture. Comes with Hood.
The Canon EF 85mm f/1.2L USM Autofocus Lens is a fast lens that delivers superb optical performance. A maximum aperture of f/1.2 makes it the professional's choice for shooting without flash in low light conditions. The large aperture also provides fine control over depth of field for compelling portrait photography.
The Canon 85mm f/1.8 EF USM Autofocus Lens is a highly practical medium telephoto lens with superb delineation and portability. Images are sharp and clear at all apertures. Through computer simulations, the lens has been designed to give beautiful background blur. Since the front lens group does not rotate during focusing, special filter effects are not affected.
The Canon TS-E 90mm f/2.8 Tilt-Shift Lens is a very sharp lens with excellent contrast/saturation. The TS-E 90 is very sharp wide open - among the sharpest of Canon's lenses. Corner sharpness is very good even wide open. Full shift decreases sharpness (and creates autoexposure issues). The Canon TS-E 90mm f/2.8 Tilt-Shift Lens is slightly-moderately sharper than the Canon TS-E 45mm f/2.8 Tilt Shift-Lens, especially wide open in the corners on a full frame body.
This is the older style macro lens. It does not have image stabilization.
The EF 100mm f/2.8L Macro IS USM lens could very well be the essential multipurpose lens for every camera bag due to its ability to capture sharp close-up images of small objects as well as beautiful portrait-length telephoto shots. The incorporation of Canon's new Hybrid IS in this L-series macro lens allows it to compensate more effectively for camera shake during close-up shooting and marks a significant improvement for professionals and advanced amateurs utilizing macro photography for portrait, nature or wedding shoots.
The Canon EF 135mm f/2L USM is designed to meet the needs of a wide range of advanced amateurs and professionals. A ten element optical formula with two UD-glass elements serves to correct residual aberrations, resulting in superb sharpness and high image quality. It is also able to obtain superior background blur with the f/2 wide aperture. The EF 135mm f/2L USM is fully compatible for AF with Extenders 1.4x and 2x. A stellar portrait and available light lens.
Zoom in on a favorite subject from a distance with the Canon EF 200mm telephoto lens. Offering a long focal length that lets you effectively compress the distance between the subject and camera, the lens lets you easily capture the details and feeling of a far-off scene. The lens is distinguished by two ultra-low-dispersion (UD) glass elements and a rear focusing system to correct aberrations, producing extremely sharp images. The lens also offers a natural-looking background blur and comes with a dedicated, detachable hood.
The standard lens for many professional sports and nature photographers. The latest image-stabilized version of the 400mm f/2.8L is the best yet, with better handling, lighter weight and the world's fastest AF speed among 400mm f/2.8 lenses. Durability and weather resistance are world class. A complete redesign of optics has resulted in Canon's best image quality ever in a 400mm lens.
The Canon EF 16-35mm f/2.8L USM Autofocus Lens is a high performance, water-resistant, and ultra wide-angle L-series lens. The optical design has been improved to offer better edge-to-edge image quality. In addition, it features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo. Improved AF algorithms will help the lens to focus faster and quieter.
While an excellent ultra-wide zoom lens for film SLR cameras, the Canon EF 17-40mm f/4L USM Lens is especially well suited for use with EOS digital SLR cameras, which usually have an imaging sensor size smaller than the 35mm format. When used with such digital SLR cameras, the 17-40mm focal length range gives an angle of view approximately equivalent to that of a 27-64mm lens upon 35mm cameras, making it an ideal medium-aperture standard zoom lens.
This lens replaces the previous high quality L-series 28-70mm f/2.8 lens, with a lens of even greater caliber. The range has been extended to cover an ultra-wide angle of 24mm, which makes it ideal for digital as well as film shooters, and the optics are even better than before with two Aspherical elements and a totally new UD glass element. It's now sealed and gasketed against dust and moisture, and a new processing unit makes the AF faster than ever.
The Canon EF 24-105mm f/4L IS USM lens is an easy-to-use standard zoom lens that can cover a large zoom area ranging from 24mm wide-angle to 105mm portrait-length telephoto.
One of the finest telephoto zoom lenses in the EF line, comparable to a single focal length lens. It has four UD-glass elements to correct chromatic aberrations. The newly-designed multiple zoom groups for inner focusing bring high image quality throughout the entire zooming range. 
The pinnacle in Canon's constant-aperture telephoto zoom lenses, the EF 70-200mm f/2.8L IS USM Telephoto Zoom Lens is an incredible optic with robust design and tack sharp results. Second-generation Image Stabilization responds in as little as 0.5 seconds, while providing up to three stops stabilization that as hand-holdable as a normal lens. IS now automatically deactivates when on a tripod by sensing non-movement of the camera and lens, also conserving battery power. An entirely new optical formula produces images that are superior to even its highly regarded predecessor, the EF 70-200mm f/2.8 L, despite having more reflective surfaces within the lens.
Older, Non IS, Non USM lens.
This compact and lightweight EF 75-300mm telephoto zoom lens is ideal for shooting sports, portraits, and wildlife. The lens is distinguished by a newly developed micro ultrasonic motor (USM) that makes autofocusing quicker and quieter, along with an improved zoom mechanism that includes a silver ring on the front for a luxurious touch. The micro USM makes this version of the lens particularly suitable for applications that require a fast autofocus, such as sporting events or wildlife shoots. Best of all, the USM version shares many of the same features that makes the non-USM lens so popular, such as a compact size, a close focusing range, and accessory compatibility.
The first EF lens with a zoom range from 100mm to 400mm, the EF 100-400mm f/4.5- 5.6L IS USM lens offers high resolution, superb contrast, neutral color balance, and Canon's original built-in Image Stabilizer function. High zoom magnification is achieved by means of a 6-group configuration with 5 movable groups. Fluorite and Super UD glass completely eliminate secondary spectrum for superb color rendition. Autofocusing is fast and silent with Canon's ring USM, and AF speed is further enhanced through an advanced, lightweight rear focusing design that incorporates a floating element for consistent image quality at all focusing distances from 5.9' to infinity. This lens is also equipped with a dual-mode Image Stabilizer suitable for panning as well as stationary subjects. With full-time manual focus, one-touch zooming with a wide grip, and a special ring that permits adjustment of zooming friction, this is a lens that's extremely easy to use, and ideal for a wide variety of applications including nature, wildlife, sports, and documentary photography.
****COMES WITH AN $100 GIFT CARD (FOR USE WITH THIS ITEM ONLY)
The Canon EF 1.4x II Extender is a high-quality teleconverter that preserves the image quality of the lens it's mounted to and multiplies its focal length by 1.4x. When combined with pro level EOS cameras & EF supertelephoto lenses with image stabilization, near imperviousness to weather extremes is achieved thanks to rubber gasket seals. Improved anti-reflective internal coatings also increase transmissivity and performance in backlit conditions.
The first version of Canon's 2x converter doubles focal length of most Canon telephoto lenses but 2 f-stops are lost. For example, f/2 becomes f/4, f2.8 becomes f/5.6, and f/4 becomes f/8.
The Zeiss Distagon T* 18mm f/3.5 ZE Wide Angle Lens is designed floating lens elements that deliver consistent high-quality over the entire distance range from 0.98'(0.3 m) to infinity. The Zeiss T* anti-reflective coating yields images with depth, contrast and brilliance even under a difficult lighting situations. Optimal color correction yields images with contrasting edges, delivered without color fringing.
The Zeiss Distagon T* f/2.8 21mm ZE Lens for Canon EF Mount EOS DSLR cameras is a precision wide angle lens built with a Carl Zeiss T* anti-reflection coating that yields accurate color and professional-quality, high contrast images without any color fringes. It delivers exceptional results under all lighting conditions. With close focusing of only 8.64" (0.22 m) it is useful for landscape photography and other subjects with dramatic perspectives. The Distagon T* f/2.8 21mm comes with an EF bayonet (ZE) mount for Canon film and digital full-frame SLRs. The large front filter diameter (82mm) allows for the use of standard screw-in filters when combined with a standard lens shade (included).
The Zeiss 28mm f/2.0 Distagon T* Lens with a ZE Mount for Canon EF mount SLRS is a moderate wide-angle lens based on the renowned Distagon design of the 1980s for the Contax system. The modern Distagon T* has been optimized with current, higher performing and eco-friendly glass and incorporates a floating lens element design to optimize image quality across the entire focusing range.
The Zeiss Distagon f/2 35mm ZE Lens classic focal length with a moderate wide-angle perspective, that is perfectly suited for commercial, location and nature photography. This Distagon T* lens is designed to provide very high image quality over a wide range of apertures and focusing ranges. The fast f/2 aperture enables hand-held photography under difficult lighting conditions and the short focus rotation is well-suited for fast action photography.
The Zeiss 50mm f/1.4 ZE Planar T* Lens is a high-speed standard lens for the exacting 35mm SLR photographer. Considered by professional photographers to be one of the world's best SLR lenses (if not the best), this "ZE" lens is now available for the Canon EF (EOS) bayonet SLR system.
The Zeiss 85mm f/1.4 ZE Planar T* lens is a short, high speed telephoto lens built for the exacting SLR photographer. It provides an unusually bright and clear image in the finder. Even at full aperture, it delivers top image quality. Its angle of view and exceptional performance make the Planar T* 1.4/85 ZF the lens of choice for portraiture on location or in the studio.
The Zeiss 50mm f/2.0 Makro-Planar ZE Macro Lens is designed for analog and digital Canon SLR cameras. The manual focus lens provides a normal perspective and has a minimum focus distance of 9.45" with a maximum magnification ratio of 1:2. The lens is designed with floating elements to ensure high performance across a wide focusing range. As a result, the lens can be used for macro and non-macro applications, making it a versatile standard lens when used with a full frame camera. The high quality performance even at f/2 aperture allows you to throw the background out of focus without compromising the image quality.
The Zeiss Makro-Planar T* 100mm f/2 ZE Macro Lens for Canon EF Mount EOS DSLR cameras has superior quality optics, combining sharp macro performance and a very fast maximum aperture. A 'floating element' optical system enables the Makro-Planar T* to deliver superior quality images even at f/2, from infinity to the close-focus (1.4', 0.44 m) distance. Users can employ selective focusing on important details with the clarity required for close-up photography, effectively isolating the subject from distracting surroundings. Applications for this lens making this lens is ideal for use in a wide variety of shooting scenarios including, but not limited to, industrial, scientific, nature, and product photography applications. Its superior and unique image quality also makes it a great choice for portraits.
This 20mm is a Super wide-angle lens with a large aperture of f/1.8 and angle of view 94.5 degrees. It has Macro focusing capability with a minimum focusing distance of just 7.9", for a reproduction ratio of 1:4. The 9-bladed iris diaphragm obtains beautiful out of focus image characteristics. Aspherical lens elements in the front and rear lens groups minimize distortion, spherical aberration and astigmatisms. The lens has non-vignetting optical construction in order to obtain adequate peripheral brightness with wide apertures-especially desirable for digital cameras. The lens incorporates a rear focus system eliminating front lens rotation. The focusing ring does not rotate during autofocus yet provides adequate focusing torque of the focusing ring during manual focusing of the lens. The lens materials used in this new lens are lead and arsenic free ecological glass.
Product Highlights
The EF 8-15mm f/4L Fisheye USM Lens from Canon delivers 180° diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C. When the lens is used with full-frame cameras you can choose between a circular fisheye image or full-frame image by using the zoom.
The Optimo Style 16-40mm T2.8 is designed specifically for Super35 / crop-sensor formats. It offers a focal length roughly equivalent to 24-60mm / 26-64mm respectively. Its standard Canon EF mount makes the Optimo Style 16-40mm compatible with a wide variety of cameras ranging from the Super35 EOS C100 Mark II / C300 / C300 Mark II / C500 to APS-C 7D Mark II
The Optimo Style 30-76mm T2.8 is designed specifically for Super35 / crop-sensor formats. It offers a focal length roughly equivalent to 45-114mm / 48-122mm respectively. Its standard Canon EF mount makes the Optimo Style 30-76mm compatible with a wide variety of cameras ranging from the Super35 EOS C100 Mark II / C300 / C300 Mark II / C500 to APS-C 7D Mark II
The Canon CN-E 14mm T3.1 L F Cinema Prime Lens is an ultra wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.
The Cinema prime CN-E20mm T1.5 L F lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
The Canon CN-E 24mm T1.5 L F Cinema Prime Lens is a wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.
The Cinema prime CN-E35mm T1.5 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
The Cinema prime CN-E50mm T1.3 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
The Cinema prime CN-E85mm T1.3 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
The Cinema prime CN-E 135mm T2.2 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
- Aperture Range: T3.8 to T22
- APS-C Sized Sensors
- Full-Frame Format
- Ultra-Wide-Angle 14mm Lens
- APS-C Sized Sensors
- Full Frame Coverage
- Covers Full-Frame
- Full Frame Format
- Full-Frame Coverage
- Full-Frame Coverage
- Full-Frame Coverage
- Covers Full-Frame
- Covers Full-Frame 
- Covers Full-Frame 
- Covers Full-Frame 
- Covers Full-Frame 
The Zeiss Compact Prime CP.2 85mm/T1.5 Super Speed EF Mount is a fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light. Aside from great optics and mechanics, the lens offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity. 
Featuring 14 high-precision blades, which create a consistently round and symmetrical iris opening over the entire T-stop range, the lens ensures uniform out-of-focus highlights and a smooth bokeh. T* Anti-reflex coating and internal light traps help suppress disturbing flares. The Compact Prime Cine Lens features a unique lens design that helps provide enhanced contrast, resolution and color rendition, and reduces distortion. Markings for distance are given in feet.
The Zeiss Compact Prime CP.2 28mm/T2.1 Cine Lens (EF Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II). 
The Zeiss Compact Prime CP.2 50mm/T2.1 Cine Lens (EF Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II). 
Product Highlights
Nikon D90 Features:
Digital 12.3 megapixel DX sensor camera. Highlights are a high-resolution 3-inch LCD monitor with LiveView, magnesium alloy construction, self-cleaning sensor unit, 6 frames per second continuous shooting, USB 2.0, and HDMI output.
Digital 10.2 megapixel camera. Highlights are a magnesium-alloy body, an 11-area AF sensor, 3D Color Matrix Metering II, 5 frames per second continuous shooting, 2.5" LCD monitor, USB 2.0, 1/250 sec X-sync plus WiFi and GPS support. The D200 is about 100g heavier than the D100 but 240g lighter than the D2X.
Powerful, compact and portable i-TTL Speedlight unit optimized for use with Nikon's Creative Lighting System (CLS). 
Nikon EN-EL3e battery
Nikon lens. All-encompassing 180 degree fisheye coverage produces a circular image; everything in front of the camera is included in the picture. Truly creative pictorial effects impossible with any other type of lens; extreme barrel distortion makes lines bow in, while exaggerated perspective makes objects close to the lens very large indeed. Used in science and industry for weather and cloud observation, astronomical studies, surveillance work, and for photographing inside confined areas, such as airplane cockpits, tunnels, pipelines, heating or air-conditioning conduits, etc.
Wide angle zoom for Nikon digital SLRs with DX sensor, D1x, D70, D200, D300, D2H, etc.
The AF Fisheye-NIKKOR 16mm f/2.8D Lens from Nikon is an extreme wide-angle lens that is compatible with full-frame (FX) format cameras. It provides a 180 angle of view that fills the image frame, making it ideal for use with interior subjects as well as broad outdoor subjects and even portraiture with intentionally distorted features. The fast f/2.8 maximum aperture makes it suitable for low-light photography as well as control over your focal plane for use with shallow depth of field and selective focus applications.
Internal autofocus, vibration reduction, for Nikon digital SLRs with DX sensor, D1x, D70, D200, D300, D2H, etc.
Manual focus Nikon lens.
Autofocus, vibration reduction Nikon lens.
PRODUCT HIGHLIGHTS
Product Highlights
The Close Range Correction (CRC) system enables sharper, more detailed image quality when focusing on subjects as close as 9.8" / 25cm. The Super Integrated Coating (SIC) is a multi-layer coating on the lens elements that helps to provide a reduction in lens flare and ghosting while improving overall contrast and image quality.
Complete with built-in radio transmission wireless functionality, the Speedlite 600EX II-RT sits at the top of Canon's on-camera E-TTL / E-TTL II compatible flash lineup with a powerful guide number of 197' at ISO 100 and 200mm. This revision improves continuous flash performance by 1.1-1.5x, or up to 2.0x with optional battery pack, simplifies the menu system for faster operation, and includes a specially designed bounce adapter, a hard color filter, and an updated soft case. The two-way 2.4 GHz radio system provides added reliability and a range up to 98.4' among up to 5 groups with a total of 15 individual Speedlites. This system also does not need direct line-of-site like traditional optical-based transmission and will work through obstacles. 
The 580EX version II offers several improvements over the original 580EX version. It has been redesigned to match with the EOS-1D Mark III in terms of improved dust- and water-resistance, body strength, and the ability to control flash functions and settings from the camera menu (EOS-1D Mark III only). Other features include improved communication reliability through its direct contacts, a metal hot shoe, and recycling time is both 20% shorter than the 580EX and is completely inaudible.
We believe Recoil rigs are the future, and we want you to adopt the Recoil philosophy with a Gratical HD EVF! To highlight the perfect partnership between the Gratical HD electronic viewfinder and Next Generation Recoil rigs, we are offering unprecedented bundle savings. Add a Gratical & Axis Mini to complete your rig above & save $1000.
The Marauder is the first of its kind, a foldable DSLR run'n'gun rig. It's small enough to fit in your back pocket but when unfolded, it's an extremely stable DSLR camera support.
The Contineo 7D powered cage surrounds your HDLSR camera with a billet aluminum structure that securely holds your camera while providing numerous mounting points for accessories. Additionally the cage provides regulated power to your camera and accessories using an external cine-style battery (not included). The cage is designed to wrap around the camera body as closely as possible and lock into the bottom pin locations of the camera as well as the hotshoe mount on top. This double point clamping essentially makes the cage one with the camera and provides rigidity that will provide easy mounting and focus pulling without the flex that accompanies traditional mounting methods. The powered cage also includes a port for a wired trigger to allow you to start and stop the camera with a remote follow focus or wired trigger button.
The Contineo 5D/7D Non-powered cage surrounds your HDLSR camera with a billet aluminum structure that securely holds your camera while providing numerous mounting points for accessories. The cage is designed to wrap around the camera body as closely as possible and lock into the bottom pin locations of the camera as well as the hotshoe mount on top. This double point clamping essentially makes the cage one with the camera and provides rigidity that will provide easy mounting and focus pulling without the flex that accompanies traditional mounting methods.
Zacuto's Z-DSLR-MM DSLR Marksmen is locked, loaded, and ready to fire! After six months of using DSLRs, Zacuto has made the next evolutionary leap by changing the way DSLR cameras will be used from this point forward. This Shooter is universal, quick-releasable, extremely lightweight and great for run 'n gun type shooting, as well as indie film making.
Zacuto's DSLR Gunstock Gorilla kits are for shooters who are on the go, run'n gun, gorilla shooters. They go from tripod to handheld in seconds and weigh virtually nothing. Perfect for journalism, event and indie shooters looking for Zacuto quality, infinite adjustability as well as an affordable price. Shooting still photographs without a tripod is possible, but when shooting HD video you need multiple points of contact to steady the camera. Get a Gorilla kit and become a steady Zacuto Gorilla shooter.
Zacuto's Z-Finder optical viewfinder is just the tool you'll need for shooting professional video on the Canon 7D, 5D MkII, the Nikon D90, D300s and other DSLRs with 3" LCD screens. Whether shooting handheld or on a tripod, the Z-Finder turns your camera's LCD into a clear, easy-to-focus viewfinder that lets you see your image in magnified detail even under the brightest sunlight. Just as crucially, the Z-Finder provides that extra degree of handling comfort and point of contact--between the camera and your eye--that adds stability to any handheld video.
The Lensbaby Composer Special Effects SLR Lens is part of the Lensbaby series of SLR lenses, and offers the same spectacular special-effect results. However, the Composer introduces a completely new design. Based on a ball and socket configuration, this version allows for smoother selective focus control.
This Lensbaby Optic Kit is part of the Lensbaby Optic Swap System, and includes the Plastic, Pinhole/Zone Plate, and Single Glass optics.
This programmable timer connects to the camera via a 3ft cable. It can be used as a self-timer, long exposure timer (bulb), or an interval timer for time lapse photography. Includes (2) lithium batteries.
As the Canon top-of-the-line professional flash for the EOS-system, the Speedlite 580EX takes the best features from existing models and adds functionality that enhances digital photography. A more powerful flash with a maximum guide number of 58/191 at ISO 100 in meters/feet (at 105mm focal length), faster recycling, more consistent color and enhanced controls are among the improvements that all photographers, especially those who shoot digital, will find useful. 
Azden's FMX-DSLR Portable Audio Mixer for Digital SLR Camera is a two-channel mixer designed specifically for use with a DSLR camera. It features twin XLR inputs so that you can utilize professional microphones with your camera by using the camera's mini-jack output. The mixer has automatic gain control, a return feature and can be mounted directly to the camera or to a tripod for placement flexibility.
Speedlite 550EX is compatible with all EOS models. Other main features include a maximum Guide Number of 180 (ISO 100, ft.), an AF-assist beam, FP Flash (high speed sync), FE lock (a flash version of AE lock), and FEB (Flash Exposure Bracketing). The Speedlite 550EX also incorporates a built-in wireless transmitter, which can control other Speedlite 550EX units set up as slave units.
The Pocket Wizard PLUS II offers the latest innovation in wireless triggering for remote cameras and flash units at an amazingly affordable price. Current PocketWizard owners will also appreciate that it's compatible with all PocketWizard radios past and present; it is also part of the PocketWizard Wireless Freedom system. 
The Plus lll Transceiver is the most reliable, feature-packed, easy-to-use solution for remote flash and camera triggering available.
The Movcam Cage Kit for Sony a7 II, a7R II, and a7S II provides the added protection, stability, and mounting options needed to get your camera ready from video production use. The kit consists of a form-fitting camera cage, HDMI bracket adapter, top handle, quick-release riser block, and an LWS 15mm rod baseplate.
Remote switch for EOS cameras with the N3-type socket to prevent camera shake for super telephoto shots, macro photography shots and bulb exposures. The Remote Switch works just like a shutter button, enabling halfway or complete pressing. It has a shutter-release lock and a 2.6ft/80cm cord.
The Movcam Cage Kit for the Panasonic GH5 & GH5s includes the all-magnesium GH5 camera cage and multiple additional accessories that provide for a more complete and flexible workflow. The included twist top handle features a quick release NATO rail mount, rotating grip design, 15mm rod port, front and rear shoe mounts, and 1/4"-20 and 3/8"-16 mounting threads. The riser rail allows you to attach the handle front-offset to make room for the XLR adapter compatible with the GH5.
The 160GB CFexpress Type A TOUGH Memory Card from Sony provides fast read speeds up to 800 MB/s along with write speeds up to 700 MB/s. This card is made to take advantage of all codecs of the Sony A7Siii.
32GB Data Storage Capacity
64GB Data Storage Capacity
32GB Storage Capacity
64GB Storage Capacity
32GB Storage Capacity
64GB Storage Capacity
128GB Storage Capacity
PRODUCT HIGHLIGHTS
Supporting enhanced data read and write speed, the 128GB XQD G Series Memory Card from Sony can be used to record a variety of content up to and including 4K video. In addition to recording 4K content, the 440 MB/s read and 400 MB/s write speeds make it easy to capture photos in both burst mode and in RAW format, as well as streamline workflows. This XQD G Series Card from Sony also supports both PCI Express Gen. 2 and USB 3.0 interfaces, allowing it to be used with a wide range of devices.
Supporting enhanced data read and write speed, the 64GB XQD G Series Memory Card from Sony can be used to record a variety of content up to and including 4K video. In addition to recording 4K content, the 440 MB/s read and 400 MB/s write speeds make it easy to capture photos in both burst mode and in RAW format, as well as streamline workflows. This XQD G Series Card from Sony also supports both PCI Express Gen. 2 and USB 3.0 interfaces, allowing it to be used with a wide range of devices.
With a data read speed of up to 540 MB/s and write speed of up to 445 MB/s, the 128GB Professional 3600x CFast 2.0 Memory Card from Lexar is capable of handling cinema-quality 4K content with ease. In addition to recording 4K content, this CFast 2.0 memory card is suitable for capturing RAW and ProRes images, and has been designed for use with ARRI cameras. Regardless of the media being captured, you can take advantage of Lexars own downloadable recovery software, Image Rescue, to help recover important files should the card be corrupted or in case files are accidentally erased.
With a data read speed of up to 540 MB/s and write speed of up to 445 MB/s, the 256GB Professional 3600x CFast 2.0 Memory Card from Lexar is capable of handling cinema-quality 4K content with ease. In addition to recording 4K content, this CFast 2.0 memory card is suitable for capturing RAW and ProRes images, and has been designed for use with ARRI cameras. Regardless of the media being captured, you can take advantage of Lexars own downloadable recovery software, Image Rescue, to help recover important files should the card be corrupted or in case files are accidentally erased.
The Lexar Professional USB 3.0 Dual-Slot Reader leverages SuperSpeed USB 3.0 technology to deliver high-speed file transfer from card to computer, with a USB interface speed up to 500MB/s (reads up to 5 times faster than USB 2.0).
For Nikon D200 or D300 cameras. Includes choice of one lens blimp tube. The Jacobson Sound Blimp is a housing for professional 35mm Canon and Nikon cameras which effectively eliminates the noise created by their operation. Silencing is essential in areas where extraneous noise cannot be tolerated or would prove distracting; i.e., motion picture and television sound stages, theatrical plays, surveillance, wildlife, and sporting events such as golf.
For wide angles lenses from 20mm to 55mm
For medium size lenses, 28mm to 70mm
For telephoto lenses from 70mm to 200mm
For Canon EOS 5D Mk II cameras. Includes choice of one lens blimp tube. The Jacobson Sound Blimp is a housing for professional 35mm Canon and Nikon cameras which effectively eliminates the noise created by their operation. Silencing is essential in areas where extraneous noise cannot be tolerated or would prove distracting; i.e., motion picture and television sound stages, theatrical plays, surveillance, wildlife, and sporting events such as golf.
Works as an ambient light meter as well as a Flash/Strobe meter, without or without a sync cord.
Konica Minolta's Spotmeter F is designed for professionals and advanced amateurs alike. It enables you to take precise 1� spot measurements of ambient or flash light. Liquid-crystal displays on the meter's side panel and in the viewfinder show a full range of exposure information in both digital and analog form. Furthermore, you can quickly check the lighting contrast of a scene while looking through the viewfinder. Exposure calculations for highlights, shadows, or midtone areas can be made at the touch of a button, and more.
With 3500 lumens and a 600:1 contrast ratio, the Panasonic PT-FW430U WXGA LCD Projector possesses the image power to project vivid, saturated pictures in a variety of lighting situations. Panasonic's LCD projector offers brighter and more vivid images with full high definition resolution.
With a lightweight frame, 3200 powerful lumens, and an impressive feature set, the Panasonic PT-LB60U projector is the ultimate portable presentation partner. New Daylight View technology in the Panasonic PT-LB60U projector adds punch to colors in well lit spaces, while a very convenient direct power off allows presenters to unplug the projector immediately, without risk of harming lamp life. 
Sony's VPL-PX31 is perhaps the ultimate in high-performance LCD projectors. The high brightness of 2,800 ANSI lumens via a 200-watt UHP lamp ensures an ultra-bright image, and the three-panel LCD technology ensures good uniformity and color reproduction. The projector, which can be used for installation or portable applications, also has the ability to handle variable throw distances by use of optional lenses.
Utilizing high-output 318-watt UHP lamps as its light source, the PLC-XP57L delivers an amazing 5,500 ANSI lumens of brightness. It contains an optical compensator with a High- Contrast Optical System that achieves a contrast ratio as large as 1000:1, exhibiting more natural and smooth gradation. 
The Sharp XG-PH70X is perfect for conference facilities, lecture halls, rental, staging, and house of worship. The projector is not short on features, quality, or performance. With 5200 ANSI lumens brightness, and XGA native resolution, the XG-PH70X is perfect for most applications. With Sharp's advanced DLP Optical Engine, matched with dual 260W high-brightness lamps, the XG-PH70X achieves 5200 ANSI lumens, with excellent contrast and uniformity, delivering bright, clear images in large highly-lit rooms.
The Panasonic PT-LB3U XGA Portable Projector is a high-performance LCD projector designed to accommodate installations from permanent ceiling-mounted to simple desk-mounted use. With 3200 ANSI lumens of brightness, whether in the classroom or the boardroom the projector delivers crisp HD performance. It improves perceived sharpness, brightness and contrast, and projects lifelike images with remarkable depth.
Stand for Projector
Plays 35mm film reels. Comes with 2.5mm and 4mm lenses. Comes with a 1000' steel film reel. Other reels are available.
6' x 6' projection screen with built-in tripod.
projection screen and dress kit
Projection screen
Includes a combo stand.
Eiki Still Picture Projector, Overhead Projector 500W, Model 3875B
The DSC-1024HD is an anything in anything out kind of box. It allows for VGA, S-VGA, PAL Video, SECAM Video and NTSC Video and analog component inputs. It can convert any of these input signals to VGA, S-VGA, PAL Video, SECAM Video, HDcam component or NTSC Video for output.
DECIMATOR MD-QUAD 3G/HD/SD-SDI Quad Split Multi-Viewer with SD/HD/3G-SDI & HDMI Outputs Version 3
Since its introduction, the compact, cost effective Kudos CVR45 has established itself as the worlds best selling broadcast quality standards converter and has transformed the way the world looks at standards conversion. Broadcasters, post-production facilities, corporations, universities and many other users have all realized that the Kudos CVR45 delivers quality, reliability and performance that was once available only from much larger and more expensive units. The compact innovative Kudos CVR45 provides rugged portability, high reliability and extremely low power consumption, together with high quality conversion, at an affordable price.
The VAC-11HU3-2 Converter provides a convenient and cost-effective way to bring full-resolution video into any modern computer system supporting USB 3.0. The VAC-11HU3-2 works with HDMI digital video formats ranging from standard definition up to 1080p60 (includes 1920 x 1200p60). Installation is plug-and-play and multi-platform. Easily connect professional video cameras in place of inferior webcams for teleconferencing/telepresence or ingest high-quality video/audio directly into a laptop or other computer. It is great for permanent installations or on-the-run setups where bulky equipment would not be practical.
Convert overhead projector media to video output. The EV-400AF begins with superior image quality. ELMO utilizes a 1/2" CCD yielding over 450 lines of horizontal resolution and produces outstanding contrast and picture quality when capturing all types of 3D objects, slides, transparencies, and opaque presentation materials.
Play a carousel of 35mm slides directly to a video monitor. Includes color corrector, focus, and iris controls, Gen-Lock, S-video, and component RGB output.
G-RAID mini, a portable high-performance dual-drive RAID solution, now features USB 3.0 and FireWire for unprecedented speed and flexibility. With both RAID 0 and RAID 1 operation, it's perfect for working on location or while on-the-go. G-RAID mini features 7200 RPM hard drives, a compact all-aluminum enclosure and up to 2TB of disk space. It is the ideal portable storage solution for safe-guarding content. G-RAID mini is capable of delivering an unprecedented 250MB/second transfer rate when connected via USB 3.0 in RAID 0 mode. And, G-RAID mini is FireWire bus-powered.
G-RAID® is designed specically for professional content creation applications and features USB 3.0 and FireWire 800 for universal connectivity and industry-leading performance. It uses the latest-generation chipset and supports simultaneous playback of multiple layers of HDV, DVCPRO HD, and ProRes 422 HQ with the leading video editing applications, including Final Cut Pro®. G-RAID is capable of delivering up to 250MB/second transfer rates when connected to any Mac® or PC via USB 3.0. The thermo-regulated "smart" fan keeps G-RAID cool and the editing suite quiet.
G-RAID® with Thunderbolt, designed for the most demanding applications features the most powerful, flexible I/O technology ever introduced for the Mac®. At double the data transfer rates of USB 3.0 and over 12 times faster than Firewire 800, no other I/O interface can match the raw speed of Thunderbolt now available in G-Technology's leading RAID solution.
Complete your most demanding video and photo editing projects in less time with G-RAID Studio, a high-performance Thunderbolt 2 storage system with hardware RAID. Configurable in RAID 0, RAID 1, or JBOD, G-RAID Studio features the latest Thunderbolt 2 technology for ultimate speed. G-RAID Studio ships with two removable 7200RPM hard drives in a solid black enclosure for total capacities up to 12TB. With transfer rates as high as 360MB/s, G-RAID Studio also supports 2K and compressed 4K video workflows, giving you the speed - and the capacity - your projects require.
Featuring the ultra-fast, high-performance Thunderbolt interface, the G-DRIVE PRO with Thunderbolt delivers flexible, extreme-performance storage for your Thunderbolt-enabled system. With transfer rates up to 480MB/s, you get SSD-like performance with spinning disk capacities to support the most demanding applications! G-DRIVE PRO features two Thunderbolt ports for easy daisy-chaining and future external storage expansion. Designed for content creators, the G-DRIVE PRO supports multi-stream work-flows in all major formats, that's multi-stream 2K* in real-time out of a small and lightweight desktop storage solution!
A high performance storage solution featuring ultra-fast Thunderbolt and USB 3.0 interfaces in an all aluminum enclosure. G-DRIVE with Thunderbolt is perfect for storage-intensive applications like audio/video editing, digital photography and data backup. Available in storage capacities up to 4TB, G-DRIVE with Thunderbolt is plug and play on Mac OS®, and easily reformatted for Windows®.
G-DRIVE® storage solutions offer the ultimate in flexibility by providing high-speed USB, eSATA and FireWire® connectivity all in a single desktop unit. G-DRIVE is the perfect high-performance solution for storage intensive applications, including audio/video editing, digital photography, music libraries, and high-speed data backup. The system features a fan-less cooling system and the latest 7200 RPM drive with up to 64MB of cache. G-DRIVE supports professional audio/video music production tools, including Final Cut Pro®, Adobe® Premiere® and Logic Studio®.
Multistream, compressed 4k and 2k workflows require a unique combination of speed, capacity, and flexibility. That's what you get with the G-SPEED Studio hardware RAID 4-Bay Thunderbolt 2 storage solution. Configurable in RAID 0, 1, 5, and 10, the solution features the latest Thunderbolt 2 technology for ultimate speed. The G-SPEED Studio solution provides sustained transfer rates of up to 700MB/s. It also gives you the ability to daisy-chain with dual Thunderbolt 2 ports, and it ships with Enterprise Class hard drives for ultimate reliability. Plus, G-SPEED Studio provides the advanced features that matter most to creative professionals, from the sleek black enclosure to smart fan technology and plug-and-play Mac setup.
- Final Cut Pro HD
- 17" Widescreen laptop
AJA's IoHD is the latest in the award-winning Io family of products-an effortless to use, transportable plug-in solution for working with HD and SD in Final Cut Studio 2. With a single FireWire 800 connection, Io HD uniquely supports the amazing new Apple ProRes 422 Codec natively, in hardware, to bring production-quality HD editing to the Mac Pro desktop and even the MacBook Pro laptop!
- 17" widescreen laptop
15-inch: 2.4GHz
AT&T Mobile Hotspot Elevate 4G Wireless router (754S)
The Spartan PLUS duplication system is a revolutionary solution that will allow you to link up to 255 ten target towers for a maximum of 2550 targets simultaneously. Duplication can be made from a single master DVD/CD ROM or Hard Drive. Our professional version comes built in with a 160GB HD and USB 2.0 card. The Spartan PLUS features all the functions from our Spartan series such as 'DHP technology', which creates a hard drive partition to the size of each master disc image to maximize HDD space, and 'Master Error Proof technology', which allows you to replace a bad master disc and continue at mid burn without ever having to lose your blank disc.
This compact camera log book comes in red, yellow, and blue. Allows for 300 log entries (scene number, description, film stock, etc.)
11 3/4"H x 20 13/16"W x 14 1/4"D
3 strips. 4 5/8" x 3 3/8".
Wipes off with a damp cloth. 4 colors: red, purple, green, black.
Great white brand entertainment grade trick line/ tie line, used in the movie, television, photo, music and commercial industries throughout America. It is made in U.S.A. With the finest materials available.
Velcro pre-cut ties come in a variety of different colors to make it easy to color-code wires, cords, and cables for construction and networking projects. Adjustable ties are strong and reusable for indoor or outdoor use.
White sash cord, 100'.
BongoTies Standard 5" Elastic Cable Ties (10 Pack) are ideal for bundling together cables and other unruly items. This 10-pack of ties are reusable, and employ a patented "button-type" closure design for an easy application/removal. They are made of natural rubber and wood in order to stand up to long-term use. These ties are used by professionals for a wide variety of applications -- they're great for use around the office or home, auto and garage, travel and sports, and studio and industry and more.
BongoTies Standard 5" Elastic Cable Ties (10 Pack) are ideal for bundling together cables and other unruly items. This 10-pack of ties are reusable, and employ a patented "button-type" closure design for an easy application/removal. They are made of natural rubber and wood in order to stand up to long-term use. These ties are used by professionals for a wide variety of applications -- they're great for use around the office or home, auto and garage, travel and sports, and studio and industry and more.
BongoTies Standard 5" Elastic Cable Ties (10 Pack) are ideal for bundling together cables and other unruly items. This 10-pack of ties are reusable, and employ a patented "button-type" closure design for an easy application/removal. They are made of natural rubber and wood in order to stand up to long-term use. These ties are used by professionals for a wide variety of applications -- they're great for use around the office or home, auto and garage, travel and sports, and studio and industry and more.
BongoTies Standard 5" Elastic Cable Ties (10 Pack) are ideal for bundling together cables and other unruly items. This 10-pack of ties are reusable, and employ a patented "button-type" closure design for an easy application/removal. They are made of natural rubber and wood in order to stand up to long-term use. These ties are used by professionals for a wide variety of applications -- they're great for use around the office or home, auto and garage, travel and sports, and studio and industry and more.
BongoTies Standard 5" Elastic Cable Ties (10 Pack) are ideal for bundling together cables and other unruly items. This 10-pack of ties are reusable, and employ a patented "button-type" closure design for an easy application/removal. They are made of natural rubber and wood in order to stand up to long-term use. These ties are used by professionals for a wide variety of applications -- they're great for use around the office or home, auto and garage, travel and sports, and studio and industry and more.
Organize wires, cables, ropes and eliminate tangles or tripping hazards with these cable ties. The cable ties are made of tough nylon and certified to current fire standards.
Organize wires, cables, ropes and eliminate tangles or tripping hazards with these cable ties. The cable ties are made of tough nylon and certified to current fire standards.
Organize wires, cables, ropes and eliminate tangles or tripping hazards with these cable ties. The cable ties are made of tough nylon and certified to current fire standards.
Keep your stereo, television and dashboard cables untangled with these cable ties! The durable nylon material can easily support up to 175 lbs. and stays strong even under heated conditions. This reliable set of cable ties fastens items together, prevents knots in wiring and binds items tightly for organization and various other uses around the house and campground.
Keep your stereo, television and dashboard cables untangled with these cable ties! The durable nylon material can easily hold together up to 175 lbs. and stays strong even under heated conditions. This reliable set of cable ties fastens items together, prevents knots in wiring and binds items tightly for organization and various other uses around the house and campground.
Contains 2 strips.
Eaton Cooper Wiring Devices 2609BK-BU Nonpolarized, "Add-a-Tap",10A In-line outlet For Use with SPT-1, Black.
This is a 2-wire non-polarized plug for Add-a-tap applications. Easy Install 10A 125V 2P2W
(1" camera tape)
(1" camera tape)
(1" camera tape)
(1" camera tape)
(1" camera tape)
(1" camera tape)
(1" camera tape)
(1" camera tape)
(1" camera tape)
(1" camera tape)
(1" camera tape)
- Delivers a strong, permanent bond on contact
- Use instead of nails or screws
Topstick® is a clear, double-sided, medical adhesive tape in strips. Hypo-allergenic, waterproof, high quality tape does not separate when removed. The back liner is slit for easy opening.
DuvePro is a polyester/felt joint with permanent acrylic adhesive on a silicone paper release liner.
3" 3" partially key-able green adhesive low reflection matte finished markers (sticker back). Whether your using markers to add CGI to a scene, extend scenes with matte paintings or control camera movement in post, these markers will assist you in the post production process by providing tracking information.
Gel pack contains the following 10-1/2" x 12" filters:
Gel pack contains the following 10-1/2" x 12" filters:
Gel pack contains the following 10-1/2" x 12" filters:
Gel pack contains the following 10-1/2" x 12" filters:
30cm x 30cm (12 12)
Gel pack contains the following 10-1/2" x 12" filters:
Low light loss LED diffusers
Low light loss LED diffusers / Long life Correction LED Filters
Regular price $399, INSTANT SAVINGS OF $100 - #01 Savage Super White Seamless Paper provides a high-quality, non-reflecting surface with an exquisite, fine-tooth feel that's ideal for creating smooth and even backgrounds in portraits, commercial photography, product photography, videography, and much more. With sizes spanning up to 50 yards of paper length, just roll out what you need and trim the end when finished, to guarantee a fresh and sleek background with each use. Being a cost effective and versatile material, Savage Seamless Paper is not limited to just photographic use. Take your small and large-scale crafting, art and visual design projects to the next level with your next roll of seamless paper. Savage Seamless Paper is acid-free, lignin free and pH neutral.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.
Savage Widetone seamless background paper.)
85 minute tape
63 minute tape
60 minute tape
60 minute tape
This DVCAM for HDV Tape is the perfect partner for videographers who want to shoot freely in SD or HD on the same media without increasing their cost. 
HDV/DV: 276 min
Mini cassette format. Recording time is 41 minutes in DVCAM or 63 minutes in HDV or DV.
40 minute cassette
64 minute tape
94 minute tape
124 minute tape
184 minute tape
63 minute tape
66 minute tape
126 minute tape
40 Minutes 60i HDCAM
94 Minutes 60i HDCAM
124 Minutes 60i HDCAM
6 minute tape
12 minute tape
32 minute tape
40 minute tape
64 minute tape
124 minute tape
Sonys new Professional Disc recording media is a 12cm (5 inch) single-sided, rewritable optical disc with a capacity of 23.3GB.
The Sony PFD-50 is a professional dual layer laser-disk recording medium for the XDCAM series of camcorders. This product supplies 50 gigabytes of storage, superior durability realized through an advanced cartridge design and rotating shutter mechanism. Record up to 4 hours of HD quality video when shooting with MPEG HD420 mode @18 Mbps. It's the perfect acquisition medium for long continuous recordings such as event shooting, sports, entertainment, and court proceedings.
The 50 GB Dual Layer Pre-Formatted Rewritable Optical Disc For XDCAM 95 min on MPEG HD422 from Sony is a 5.0" rewritable optical disc with a 0.32" track pitch and is able to store up to the equivalent of 10 DVDs. The disc holds approximately 185 minutes in DVCAM mode at 25 Mbps or 265 minutes in MPEG mode at 18 Mbps
The Sony PFD128QLW 128 GB Quad-Layer XDCAM Professional Disc holds up to 128 GB to record HD and SD material from XDCAM recorders that are compatible with Quad-Layer media. The write-once, random-access disc leverages Sony's blue-laser technology and features rugged construction that makes it ideal as a long-term archiving solution.
10 minute Beta SP tape
20 minute Beta SP tape
30 minute Beta SP tape
60 minute large Beta SP cassette
90 minute large Beta SP cassette
9V Alkaline battery 12 Pack
Protect cameras, microphones, handguns and other specialized equipment with this exceptionally rugged Apache™ weatherproof storage case. Constructed from extremely durable polypropylene, this professional quality hard case takes a beating while protecting the contents from impact, moisture and microscopic dust. The built-in purge valve equalizes pressure so you can open the case after changing elevations.
150W Replacement.
1600 Lumens, non-dimmable.
800 Lumens, non-dimmable.
Atmosphere Aerosol is a clear and non-toxic spray that adds haze to any room or still, windless area. Spray it and capture light rays or create smoky, foggy settings. It provides a convenient and effective alternative to fog machines or other heavy-duty equipment for photography and film capture applications. Simply pull it out of your bag and spray it shortly before the shoot.
Allows professional photographers and cinematographers to create light haze, dramatic light beams, fogs and softly diffused images.
To function the smoke grenade simply pull the ring to the side. What follows is 90 seconds of brilliantly colored, non-toxic smoke. Smoke from the WP40 is delivered from a single vent at the top of the grenade.
To function the smoke grenade simply pull the ring to the side. What follows is 90 seconds of brilliantly colored, non-toxic smoke. Smoke from the WP40 is delivered from a single vent at the top of the grenade.
- Dulling spray creates a temporary dull finish to reduce glare on items to be photographed or videotaped
Lasts for 1 minute. CAUTION: Flammable
Lasts for 1 minute. CAUTION: Flammable
Lasts for 1 minute. CAUTION: Flammable
Lasts for 1 minute. CAUTION: Flammable
Kimwipes are great for cleaning all sorts of darkroom and studio equipment.
Extremely soft and virtually lint-free... safe for any optical surface such as camera lenses, microscopes, telescopes, and binoculars. Each tissue is perforated for easy removal.
Ram Board is a heavy-duty, temporary floor protection engineered for Contractors. Designed with cost and efficiency in mind, it lays out fast and is re-usable. Ram Board is non-staining and utilizes Flex-Fiber technology allowing for the proper curing of new floors on jobsites. Exclusive Spill Guard technology provides added protection against water, paint, mud, and more.
105" x 75" x 6 mil Polyethylene bag. Use for covering carts, dollies, wardrobe racks, and other equipment from rain and the elements. These rain covers are reusable.
84" x 70" x 6 mil Polyethylene bag. Use for covering carts, dollies, wardrobe racks, and other equipment from rain and the elements. These rain covers are reusable.
This two-sided camo tarp protects against harsh weather with sturdy 1000 Denier polyethylene construction. The green camouflage pattern is inconspicuous in high foliage settings making it ideal for campsites, duck blinds and other outdoor activities.Two-sided: green on one side, camo on the other1000 denier polyethylene construction10 x 10 weaveRope-reinforced hemsRust-resistant aluminum grommets 5 ft. 6 in. x 7 ft. 6 in. Camouflage All Purpose/Weather Resistant Tarp
Made of a tough knit paper material with elastic bands that allow you to slip these over your shoes. Ideal for crew members who need to walk on freshly painted sets or green/blue screens. Packaged in five pair packs.
Ultrasuede Microfiber
Ultrasuede Microfiber
Sells by the foot. 
Also known as "Black Commando Cloth". We also sell Duvetyne by the foot.
This styrofoam board is used to bounce light. Reflectance qualities are more diffused than foam core, yielding a softer less detailed soft light source.
BlackWrap, Lindcraft Foil, Cinefoil and Shadowfoils are all names for black aluminum foil that is primarily used to block out light and is attached to light fixtures and or their barn doors. Used in any situation where extreme heat might otherwise burn flags or cutters. Shadowfoils create light effects by letting light through different shaped cutouts in the foil.
To avoid overheating, follow this guideline:
Includes:
When this microphone became available in 1951, it was enthusiastically adopted not only by jazz and Rock'n Roll bands but also by bluegrass bands. Although designed for public address use, it was also widely adopted by broadcasters. The famous Louisiana Hayride, for example, was broadcast using a 55S. Comes with a long or short stand and a black microphone cable.
The Shure 55SH is the modern version of the original 55S. The 55SH Series II microphone combines the Shure classic UNlDYNE II design coupled with modern acoustic components to meet today's performance standards. Comes with a long or short stand and a black microphone cable.
The Electrovoice 611 was used by all the rock-a-billy and blues greats like Gene Vincent, Bo Diddley, Eddie Cochran, Carl Perkins, Little Richard, and Elvis Presley.
The Astatic 77A was a very stylish microphone that was a direct competitor to the legendary Shure 55 in the "Elvis microphone" category, as a vocal mic for stage and live musical performances. It was made from 1945 to 1955.
The Brush Development Company made crystal microphones that were popular in the 1930's.
This microphone model quickly earned the reputation as the "King of the Airwaves" by the the local CB'ers during the mid 70's. The original model featured a removable crystal mike "head", and a base stand with a grip to talk keybar, and a sliding transmit lock ring. This mike was offered in several different versions over the years, including the original un-amplified high impedance G-stand, and the later un-amplified UG-8 stand, as well as the pre-amplified TUG-8 stand.
Watch "Larry King" and you'll see one of these microphones on his desk as a prop. The RCA 77A and 44A were used routinely on WSM, the Grand Old Opry, and feature in many classic images from the period. They can also be heard on the majority of recordings from the same era.
The early and very popular RCA 44A had a figure-of-8 pickup pattern and a very smooth, silky sound with a pronounced low frequency emphasis when used to close mic vocals (this property made it a great favourite of the �crooners� of the day, who exploited these properties extensively both in live performance and recordings).
Designed and produced by Austrian company AKG, this microphone had a production run that started in the the late 60's and lasted over 20 years. This microphone was seen often in home studios and live shows.
The Model 522 is a base-station microphone for radio communications, paging, and dispatching systems.
The Bell. The last in the series of Nikonos underwater camera. Produced in 1984, this camera had the same rugged construction and simple controls, and waterproof up to 160ft. Based on the original designs of world renowned explorer Jacques Cousteau.
The�Polaroid Business Edition�camera was first released in the early 1990s.�It was designed with extra durability and ruggedness in mind.
Introduced by Polaroid in 1984 under a new line of cameras using "Spectra Film" which had a different image format: a 9.2x7.3 cm rectangle instead of the most common Polaroid Square.
Introduced by Polaroid in 1984 under a new line of cameras using �Spectra Film� which had a different image format: a 9.2x7.3 cm rectangle instead of the most common Polaroid Square.
The�Coronet 3D camera was first manufactured by the English Coronet Camera Company starting in the mid 1950's. Described as a unique 3D camera, it took pictures on standard film.
Rollei introduced their 35S in 1971, 5 years after the original Rollei mini 35. The camera follows the same standard, measuring only 4" in width and 2" in height.
La Cr�me de la Cr�me back in 1997. Made by Hitachi this camera could shoot high quality (late 1990's standards) video and pictures.
"Generic" 35mm camera and flash
Nikon N2000 35mm SLR
Ricoh 35mm with flash
Miranda Sensorflex II
Yashica 35mm
Olympus 35mm
Nikkormat 35mm manual operation
Yashica compact 35mm
"Generic" 35mm camera and flash
Minolta compact 35mm
Nikon
Nikon
Nikon
Canon
Canon
Canon
Rollei
Minolta
Nikon
Nikon
Canon
Olympus
Marketed from 1939 to 1950 under various names, the Spartus Press flash was the first camera with a built in flash.
dual lens camera with flash as shown
The Leica M3 is a 35 mm rangefinder camera by Leica AG, introduced in 1954. The M3 introduced several features to the Leica, among them the combination of viewfinder and rangefinder in one bright window, like on the Contax II, and a bayonet lens mount. It was the most successful model of the M series, with over 220,000 units sold by the time production of the M3 model ended in 1966.
with lens board as shown. Antique tripod available.
with plastic 4x5 sheet film holder
The Speed Graphic 4x5 camera was the standard press camera from the 1940's through the 50's, and into the 60's. The 1942-1954 Pulitzer Prizes for photography were taken with Speed Graphic cameras.
The Speed Graphic 4x5 camera was the standard press camera from the 1940's through the 50's, and into the 60's. The 1942-1954 Pulitzer Prizes for photography were taken with Speed Graphic cameras.
The Speed Graphic 2.25 x 3.25 camera, made by Graflex, was produced between 1946 and 1955. It uses 120 roll film and has a side-mounted rangefinder. This prop includes the "23" Graphic 120 roll holder.
This camera was made by Zeiss Ikon from 1956 to 1958. Many similar models were made between 1939 and 1960. This prop camera comes with a leather case and strap.
This camera was made by Zeiss Ikon from 1956 to 1958. Many similar models were made between 1939 and 1960.
The Rolleiflex TLR film cameras were notable for their compact size, reduced weight, superior optics, durable and simple mechanics and bright viewfinders. They were popular and widely imitated, serving as the pattern for a whole class of mass-market cameras. This particular model won the Grand Prix award at the Paris World's Fair in 1937. It includes a leather case.
This Rolleiflex Baby 4x4 used 127 film and was made between 1963 and 1968.
The abbreviation stands for "Blimped News Camera Reflex", originally introduced in 1934 the as the Mitchell BNC, and upgraded to the BNCR in 1967, the Mitchell camera was the standard in Hollywood for both television and film up until the 1980's. The camera package includes a wooden vintage tripod, and vintage accessories.
The Bell & Howell Filmo may have had its biggest impact on the beginnings of television news. In the mid to late 50's and early 60's when local stations first began to venture out of the studio and incorporate film into their nightly news programs, it was the well proven 16mm Filmo they chose to acquire B&W footage of local events. Even after stations adopted more sophisticated magnetic sound-on-film cameras like the Auricon, the Filmo remained the workhorse "stringer" camera. Some of the most dramatic close combat footage from the Vietnam war was shot by both NBC and CBS using Filmo's.
Paillard S.A. of Switzerland introduced the first bolex h-16 type camera in the early thirties. No one remembers today what the letter "h" stands for, but it has become synonymous with a versatile, compact, high-quality camera around the globe and in the years to come it outsold all other 16mm cameras ever made.
This camera was made around 1955 and was the camera used by Charles L Bronson that yielded the famous footage of the Kennedy assassination.
The Motorola Ultra Classic cellular portable telephone was made in 1991.