35mm PL Mount "Film" Lenses including Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses, Cooke Series 4 Lenses, Cooke and Angenieux Zoom Lenses. We have every Zeiss, Cooke, and Angenieux PL Mount lens.
Arri Zeiss Master Prime 12mm Lens |
- Covers Super 35 Sensor Size
- PL Mount with LDS (Lens Data System)
- T1.3 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Marked in Feet
- 16" Minimum Focus Distance
- Weighs 6.4 Pounds
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Arri Zeiss Master Prime 14mm Lens |
- Covers Super-35 Sensor Size
- Fast T1.3 Aperture for Shallow D.O.F.
- Virtually No Lens Breathing
- Greatly Reduced Flare
- 14" Minimum Focus Distance
- 114 mm Front Diameter
- Weighs 5.3 Pounds
- PL Mount with LDS (Lens Data System)
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Arri Zeiss Master Prime 16mm Lens |
- Covers Super-35 Sensor Size
- Fast T1.3 Aperture for Shallow D.O.F.
- Virtually No Lens Breathing
- Greatly Reduced Flare
- 14" Minimum Focus Distance
- 114 mm Front Diameter
- Weighs 4.9 Pounds
- PL Mount with LDS (Lens Data System)
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Arri Zeiss Master Prime 18mm Lens |
- Covers Super-35 Sensor Size
- Fast T1.3 Aperture for Shallow D.O.F.
- Virtually No Lens Breathing
- Greatly Reduced Flare
- 14" Minimum Focus Distance
- 114 mm Front Diameter
- Weighs 4.9 Pounds
- PL Mount with LDS (Lens Data System)
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Arri Zeiss Master Prime 21mm Lens |
- Covers Super-35 Sensor Size
- Fast T1.3 Aperture for Shallow D.O.F.
- Virtually No Lens Breathing
- Greatly Reduced Flare
- 14" Minimum Focus Distance
- 114 mm Front Diameter
- Weighs 5.3 Pounds
- PL Mount with LDS (Lens Data System)
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Arri Zeiss Master Prime 25mm Lens |
- Covers Super-35 Sensor Size
- Fast T1.3 Aperture for Shallow D.O.F.
- Virtually No Lens Breathing
- Greatly Reduced Flare
- 14" Minimum Focus Distance
- 114 mm Front Diameter
- Weighs 5.1 Pounds
- PL Mount with LDS (Lens Data System)
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Arri Zeiss Master Prime 27mm Lens |
- Covers Super-35 Sensor Size
- Fast T1.3 Aperture for Shallow D.O.F.
- Virtually No Lens Breathing
- Greatly Reduced Flare
- 14" Minimum Focus Distance
- 114 mm Front Diameter
- Weighs 4.9 Pounds
- PL Mount with LDS (Lens Data System)
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Arri Zeiss Master Prime 32mm Lens |
- Covers Super-35 Sensor Size
- Fast T1.3 Aperture for Shallow D.O.F.
- Virtually No Lens Breathing
- Greatly Reduced Flare
- 14" Minimum Focus Distance
- 114 mm Front Diameter
- Weighs 5.1 Pounds
- PL Mount with LDS (Lens Data System)
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Arri Zeiss Master Prime 35mm Lens |
- Covers Super-35 Sensor Size
- Fast T1.3 Aperture for Shallow D.O.F.
- Virtually No Lens Breathing
- Greatly Reduced Flare
- 14" Minimum Focus Distance
- 114 mm Front Diameter
- Weighs 4.9 Pounds
- PL Mount with LDS (Lens Data System)
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Arri Zeiss Master Prime 40mm Lens |
- Covers Super-35 Sensor Size
- Fast T1.3 Aperture for Shallow D.O.F.
- Virtually No Lens Breathing
- Greatly Reduced Flare
- 16" Minimum Focus Distance
- 114 mm Front Diameter
- Weighs 5.1 Pounds
- PL Mount with LDS (Lens Data System)
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Arri Zeiss Master Prime 50mm Lens |
- Covers Super-35 Sensor Size
- Fast T1.3 Aperture for Shallow D.O.F.
- Virtually No Lens Breathing
- Greatly Reduced Flare
- 20" Minimum Focus Distance
- 114 mm Front Diameter
- Weighs 5.9 Pounds
- PL Mount with LDS (Lens Data System)
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Arri Zeiss Master Prime 65mm Lens |
- Covers Super-35 Sensor Size
- Fast T1.3 Aperture for Shallow D.O.F.
- Virtually No Lens Breathing
- Greatly Reduced Flare
- 26" Minimum Focus Distance
- 114 mm Front Diameter
- Weighs 5.7 Pounds
- PL Mount with LDS (Lens Data System)
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Arri Zeiss Master Prime 75mm Lens |
- Covers Super-35 Sensor Size
- Fast T1.3 Aperture for Shallow D.O.F.
- Virtually No Lens Breathing
- Greatly Reduced Flare
- 32" Minimum Focus Distance
- 114 mm Front Diameter
- Weighs 6.2 Pounds
- PL Mount with LDS (Lens Data System)
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Arri Zeiss Master Prime 100mm Lens |
- Covers Super-35 Sensor Size
- Fast T1.3 Aperture for Shallow D.O.F.
- Virtually No Lens Breathing
- Greatly Reduced Flare
- 39" Minimum Focus Distance
- 114 mm Front Diameter
- Weighs 6.4 Pounds
- PL Mount with LDS (Lens Data System)
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Arri Zeiss Master Prime 135mm Lens |
- Covers Super-35 Sensor Size
- Fast T1.3 Aperture for Shallow D.O.F.
- Virtually No Lens Breathing
- Greatly Reduced Flare
- 37" Minimum Focus Distance
- 114 mm Front Diameter
- Weighs 6.2 Pounds
- PL Mount with LDS (Lens Data System)
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Arri Zeiss Master Prime 150mm Lens |
- Covers Super-35 Sensor Size
- Fast T1.3 Aperture for Shallow D.O.F.
- Virtually No Lens Breathing
- Greatly Reduced Flare
- 4' 11" Minimum Focus Distance
- 134 mm Front Diameter
- Weighs 8.8 Pounds
- PL Mount with LDS (Lens Data System)
- Aspherical Elements / Minimal Aberration
- Consistent F/I/Z Ring Positions
Call for a Quote |
Kowa Prominar 100mm T3.4 Anamorphic Lens |
Focal Length: 100mm
T-Stop: T3.4
Minimum Focus: 60in
Front Diameter: 80mm
Weight: 3lbs
|
Kowa Prominar 75mm T2.8 Anamorphic Lens |
Focal Length: 75mm
T-Stop: T2.8
Minimum Focus: 36in
Front Diameter: 80mm
Weight: 2lbs
|
Kowa Prominar 50mm T2.3 Anamorphic Lens |
Focal Length: 50mm
T-Stop: T2.3
Minimum Focus: 36in
Front Diameter: 80mm
Weight: 2lbs
Read more...
|
Kowa Prominar 40mm T2.3 Anamorphic Lens |
Focal Length: 40mm
T-Stop: T2.3
Minimum Focus: 36in
Front Diameter: 80mm
Weight: 2.5lbs
|
Fujinon 19-90mm T2.9 Cabrio Premier PL Lens |
The Fujinon 19-90mm T2.9 Cabrio Premier PL Lens is a wide to telephoto zoom lens for Super 35mm cameras. The focus, zoom, and iris barrels are geared with standard 0.8 film pitch, which provides an interface for the removable ENG-style digital drive unit. The rear PL mount features electrical contacts for sharing Arri LDS and Cooke /i Technology lens data with the camera.
Features:
- PL Mount 19-90mm Zoom Lens
- T2.9 Maximum Aperture with 9 Iris Blades
- 31.5mm Diameter Image Circle
- Removable ENG-style Digital Drive
- Standard 0.8 Film Pitch Gears
- Power and Control Connections to Camera
- LDS and /i Technology Lens Data
- 200 Degree Focus Rotation
- Macro Focus Function
- Flange Focal Distance Adjustment
|
Zeiss Compact Prime CP.2 Super Speed 35mm T1.5 (PL Mount) |
The Zeiss Compact Prime CP.2 35mm/T1.5 Super Speed PL Mount is a fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light. Aside from great optics and mechanics, the lens offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity.
The fast T1.5 does so well in low-light, night and non-bright outdoor environments, that it allows filmmakers to conveniently pursue more creative shots in low-light, especially with high ISO DSLRs and camcorders. The outstanding handle of low-light also serves to limit the need for artificial light and thus allows more mobile filmmaking and delivers more natural-looking scenes. The fast aperture additionally offers more creative possibilities when aiming at a cinematic shallow depth of field.
The lens also offers follow-focus flexibility. Across the entire CP.2 family, the front diameter is consistent, focus and iris gears are standard, and the housing is cine-style, offering thus compatibility with all standardized follow-focus systems.
|
Zeiss Compact Prime CP.2 Super Speed 50mm T1.5 (PL Mount) |
The Zeiss Compact Prime CP.2 50mm/T1.5 Super Speed PL Mount is a fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light. Aside from great optics and mechanics, the lens offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity.
The fast T1.5 does so well in low-light, night and non-bright outdoor environments, that it allows filmmakers to conveniently pursue more creative shots in low-light, especially with high ISO DSLRs and camcorders. The outstanding handle of low-light also serves to limit the need for artificial light and thus allows more mobile filmmaking and delivers more natural-looking scenes. The fast aperture additionally offers more creative possibilities when aiming at a cinematic shallow depth of field.
The lens also offers follow-focus flexibility. Across the entire CP.2 family, the front diameter is consistent, focus and iris gears are standard, and the housing is cine-style, offering thus compatibility with all standardized follow-focus systems.
|
Zeiss Compact Prime CP.2 Super Speed 85mm T1.5 (PL Mount) |
The Zeiss Compact Prime CP.2 85mm/T1.5 Super Speed PL Mount is a fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light. Aside from great optics and mechanics, the lens offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity.
The fast T1.5 does so well in low-light, night and non-bright outdoor environments, that it allows filmmakers to conveniently pursue more creative shots in low-light, especially with high ISO DSLRs and camcorders. The outstanding handle of low-light also serves to limit the need for artificial light and thus allows more mobile filmmaking and delivers more natural-looking scenes. The fast aperture additionally offers more creative possibilities when aiming at a cinematic shallow depth of field.
The lens also offers follow-focus flexibility. Across the entire CP.2 family, the front diameter is consistent, focus and iris gears are standard, and the housing is cine-style, offering thus compatibility with all standardized follow-focus systems.
|
Zeiss Compact Prime CP.2 18mm/T3.6 Cine Lens (PL Mount) |
Featuring 14 high-precision blades, which create a consistently round and symmetrical iris opening over the entire T-stop range, the lens ensures uniform out-of-focus highlights and a smooth bokeh. T* Anti-reflex coating and internal light traps help suppress disturbing flares. The Compact Prime Cine Lens features a unique lens design that helps provide enhanced contrast, resolution and color rendition, and reduces distortion. Markings for distance are given in feet.
Note: Unlike the larger CP.2 lenses, the 18mm/T3.6 does not cover full-frame 35mm sensors. On cameras such as the Canon 5D Mark II, vignetting will occur.
|
Zeiss Compact Prime CP.2 21mm/T2.9 Cine Lens (PL Mount) |
The Zeiss Compact Prime CP.2 21mm/T2.9 Cine Lens (PL Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).
The Compact Prime CP.2 lenses cover a full-frame image format without vignetting. The iris opening of the Compact Prime CP.2 lenses is created by 14 high precision blades. It stays consistently round and symmetrical over the entire T-stop range. This translates into natural and pleasing out-of-focus highlights and a smooth bokeh. Together they help create and capture special moments on film.
Features:
- Full-frame coverage (24 x 36 mm) for focal lengths 21 to 100 mm
- Common aperture of T2.1 for the standard lens set
- Sweet spot effect with APS-C sensors
|
Zeiss Compact Prime CP.2 25mm/T2.1 Cine Lens (PL Mount) |
The Zeiss Compact Prime CP.2 25mm/T2.1 Cine Lens (PL Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).
The Compact Prime CP.2 lenses cover a full-frame image format without vignetting. The iris opening of the Compact Prime CP.2 lenses is created by 14 high precision blades. It stays consistently round and symmetrical over the entire T-stop range. This translates into natural and pleasing out-of-focus highlights and a smooth bokeh. Together they help create and capture special moments on film.
Features:
- Full-frame coverage (24 x 36 mm) for focal lengths 21 to 100 mm
- Common aperture of T2.1 for the standard lens set
- Sweet spot effect with APS-C sensors
|
Zeiss Compact Prime CP.2 28mm/T2.1 Cine Lens (PL Mount) |
The Zeiss Compact Prime CP.2 28mm/T2.1 Cine Lens (PL Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).
The Compact Prime CP.2 lenses cover a full-frame image format without vignetting. The iris opening of the Compact Prime CP.2 lenses is created by 14 high precision blades. It stays consistently round and symmetrical over the entire T-stop range. This translates into natural and pleasing out-of-focus highlights and a smooth bokeh. Together they help create and capture special moments on film.
Features:
- Full-frame coverage (24 x 36 mm) for focal lengths 21 to 100 mm
- Common aperture of T2.1 for the standard lens set
- Sweet spot effect with APS-C sensors
|
Zeiss Compact Prime CP.2 35mm/T2.1 Cine Lens (PL Mount) |
The Zeiss Compact Prime CP.2 35mm/T2.1 Cine Lens (PL Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).
The Compact Prime CP.2 lenses cover a full-frame image format without vignetting. The iris opening of the Compact Prime CP.2 lenses is created by 14 high precision blades. It stays consistently round and symmetrical over the entire T-stop range. This translates into natural and pleasing out-of-focus highlights and a smooth bokeh. Together they help create and capture special moments on film.
Features:
- Full-frame coverage (24 x 36 mm) for focal lengths 21 to 100 mm
- Common aperture of T2.1 for the standard lens set
- Sweet spot effect with APS-C sensors
|
Zeiss Compact Prime CP.2 50mm/T2.1 Cine Lens (PL Mount) |
The Zeiss Compact Prime CP.2 50mm/T2.1 Cine Lens (PL Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).
The Compact Prime CP.2 lenses cover a full-frame image format without vignetting. The iris opening of the Compact Prime CP.2 lenses is created by 14 high precision blades. It stays consistently round and symmetrical over the entire T-stop range. This translates into natural and pleasing out-of-focus highlights and a smooth bokeh. Together they help create and capture special moments on film.
Features:
- Full-frame coverage (24 x 36 mm) for focal lengths 21 to 100 mm
- Common aperture of T2.1 for the standard lens set
- Sweet spot effect with APS-C sensors
|
Zeiss Compact Prime CP.2 85mm/T2.1 Cine Lens (PL Mount) |
The Zeiss Compact Prime CP.2 85cm/T2.1 Cine Lens (PL Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).
The Compact Prime CP.2 lenses cover a full-frame image format without vignetting. The iris opening of the Compact Prime CP.2 lenses is created by 14 high precision blades. It stays consistently round and symmetrical over the entire T-stop range. This translates into natural and pleasing out-of-focus highlights and a smooth bokeh. Together they help create and capture special moments on film.
Features:
- Full-frame coverage (24 x 36 mm) for focal lengths 21 to 100 mm
- Common aperture of T2.1 for the standard lens set
- Sweet spot effect with APS-C sensors
|
Zeiss 15 - 30mm CZ.2 Compact Zoom Lens (PL Mount, Feet) |
The Zeiss 15 - 30mm CZ.2 Compact Zoom Lens in PL mount with focus markings in feet is a short wide-angle zoom lens for production shooting on formats from Micro Four Thirds to Full-Frame sensors. Optimized for digital cinematography, the zoom lens supports 4K resolution and is colormatched to available Zeiss primes for seamless intercutting between zoom and primes.
The lens features internal mechanical adjustments built into a cine-style housing that minimize focus shift across the zoom range. Built-in lens gears on the zoom, focus, and iris rings, allow you to use available follow focus and zoom motors (not included). The lens features a circular iris for natural looking out of focus highlights, with easy to read focus scales calibrated in feet.
Full Frame Coverage
The lens covers the full frame aperture, allowing you to use this lens on a variety of formats from Four Thirds through Full Frame.
Focus Rotation
The lens features nearly 300 of focus rotation that provides for extremely accurate focus pulls.
Interchangeable Lens Mounts
The interchangeable lens mount allows you to change the original mount your lens came in. Optionally available mounts are Sony E, Canon EF, Nikon F, and MFT.
Lens Coatings
T* anti-reflex coating and internal light traps suppress flare for a sharp image with good contrast.
Intercutability
Colormatched to seamlessly intercut with Zeiss Master Prime, Ultra Prime, Compact Prime Lenses, and other CZ.2 zoom lenses.
|
Zeiss Compact Zoom CZ.2 70-200mm/T2.9 Cine Lens (PL Mount) |
|
Zeiss Super Speed 18mm T1.3 PL Mount |
35mm, Arri PL Mount Prime Lens
|
Zeiss Super Speed 25mm T1.3 PL Mount |
35mm, Arri PL Mount Prime Lens
|
Zeiss Super Speed 35mm T1.3 PL Mount |
35mm, Arri PL Mount Prime Lens
|
Zeiss Super Speed 50mm T1.3 PL Mount |
35mm, Arri PL Mount Prime Lens
|
Zeiss Super Speed 85mm T1.3 PL Mount |
35mm, Arri PL Mount Prime Lens
|
Zeiss Super Speed 35mm Lenses (5 lens kit), PL Mount |
- 18mm/T1.3
- 25mm/T1.3
- 35mm/T1.3
- 50mm/T1.3
- 85mm/T1.3
All PL Mount
|
Zeiss 10mm T2.1 |
35mm, Arri PL Mount Prime Lens
|
Zeiss 12mm T2.1 |
35mm, Arri PL Mount Prime Lens
|
Zeiss 14mm T1.8 |
35mm, Arri PL Mount Prime Lens
|
Zeiss 100mm T2.1 |
35mm, Arri PL Mount Prime Lens
|
Zeiss 135mm T2.1 |
35mm, Arri PL Mount Prime Lens
|
Zeiss 180mm T2.8 |
35mm, Arri PL Mount Prime Lens
|
Zeiss 300mm T2.8 |
35mm, Arri PL Mount Prime Lens with integral Zeiss doubler to 600mm; this is a rare and beautiful lens, all by Zeiss
|
Cooke Series 4, 12mm T2 |
35mm, Arri PL Mount Prime Lens
Four lens minimum
|
Cooke Series 4, 14mm T2 |
35mm, Arri PL Mount Prime Lens
Four lens minimum
|
Cooke Series 4, 16mm T2 |
35mm, Arri PL Mount Prime Lens
Four lens minimum
|
Cooke Series 4, 18mm T2 |
35mm, Arri PL Mount Prime Lens
Four lens minimum
|
Cooke Series 4, 21mm T2 |
35mm, Arri PL Mount Prime Lens
Four lens minimum
|
Cooke Series 4, 25mm T2 |
35mm, Arri PL Mount Prime Lens
Four lens minimum
|
Cooke Series 4, 32mm T2 |
35mm, Arri PL Mount Prime Lens
Four lens minimum
|
Cooke Series 4, 35mm T2 |
35mm, Arri PL Mount Prime Lens
Four lens minimum
|
Cooke Series 4, 50mm T2 |
35mm, Arri PL Mount Prime Lens
Four lens minimum
|
Cooke Series 4, 65mm T2 |
35mm, Arri PL Mount Prime Lens
Four lens minimum
|
Cooke Series 4, 75mm T2 |
35mm, Arri PL Mount Prime Lens
Four lens minimum
|
Cooke Series 4, 100mm T2 |
35mm, Arri PL Mount Prime Lens
Four lens minimum
|
Cooke Series 4, 135mm T2 |
35mm, Arri PL Mount Prime Lens
Four lens minimum
|
Cooke Series 4, 150mm T2 |
35mm, Arri PL Mount Prime Lens
Four lens minimum
|
Cooke Series 4, 180mm T2 |
35mm, Arri PL Mount Prime Lens
Four lens minimum
|
Arri Zeiss Ultra Prime, 10mm T2.1 |
- PL Mount
- T1.9 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Image Quality Retained Across Frame
|
Arri Zeiss Ultra Prime, 12mm T1.9 |
- Covers Super-35 Format
- PL Mount
- T1.9 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Image Quality Retained Across Frame
|
Arri Zeiss Ultra Prime, 14mm T1.9 |
- Covers Super-35 Format
- PL Mount
- T1.9 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Image Quality Retained Across Frame
- 8.7" Minimum Close Focus
|
Arri Zeiss Ultra Prime, 16mm T1.9 |
- Covers Super-35 Format
- PL Mount
- T1.9 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Image Quality Retained Across Frame
|
Arri Zeiss Ultra Prime, 20mm T1.9 |
- Covers Super-35 Format
- PL Mount
- T1.9 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Image Quality Retained Across Frame
- 11" Minimum Close Focus
|
Arri Zeiss Ultra Prime, 24mm T1.9 |
- Covers Super-35 Format
- PL Mount
- T1.9 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Image Quality Retained Across Frame
|
Arri Zeiss Ultra Prime, 28mm T1.9 |
- Covers Super-35 Format
- PL Mount
- T1.9 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Image Quality Retained Across Frame
- 11" Minimum Close Focus
|
Arri Zeiss Ultra Prime, 32mm T1.9 |
- Covers Super-35 Format
- PL Mount
- T1.9 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Image Quality Retained Across Frame
|
Arri Zeiss Ultra Prime, 40mm T1.9 |
- Covers Super-35 Format
- PL Mount
- T1.9 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Image Quality Retained Across Frame
- 15" Minimum Close Focus
|
Arri Zeiss Ultra Prime, 50mm T1.9 |
- Covers Super-35 Format
- PL Mount
- T1.9 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Image Quality Retained Across Frame
|
Arri Zeiss Ultra Prime, 65mm T1.9 |
- Covers Super-35 Format
- PL Mount
- T1.9 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Image Quality Retained Across Frame
|
Arri Zeiss Ultra Prime, 85mm T1.9 |
- Covers Super-35 Format
- PL Mount
- T1.9 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Image Quality Retained Across Frame
|
Arri Zeiss Ultra Prime, 100mm T1.9 |
- Covers Super-35 Format
- PL Mount
- T1.9 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Image Quality Retained Across Frame
- 3ft 3" Minimum Close Focus
|
Arri Zeiss Ultra Prime, 135mm T1.9 |
- Covers Super-35 Format
- PL Mount
- T1.9 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Image Quality Retained Across Frame
|
Arri Zeiss Ultra Prime, 180mm T1.9 |
- Covers Super-35 Format
- PL Mount
- T1.9 to T22 Aperture Range
- Geared Focus and Aperture Control Rings
- Clickless Iris Ring
- Image Quality Retained Across Frame
- 8.6" Minimum Close Focus
|
Century/Cooke 17.5-53mm T2.7 Short Zoom Lens |
Converted by Century Optics from a Cooke 20-60mm, this short zoom lens has a physical length of 10 inches and a front opening of 120mm.
|
Cooke 18-100mm T3.1 Zoom Lens |
- Zoom ratio: 5x
- Focal length: 18-100mm
- Aperture: T3.1
- PL Mount
|
Cooke 20-60mm T3.1 Zoom Lens |
|
Cooke 20-100mm Zoom Lens |
- Zoom ratio: 5x
- Focal length: 20-100mm
- Aperture: T3.1
- Minimum focus: 28 in.
- Front barrel diameter: 144mm
- PL Mount
|
Cooke 25-250mm T3.9 Mark II Zoom Lens |
- Zoom ratio: 10x
- Focal length: 25-250mm
- Aperture: T3.9
- PL Mount
|
Cooke 25-250mm T3.7 Mark III Zoom Lens |
- Zoom ratio: 10x
- Focal length: 25-250mm
- Aperture: T3.7
- PL Mount
|
Cooke Techno 25-250mm T2.3 Zoom Lens |
- Zoom ratio: 10x
- Focal length: 25-250mm
- Aperture: T2.3
- PL Mount
|
Angenieux Optimo 45-120mm T2.8 Zoom Lens |
The Optimo lightweight hand-held zoom lenses - including the 15-40mm, 28-76mm, and 45-120mm - offer a superb balance between quality and agility. They are the lightest and the most compact series of cine zoom lenses in the industry and are perfectly suited for shootings requiring modern, lightweight and compact digital cameras and Steadicam work.
Features:
- Superb image quality from T2.8 open aperture
- Compact and very light (1.9 kg / 4.3lbs)
- Identical center of gravity on all Optimo lightweight zoom lenses enable quick lens interchange
- Perfect homogeneity of color, contrast and resolution. Low distortion
- No ramping, minimal breathing, very fast for 2.7x zoom ratios
- Internal focus, internal zoom, constant lens volume
- Precise and ergonomic focus ring with scale rotation of 320 degrees & over 50 focus marks.
- Interchangeable focus scale ring from feet to meters
- Adapted to extreme production environments (back focus temperature compensation system from -20C to +45C)
- Compatible with Optimo 1.4x and 2x extenders
63-168mm T4 (with 1.4x extender)
90-240mm T5.6 (with 2x extender)
- Image coverage: S35+ (33.34 mm), expands to 35 mm when used with Optimo extenders
- Available in PL mount. Easily interchangeable to Panavision, Canon EF mounts
- Compatible with ASU servo unit (integrated motors for FTZ remote control through industry standard control systems)
|
Angenieux Optimo 15-40mm T2.6 Lightweight Zoom Lens |
The Optimo lightweight hand-held zoom lenses - including the 15-40mm, 28-76mm, and 45-120mm - offer a superb balance between quality and agility. They are the lightest and the most compact series of cine zoom lenses in the industry and are perfectly suited for shootings requiring modern, lightweight and compact digital cameras and Steadicam work.
|
Angenieux 17-102mm T2.9 Zoom Lens |
|
Angenieux Optimo 17-80mm T2.3 Zoom Lens |
|
Angenieux Optimo 28-76mm T2.6 Zoom Lens |
The Optimo lightweight hand-held zoom lenses - including the 15-40mm, 28-76mm, and 45-120mm - offer a superb balance between quality and agility. They are the lightest and the most compact series of cine zoom lenses in the industry and are perfectly suited for shootings requiring modern, lightweight and compact digital cameras and Steadicam work.
|
Angenieux Optimo 19.5-94mm T2.6 Cinema Lens - PL Mount |
Setting the standard for optics technology and performance, the Optimo line offers a range of zoom lenses to meet the most uncompromising requirements. Manufactured with exquisite precision, they help you bring greater artistry and cinematic expression to your production in any format. The Optimo long lenses are unrivaled as the industry's reference lenses for every type of production from feature films, commercials, TV series and video clips to major sports events and concerts.
Features:
- Enhanced version of the former Optimo 17-80 with larger image circle and longer focal length
- Ideal companion to the industry reference Optimo 12x zooms
- Superb image quality from T2.6 open aperture, considered as "variable prime"
- Perfect homogeneity of color, contrast and resolution
- Low distortion. No ramping, minimal breathing
- Internal focus, Internal zoom no change in lens size
- Precise and ergonomic focus ring with scale rotation of 329 degrees, 50 focus marks
- Interchangeable focus scale ring from feet to meters
- Sophisticated yet robust focusing architecture offers close focus of 0.62m/2 ft -0.5 in
- Adapted to extreme production environments (back focus temperature compensation system from -20C to +45C)
- Compatible with Optimo 1.4x and 2x extenders
- Image coverage: S35+ (31.4 mm), expands to 35 mm when used with Optimo extenders
- Conversion to EF or Panavision mount possible (by factory trained engineers)
|
Angenieux Optimo 28-340mm T3.2 Cinema Lens - PL Mount |
Setting the standard for optics technology and performance, the Optimo line offers a range of zoom lenses to meet the most uncompromising requirements. Manufactured with exquisite precision, they help you bring greater artistry and cinematic expression to your production in any format. The Optimo long lenses are unrivaled as the industry's reference lenses for every type of production from feature films, commercials, TV series and video clips to major sports events and concerts.
Features:
- Enhanced version of Optimo 24-290 with larger image circle and longer focal length
- Image coverage up to S35+ (33.4mm), expands to 35mm when used with Optimo extenders
- Constant aperture of T3.2 throughout the 12x zoom range
- Superb image quality from open aperture, considered as "Variable Primes"
- 327 degrees focus rotation with over 70 precise markings
- Calibrated focus marks available in feet or metric (easily interchangeable)
- Close Focus MOD of 1.23 m / 4 ft 0.5 in
- Adapted to extreme production environments (back focus temperature compensation system from -20C to +45C)
- Robust zoom / focus mechanism
- Mechanical components based on light-weight material with dedicated anti-abrasion coating
- Aberration correction properly carried out, high-tech corrective glass to improve performance
- Compatible with Optimo 1.4x and 2x extenders
- Conversion to EF or Panavision mount possible (by factory trained engineers)
|
Angenieux Optimo 24-290mm Zoom Lens |
The Angenieux Optimo 24-290 is the industry standard for high performance optical quality, offering brilliant clarity in an extreme focal range at a fast aperture.
- Zoom ratio: 12x
- Focal length: 24-290mm
- Aperture: T2.8
- MOD: two feet (.6m)
- Weight: 24 lbs. (11kg)
- Front diameter: 162mm
|
Angenieux Optimo 1.4x Extender |
|
Angenieux Optimo 2x Extender |
|
ARRI/Zeiss 15.5-45mm T2.6 Lightweight Zoom Lens |
|
ARRI/Zeiss Master Zoom 16.5-110mm T2.6 Zoom Lens |
|
Arri 40mm T2.0 Macro Prime Lens |
|
Arri 60mm T3.0 Macro Prime Lens |
|
Arri 100mm T3.0 Macro Prime Lens |
|
Century 28-70mm T3.0 Zoom Lens |
|
HAWK 150-450mm T2.8 Zoom Lens |
|
Canon 150-600mm T5.6 Century 2000 Zoom Lens |
|
Canon 200mm T1.8 Telephoto Lens |
35mm, Arri PL Mount
|
Canon 300mm T2.0 Telephoto Lens |
35mm, Arri PL Mount
|
Canon 300mm T2.8 (Series 2000) Telephoto Lens |
35mm, Arri PL Mount
|
Canon 400mm T2.8 Telephoto Lens |
35mm
|
Canon 600mm T4.5 Telephoto Lens |
35mm, Arri PL Mount
|
Canon 800mm T5.6 Telephoto Lens |
35mm, Arri PL Mount
|
Nikkor 200mm T2.0 Telephoto Lens |
35mm, Arri PL Mount
|
Nikkor 300mm T2.0 Telephoto Lens |
35mm, Arri PL Mount
|
Nikkor 400mm T2.8 Telephoto Lens |
35mm, Arri PL Mount
|
RED 18-85mm T2.9 Zoom Lens |
Focal Length Range: 18-85mm
T Stop Range: T2.9 - T22
Close Focus from Lens Front: 27.6"
Front Diameter: 142mm
|
RED 18-50mm F2.8 CF Lens |
Focal Length Range: 18-50mm
T Stop Range: T3 - T22
Maximum f Stop: f/2.8
Close Focus from Lens Front: 1.73"
Front of Lens to Image Plane: 6.16"
Minimum Marked Object Distance: 8"
Maximum Format Covered: Super 35mm
Length from Front to Lens Mount: 4.12"
Front Diameter4.5"
Weight1.05 kg / 2.3 lbs.
|
RED 50-150mm T3 (F2.8) Zoom Lens |
Focal Length Range: 50-150mm
T Stop Range: T3 - T22
Maximum f Stop: f/2.8
Close Focus from Lens Front: 31.6"
Front of Lens to Image Plane: 7.8"
Minimum Marked Object Distance: 42"
Maximum Format Covered: Super 35mm
Length from Front to Lens Mount: 5.75"
Front Diameter4.5"
Weight1.5 kg / 3.3 lbs.
|
RED Pro Primes 18mm lens |
T1.8, Arri Lens Mount, 110mm front diameter
|
RED Pro Primes 25mm lens |
T1.8, Arri Lens Mount, 110mm front diameter
|
RED Pro Primes 35mm lens |
T1.8, Arri Lens Mount, 110mm front diameter
|
RED Pro Primes 50mm lens |
T1.8, Arri Lens Mount, 110mm front diameter
|
RED Pro Primes 85mm lens |
T1.8, Arri Lens Mount, 110mm front diameter
|
RED Pro Primes 100mm lens |
T1.8, Arri Lens Mount, 110mm front diameter
|
RED Pro Primes 300mm lens |
T2.9, Arri Lens Mount, 117.4mm front diameter
|
Rokinon XEEN 14mm T3.1 PL mount lens |
|
Rokinon XEEN 24mm T1.5 PL mount lens |
|
Rokinon XEEN 35mm T1.5 PL mount lens |
|
Rokinon XEEN 50mm T1.5 PL mount lens |
|
Rokinon XEEN 85mm T1.5 PL mount lens |
|
Cooke 25mm T2.3 Anamorphic/i Prime Lens - PL Mount |
Cooke Anamorphic/i lenses feature standard Arriflex PL Mounts. They offer a linear iris and anamorphic characteristics including 2:1 oval bokeh for out of focus highlights.
Cooke Anamorphic lenses must be rented in a set of 5 or more.
|
Cooke 32mm T2.3 Anamorphic/i Lens - PL Mount |
Cooke Anamorphic/i lenses feature standard Arriflex PL Mounts. They offer a linear iris and anamorphic characteristics including 2:1 oval bokeh for out of focus highlights.
Cooke Anamorphic lenses must be rented in a set of 5 or more.
|
Cooke 50mm T2.3 Anamorphic/i Lens - PL Mount |
Cooke Anamorphic/i lenses feature standard Arriflex PL Mounts. They offer a linear iris and anamorphic characteristics including 2:1 oval bokeh for out of focus highlights.
Cooke Anamorphic lenses must be rented in a set of 5 or more.
|
Cooke MACRO Anamorphic/i 65mm Prime T2.6 - PL Mount |
This Cooke MACRO Anamorphic/i 65mm Prime Lens offers a linear iris with max. aperture of T2.6, anamorphic 2:1 oval bokeh for out of focus highlights, and weighs 11.5 lb with MOD at 18".
Requires 6x6 matte box.
Cooke Anamorphic lenses must be rented in a set of 5 or more.
|
Cooke 75mm T2.3 Anamorphic/i Lens - PL Mount |
Cooke Anamorphic/i lenses feature standard Arriflex PL Mounts. They offer a linear iris and anamorphic characteristics including 2:1 oval bokeh for out of focus highlights.
Cooke Anamorphic lenses must be rented in a set of 5 or more.
|
Cooke 100mm T2.3 Anamorphic/i Lens - PL Mount |
Cooke Anamorphic/i lenses feature standard Arriflex PL Mounts. They offer a linear iris and anamorphic characteristics including 2:1 oval bokeh for out of focus highlights.
Cooke Anamorphic lenses must be rented in a set of 5 or more.
|
Rokinon Xeen 135mm T2.2 Lens with PL Mount |
|
Rokinon Xeen 135mm T2.2 Lens with EF Mount |
|
Fujinon XK20-120mm T3.5 Cabrio Premier Lens (PL Mount) |
The PL 20-120mm Cabrio XK (XK6x20) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The XK6x20 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 20-120mm focal range, weight of only 2.9kg including servo motors, a T Stop of T3.5 end to end, The Cabrio XK is sure to become the "go to" lens.
Videographers used to shooting video in a typical ENG-style will be very comfortable with the servo. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. Plus, the lens has all the lens data output that appeals to a Cine-style shooter. LDS and /i metadata compatibility is very useful when you want to record the position information of zoom, iris and focus for computer animation and other uses.
The digital servo on the 20-120mm Cabrio XK has 16-bit encoding, so operators can be assured that all lens data output is extremely accurate.
The 20-120mm covers S35 sensor size (Super 35 Film Format - 24.84 x 13.97mm) PL 20 - 120mm on a digital cinema style camera. While sensors on standard broadcast cameras are all the same size, sensors on digital cine cameras vary greatly. This new zoom ensures the image captured will cover large sensors for optimal, full-frame resolution. A nine-blade iris part of the design as well, creating the most natural-looking imagery possible.
Barrel markings are luminous for visibility in dark shooting situations. Distances are listed in feet or meters and can be changed in the field.
The 20-120mm can be controlled using cinema industry standard wireless controllers, as well as existing Fujinon wired and wireless units. Whether you are from a film background or a video one, the Premier PL 20-120mm offers uncompromising quality and unprecedented flexibility.
PL Mount 20-120mm Zoom Lens
T3.5 Maximum Aperture with 9 Iris Blades
31.5mm Diameter Image Circle
Removable ENG-Style Digital Drive
Standard 0.8 Film Pitch Gears
Power and Control Connections to Camera
LDS and /i Technology Lens Data
200-Degree Focus Rotation
Macro Focus Function
Flange Focal Distance Adjustment
|
| |
Rental Quote
