Canon EU-V2 Expansion Unit 2 (C300 MK III, C500 MK II) - WITH CAMERA RENTAL |
FREE WITH CAMERA RENTAL
The Canon EU-V2 Expansion Unit 2 mounts onto your C500 Mark II camera and provides a V-mount battery mount for power as well as ports that expand the capabilities of your camera. The expansion unit adds five ports: Genlock/Sync Out, Remote B (RS-422), Ethernet, DC Out (24V, 2A), and a lens control port. This unit expands your C500 Mark II for work as a full-sized production camera, adding two 3-pin XLR connectors for audio input. The V-mount battery plate incorporates a D-Tap output for powering accessories.
The Genlock/Sync Out port accepts a genlock signal that slaves your camera to the same time base as the other equipment receiving the genlock signal. The Remote B port allows you to control your camera using RS-422 protocol, while the Ethernet port allows you to connect your camera to a LAN for control and live streaming applications. The DC out port provides power for accessories, while the lens control port allows you to interface with select lenses. The ports have rubber covers to protect the connectors from dust intrusion when not in use.
- Fits C300 MK III and C500 Mk II
- V-Mount Battery Plate
- Adds Two XLR Audio Connectors
- Adds Genlock/Sync Out
- Adds Remote B (RS-422)
- Adds Ethernet Port
- 24 VDC out Port
- Lens Power and Control Port
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Canon EU-V2 Expansion Unit 2 (C300 MK III, C500 MK II) |
The Canon EU-V2 Expansion Unit 2 mounts onto your C500 Mark II camera and provides a V-mount battery mount for power as well as ports that expand the capabilities of your camera. The expansion unit adds five ports: Genlock/Sync Out, Remote B (RS-422), Ethernet, DC Out (24V, 2A), and a lens control port. This unit expands your C500 Mark II for work as a full-sized production camera, adding two 3-pin XLR connectors for audio input. The V-mount battery plate incorporates a D-Tap output for powering accessories.
The Genlock/Sync Out port accepts a genlock signal that slaves your camera to the same time base as the other equipment receiving the genlock signal. The Remote B port allows you to control your camera using RS-422 protocol, while the Ethernet port allows you to connect your camera to a LAN for control and live streaming applications. The DC out port provides power for accessories, while the lens control port allows you to interface with select lenses. The ports have rubber covers to protect the connectors from dust intrusion when not in use.
- Fits C300 MK III and C500 Mk II
- V-Mount Battery Plate
- Adds Two XLR Audio Connectors
- Adds Genlock/Sync Out
- Adds Remote B (RS-422)
- Adds Ethernet Port
- 24 VDC out Port
- Lens Power and Control Port
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Sony XDCA-FS7 Extension Unit for PXW-FS7 - WITH CAMERA RENTAL |
FREE WITH CAMERA RENTAL
While the PXW-FS7 XDCAM camera comes with internal XAVC and MPEG-2 recording on XQD media you can attach the optional XDCA-FS7 Extension Unit. The box is attachable via a MultiPin connector so there are no hassles about cables. The Extension Unit offers additional I/O connectors like Timecode and Genlock for multi-camera operation or the possibility to use common V-Mount batteries. It also allows RAW data output to record 12-bit RAW footage on the AXS-R5 (in combination with HXR-IFR5), or another third party RAW recorder via the FS RAW Interface. The XDCA-FS7 will encode the video stream into the Apple ProRes 422 codec, which is then recorded on to the internal XQD media.
- I/O and CODEC Extension Unit for PXW-FS7
- 12-bit FS RAW output, compatible with Sony and third party recorders
- Encodes HD Apple ProRes HQ and Apple ProRes 422 up to 30fps for recoding onboard PXW-FS7 XQD cards.
- SMPTE Time Code I/O selectable via switch
- Genlock input
- Reference output
- 4-Pin XLR DC input
- V-Lock battery powers 4-pin Hirose DC output for accessories
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Sony XDCA-FS7 Extension Unit for PXW-FS7 |
While the PXW-FS7 XDCAM camera comes with internal XAVC and MPEG-2 recording on XQD media you can attach the optional XDCA-FS7 Extension Unit. The box is attachable via a MultiPin connector so there are no hassles about cables. The Extension Unit offers additional I/O connectors like Timecode and Genlock for multi-camera operation or the possibility to use common V-Mount batteries. It also allows RAW data output to record 12-bit RAW footage on the AXS-R5 (in combination with HXR-IFR5), or another third party RAW recorder via the FS RAW Interface. The XDCA-FS7 will encode the video stream into the Apple ProRes 422 codec, which is then recorded on to the internal XQD media.
- I/O and CODEC Extension Unit for PXW-FS7
- 12-bit FS RAW output, compatible with Sony and third party recorders
- Encodes HD Apple ProRes HQ and Apple ProRes 422 up to 30fps for recoding onboard PXW-FS7 XQD cards.
- SMPTE Time Code I/O selectable via switch
- Genlock input
- Reference output
- 4-Pin XLR DC input
- V-Lock battery powers 4-pin Hirose DC output for accessories
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Sony XDCA-FX9 Extension Unit for PXW-FX9 - WITH CAMERA RENTAL |
FREE WITH CAMERA RENTAL
Add the XDCA-FX9 Extension Unit from Sony to the back of your PXW-FX9 camera to add an ENG-style shoulder mount and additional I/O and power to your camera. The unit features a 4-pin XLR DC power output to power accessories and other equipment, as well as three BNC outputs for raw video, a reference signal, and timecode. A LAN interface and two USB ports provide live streaming and file transfer abilities, as well as compatibility with XDCAM Air streaming playback.
With the latest firmware update, the unit supports 16-bit raw 4K/2K recording output to compatible external recorders, as well as provide functionality to a built-in wireless audio slot for DWX/UWP wireless receivers.
- Enables ENG-style shoulder mounting for FX9
- Multi-pin V-lock-type camera mount
- 4-pin XLR DC output
- REF, timecode, and raw video BNC outputs
- 2-pin light power output
- D-Sub 15-pin port for wireless receiver
- One LAN and two USB Type-A ports for live streaming and XDCAM Air capability
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Sony XDCA-FX9 Extension Unit for PXW-FX9 |
Add the XDCA-FX9 Extension Unit from Sony to the back of your PXW-FX9 camera to add an ENG-style shoulder mount and additional I/O and power to your camera. The unit features a 4-pin XLR DC power output to power accessories and other equipment, as well as three BNC outputs for raw video, a reference signal, and timecode. A LAN interface and two USB ports provide live streaming and file transfer abilities, as well as compatibility with XDCAM Air streaming playback.
With the latest firmware update, the unit supports 16-bit raw 4K/2K recording output to compatible external recorders, as well as provide functionality to a built-in wireless audio slot for DWX/UWP wireless receivers.
- Enables ENG-style shoulder mounting for FX9
- Multi-pin V-lock-type camera mount
- 4-pin XLR DC output
- REF, timecode, and raw video BNC outputs
- 2-pin light power output
- D-Sub 15-pin port for wireless receiver
- One LAN and two USB Type-A ports for live streaming and XDCAM Air capability
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Denecke TS-3 Time Code Slate - Color Clapper |
The Deneke TS-3 Time Code Slate reads and displays SMPTE/EBU Time Code; it utilizes an internally mounted SB-2 Syncbox Time Code Generator. This unit Jams to all standard frame rates, including 30 df; user bits jam automatically when the time is set. The high stability crystal ensures low drift and now comes standard with the TCXO option for extreme temperature ranges.
Flat Back
This slate features a flat back for easy holding; also has a removable plate for holding camera logs.
Voltage Readout
A battery voltage readout and low battery warning keep the user informed.
Error Warning
A Sync Error warning lets the user know different frame rates are being input.
Automatic
The incoming frame rate is read and the reader automatically sets to that frame rate.
Logging
A logging feature allows the user to scroll back through the last 16 time code claps.
TCXO
The high stability Temperature Compensated Crystal Oscillator ensures low drift and is standard on the TS-3.
Read more...
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Denecke TS-3EL Time Code Slate - Color Clapper, Backlight |
The Deneke TS-3 Time Code Slate reads and displays SMPTE/EBU Time Code; it utilizes an internally mounted SB-2 Syncbox Time Code Generator. This unit Jams to all standard frame rates, including 30 df; user bits jam automatically when the time is set. The high stability crystal ensures low drift and now comes standard with the TCXO option for extreme temperature ranges.
EL Backlit Display
The EL Backlit Display is particularly useful during night shoots and on dimly lit stages.
Flat Back
This slate features a flat back for easy holding; also has a removable plate for holding camera logs.
Voltage Readout
A battery voltage readout and low battery warning keep the user informed.
Error Warning
A Sync Error warning lets the user know different frame rates are being input.
Automatic
The incoming frame rate is read and the reader automatically sets to that frame rate.
Logging
A logging feature allows the user to scroll back through the last 16 time code claps.
TCXO
The high stability Temperature Compensated Crystal Oscillator ensures low drift and is standard on the TS-3.
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Horita FP-50 Time Code Generator |
battery powered generator/reader
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Time Code Generator |
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Horita PWG Time Code Generator |
battery powered generator/reader
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ScriptBoy Time Code Clipboard |
The Scriptboy is the ideal production assistant's assistant. It provides a large, clear readout of timecode from the camera at distances of up to 100 metres, without cables - and without having to ask the cameraman "what's the code?" A small battery-powered transmitter is attached to the camera and fed with LTC timecode in EBU or SMPTE, dropframe or non-dropframe format. This is transmitted to the Scriptboy clipboard which automatically detects the format and decodes the signal for display. The display reading can be frozen so that accurate timecode can be recorded on continuity notes or script.
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Ambient ACL-202 Clockit Box - Timecode Generator |
The Clockit, called "Lockit" by many, is a small, highly accurate portable timecode and colour videosync and wordclock generator. Audio and video machines such as DAT recorders, and Betacams can be genlocked to the Clockit Box, thus giving a very low drift between equipment working together. Typically, the drift will be less than 1 frame per day, without connecting cables or radio links. The Clockit can be jamsynced with external timecode, or set with Aaton ASCII code. The Clockit is especially useful in multicamera Betacam shoots, where a Clockit on each camera and one on the audio recorder will reduce drift between machines to under one frame a day.
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Ambient ACL-203 Clockit Box - Timecode Generator |
The Ambient ACL 203 Tri-Level Sync Lockit Set is a time code device designed for use with HDV cameras. It supports a variety of HD video formats, as well as sample-rate-based synching for audio recorders in world clock and black audio up to 192KHz. The unit features (3) rotary encoders that control function blocks, sync format, sync frequency, and time-code frame rate. These controls allow for simple dialing even with exotic variants of pull-up/pull-down or cross jam modes.
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Ambient ACC-501 Controller, Clockit Master Clock System |
The Ambient Controller is an extremely accurate portable master clock and timecode generator/reader. It can can be used to jam, read, identify, and compare all timecodes. All framerates are supported and the frame rate can be changed without losing time of day, enabling a camera running at 24 frames, and a recorder running at 25 or 30 frames to be jamsynced.
The Controller can also be used to check and calibrate the crystal oscillators of the Ambient range of time code products in the studio or field, giving unsurpassed accuracy. Its internal crystal oscillator can be calibrated from four different external sources: external timecode, another Ambient unit, GPS satellite, or DCF radio clock. Once calibrated, the controller becomes a portable timecode master clock with an accuracy of 0.2 ppm.
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Ambient ALL-601 Universal TC Interface EDL Logger |
Built around a powerful ARM processor the Lanc Logger was designed to fit unobtrusively onto even the smallest consumer grade cameras.
Bridging between SMPTE, LANC and MIDI time code formats it allows of complete integration of equipment without native TC capabilities into a professional, time code based production workflow.
Being able to create a EDL log file referring LANC or record run TC to Time of Day on the set makes import, alignment and file administration a breeze saving not only time and money but allowing projects hardly thinkable of before. Cameras without TC functions (DSLRs, etc) can record the LTC directly on an audio track and resync their video files via Avid Media Composer or AuxApp.
Final Cut Pro users can now fully automatize batch processing and import with the available AuxApp application.
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Analog Slate (Movie Clapper) |
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