Canon RF 24-70mm f/2.8 L IS USM Lens |
the Canon RF 24-70mm f/2.8 L IS USM is a versatile wide-angle to portrait-length lens characterized by its bright, advanced, and intuitive design.
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Canon EF 14mm f/2.8L USM 35mm lens |
The Canon EF 14mm f/2.8L USM Autofocus Lens is a bright lens that provides an ultra wide-angle view, and has the shortest focal length in the line-up of L series lenses. Its diagonal angle of view is an impressive 114 - anything larger would be a fisheye lens.
This lens features completely redesigned optics, including two high-precision Aspherical elements and two UD-glass elements. This results in better contrast and sharpness at the outer edges, and a reduction in chromatic aberrations that can sometimes be seen with high-resolution digital SLRs.
The 14mm f/2.8L II USM lens uses a rear focusing system, high-speed CPU, and a powerful ring-type USM with revised electronics for faster, more responsive AF. This wide aperture lens is the ideal choice for architectural, corporate, or other pro-level photography.
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Canon EF 15mm f/2.8 Fisheye 35mm lens |
Fisheye lens with a 180 angle of view for unique and intriguing effects. The wide depth of field makes it even more interesting. The short minimum focusing distance of 8 in. (20 cm) gives new meaning to close-up shots. The lens has a fixed petal-type hood and a gelatin filter holder at the rear.
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Canon TS-E 17mm f/4L Tilt-Shift Lens |
The Canon TS-E 17mm f/4L lens expands shooting possibilities exponentially on EOS Digital cameras. Designed with UD glass to minimize and compensate for chromatic aberrations, with specially coated aspherical elements for the highest possible glare-free image quality, this tilt-shift lens offers an angle of view of 93°. New TS revolving lets users freely combine tilting and shifting within the range of +/- 90° in the direction of movement.
The lens also has an improved tilt & shift knob with an enhanced range of movement of up to +/- 6.5° and revolving lenses for better operability, it uses a circular aperture for beautiful out-of-focus areas and has an SWC lens coating to control ghosting and flare to a far greater degree than with earlier coating technologies.
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Canon EF 20mm f/2.8 USM 35mm lens |
Ultra-wide-angle lens for serious applications. Easy to hold and carry at 0.89 lb. Floating rear focusing system gives sharp images at all subject distances.
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Canon EF 24mm f/1.4 USM 35mm lens |
The Canon EF 24mm f/1.4L USM lens is a venerable wide-angle prime lens that provides sharpness and impressive performance at all settings. Its large maximum aperture of f/1.4 allows for superb low-light photographs, and its circular aperture and narrow depth of field provide pleasing background blur. It is the ideal tool for photojournalists, landscape and event photographers, and anyone who enjoys taking images from a wider perspective.
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Canon TS-E 24mm f/3.5L tilt/shift manual focus lens |
For discerning architectural photographers, there is great need for wide angle lenses. Tilt and shift movements, features normally found on large format cameras, can be bestowed upon a smaller format of camera with a lens such as this wide Canon 24mm f/3.5L TS-E Lens.
Being a Canon "L" lens, by definition it is a premium Canon optic. The 24mm TS-E has several distinct elements that make it stand apart from more common glass. Firstly, designers integrated a set of physical controls that allows users to rotate the direction of the tilt and shift independently of one another. Secondly, there is +/-8.5° of tilt and +/-12mm of shift that gives photographers ample ability to correct for perspective when taking images of interior or exterior spaces, and landscapes.
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Canon TS-E 24mm f/3.5 II 35mm tilt/shift lens Version 2 |
This is the brand new version of Canon's 24mm tilt/shift lens. This is a manual focus lens and everyone is saying this is one of Canon's sharpest lenses ever.
For discerning architectural photographers, there is great need for wide angle lenses. Tilt and shift movements, features normally found on large format cameras, can be bestowed upon a smaller format of camera with a lens such as this wide Canon 24mm f/3.5L II TS-E Lens.
Being a Canon "L" lens, by definition it is a premium Canon optic. There is +/-8.5° of tilt and +/-12mm of shift that gives photographers ample ability to correct for perspective when taking images of interior or exterior spaces, and landscapes.
- EF mount lens is compatible with all Canon EOS cameras.
- Wide image circle of 67.2mm is 50% greater than 35mm/full frame film area.
- High precision glass (16 elements/11 groups) for low distortion and high resolution to the edge of the image.
- Tilt and shift mechanism rotates +/-90° allowing shift in any direction.
- Tilt mechanism rotates +/-90° allowing tilt in any direction relative to the shift.
- One Aspherical and three UD lens elements minimize chromatic aberration
- Sub-wavelength structure and super-spectra coatings minimize ghosting and flare.
- Circular aperture for creative, blurred highlights.
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Canon EF 35mm f/1.4L USM Autofocus 35mm lens |
The superior-quality Canon EF 35mm f/1.4L USM Wide-Angle Autofocus Lens features a brilliant maximum aperture of f/1.4, the largest in its class, along with the superior natural image quality of Canon L-series lenses. An advanced floating mechanism and a ground and polished aspherical lens element achieve extremely sharp, distortion free pictures from infinity to its closest shooting distance of 1.0'/0.3 m. With ring USM-powered rear focus, autofocus is stealthy and swift. A wide focusing ring provides comfortable manual focus, and the filter ring remains stationary for ease of use with polarizers and other special effects filters.
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Canon EF 35mm f/2.0 Autofocus 35mm lens |
This fast wide angle lens with a minimum focusing distance of only 0.8' allows you to approach the subject closer and still obtain a more natural wide angle effect. Excellent background blur for portraits is obtainable.
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Canon TS-E 45mm f/2.8 tilt/shift manual focus lens |
The Canon TS-E 45mm f/2.8 Manual Focus Lens is a normal lens featuring tilt and shift movements. The floating system and rear focusing give sharp and stable delineation from throughout the focus range of 1.3' to infinity. Ideal for obtaining a natural-looking perspective in a distortion-free architectural image.
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Canon EF 50mm f/1.2L USM 35mm lens |
The EF 50mm f/1.2L USM is a peerless new standard lens featuring an ultra-large aperture for a narrow depth of field and soft background blur so loved by photographers everywhere. The EF 50mm f/1.2L USM is suitable for any shooting situation; its lens coating and construction are optimized to minimize the ghosting and flare that frequently occurs when lenses are used with digital cameras.
- 46 degrees view angle
- 72 mm filter
- 17.7" min focus
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Canon EF 50mm f/1.4 USM 35mm lens |
Standard lens featuring superb quality and portability. Two high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference. Crisp images with little flare are obtained even at the maximum aperture. Comes with Hood.
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Canon EF 85mm f/1.2L USM Autofocus 35mm lens |
The Canon EF 85mm f/1.2L USM Autofocus Lens is a fast lens that delivers superb optical performance. A maximum aperture of f/1.2 makes it the professional's choice for shooting without flash in low light conditions. The large aperture also provides fine control over depth of field for compelling portrait photography.
Retaining the impressive optical performance and large aperture of its predecessor, this medium telephoto lens has been improved with a Ring-type USM, high-speed CPU and optimized algorithms to achieve an autofocus speed approximately 1.8x faster than the original. The high-speed AF and circular aperture create a shallow depth-of-field that brings attention to the subject and blurs the background, which is ideal for portraits and weddings.
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Canon EF 85mm f/1.8 USM Autofocus 35mm lens |
The Canon 85mm f/1.8 EF USM Autofocus Lens is a highly practical medium telephoto lens with superb delineation and portability. Images are sharp and clear at all apertures. Through computer simulations, the lens has been designed to give beautiful background blur. Since the front lens group does not rotate during focusing, special filter effects are not affected.
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Canon TS-E 90mm f/2.8 tilt/shift telephoto lens |
The Canon TS-E 90mm f/2.8 Tilt-Shift Lens is a very sharp lens with excellent contrast/saturation. The TS-E 90 is very sharp wide open - among the sharpest of Canon's lenses. Corner sharpness is very good even wide open. Full shift decreases sharpness (and creates autoexposure issues). The Canon TS-E 90mm f/2.8 Tilt-Shift Lens is slightly-moderately sharper than the Canon TS-E 45mm f/2.8 Tilt Shift-Lens, especially wide open in the corners on a full frame body.
The Canon TS-E 90mm f/2.8 Tilt-Shift Lens has nearly no light fall-off even wide open (f/2.8) unless shifted to near limits on a full frame body. CA is very well controlled on my first copy of this lens - better than the other TS-E lenses, but my second copy does exhibit a small amount wide open. Flare-resistance is high - flare only shows up with the sun actually in the picture (or similar extreme circumstances). Distortion is very well controlled.
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Canon EF 100mm f/2.8 35mm macro lens |
This is the older style macro lens. It does not have image stabilization.
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Canon EF 100mm f/2.8L IS USM 1-to-1 Macro Lens |
The EF 100mm f/2.8L Macro IS USM lens could very well be the essential multipurpose lens for every camera bag due to its ability to capture sharp close-up images of small objects as well as beautiful portrait-length telephoto shots. The incorporation of Canon's new Hybrid IS in this L-series macro lens allows it to compensate more effectively for camera shake during close-up shooting and marks a significant improvement for professionals and advanced amateurs utilizing macro photography for portrait, nature or wedding shoots.
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Canon EF 135mm f/2.0L USM Autofocus 35mm lens |
The Canon EF 135mm f/2L USM is designed to meet the needs of a wide range of advanced amateurs and professionals. A ten element optical formula with two UD-glass elements serves to correct residual aberrations, resulting in superb sharpness and high image quality. It is also able to obtain superior background blur with the f/2 wide aperture. The EF 135mm f/2L USM is fully compatible for AF with Extenders 1.4x and 2x. A stellar portrait and available light lens.
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Canon EF 200mm f/2.8L II USM Autofocus 35mm lens |
Zoom in on a favorite subject from a distance with the Canon EF 200mm telephoto lens. Offering a long focal length that lets you effectively compress the distance between the subject and camera, the lens lets you easily capture the details and feeling of a far-off scene. The lens is distinguished by two ultra-low-dispersion (UD) glass elements and a rear focusing system to correct aberrations, producing extremely sharp images. The lens also offers a natural-looking background blur and comes with a dedicated, detachable hood.
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Canon EF 300mm f/2.8L IS II |
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Canon EF 400mm f/2.8L IS USM Autofocus 35mm lens |
The standard lens for many professional sports and nature photographers. The latest image-stabilized version of the 400mm f/2.8L is the best yet, with better handling, lighter weight and the world's fastest AF speed among 400mm f/2.8 lenses. Durability and weather resistance are world class. A complete redesign of optics has resulted in Canon's best image quality ever in a 400mm lens.
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Canon EF 16-35mm f/2.8L USM Autofocus 35mm zoom lens |
The Canon EF 16-35mm f/2.8L USM Autofocus Lens is a high performance, water-resistant, and ultra wide-angle L-series lens. The optical design has been improved to offer better edge-to-edge image quality. In addition, it features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo. Improved AF algorithms will help the lens to focus faster and quieter.
All of the "L" lenses deliver optical performance equal to similar fixed focal lengths lenses, and the USM lenses do this with silent, high-speed focusing. Distortions and aberrations are remarkably small for a lens of such amazing capabilities.
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Canon EF 17-40mm f/4L USM Autofocus 35mm zoom lens |
While an excellent ultra-wide zoom lens for film SLR cameras, the Canon EF 17-40mm f/4L USM Lens is especially well suited for use with EOS digital SLR cameras, which usually have an imaging sensor size smaller than the 35mm format. When used with such digital SLR cameras, the 17-40mm focal length range gives an angle of view approximately equivalent to that of a 27-64mm lens upon 35mm cameras, making it an ideal medium-aperture standard zoom lens.
The EF 17-40mm f/4L USM, like all of the Canon "L" lenses, delivers optical performance equal to similar fixed focal length lenses, with silent, high-speed focusing. Distortions and aberrations are remarkably small for a lens of such amazing capability. It combines 1 high-precision molded glass aspherical lens and 2 replica aspherical lenses to achieve the extended zoom range, while also correcting for common aberrations that arise during zooming. A Super UD (ultra-low dispersion) glass element minimizes the chromatic aberration of magnification which tends to occur with wide-angle lenses, to help eliminate color bleed along the edges of the subject and achieve high image contrast and resolution.
The 17-40's minimum focusing distance is just 11" (28cm) throughout its entire range of focal lengths, which makes it very useful for close-up work. All of the focusing and zooming action is done internally, with no changes of the size of the lens. It only uses lead-free optics to help the environment, and features a circular diaphragm for improved background blur. The housing is water and dust resistant to help ensure reliable performance for both professionals and enthusiasts. Like many "L" lenses, it uses 77mm filters, but also has a rear gelatin filter slot behind the lens mount.
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Canon EF 24-70mm f/2.8L USM 35mm zoom lens |
This lens replaces the previous high quality L-series 28-70mm f/2.8 lens, with a lens of even greater caliber. The range has been extended to cover an ultra-wide angle of 24mm, which makes it ideal for digital as well as film shooters, and the optics are even better than before with two Aspherical elements and a totally new UD glass element. It's now sealed and gasketed against dust and moisture, and a new processing unit makes the AF faster than ever.
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Canon EF 24-105mm f/4L IS USM 35mm zoom lens |
Canon EF 24-105mm f/4L IS USM lens is an easy-to-use standard zoom lens that can cover a large zoom area ranging from 24mm wide-angle to 105mm
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Canon EF 70-200mm f/2.8L USM 35mm zoom lens |
One of the finest telephoto zoom lenses in the EF line, comparable to a single focal length lens. It has four UD-glass elements to correct chromatic aberrations. The newly-designed multiple zoom groups for inner focusing bring high image quality throughout the entire zooming range.
This is the Non IS (Image Stabilizer) version.
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Canon EF 70-200mm f/2.8L IS USM 35mm zoom lens |
The pinnacle in Canon's constant-aperture telephoto zoom lenses, the EF 70-200mm f/2.8L IS USM Telephoto Zoom Lens is an incredible optic with robust design and tack sharp results. Second-generation Image Stabilization responds in as little as 0.5 seconds, while providing up to three stops stabilization that as hand-holdable as a normal lens. IS now automatically deactivates when on a tripod by sensing non-movement of the camera and lens, also conserving battery power. An entirely new optical formula produces images that are superior to even its highly regarded predecessor, the EF 70-200mm f/2.8 L, despite having more reflective surfaces within the lens.
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Canon EF 80-200mm f/2.8L 35mm zoom lens |
Older, Non IS, Non USM lens.
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Canon 75-300mm f/4-5.6 USM 35mm zoom lens |
This compact and lightweight EF 75-300mm telephoto zoom lens is ideal for shooting sports, portraits, and wildlife. The lens is distinguished by a newly developed micro ultrasonic motor (USM) that makes autofocusing quicker and quieter, along with an improved zoom mechanism that includes a silver ring on the front for a luxurious touch. The micro USM makes this version of the lens particularly suitable for applications that require a fast autofocus, such as sporting events or wildlife shoots. Best of all, the USM version shares many of the same features that makes the non-USM lens so popular, such as a compact size, a close focusing range, and accessory compatibility.
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Canon EF 100-400mm f/4.5-5.6L IS 35mm zoom lens |
The first EF lens with a zoom range from 100mm to 400mm, the EF 100-400mm f/4.5- 5.6L IS USM lens offers high resolution, superb contrast, neutral color balance, and Canon's original built-in Image Stabilizer function. High zoom magnification is achieved by means of a 6-group configuration with 5 movable groups. Fluorite and Super UD glass completely eliminate secondary spectrum for superb color rendition. Autofocusing is fast and silent with Canon's ring USM, and AF speed is further enhanced through an advanced, lightweight rear focusing design that incorporates a floating element for consistent image quality at all focusing distances from 5.9' to infinity. This lens is also equipped with a dual-mode Image Stabilizer suitable for panning as well as stationary subjects. With full-time manual focus, one-touch zooming with a wide grip, and a special ring that permits adjustment of zooming friction, this is a lens that's extremely easy to use, and ideal for a wide variety of applications including nature, wildlife, sports, and documentary photography.
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Canon FD 150-600mm f/5.6 L Zoom Lens |
****COMES WITH AN $100 GIFT CARD (FOR USE WITH THIS ITEM ONLY)
Despite being a super telephoto zoom lens, it boasts excellent operability such as zooming and focusing performed using a single knob, a handle as the role of focusing distant objects while also being useful for handling, and a one-touch revolving mechanism.
With regard to optical performance, an original positioning of the optical system and the effective use of UD glass lens element with low dispersion and a low refractive index reduce the size of the optical system while compensating for various aberrations, allowing sharp images with high-contrast to be obtained at all focal lengths.
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Canon 1.4x EF Extender II (Teleconverter) |
The Canon EF 1.4x II Extender is a high-quality teleconverter that preserves the image quality of the lens it's mounted to and multiplies its focal length by 1.4x. When combined with pro level EOS cameras & EF supertelephoto lenses with image stabilization, near imperviousness to weather extremes is achieved thanks to rubber gasket seals. Improved anti-reflective internal coatings also increase transmissivity and performance in backlit conditions.
The extender will cut back the amount of light by one f/stop. For example using a 1.4x teleconverter with a 300mm f/2.8 lens will effectively increase the focal length to approximately 420mm and the f/2.8 aperture will now be f/4. Teleconverters are best used with longer telephoto lenses.
PLEASE NOTE:
attempting to mount a Canon extender on incompatible lenses may damage the rear lens element. Canon extenders simply do not fit behind the rear lens element on Canon's non-extender-compatible lenses.
As a rule, but subject to change, the compatible lenses include fixed focal length L lenses 135mm and longer, zoom L lenses at least 70mm on their wide end and Canon TS-E Tilt-Shift lenses.
Auto-focus may or may not work depending on the lens but manual focus is always available.
- Autofocus is possible on any EOS camera when combined with a lens having an f/4 or faster maximum aperture.
- If the lens is attached to an EOS camera having multiple focusing points and an extender attached, only the center focusing point will be usable for AF.
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Canon 2x EF Extender (Teleconverter)(Doubler) |
The first version of Canon's 2x converter doubles focal length of most Canon telephoto lenses but 2 f-stops are lost. For example, f/2 becomes f/4, f2.8 becomes f/5.6, and f/4 becomes f/8.
Because the Canon EF 2x Extender is multiplying the aberrations/flaws of the lens it is mounted behind by 2x, there will be noticeable degradation in image quality when using the 2x. Sharpness and contrast take a hit with all but the best lenses. Additional Chromatic Aberration is introduced as is slight barrel distortion, but vignetting is somewhat reduced. The best 2x results will be made using a very sharp lens such as the Canon EF 300mm f/2.8 L IS USM Lens.
PLEASE NOTE:
attempting to mount a Canon extender on incompatible lenses may damage the rear lens element. Canon extenders simply do not fit behind the rear lens element on Canon's non-extender-compatible lenses.
As a rule, but subject to change, the compatible lenses include fixed focal length L lenses 135mm and longer, zoom L lenses at least 70mm on their wide end and Canon TS-E Tilt-Shift lenses.
Auto-focus may or may not work depending on the lens but manual focus is always available.
- Autofocus is possible on any EOS camera when combined with a lens having an f/4 or faster maximum aperture.
- If the lens is attached to an EOS camera having multiple focusing points and an extender attached, only the center focusing point will be usable for AF.
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Zeiss Distagon T* (Canon EF Mount) 18mm T3.5 |
The Zeiss Distagon T* 18mm f/3.5 ZE Wide Angle Lens is designed floating lens elements that deliver consistent high-quality over the entire distance range from 0.98'(0.3 m) to infinity. The Zeiss T* anti-reflective coating yields images with depth, contrast and brilliance even under a difficult lighting situations. Optimal color correction yields images with contrasting edges, delivered without color fringing.
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Zeiss Distagon T* (Canon EF Mount) 21mm T2.8 |
The Zeiss Distagon T* f/2.8 21mm ZE Lens for Canon EF Mount EOS DSLR cameras is a precision wide angle lens built with a Carl Zeiss T* anti-reflection coating that yields accurate color and professional-quality, high contrast images without any color fringes. It delivers exceptional results under all lighting conditions. With close focusing of only 8.64" (0.22 m) it is useful for landscape photography and other subjects with dramatic perspectives. The Distagon T* f/2.8 21mm comes with an EF bayonet (ZE) mount for Canon film and digital full-frame SLRs. The large front filter diameter (82mm) allows for the use of standard screw-in filters when combined with a standard lens shade (included).
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Zeiss Distagon T* (Canon EF Mount) 28mm T2.0 |
The Zeiss 28mm f/2.0 Distagon T* Lens with a ZE Mount for Canon EF mount SLRS is a moderate wide-angle lens based on the renowned Distagon design of the 1980s for the Contax system. The modern Distagon T* has been optimized with current, higher performing and eco-friendly glass and incorporates a floating lens element design to optimize image quality across the entire focusing range.
This high performance lens captures very detailed scenes with high accuracy and information content. Its fast f/2.0 aperture allows for hand-held photography under difficult lighting conditions and is well-suited for landscape, nature and commercial photography. This manual focus Carl Zeiss SLR lens is for use with both analog and digital single-lens reflex cameras that are compatible with the ZE lens mount.
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Zeiss Distagon T* (Canon EF Mount) 35mm T2.0 |
The Zeiss Distagon f/2 35mm ZE Lens classic focal length with a moderate wide-angle perspective, that is perfectly suited for commercial, location and nature photography. This Distagon T* lens is designed to provide very high image quality over a wide range of apertures and focusing ranges. The fast f/2 aperture enables hand-held photography under difficult lighting conditions and the short focus rotation is well-suited for fast action photography.
The lens is designed for use with full-frame SLR and DSLR cameras. Combined with a DSLR with a 1.5 crop factor, the lens has an effective focal length of 53mm and can be used as a standard focal length for a natural viewing perspective.
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Zeiss Planar T* (Canon EF Mount) 50mm T1.4 |
The Zeiss 50mm f/1.4 ZE Planar T* Lens is a high-speed standard lens for the exacting 35mm SLR photographer. Considered by professional photographers to be one of the world's best SLR lenses (if not the best), this "ZE" lens is now available for the Canon EF (EOS) bayonet SLR system.
All existing exposure programs (P, AV, TV, M) and the AF verification function of the camera are supported, and lens information (focal length and speed) is passed on to the camera. Certain functions that require the use of AF lenses (various subject programs, A-DEP) are partially unavailable.
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Zeiss Planar T* (Canon EF Mount) 85mm T1.4 |
The Zeiss 85mm f/1.4 ZE Planar T* lens is a short, high speed telephoto lens built for the exacting SLR photographer. It provides an unusually bright and clear image in the finder. Even at full aperture, it delivers top image quality. Its angle of view and exceptional performance make the Planar T* 1.4/85 ZF the lens of choice for portraiture on location or in the studio.
Now offered as a "ZE" type lens, which makes it compatible with any camera that uses the Canon EF bayonet lens mount. All existing exposure programs (P, AV, TV, M) and the AF verification function of the camera are supported, and lens information (focal length and speed) is passed on to the camera. Certain functions that require the use of AF lenses (various subject programs, A-DEP) are partially unavailable.
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Zeiss Makro-Planar T* (Canon EF Mount) 50mm T2 |
The Zeiss 50mm f/2.0 Makro-Planar ZE Macro Lens is designed for analog and digital Canon SLR cameras. The manual focus lens provides a normal perspective and has a minimum focus distance of 9.45" with a maximum magnification ratio of 1:2. The lens is designed with floating elements to ensure high performance across a wide focusing range. As a result, the lens can be used for macro and non-macro applications, making it a versatile standard lens when used with a full frame camera. The high quality performance even at f/2 aperture allows you to throw the background out of focus without compromising the image quality.
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Zeiss Makro-Planar T* (Canon EF Mount) 100mm T2 |
The Zeiss Makro-Planar T* 100mm f/2 ZE Macro Lens for Canon EF Mount EOS DSLR cameras has superior quality optics, combining sharp macro performance and a very fast maximum aperture. A 'floating element' optical system enables the Makro-Planar T* to deliver superior quality images even at f/2, from infinity to the close-focus (1.4', 0.44 m) distance. Users can employ selective focusing on important details with the clarity required for close-up photography, effectively isolating the subject from distracting surroundings. Applications for this lens making this lens is ideal for use in a wide variety of shooting scenarios including, but not limited to, industrial, scientific, nature, and product photography applications. Its superior and unique image quality also makes it a great choice for portraits.
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Sigma 20mm f/1.8 EX Aspherical DG DF RF Lens |
This 20mm is a Super wide-angle lens with a large aperture of f/1.8 and angle of view 94.5 degrees. It has Macro focusing capability with a minimum focusing distance of just 7.9", for a reproduction ratio of 1:4. The 9-bladed iris diaphragm obtains beautiful out of focus image characteristics. Aspherical lens elements in the front and rear lens groups minimize distortion, spherical aberration and astigmatisms. The lens has non-vignetting optical construction in order to obtain adequate peripheral brightness with wide apertures-especially desirable for digital cameras. The lens incorporates a rear focus system eliminating front lens rotation. The focusing ring does not rotate during autofocus yet provides adequate focusing torque of the focusing ring during manual focusing of the lens. The lens materials used in this new lens are lead and arsenic free ecological glass.
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Canon EF-S 10-22mm f/3.5-4.5 USM Lens |
Product Highlights
■EF-S Mount Lens
■16-35mm (35mm Equivalent)
■Aperture Range: f/3.5-29
■UD and Three Aspherical Lens Elements
■Super Spectra Lens Coating
■Ultrasonic Autofocus Motor
■Manual Focus Override
■Truly Circular Diaphragm
■Minimum Focus Distance: 9.6"
■77mm Filter Thread Diameter
Filter Thread
77 mm
NOT COMPATIBLE WITH CANON 5D
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Canon EF 8-15mm f/4L Fisheye Zoom USM Lens |
The EF 8-15mm f/4L Fisheye USM Lens from Canon delivers 180° diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C. When the lens is used with full-frame cameras you can choose between a circular fisheye image or full-frame image by using the zoom.
When used with EOS bodies featuring APS-C or APS-H sensors, the lens produces a more traditional, full frame fisheye view. A zoom-lock mechanism on the lens body allows the range to be limited to the focal length that ensures the best possible full-frame view without unsightly vignetting around the edge. 'C' and 'H' markings can be found next to the zoom operation ring, indicating the wide-angle zoom position where vignette-free shooting is possible with either sensor. For filmmakers and photographers who want the look and feel only possible with extreme wide angle and fisheye photography, the Canon EF 8-15mm f/4L Fisheye USM is a world-class choice.
With its Ultrasonic Motor (USM), and Floating Focus System the lens offers fast auto focus even down to a close 6.2" (0.16 m). The lens features UD glass for suppression of chromatic aberration, a Subwavelength coating for reduced ghosting, a Fluorine coating that keeps soiling, smears and fingerprints to a minimum, has full-time manual focus for instant switching from AF to Manual operation, and is built to the standards of the amazing Canon L-series of lenses. The rear gel holder holds up to 3 pre-cut filters. This means the finest optics, the best construction and the best performance available, all in a lens designed to stimulate creativity and deliver stunning images every time.
For all EOS SLR cameras with imaging formats ranging from full-frame to APS-C
Delivers 180° diagonal angle of view
Provides 180° circular fisheye images for full-frame cameras as well as full frame images when using the longer part of the zoom
Zoom-lock mechanism on the lens body allows the range to be limited to the focal length that ensures the best possible full-frame view without vignetting for APS-C or APS-H sensors
Rear gel holder holds up to 3 pre-cut filters
Focus adjustment is through internal focusing and focus cam plus floating mechanism
The lens features UD glass and aspherical elements for suppression of chromatic aberration, a Subwavelength coating for reduced ghosting, a Fluorine coating that keeps soiling, smears and fingerprints to a minimum
Full-time manual focus for instant switching from AF to Manual operation
Tight seal structure ensures excellent dust-proof and moisture-proof performance
Performance
Focal Length 8 - 15mm
Comparable APS-C 1.6x Focal Length: 12.8 - 24 mm
Aperture Maximum: f/4
Minimum: f/22
Camera Mount Type Canon EF
Format Compatibility 35mm Film / Full-Frame Digital Sensor
Canon (APS-C)
Canon (APS-H)
Angle of View 180° - 175° 30'
Minimum Focus Distance 6.2" (15.75 cm)
Magnification 0.34x
Maximum Reproduction Ratio 1:3
Elements/Groups 14/11
Diaphragm Blades 7
Features
Image Stabilization No
Autofocus Yes
Tripod Collar No
Physical
Filter Thread Rear: 1
Dimensions (DxL) Approx. 3.09 x 3.27" (78.5 x 83.0 mm)
Weight 1.19 lb (540 g)
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Canon 600mm f/4 IS Telephoto Lens |
35mm, Canon EF Mount
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Angenieux Optimo Style 16-40mm T2.8 EF Mount |
The Optimo Style 16-40mm T2.8 is designed specifically for Super35 / crop-sensor formats. It offers a focal length roughly equivalent to 24-60mm / 26-64mm respectively. Its standard Canon EF mount makes the Optimo Style 16-40mm compatible with a wide variety of cameras ranging from the Super35 EOS C100 Mark II / C300 / C300 Mark II / C500 to APS-C 7D Mark II
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Angenieux Optimo Style 30-76mm T2.8 EF Mount |
The Optimo Style 30-76mm T2.8 is designed specifically for Super35 / crop-sensor formats. It offers a focal length roughly equivalent to 45-114mm / 48-122mm respectively. Its standard Canon EF mount makes the Optimo Style 30-76mm compatible with a wide variety of cameras ranging from the Super35 EOS C100 Mark II / C300 / C300 Mark II / C500 to APS-C 7D Mark II
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Canon CN-E 14mm T3.1 L F Cinema Prime Lens (EF Mount) |
The Canon CN-E 14mm T3.1 L F Cinema Prime Lens is an ultra wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.
The lens offers a maximum T stop of 3.1 and has an 11-blade iris that provides round out of focus highlights for a natural looking bokeh. The lens barrel features 300 of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.
The lens is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It has focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. It also has a dust and water resistant housing to minimize maintenance.
The CN-E 14mm and the other five CN-E lenses share the same 114m front barrel diameter, focus rotation, 36 iris rotation, and focus and iris gear positions, allowing for easier lens swaps.
Key Features
Covers Full Frame and Super 35 sensors
11-blade iris
Focus breathing minimized to virtually zero
Distance markings on both sides of the barrel
Rear markings on an angled surface
Smooth, stepless 300 focus ring
Geared manual iris ring
Shares 114mm front barrel diameter, focus rotation, 36 iris rotation, and focus and iris gear positions with the rest of the CN-E line-up
Glass construction counteracts temperature-induced marking discrepancies
Dust and water resistant housing
Focus markings can be switched to metric labeling if you send the lens to Canon for modification
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Canon CN-E 20mm T1.5 L F Cinema Prime Lens (EF Mount) |
The Cinema prime CN-E20mm T1.5 L F lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
Intended for the working professional, the EF Cinema prime CN-E20mm T1.5 L F lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.
Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design- this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
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Canon CN-E 24mm T1.5 L F Cinema Prime Lens (EF Mount) |
The Canon CN-E 24mm T1.5 L F Cinema Prime Lens is a wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.
The lens offers a maximum aperture of T1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round out of focus highlights for a natural looking bokeh. The lens barrel features 300 of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.
The lens is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It's dual focus with markings on both sides of the barrel, with the rear markings on an angled surface, making it readable form either side of the camera. It also has a dust and water resistant housing to minimize maintenance during normal use.
The CN-E 14mm and the other five CN-E lenses share the same 114m front barrel diameter, focus rotation, 36 iris rotation, and focus and iris gear positions, allowing for easier swaps.
Key Features
Covers Full Frame and Super 35 sensors
11-blade iris
Focus breathing minimized to virtually zero
Markings on both sides of the barrel
Rear markings on an angled surface
Smooth, stepless 300 focus ring
Geared manual iris ring
Shares 114mm front barrel diameter, focus rotation, 36 iris rotation, and focus and iris gear positions with the rest of the CN-E line-up
Glass construction counteracts temperature induced marking discrepancies
Dust and water resistant housing
Focus markings can be switched to metric labeling if you send the lens to Canon for modification
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Canon CN-E 35mm T1.5 L F Cinema Prime Lens (EF Mount) |
The Cinema prime CN-E35mm T1.5 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
Intended for the working professional, the EF Cinema prime CN-E35mm T1.5 L F lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.
Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
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Canon CN-E 50mm T1.3 L F Cine Lens (EF Mount) |
The Cinema prime CN-E50mm T1.3 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
Intended for the working professional, the EF Cinema Prime CN-E50mm T1.3 L F lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.
Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
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Canon CN-E 85mm T1.3 L F Cine Lens (EF Mount) |
The Cinema prime CN-E85mm T1.3 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
Intended for the working professional, the EF Cinema Prime CN-E85mm T1.3 L F lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.
Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is perfect for any number of applications. It features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
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Canon CN-E 135mm T2.2 LF Cinema Prime Lens (EF Mount) |
The Cinema prime CN-E 135mm T2.2 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
Intended for the working professional, the Cinema prime CN-E 135mm T2.2 L F lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.
Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
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Canon CN-E 18-80mm T4.4 COMPACT-SERVO Cinema Zoom Lens (EF Mount) |
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Sigma 18-35mm f/1.8 DC HSM Art Lens for Canon EF |
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Canon EF 24-70mm f/2.8L II USM Lens |
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Canon EF 70-200mm f/2.8L IS USM 35mm Zoom Lens Mark II |
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